William Byrd: Difference between revisions

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* {{NoComp|Lord, Make Me to Know Thy Ways}}{{LLinkW|byrd-lo4.pdf|byrd-lo4.mid|byrd-lo4.sib|Sibelius 2}}
* {{NoComp|Lord, Make Me to Know Thy Ways}}{{LLinkW|byrd-lo4.pdf|byrd-lo4.mid|byrd-lo4.sib|Sibelius 2}}
* {{NoComp|Lullaby my sweet little baby}}   ''3 editions available''
* {{NoComp|Lullaby my sweet little baby}}   ''3 editions available''
* {{NoComp|Make ye joy to God}}{{LLink|BYRD-MAK.pdf|BYRD-MAK.mid|BYRD-MAK.sib|Sibelius 4}}}}
* {{NoComp|Make ye joy to God}}{{LLink|BYRD-MAK.pdf|BYRD-MAK.mid|BYRD-MAK.sib|Sibelius 4}}
* {{NoComp|Mine eyes with fervency}}{{LLink|BYRD-MIN.pdf|BYRD-MIN.mid|BYRD-MIN.sib|Sibelius 4}}
* {{NoComp|Mine eyes with fervency}}{{LLink|BYRD-MIN.pdf|BYRD-MIN.mid|BYRD-MIN.sib|Sibelius 4}}
* {{NoComp|My soul oppressed with care}}{{LLink|BYRD-MYS.pdf|BYRD-MYS.mid|BYRD-MYS.sib|Sibelius 4}}
* {{NoComp|My soul oppressed with care}}{{LLink|BYRD-MYS.pdf|BYRD-MYS.mid|BYRD-MYS.sib|Sibelius 4}}
* {{NoComp|O God give ear}}{{LLink|BYRD-OGO.pdf|BYRD-OGO.mid|BYRD-OGO.sib|Sibelius 4}}
* {{NoComp|O God give ear}}{{LLink|BYRD-OGO.pdf|BYRD-OGO.mid|BYRD-OGO.sib|Sibelius 4}}
* {{NoComp|O God that guides the cheerful sun}}{{LLink|BYRD-OG2.pdf|BYRD-OG2.mid|BYRD-OG2.sib|Sibelius 4}}}}
* {{NoComp|O God that guides the cheerful sun}}{{LLink|BYRD-OG2.pdf|BYRD-OG2.mid|BYRD-OG2.sib|Sibelius 4}}
* {{NoComp|O God which art most merciful}}{{LLink|BYRD-OG1.pdf|BYRD-OG1.mid|BYRD-OG1.sib|Sibelius 4}}
* {{NoComp|O God which art most merciful}}{{LLink|BYRD-OG1.pdf|BYRD-OG1.mid|BYRD-OG1.sib|Sibelius 4}}
* {{NoComp|O Lord, make Thy servant Elizabeth}}   ''4 editions available''
* {{NoComp|O Lord, make Thy servant Elizabeth}}   ''4 editions available''
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* {{NoComp|Short Evening Service}}{{LLinkW|byrd/byrd-ses.pdf|byrd/byrd-ses.mid|byrd/byrd-ses.zip|Encore}}
* {{NoComp|Short Evening Service}}{{LLinkW|byrd/byrd-ses.pdf|byrd/byrd-ses.mid|byrd/byrd-ses.zip|Encore}}
* {{NoComp|Sing Joyfully}}   ''2 editions available''
* {{NoComp|Sing Joyfully}}   ''2 editions available''
* {{NoComp|Sing we merrily unto God}}{{LLink|BYRD-SI1.pdf|BYRD-SI1.mid|BYRD-SI1.sib|Sibelius 4}}}}
* {{NoComp|Sing we merrily unto God}}{{LLink|BYRD-SI1.pdf|BYRD-SI1.mid|BYRD-SI1.sib|Sibelius 4}}
* {{NoComp|Sing ye to our Lord}}{{LLink|BYRD-SI3.pdf|BYRD-SI3.mid|BYRD-SI3.sib|Sibelius 4}}}}
* {{NoComp|Sing ye to our Lord}}{{LLink|BYRD-SI3.pdf|BYRD-SI3.mid|BYRD-SI3.sib|Sibelius 4}}
* {{NoComp|Teach me, O Lord}}   ( [{{SERVER}}/wiki/images/1/15/Byrd_Teach_me_O_Lord.pdf {{pdf}}] [{{SERVER}}/wiki/images/8/86/Byrd_Teach_me_O_Lord.mid {{mid}}]  )
* {{NoComp|Teach me, O Lord}}   ( [{{SERVER}}/wiki/images/1/15/Byrd_Teach_me_O_Lord.pdf {{pdf}}] [{{SERVER}}/wiki/images/8/86/Byrd_Teach_me_O_Lord.mid {{mid}}]  )
* {{NoComp|This day Christ was born}}   ''2 editions available''
* {{NoComp|This day Christ was born}}   ''2 editions available''
* {{NoComp|Turn our captivity}}{{LLink|BYRD-TUR.pdf|BYRD-TUR.mid|BYRD-TUR.sib|Sibelius 4}}}}
* {{NoComp|Turn our captivity}}{{LLink|BYRD-TUR.pdf|BYRD-TUR.mid|BYRD-TUR.sib|Sibelius 4}}
* {{NoComp|Unto the hills mine eyes I lift}}{{LLink|BYRD-UNT.pdf|BYRD-UNT.mid|BYRD-UNT.sib|Sibelius 4}}
* {{NoComp|Unto the hills mine eyes I lift}}{{LLink|BYRD-UNT.pdf|BYRD-UNT.mid|BYRD-UNT.sib|Sibelius 4}}
* {{NoComp|When Israel came out of Egypt}}{{LLink|Byrd-Psalm_114.pdf|Byrd-Psalm_114.mid}}
* {{NoComp|When Israel came out of Egypt}}{{LLink|Byrd-Psalm_114.pdf|Byrd-Psalm_114.mid}}

Revision as of 12:55, 22 November 2010

Aliases: If his surviving signatures are a representative sample, the composer's preferred spelling of his own name was "Byrde", although on his own publications it also appears as Bird and Byrd. His contemporaries knew him indiscriminately as Byrd(e), Bird(e) and even Burd(e).

Life

Byrd.jpg

Born: c.1540

Died: 4 July 1623

Biography:
William Byrd was one of the most celebrated English composers in the Renaissance. His entire life was marked by contradictions, and as a true Renaissance man he cannot be easily categorised. He lived until well into the seventeenth century without writing music in the new Baroque fashion, but his superbly constructed keyboard works marked the beginning of the Baroque organ and harpsichord style. Byrd's life is interesting because of his Roman Catholic sympathies combined with his work in the court of the Anglican Queen Elizabeth I. He composed much music, if intermittently, for the Roman Catholic liturgy, particularly in his later years; the two volumes of Gradualia form a prime example. Possibly as a result of this he did not receive widespread recognition in his lifetime, but was very well respected among the Roman Catholic gentry. In the anti-Catholic frenzy following the 1605 Gunpowder Plot, the first volume of the Gradualia, printed by Thomas East in 1605, was banned in England under penalty of imprisonment as indeed was all of his Catholic music; however his Anglican music— such as the Short Service, and the Responses— has been sung in English cathedrals uninterrupted for the past four centuries.

View the Wikipedia article on William Byrd.


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Secular music


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Publications (vocal music only)

Contributions to:

External links

There is no single official Byrd website, but a variety of useful resources can be found scattered widely across the Web. Many of these sites still repeat the (almost certainly) incorrect birthdate of 1543.