Why fumeth in sight (Thomas Tallis): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
*{{PostedDate|2016-02-17}} {{CPDLno|38589}} [http://notenova.com/catalog/work/why-fumeth-in-sight/ {{pdf}}]  
*{{PostedDate|2017-04-08}} {{CPDLno|43948}} [[Media:Tallis_3rd_tune.pdf|{{pdf}}]] [[Media:Tallis_3rd_tune.mxl|{{XML}}]] [[Media:Tallis_3rd_tune.mscz|{{Muse}}]] (MuseScore 2)
{{Editor|Pieter Beerthuizen|2017-04-08}}{{ScoreInfo|A4|2|1415}}{{Copy|CPDL}}
:'''Edition notes:''' Slightly modernised English. {{MXL}}
 
*{{PostedDate|2016-02-17}} {{CPDLno|38589}} [http://notenova.com/catalog/work/why-fumeth-in-fight/ {{net}}]  
{{Editor|Casey Rule|2016-02-17}}{{ScoreInfo|Letter|1|40}}{{Copy|Personal}}
{{Editor|Casey Rule|2016-02-17}}{{ScoreInfo|Letter|1|40}}{{Copy|Personal}}
:'''Edition notes:''' Modern notation, meters added, rests added between phrases
:'''Edition notes:''' Modern notation, meters added, rests added between phrases


*{{PostedDate|2015-10-15}} {{CPDLno|37211}} [{{filepath:Psalm2Tallis1567a.pdf}} {{pdf}}] [{{filepath:Psalm2Tallis1567a.mid}} {{mid}}] [{{filepath:Psalm2Tallis1567a.mxl}} {{XML}}]  
*{{PostedDate|2015-10-15}} {{CPDLno|37211}} [[Media:Psalm2Tallis1567a.pdf|{{pdf}}]] [[Media:Psalm2Tallis1567a.mid|{{mid}}]] [[Media:Psalm2Tallis1567a.mxl|{{XML}}]]  
{{Editor|Barry Johnston|2015-10-15}}{{ScoreInfo|7 x 10 in (landscape)|1|72}}{{Copy|Public Domain}}
{{Editor|Barry Johnston|2015-10-15}}{{ScoreInfo|7 x 10 in (landscape)|1|72}}{{Copy|Public Domain}}
:'''Edition notes:''' Note shapes added (4-shape). Edited: note values halved, a few note values changed; otherwise as written in 1567. Five more pairs of stanzas from Parker's paraphrase included.
:'''Edition notes:''' Note shapes added (4-shape). Edited: note values halved, a few note values changed; otherwise as written in 1567. Five more pairs of stanzas from Parker's paraphrase included. {{MXL}}


*{{CPDLno|20843}} [{{filepath:The_God_of_Love_Tallis.pdf}} {{pdf}}] [{{filepath:The_God_of_Love_Tallis.mid}} {{mid}}] [{{filepath:The_God_of_Love_Tallis.cap}} Capella]
*{{CPDLno|20843}} [[Media:The_God_of_love_Tallis.pdf|{{pdf}}]] [[Media:The_God_of_love_Tallis.mid|{{mid}}]] [[Media:The_God_of_love_Tallis.capx|{{Capx}}]]
{{Editor|James Gibb|2010-01-16}}{{ScoreInfo|A4|1|20}}{{Copy|CPDL}}
{{Editor|James Gibb|2010-01-16}}{{ScoreInfo|A4|1|20}}{{Copy|CPDL}}
:'''Edition notes:''' George Herbert's metrical version of Psalm 23, set to Tallis's 3rd Psalm tune, but with the melody in the Soprano, not the Tenor.  
:'''Edition notes:''' George Herbert's metrical version of Psalm 23, set to Tallis's 3rd Psalm tune, but with the melody in the Soprano, not the Tenor.  


*{{CPDLno|9935}} [{{filepath:Tunes_for_Archbishop_Parker's_Psalter-_3.pdf}} {{pdf}}] [{{filepath:Tunes_for_Archbishop_Parker's_Psalter-_3.mxl}} {{XML}}] [{{filepath:Tallis_Third_Tune.MUS}} Finale 2010]
*{{CPDLno|9935}} [[Media:Tunes_for_Archbishop_Parker's_Psalter-_3.pdf|{{pdf}}]] [[Media:Tunes_for_Archbishop_Parker's_Psalter-_3.mxl|{{XML}}]] [[Media:Tallis_Third_Tune.MUS|{{mus}}]] (Finale 2010)
{{Editor|Tim Blickhan|2012-03-04}}{{ScoreInfo|Octavo|1|114}}{{Copy|Public Domain}}
{{Editor|Tim Blickhan|2012-03-04}}{{ScoreInfo|Octavo|1|114}}{{Copy|Public Domain}}
:'''Edition notes:''' XML file is [[zipped]] into MXL one.
:'''Edition notes:''' {{MXL}}


*{{CPDLno|415}} {{LinkW|tal-app3.pdf|tal-app3.mid|tal-app3.zip|Finale 1998}}
*{{CPDLno|415}} [[Media:ws-tal-app3.pdf|{{Pdf}}]] [[Media:ws-tal-app3.mid|{{Mid}}]] [[Media:ws-tal-app3.mxl|{{XML}}]] [[Media:ws-tal-app3.mus|{{mus}}]] (Finale 1998)
{{Editor|Rafael Ornes|1999-09-20}}{{ScoreInfo|Letter|1|25}}{{Copy|CPDL}}
{{Editor|Rafael Ornes|1999-09-20}}{{ScoreInfo|Letter|1|25}}{{Copy|CPDL}}
:'''Edition notes:'''
:'''Edition notes:''' {{MXL}}


