User:BarryJ/Descriptive pages/Bibliography

Bibliography

Used by me as of 2019-09-29

• Barbour, J. Murray. 1960. The Church Music of William Billings. 167 pp. East Lansing, Michigan: Michigan State University Press.
• Bean, Shirley. 1994. Introduction, pp. vii-xx in The Missouri Harmony (reprint of Ninth Edition). Lincoln, Nebraska: University of Nebraska Press.
• Britton, Allen P.; Irving Lowens; and Richard Crawford. 1990. American Sacred Music Imprints 1698-1810: A Bibliography. Worcester, Massachusetts: American Antiquarian Society. 798 pp.
• Buchanan, Annabel M. 1938. Folk Hymns of America. 94 pp.
• Crawford, Richard. 1993. William Billings (1746-1800) and American Psalmody: a Study of Musical Dissemination. Chapter 4, pp. 111-151 in The American Musical Landscape by Richard Crawford. Berkeley, CA: University of California Press.
• Crose, David W. 1980. Allen D. Carden: Early Tennessee Musician. Tennessee Historical Quarterly 39(1):11-15.
• Eskew, Harry. 1986. William Walker's "Southern Harmony": Its Basic Editions. Latin American Music Review 7(2):137-148.
• Eskew, Harry; and Karl Kroeger. 1998. Samuel Holyoke (1762-1820) and Jacob Kimball (1761-1826): Selected Works. New York, New York: Garland. 256 pp.
• Eskew, Harry. 2001. Andrew W. Johnson's The Eclectic Harmony: A Middle Tunebook in Middle Tennessee. Notes (Music Library Association) 58(2):291-301.
• Fawcett-Yeske, Maxine. 1996. Stylistic Development in the Fuging Tunes of William Billings. The Quarterly Journal of Music Teaching and Learning 7(1):32-46.
• Hamm, Charles. 1960. The Chapins and Sacred Music in the South and West. Journal of Research in Music Education 8(2):91-98.
• Hammond, Paul G. 1985. Jesse B. Aikin and The Christian Minstrel. American Music 3(4):442-451.
• Hatchett, Marion J. 1995. Early East Tennessee Shape-Note Tunebooks. The Hymn 46(3):28-46.
• Hatfield, Edwin F. 1884. The Poets of the Church: A Series of Biographical Sketches of Hymn Writers. New York: A. D. F. Randolph. 719 pp.
• Hood, George. 1846. 'A History of Music in New England: With Biographical Sketches of Reformers and Psalmists. Boston: Wilkins, Carter, and Company. 252 pp.
• Howe, Sondra W. 1996. William Billings: A Biographical Overview. The Quarterly Journal of Music Teaching and Learning 7(1): 6-9. http://www-usr.rider.edu/~vrme/
• Imler, James R. 2007. The Legacy of William Walker’s Southern Harmony: Tunes and Arrangements From a Nineteenth-Century American Tune Book. Thesis, University of South Carolina, School of Music.
• Jackson, George Pullen. 1933. White Spirituals in the Southern Uplands. Chapel Hill, North Carolina: University of North Carolina. 444 pp. Reprinted 1965 by Dover, New York.
• Jackson, George Pullen. 1944. White and Negro Spirituals: Their Life Span and Kinship. New York, New York: J. J. Augustin. 351 pp. Reprinted 1975 by Da Capo Press, New York.
• Jackson, George Pullen. 1952. Another Sheaf of White Spirituals. Gainesville, Florida: University of Florida. 233 pp. Reprinted 1981 by Folklorica, New York. Index includes all five Jackson books.
• Jackson, George Pullen. 1953a. Spiritual Folk-Songs of Early America, Second Edition. Locust Valley, New York: J. J. Augustin. 254 pp.
• Jackson, George Pullen. 1953b. Down-East Spirituals and Others: Three Hundred Songs Supplementary to the Author's "Spiritual Folk-Songs of Early America", Second Edition. Locust Valley, New York: J. J. Augustin. 296 pp.
• Kane, Paula M. 1980. American Revival Songs, 1820-1850: The Christian Lyre and Spiritual Songs for Social Worship. Thesis, College of the Holy Cross, Worcester, Massachusetts. 179 pp.
• Kroeger, Karl. 1977. Isaiah Thomas as a music publisher. Proceedings of the American Antiquarian Society 86:321-341.
• Kroeger, Karl. 1981. A Yankee Tunebook from the Old South: Amos Pilsbury's "The United States Sacred Harmony". The Hymn 32:154-162.
• Kroeger, Karl, Editor. 1981. The complete works of William Billings, Volume I. Brunswick, Maine: American Musicological Society, 383 pp. [1]
• Kroeger, Karl, Editor. 1986. The complete works of William Billings, Volume III. Brunswick, Maine: American Musicological Society, 399 pp. [2]
• Kroeger, Karl. 1987. William Billings's 'Anthem for Easter': The Persistence of an Early American 'Hit'. Journal of the American Antiquarian Society, 105-128.
• Kroeger, Karl, Editor. 1990. The complete works of William Billings, Volume IV. Brunswick, Maine: American Musicological Society, 332 pp. [3]
• Kroeger, Karl, Editor. 1995. Daniel Read: Collected Works. Madison, Wisconsin, American Musicological Society and A-R Editions. 332 pp.
