Victimae paschali laudes: Difference between revisions
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**[[Victimae paschali laudes (Gregorian chant)|Gregorian chant]] | **[[Victimae paschali laudes (Gregorian chant)|Gregorian chant]] | ||
**[[Victimæ paschali laudes (Anonymous)|Trent 91]] (1470's) through-composed a 3 | **[[Victimæ paschali laudes (Anonymous)|Trent 91]] (1470's) through-composed a 3 | ||
**[[Victimæ paschali laudes II (Anonymous)|Trent 89]] odd vv., | **[[Victimæ paschali laudes II (Anonymous)|Trent 89]] odd vv., a 4 | ||
*[[Victimae paschali laudes (William Byrd)|William Byrd]] through-composed, a 5 | *[[Victimae paschali laudes (William Byrd)|William Byrd]] through-composed, a 5 | ||
*[[Victimae paschali laudes (Antoine Busnois)|Antoine Busnois]] through-composed, a 4 | *[[Victimae paschali laudes (Antoine Busnois)|Antoine Busnois]] through-composed, a 4 | ||
*[[Alleluia, dic nobis, Maria (Francisco Lopez Capillas)|Francisco Lopez Capillas]] vv3ab,4b, a 4 | *[[Alleluia, dic nobis, Maria (Francisco Lopez Capillas)|Francisco Lopez Capillas]] vv3ab,4b, a 4 | ||
*[[Victimae paschali laudes (Orlando di Lasso)|Orlando di Lasso]] | *[[Victimae paschali laudes (Orlando di Lasso)|Orlando di Lasso]] | ||
*[[Victimae paschali laudes (Cristóbal de Morales)|Cristóbal de Morales]]vv. 1-2b, 3b (Surrexit...), 4b; | *[[Victimae paschali laudes (Cristóbal de Morales)|Cristóbal de Morales]]vv. 1-2b, 3b (Surrexit...), 4b; a 4 | ||
*[[Victimae paschali laudes (Mogens Pedersøn)|Mogens Pedersøn]] vv. 1-2a, a 4 | *[[Victimae paschali laudes (Mogens Pedersøn)|Mogens Pedersøn]] vv. 1-2a, a 4 | ||
*[[Victimae paschali laudes (Oscar Santos)|Oscar Santos]] through-composed, a 4 | *[[Victimae paschali laudes (Oscar Santos)|Oscar Santos]] through-composed, a 4 | ||
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==Other settings not yet at CPDL== | ==Other settings not yet at CPDL== | ||
* Josquin des Prez, | * Josquin des Prez, through-composed, a 4 | ||
==Original text and translations== | ==Original text and translations== | ||
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{{Text|Latin}} | {{Text|Latin}} | ||
(used in William Byrd's five-part setting) <br> | (used in William Byrd's five-part setting) <br> | ||
''4a. is usually omitted;'' | ''4a. is usually omitted;'' <br> | ||
{{WikipediaLink}} <br> | {{WikipediaLink}} <br> | ||
<poem> | <poem> |
Revision as of 13:09, 7 February 2012
General Information
Easter sequence, attributed to Wipo of Burgundy (died c.1048).
Liturgical use: sung at Mass on Easter Sunday and through its Octave. Often incorporated into medieval religious dramas performed at Easter.
Musical settings at CPDL
- Anonymous
- Gregorian chant
- Trent 91 (1470's) through-composed a 3
- Trent 89 odd vv., a 4
- William Byrd through-composed, a 5
- Antoine Busnois through-composed, a 4
- Francisco Lopez Capillas vv3ab,4b, a 4
- Orlando di Lasso
- Cristóbal de Moralesvv. 1-2b, 3b (Surrexit...), 4b; a 4
- Mogens Pedersøn vv. 1-2a, a 4
- Oscar Santos through-composed, a 4
- Orazio Tarditi through-composed, STB + bc
- Tomás Luis de Victoria vv. 3-4, 5b; a 8
- André Vierendeels through-composed, SATB
Other settings not yet at CPDL
- Josquin des Prez, through-composed, a 4
Original text and translations
Latin text
(used in William Byrd's five-part setting) View the Wikipedia article on Victimae paschali laudes. 1. Victimae paschali laudes
Dem Osterlamme Lobgesänge |
English translation To the Paschal victim let Christians
À la Victime pascale, les chrétiens offrent un sacrifice de louanges.
Alla Vittima pasquale offrano i cristiani |