John Wall Callcott: Difference between revisions
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*{{NoCo|A beauteous fair has pierced my heart}} {{editions|2}} | *{{NoCo|A beauteous fair has pierced my heart}} {{editions|2}} | ||
*{{NoCo|Ah! How Sophia can you leave?}} {{LLink|Cal-sop.pdf|Cal-sop.mid|Cal-sop.sib|Sibelius 5}} | *{{NoCo|Ah! How Sophia can you leave?}} {{LLink|Cal-sop.pdf|Cal-sop.mid|Cal-sop.sib|Sibelius 5}} | ||
* {{NoCo|Alas, cried Damon}} ( [http://www.notamos.co.uk/145842.shtml {{net}}] | * {{NoCo|Alas, cried Damon}} ( [http://www.notamos.co.uk/145842.shtml {{net}}] ) | ||
* {{NoCo|The haughty wife of Jove}} ( [http://www.notamos.co.uk/145843.shtml {{net}}] | * {{NoCo|The haughty wife of Jove}} ( [http://www.notamos.co.uk/145843.shtml {{net}}] ) | ||
*{{NoCo|The Historians}} ( [http://www.notamos.co.uk/102170.html {{net}}] ) | *{{NoCo|The Historians}} ( [http://www.notamos.co.uk/102170.html {{net}}] ) | ||
* {{NoCo|Imperial Rome, the mistress of the world}} ( [http://www.notamos.co.uk/145844.shtml {{net}}] | * {{NoCo|Imperial Rome, the mistress of the world}} ( [http://www.notamos.co.uk/145844.shtml {{net}}] ) | ||
* {{NoCo|In all her steps, in each enchanting eye}} ( [http://www.notamos.co.uk/145845.shtml {{net}}] | * {{NoCo|In all her steps, in each enchanting eye}} ( [http://www.notamos.co.uk/145845.shtml {{net}}] ) | ||
*{{NoCo|The Knell of tyrant laws I hear}} {{LLinkW|call-kne.pdf|call-kne.mid|call-kne.sib|Sibelius 2}} | *{{NoCo|The Knell of tyrant laws I hear}} {{LLinkW|call-kne.pdf|call-kne.mid|call-kne.sib|Sibelius 2}} | ||
*{{NoCo|Sir John Hawkins' History of Music}} {{LLinkW|call-his.pdf|call-his.mid|call-his.sib|Sibelius 2}} | *{{NoCo|Sir John Hawkins' History of Music}} {{LLinkW|call-his.pdf|call-his.mid|call-his.sib|Sibelius 2}} | ||
*{{NoCo|Vostra moglie fu baciata}} ( [{{filepath:Cal-vos.pdf}} {{pdf}}] [{{filepath:Cal-vos.mid}} {{mid}}] [{{filepath:Cal-vos.sib}} Sibelius 5] ) | *{{NoCo|Vostra moglie fu baciata}} ( [{{filepath:Cal-vos.pdf}} {{pdf}}] [{{filepath:Cal-vos.mid}} {{mid}}] [{{filepath:Cal-vos.sib}} Sibelius 5] ) | ||
* {{NoCo|Whene'er my dame a-hedging goes}} ( [http://www.notamos.co.uk/145760.shtml {{net}}] | * {{NoCo|Whene'er my dame a-hedging goes}} ( [http://www.notamos.co.uk/145760.shtml {{net}}] ) | ||
====Round==== | ====Round==== |
Revision as of 17:04, 15 September 2013
Aliases: Calcott, John Wall
Life
Born: 20 November 1766
Died: 15 May 1821
Biography
View the Wikipedia article on John Wall Callcott.
