Regina caeli (I) (Antoine Busnois): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2009-09-29}} {{CPDLno|20268}} [[Media:Busnois_regina-1.pdf|{{pdf}}]] [[Media:Busnois_regina-1.mid|{{mid}}]] [[Media:Busnois_regina-1.mxl|{{XML}}]] [[Media:Busnois_regina-1.mus|{{mus}}]] (Finale 2009)
*{{CPDLno|20268}} [[Media:Busnois_regina-1.pdf|{{pdf}}]] [[Media:Busnois_regina-1.mid|{{mid}}]] [[Media:Busnois_regina-1.mus|{{mus}}]] (Finale 2009)
{{Editor|Paul R. Marchesano|2009-09-29}}{{ScoreInfo|Letter|7|172}}{{Copy|CPDL}}
{{Editor|Paul R. Marchesano|2009-09-29}}{{ScoreInfo|Letter|7|172}}{{Copy|CPDL}}
:'''Edition notes:''' A mix of Tenor-G clef and standard G-clef has been employed in this edition for clarity of presentation.
:{{EdNotes|A mix of Tenor-G clef and standard G-clef has been employed in this edition for clarity of presentation.}}


==General Information==
==General Information==
'''Title:''' ''Regina Caeli (I)''<br>
{{Title|''Regina Caeli (I)''}}
{{Composer|Antoine Busnois}}
{{Composer|Antoine Busnois}}


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:'''  
{{Pub|0|c.1459–1480|in ''KBR MS 5557''|ms=ms|no=15}}
 
{{Pub|0|c.1503–1512|in ''Cappella Sistina MS 42''|ms=ms|no=20}}
'''Description:''' Busnois, credited with stretching the typical vocal range of singers, employs large ranges in the inner voices (A,T) not typical of modern mixed choirs. For practical performance purposes, one may utilize a mix of altos, counter-tenors and tenors (as applicable) for these inner parts, or altos and tenors can switch parts for certain passages.
{{Descr|Busnois, credited with stretching the typical vocal range of singers, employs large ranges in the inner voices (A,T) not typical of modern mixed choirs. For practical performance purposes, one may utilize a mix of altos, counter-tenors and tenors (as applicable) for these inner parts, or altos and tenors can switch parts for certain passages. Uses variant of third line of the Marian prayer.}}
 
{{#ExtWeb:}}
Uses variant of third line of the Marian prayer.
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Regina caeli}}
{{LinkText|Regina caeli}}

Latest revision as of 21:22, 22 August 2023

Music files

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  • (Posted 2009-09-29)  CPDL #20268:        (Finale 2009)
Editor: Paul R. Marchesano (submitted 2009-09-29).   Score information: Letter, 7 pages, 172 kB   Copyright: CPDL
Edition notes: A mix of Tenor-G clef and standard G-clef has been employed in this edition for clarity of presentation.

General Information

Title: Regina Caeli (I)
Composer: Antoine Busnois

Number of voices: 4vv   Voicing: SATB
Genre: SacredMotet

Language: Latin
Instruments: A cappella

    Manuscript c.1459–1480 in KBR MS 5557, no. 15
    Manuscript c.1503–1512 in Cappella Sistina MS 42, no. 20
Description: Busnois, credited with stretching the typical vocal range of singers, employs large ranges in the inner voices (A,T) not typical of modern mixed choirs. For practical performance purposes, one may utilize a mix of altos, counter-tenors and tenors (as applicable) for these inner parts, or altos and tenors can switch parts for certain passages. Uses variant of third line of the Marian prayer.

External websites:

Original text and translations

Original text and translations may be found at Regina caeli.