==General Information==
==General Information==
Line 27: Line 31:


{{Voicing|4|SATB}}<br>
{{Voicing|4|SATB}}<br>
{{Genre|Sacred|Hymns}} &nbsp; {{meter|86. 86 (C.M.)}} (actually 446. 446.)
{{Genre|Sacred|Hymns}} &nbsp; {{Meter|86. 86 (C.M.)}} (actually 446. 446.)
{{Language|English}}
{{Language|English}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:''' ''[[The Whole Psalter Translated (1567)]]''
{{Pub|1|1567|in ''[[The whole Psalter translated (1567)]]''|no=}}


'''Description:'''
'''Description:'''
Line 51: Line 55:
Quare fremuerunt.
Quare fremuerunt.


1. Why fumeth in sight: the Gentils spite,
1. Why fumeth in fight: the Gentils spite,
In fury raging stout?
In fury raging stout?
Why taketh in hond: the people fond,
Why taketh in hond: the people fond,
Line 111: Line 115:
who trust in hym be blest.}}
who trust in hym be blest.}}


[[Category:Shapenote-4 Editions]]
[[Category:Four-shape note editions]]
[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 15:19, 18 October 2019

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MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
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  • (Posted 2017-04-08)  CPDL #43948:      (MuseScore 2)
Editor: Pieter Beerthuizen (submitted 2017-04-08).   Score information: A4, 2 pages, 1.38 MB   Copyright: CPDL
Edition notes: Slightly modernised English. MusicXML source file(s) in compressed .mxl format.
  • (Posted 2016-02-17)  CPDL #38589:  Network.png
Editor: Casey Rule (submitted 2016-02-17).   Score information: Letter, 1 page, 40 kB   Copyright: Personal
Edition notes: Modern notation, meters added, rests added between phrases
  • (Posted 2015-10-15)  CPDL #37211:       
Editor: Barry Johnston (submitted 2015-10-15).   Score information: 7 x 10 in (landscape), 1 page, 72 kB   Copyright: Public Domain
Edition notes: Note shapes added (4-shape). Edited: note values halved, a few note values changed; otherwise as written in 1567. Five more pairs of stanzas from Parker's paraphrase included. MusicXML source file(s) in compressed .mxl format.
  • CPDL #20843:       
Editor: James Gibb (submitted 2010-01-16).   Score information: A4, 1 page, 20 kB   Copyright: CPDL
Edition notes: George Herbert's metrical version of Psalm 23, set to Tallis's 3rd Psalm tune, but with the melody in the Soprano, not the Tenor.
  • CPDL #09935:      (Finale 2010)
Editor: Tim Blickhan (submitted 2012-03-04).   Score information: Octavo, 1 page, 114 kB   Copyright: Public Domain
Edition notes: MusicXML source file(s) in compressed .mxl format.
  • CPDL #00415:        (Finale 1998)
Editor: Rafael Ornes (submitted 1999-09-20).   Score information: Letter, 1 page, 25 kB   Copyright: CPDL
Edition notes: MusicXML source file(s) in compressed .mxl format.

General Information

Title: Why fumeth in sight
Composer: Thomas Tallis
Lyricist: Matthew Parker

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn   Meter: 86. 86 (C.M.) (actually 446. 446.)

Language: English
Instruments: A cappella

First published: 1567 in The whole Psalter translated (1567)

Description:

External websites:

Original text and translations

Original text and translations may be found at Psalm 2.

English.png English text

Psalme. II.
The Argument. Psalme. II.
Of Christ ye see
A Prophecie
Thus Dauid spake with vs:
As merueiling
That earthly king
Should rage against him thus

Quare fremuerunt.

1. Why fumeth in fight: the Gentils spite,
In fury raging stout?
Why taketh in hond: the people fond,
Uayne thinges to bring about?

2. The kinges arise: the lordes deuise,
in counsayles mett therto:
Agaynst the Lord: with false accord,
against his Christ they go.

3. Let vs they say: breake downe their ray,
of all their bondes and cordes:
We will renounce: that they pronounce,
their loores as stately lordes.

4. But God of might: in heauen so bright,
Shall laugh them all to scorne:
The Lord on hie: shall them defie,
they shall be once forlorne.

5. Then shall his ire: speake all in fire,
to them agayne therfore:
He shall with threate: their malice beate,
in his displeasure sore.

6. Yet am I set: a king so great,
on Sion hill full fast:
Though me they kill: yet will that hill,
my lawe and worde outcast.

7. Gods wordes decreed: I (Christ) wil sprede
for God thus sayd to me/e:
My sonne I say: thou art, this day,
I haue begotten the/e.

8. Aske thou of me/e: I will geue the/e,
to rule all Gentils londes:
Thou shalt possesse: in suernesse,
the world how wide it stondes.

9. With iron rod: as mighty God,
all rebels shalt thou bruse:
And breake them all: in pieces small,
as sherdes the potters vse.

10. Be wise therfore: ye kinges the more,
Receyue ye wisdomes lore:
Ye iudges strong: of right and wrong,
aduise you now before.

11. The Lorde in feare: your seruice beare,
with dread to him reioyce:
Let rages be: resist not ye,
him serue with ioyfull voyce.

12. The sonne kisse ye: lest wroth he be,
lose not the way of rest:
For when his ire: is set on fire,
who trust in hym be blest.