Victimae paschali laudes: Difference between revisions
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*[[Victimae paschali laudes (Mogens Pedersøn)|Mogens Pedersøn]] SSATTB (vv. 1-2a) | *[[Victimae paschali laudes (Mogens Pedersøn)|Mogens Pedersøn]] SSATTB (vv. 1-2a) | ||
*[[Victimae paschali laudes (10 vocibus) (Michael Praetorius)|Michael Praetorius]] SSS.SAB.ATBB | *[[Victimae paschali laudes (10 vocibus) (Michael Praetorius)|Michael Praetorius]] SSS.SAB.ATBB | ||
*[[Osterhymnus (Josef Rheinberger)|Josef Rheinberger]] | *[[Osterhymnus, op. 134 (Josef Rheinberger)|Josef Rheinberger]] SATB.SATB (appends Off. ''[[Terra tremuit et quievit|Terra tremuit]]'' and includes alternate German text) | ||
*[[Victimae paschali laudes (Oscar Santos)|Oscar Santos]] SATB | *[[Victimae paschali laudes (Oscar Santos)|Oscar Santos]] SATB | ||
*[[Victimae paschali (Orazio Tarditi)|Orazio Tarditi]] STB + bc | *[[Victimae paschali (Orazio Tarditi)|Orazio Tarditi]] STB + bc |
Revision as of 20:24, 4 January 2020
General Information
The Easter sequence, attributed to Wipo of Burgundy (died c.1048), is sung at Mass on Easter Sunday and through its Octave, as well as incorporated into medieval religious dramas performed at Easter.
The verse 5a (Credendum est magis soli) has been omitted since the publication of the 1570 Missal following the Council of Trent.
Luther's chorales Christ lag in Todesbanden and Christ ist erstanden both show melodic similarities.
View the Wikipedia article on Victimae paschali laudes.
Musical settings
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Other settings possibly not included in the manual list above
- Francisco López Capillas — Alleluia. Dic nobis, Maria
- Manuel de Zumaya — Victimae paschali laudes
Text and translations
Latin text 1 Victimae paschali laudes immolent Christiani 1 Dem Osterlamme Lobgesänge Bringe dar die Christenheit. 1 Alla Vittima pasquale offrano i cristiani il sacrificio della lode. |
English translation 1 To the Paschal victim let Christians offer up their songs of praise. 1 À la Victime pascale, les chrétiens offrent un sacrifice de louanges. |