Why fumeth in sight (Thomas Tallis): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{PostedDate| | *{{PostedDate|2017-04-08}} {{CPDLno|43948}} [[Media:Tallis_3rd_tune.pdf|{{pdf}}]] [[Media:Tallis_3rd_tune.mxl|{{XML}}]] [[Media:Tallis_3rd_tune.mscz|{{Muse}}]] (MuseScore 2) | ||
{{Editor| | {{Editor|Pieter Beerthuizen|2017-04-08}}{{ScoreInfo|A4|2|1415}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' Slightly modernised English. {{MXL}} | ||
*{{CPDLno| | *{{PostedDate|2016-02-17}} {{CPDLno|38589}} [http://notenova.com/catalog/work/why-fumeth-in-fight/ {{net}}] | ||
{{Editor|Casey Rule|2016-02-17}}{{ScoreInfo|Letter|1|40}}{{Copy|Personal}} | |||
:'''Edition notes:''' Modern notation, meters added, rests added between phrases | |||
*{{PostedDate|2015-10-15}} {{CPDLno|37211}} [[Media:Psalm2Tallis1567a.pdf|{{pdf}}]] [[Media:Psalm2Tallis1567a.mid|{{mid}}]] [[Media:Psalm2Tallis1567a.mxl|{{XML}}]] | |||
{{Editor|Barry Johnston|2015-10-15}}{{ScoreInfo|7 x 10 in (landscape)|1|72}}{{Copy|Public Domain}} | |||
:'''Edition notes:''' Note shapes added (4-shape). Edited: note values halved, a few note values changed; otherwise as written in 1567. Five more pairs of stanzas from Parker's paraphrase included. {{MXL}} | |||
*{{CPDLno|20843}} [[Media:The_God_of_love_Tallis.pdf|{{pdf}}]] [[Media:The_God_of_love_Tallis.mid|{{mid}}]] [[Media:The_God_of_love_Tallis.capx|{{Capx}}]] | |||
{{Editor|James Gibb|2010-01-16}}{{ScoreInfo|A4|1|20}}{{Copy|CPDL}} | |||
:'''Edition notes:''' George Herbert's metrical version of Psalm 23, set to Tallis's 3rd Psalm tune, but with the melody in the Soprano, not the Tenor. | |||
*{{CPDLno|9935}} [[Media:Tunes_for_Archbishop_Parker's_Psalter-_3.pdf|{{pdf}}]] [[Media:Tunes_for_Archbishop_Parker's_Psalter-_3.mxl|{{XML}}]] [[Media:Tallis_Third_Tune.MUS|{{mus}}]] (Finale 2010) | |||
{{Editor|Tim Blickhan|2012-03-04}}{{ScoreInfo|Octavo|1|114}}{{Copy|Public Domain}} | {{Editor|Tim Blickhan|2012-03-04}}{{ScoreInfo|Octavo|1|114}}{{Copy|Public Domain}} | ||
:'''Edition notes:''' | :'''Edition notes:''' {{MXL}} | ||
*{{CPDLno|415}} {{ | *{{CPDLno|415}} [[Media:ws-tal-app3.pdf|{{Pdf}}]] [[Media:ws-tal-app3.mid|{{Mid}}]] [[Media:ws-tal-app3.mxl|{{XML}}]] [[Media:ws-tal-app3.mus|{{mus}}]] (Finale 1998) | ||
{{Editor|Rafael Ornes|1999-09-20}}{{ScoreInfo|Letter|1|25}}{{Copy|CPDL}} | {{Editor|Rafael Ornes|1999-09-20}}{{ScoreInfo|Letter|1|25}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' {{MXL}} | ||
==General Information== | ==General Information== | ||
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{{Voicing|4|SATB}}<br> | {{Voicing|4|SATB}}<br> | ||
{{Genre|Sacred| | {{Genre|Sacred|Hymns}} {{Meter|86. 86 (C.M.)}} (actually 446. 446.) | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
'' | {{Pub|1|1567|in ''[[The whole Psalter translated (1567)]]''|no=}} | ||
'''Description:''' | '''Description:''' | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== | ||
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Quare fremuerunt. | Quare fremuerunt. | ||
1. Why fumeth in | 1. Why fumeth in fight: the Gentils spite, | ||
In fury raging stout? | In fury raging stout? | ||
Why taketh in hond: the people fond, | Why taketh in hond: the people fond, | ||
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who trust in hym be blest.}} | who trust in hym be blest.}} | ||
[[Category: | [[Category:Four-shape note editions]] | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 15:19, 18 October 2019
Music files
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Help |
- Editor: Pieter Beerthuizen (submitted 2017-04-08). Score information: A4, 2 pages, 1.38 MB Copyright: CPDL
- Edition notes: Slightly modernised English. MusicXML source file(s) in compressed .mxl format.