List of choral works
- For works at CPDL sorted alphabetically by title, see John Wall Callcott compositions
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Sacred works
Canons
- Blessed is he that considereth the poor ( Sibelius 5 )
- Bow down thine ear ( Sibelius 5 )
- Call to remembrance ( Sibelius 5 )
- Christ being risen from the dead ( Sibelius 5 )
- Miserere mei Deus ( Sibelius 5 )
- Out of the deep ( Sibelius 5 )
- Thou, lord, hast been a defence unto the poor ( Sibelius 5 )
Metrical psalm tunes
- Defend me, Lord, from shame ( Sibelius 7 )
- Let all the just to God with joy ( )
- O God, my gracious God, to thee ( Sibelius 7 )
- The Lord himself, the mighty Lord ( )
- To God, our never-failing strength ( )
Sacred glees
Secular works
Includes all scores in volume 3 of William Horsley's collection of the composer's works
Glees and madrigals, arranged by author of lyrics
Baillie, Joanna (1762-1852), poems by
Bowles, William Lisle (1762-1850), poem by
Campbell, Thomas, (1777-1844) who adapted a song by Martin Parker (1600-1656)
- Ye gentlemen of England ( Sibelius 5 ) ("The mariners")
Carey, Henry (1687-1743), paraphrase of opening lines of 'Chrononhotonthologos'
Chatterton, Thomas (1752-1770), poems by
- Oh thou where'er (thie bones att reste) ( Sibelius 5 )
- Songe to Aelle ( Sibelius 5 )
- Whann Battayle smethinge ( Sibelius 5 )
Evans, Thomas, from his “Old Ballads”, published 1810
Goldsmith, Sir Oliver (1730-1774), from his poem "The deserted village"
Goethe, Johann Wolgang von (1749-1832), poem by, translated into English by Matthew Lewis
Gray, Thomas, (1716-1771), poems by
- Hail! Happy Albion! ( Sibelius 5 )
- Oh! sovereign of the willing soul ( Sibelius 5 )
- Thyrsis, when we parted ( Sibelius 5 )
Jones, Sir William (1746-94) from poem "Laura" freely adapted from Francesco Petrarca (1304–1374)
Jonson, Ben (1572-1637) from poem "To Celia"
Lewis, Matthew (1775-1818), poem by
Lowth, Bishop Robert (1710-1787), Latin elegy by
- Cara vale ( Sibelius 5 )
Madden, Elizabeth Jane, poem by
Mathias, Thomas James (1754-1835) poems by
Ossian (James Macpherson (1736-1796)), poems by
- Father of heroes ( Sibelius 5 )
- Green thorn of the hill of ghosts ( Sibelius 5 )
- In the lonely vale ( )
- Peace to the souls of the heroes ( Sibelius 5
- Pleasant is the voice of thy song ( Sibelius 2 )
Petrarca, Francesco (1304–1374), poem by
Ramsay, Allan (1686-1758), poem by
Rannie, John, lived 18th Century, poems by
Russell, Thomas, (1762-1788), adapted from first two stanzas of “An ein Veilchen” by Christian Felix Weisse (1726-1804)
Sackville, Charles, Earl of Dorset (1636-1706) poem by
- To all you ladies now at hand ( Sibelius 5 ) ("The new mariners")
Scott, Sir Walter (1771-1832), from poem "Lay of the last minstrel"
- Melrose ( Sibelius 2 )
- Rosabelle ( Sibelius 5 )
Southey, Robert (1774-1843) from poem "Madoc"
Traditional
Unknown author of lyrics
- Are the white hours for ever fled ( Sibelius 5 )
- Dull, repining sons of care ( Sibelius 5 )
- Epitaph on Sir John Calf ( )
- O snatch me swift ( Sibelius 5 )
- See with ivy chaplet bound ( Sibelius 5 )
- When Arthur first in court began to wear long hanging sleaves ( Sibelius 5 )
Catches
- A beauteous fair has pierced my heart (2 editions available)
- Ah! How Sophia can you leave? ( Sibelius 5 )
- Alas, cried Damon ( )
- The haughty wife of Jove ( )
- The Historians ( )
- Imperial Rome, the mistress of the world ( )
- In all her steps, in each enchanting eye ( )
- The Knell of tyrant laws I hear ( Sibelius 2 )
- Sir John Hawkins' History of Music ( Sibelius 2 )
- Vostra moglie fu baciata ( Sibelius 5 )
- Whene'er my dame a-hedging goes ( )
Round
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Publications
External links
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