Cantantibus organis: Difference between revisions
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*[[Cantantibus organis (Pierre de Manchicourt)|Pierre de Manchicourt]] a 4 (variant, with 2. pars ''Caecilia virgo gloriosa'') | *[[Cantantibus organis (Pierre de Manchicourt)|Pierre de Manchicourt]] a 4 (variant, with 2. pars ''Caecilia virgo gloriosa'') | ||
*[[Cantantibus organis (Luca Marenzio)|Luca Marenzio]] SAAT | *[[Cantantibus organis (Luca Marenzio)|Luca Marenzio]] SAAT | ||
*[[Cantantibus organis (Bernardino Morelli)|Bernardino Morelli]] SSAAT or SATTB | |||
*[[Cantantibus organis (Giovanni Pierluigi da Palestrina)|Giovanni Pierluigi da Palestrina]] (with pendant) SATTB or ATTTB | *[[Cantantibus organis (Giovanni Pierluigi da Palestrina)|Giovanni Pierluigi da Palestrina]] (with pendant) SATTB or ATTTB | ||
*Peter Philips a 5 | *Peter Philips a 5 |
Revision as of 23:50, 10 November 2019
Cantantibus organis is commonly found in two versions. The shorter appears in the Solesmes editions as the first antiphon at Vespers of the Feast of St. Cecilia (November 22). It is set by Liszt but also in very old chant sources as both antiphon and responsory; Cima replaces the last three words with 'alleluia'. The longer version is found in many renaissance settings (both Lassos, Manchicourt, Marenzio).
Settings
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See also Misa Cantantibus Organis (Angel Viro)
Other settings possibly not included in the manual list above
- Peter Tranchell — Cantantibus organis
Text and translations
Latin text Cantantibus organis Cecilia virgo [gloriosa] |
English translation While the musicians played, Cecilia the [glorious] virgin |