Why brag in malice high (Thomas Tallis): Difference between revisions
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'''Description:''' Words by [[Matthew Parker]], 1567, in thirteen stanzas. Tallis used the first two stanzas in his composition. | '''Description:''' Words by [[Matthew Parker]], 1567, in thirteen stanzas. Tallis used the first two stanzas in his composition. |
Revision as of 14:41, 18 October 2019
Music files
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- Editor: Barry Johnston (submitted 2015-10-21). Score information: Letter, 1 page, 83 kB Copyright: Public Domain
- Edition notes: Notes from 1567, put into two staffs with Soprano the lead: Soprano = old Tenor (up an octave), Alto = Counter, Tenor = Meane, and Bass = Bass. No words. Two versions on sheet: in original key (G major), and moved down a step (F major) for easier singing. MusicXML source file(s) in compressed .mxl format.
- Editor: Barry Johnston (submitted 2015-10-21). Score information: Letter, 1 page, 62 kB Copyright: Public Domain
- Edition notes: Oval note edition, as written in 1567. Three more pairs of stanzas from Parker's paraphrase added. MusicXML source file(s) in compressed .mxl format.
- Editor: Barry Johnston (submitted 2015-10-21). Score information: 7 x 10 in (landscape), 1 page, 63 kB Copyright: Public Domain
- Edition notes: Note shapes added (4-shape). Three more pairs of stanzas from Parker's paraphrase added.
- Editor: Tim Blickhan (submitted 2005-10-10). Score information: Octavo, 1 page, 105 kB Copyright: Public Domain
- Edition notes: MusicXML source file(s) in compressed .mxl format.
General Information
Title: Why brag in malice high
Composer: Thomas Tallis
Lyricist: Matthew Parker
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Hymn Meter: 66. 66
Language: English
Instruments: A cappella
First published: 1567 in The whole Psalter translated (1567)
Description: Words by Matthew Parker, 1567, in thirteen stanzas. Tallis used the first two stanzas in his composition.
External websites:
Original text and translations
Original text and translations may be found at Psalm 52.
English text 1. Why brag in malice high, |
4. Yea, loved thou hast no less |
7. But I as olive green |