- Editor: Casey Rule (submitted 2016-02-17). Score information: Letter, 1 page, 40 kB Copyright: Personal
- Edition notes: Modern notation, meters added, rests added between phrases
- Editor: Barry Johnston (submitted 2015-10-15). Score information: 7 x 10 in (landscape), 1 page, 72 kB Copyright: Public Domain
- Edition notes: Note shapes added (4-shape). Edited: note values halved, a few note values changed; otherwise as written in 1567. Five more pairs of stanzas from Parker's paraphrase included. MusicXML source file(s) in compressed .mxl format.
- Editor: James Gibb (submitted 2010-01-16). Score information: A4, 1 page, 20 kB Copyright: CPDL
- Edition notes: George Herbert's metrical version of Psalm 23, set to Tallis's 3rd Psalm tune, but with the melody in the Soprano, not the Tenor.
- Editor: Tim Blickhan (submitted 2012-03-04). Score information: Octavo, 1 page, 114 kB Copyright: Public Domain
- Edition notes: MusicXML source file(s) in compressed .mxl format.
- Editor: Rafael Ornes (submitted 1999-09-20). Score information: Letter, 1 page, 25 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
General Information
Title: Why fumeth in sight
Composer: Thomas Tallis
Lyricist: Matthew Parker
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 86. 86 (C.M.) (actually 446. 446.)
Language: English
Instruments: A cappella
First published: 1567 in The whole Psalter translated (1567)
Description:
External websites:
Original text and translations
Original text and translations may be found at Psalm 2.
English text
Psalme. II.
The Argument. Psalme. II.
Of Christ ye see
A Prophecie
Thus Dauid spake with vs:
As merueiling
That earthly king
Should rage against him thus
Quare fremuerunt.
1. Why fumeth in fight: the Gentils spite,
In fury raging stout?
Why taketh in hond: the people fond,
Uayne thinges to bring about?
2. The kinges arise: the lordes deuise,
in counsayles mett therto:
Agaynst the Lord: with false accord,
against his Christ they go.
3. Let vs they say: breake downe their ray,
of all their bondes and cordes:
We will renounce: that they pronounce,
their loores as stately lordes.
4. But God of might: in heauen so bright,
Shall laugh them all to scorne:
The Lord on hie: shall them defie,
they shall be once forlorne.
5. Then shall his ire: speake all in fire,
to them agayne therfore:
He shall with threate: their malice beate,
in his displeasure sore.
6. Yet am I set: a king so great,
on Sion hill full fast:
Though me they kill: yet will that hill,
my lawe and worde outcast.
7. Gods wordes decreed: I (Christ) wil sprede
for God thus sayd to me/e:
My sonne I say: thou art, this day,
I haue begotten the/e.
8. Aske thou of me/e: I will geue the/e,
to rule all Gentils londes:
Thou shalt possesse: in suernesse,
the world how wide it stondes.
9. With iron rod: as mighty God,
all rebels shalt thou bruse:
And breake them all: in pieces small,
as sherdes the potters vse.
10. Be wise therfore: ye kinges the more,
Receyue ye wisdomes lore:
Ye iudges strong: of right and wrong,
aduise you now before.
11. The Lorde in feare: your seruice beare,
with dread to him reioyce:
Let rages be: resist not ye,
him serue with ioyfull voyce.
12. The sonne kisse ye: lest wroth he be,
lose not the way of rest:
For when his ire: is set on fire,
who trust in hym be blest.
- Pieter Beerthuizen editions
- Editions with large score files
- Casey Rule editions
- Barry Johnston editions
- James Gibb editions
- Tim Blickhan editions
- Rafael Ornes editions
- Thomas Tallis compositions
- SATB
- 4-part choral music
- Sacred music
- Hymns
- 86. 86 (C.M.)
- Works in English
- A cappella
- 1567 works
- Texts
- English texts
- Four-shape note editions
- Sheet music
- Renaissance music