• Kroeger, Karl. 1995. Two Connecticut Composers: The Collected Works of Asahel Benham and Merit Woodruff. New York: Garland. 166 pp.
• Kroeger, Karl. 1996. Two Unknown Billings Compositions in John Norman's "The Massachusetts Harmony" (1784). The Hymn 47(3):44-49.
• Kroeger, Karl. 1997. Two Vermont Composers: The Collected Works of Elisha West and Justin Morgan"". New York: Garland.
• Kroeger, Karl, Editor. 1997. Three Connecticut Composers: Oliver Brownson, Alexander Gillet, and Solomon Chandler: The Collected Works. New York: Garland. 212 pp. Reprinted by Routledge in New York in 2013.
• Kroeger, Karl. 2000. Early American Anthems. Madison, Wisconsin: A-R Editions. Part 1: Anthems for Public Celebrations, 193 pp. Part 2: Anthems for Public Occasions, 175 pp.
• Kroeger, Karl; and Marie Kroeger. 2000. An Index to Anglo-American Psalmody in Modern Critical Editions. Madison, Wisconsin: A-R Editions. 143 pp. + CD-ROM.
• Lowens, Irving. 1952. John Wyeth's "Repository of Sacred Music, Part Second": A Northern Precursor of Southern Folk Hymnody. Journal of the American Musicological Society 5(2):114-131.
• Lowens, Irving. 1959. Copyright and Andrew Law. Papers of the Bibliographical Society of America 53(2):150-159.
• Lowens, Irving. 1964. Introduction, pp. i-xvi in Wyeth's Repository of Sacred Music, Part Second. Facsimile of Second Edition (1820). New York, New York: Da Capo Press. 132 pp.
• Metcalf, Frank J. 1917. American Psalmody, or Titles of Books Containing Tunes Printed in America from 1721 to 1820. New York, Charles F. Heartman. 54 pp.
• Metcalf, Frank J. 1925. American Writers and Compilers of Sacred Music. New York: The Abington Press. 373 pp.
• Music, David W. 1983. Ananias Davisson, Robert Boyd, Reubin Monday, John Martin, and Archibald Rhea in East Tennessee, 1816-26. American Music 1(3):72-84.
• Music, David W. 1984. Alexander Johnson and the Tennessee Harmony. Current Musicology 37/38:59-73.
• Music, David W. 1986. John B. Jackson, Southern Tunebook Compiler. The Hymn 37:26-30.
• Music, David W., Editor. 1998. Oliver Holden (1765-1844): Selected Works. New York, New York: Routledge. 258 pp.
• Music, David W., Editor. 2005. A Selection of Shape-Note Folk Hymns From Southern United States Tune Books, 1816-61. Middleton, Wisconsin: A-R Editions. 91 pp.
• Music, David W. 2012. The Second Edition (1837) of William Walker's the Southern Harmony. American Music Research Center Journal 21:93-99.
• Nathan, Hans, Editor. 1977. The complete works of William Billings, Volume II. Brunswick, Maine: American Musicological Society, 362 pp. [4]
• Nichols, Charles L. 1912. Isaiah Thomas: Printer, Writer, and Collector. Boston: The Club of Odd Volumes. 145 pp.
• Norton, Kay. 2014. Reading between the Lines: Slaves, Women, and Native Americans Reflected in a Southern Hymnal of 1810. Pp. 39–63 in Edith L. Blumhofer and Mark A. Noll, Editors. Singing the Lord's Song in a Strange Land: Hymnody in the History of North American Protestantism. Tuscaloosa, Alabama: University of Alabama Press. 277 pp.
• Patterson, Daniel W. 1988. William Hauser's Hesperian Harp and Olive Leaf: Shape-Note Tunebooks as Emblems of Change and Progress. Journal of American Folklore 101(399):23-36.
• Porter, Ellen Jane, and John F. Garst. 1979. More tunes in the Captain Kidd meter. The Hymn 30(3): 252-262.
• Reynolds, William J. 2001. Henry Ward Beecher's Significant Hymnal. The Hymn 52(2):17-24.
• Richardson, Paul A. 2004. The Missouri Harmony: A Book of Many Chapters. The Hymn 55(2):15-23.
• Scholten, James W. 1975. Amzi Chapin: Frontier Singing Master and Folk Hymn Composer. Journal of Research in Music Education 23(2):109-119.
• Scholten, James W. 1976. Lucius Chapin: A New England Singing Master on the Frontier. Contributions to Music Education (Ohio Music Education Association) No. 4, pp. 64-76.
• Steel, David Warren, Editor. 1995. Stephen Jenks: Collected Works. Madison, Wisconsin: A-R Editions. 407 pp.
• Steel, David Warren, and Richard H. Hulan. 2010. The Makers of the Sacred Harp. Urbana, Illinois: University of Illinois Press. 322 pp.
• Wayland, John W. 1911. Joseph Funk: Father of Song in Northern Virginia. Dayton, Virginia: Roebush-Kieffer Company. 12 pp.
• Williams, Edward, and Edward Parsons, Editors. 1803. Works of the Rev. P. Doddridge, D. D., in Ten Volumes. Leeds, England: Editors. 616 pp. Volume 2, 1803, 608 pp. Volume 3, 1803, 654 pp. Volume 4, 1803, 574 pp. Volume 5, 1804. 610 pp. Volume 6, 1804, 590 pp. Volume 7, 1804, 595 pp. Volume 8, 1805, 613 pp. Volume 9, 1805, 622 pp. Volume 10, 1805, 610 pp.
• Williams, G. W. 1993. "Babylon is Fallen": The Story of a North American Hymn. The Hymn 44(2):31-35.