Tristitia et anxietas (Jacobus Clemens non Papa): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2017-02-24}} {{CPDLno|43275}} [[Media:Clem_Tri.pdf|{{pdf}}]] | *{{PostedDate|2017-02-25}} {{CPDLno|43284}} [[Media:Cle_Tris.pdf|{{pdf}}]] [[Media:Cle_Tris.mxl|{{XML}}]] | ||
{{Editor| | {{Editor|Mick Swithinbank|2017-02-25}}{{ScoreInfo|A4|15|119}}{{Copy|CPDL}} | ||
: | :{{EdNotes|}} | ||
*{{PostedDate|2017-02-24}} {{CPDLno|43275}} [[Media:Clem_Tri.pdf|{{pdf}}]] [[Media:Clem_Tri.mxl|{{XML}}]] | |||
{{Editor|Mick Swithinbank|2017-02-24}}{{ScoreInfo|A4|15|120}}{{Copy|CPDL}} | |||
:{{EdNotes|At original pitch and with original note values, but modern clefs. In bar 126, Tenor's minims D and F replace a semibreve F in the source. Corrected version of score posted on 25 February 2017, with some changes of ficta and underlay.}} | |||
==General Information== | ==General Information== | ||
{{Title|''Tristitia et anxietas''}} | |||
{{Composer|Jacobus Clemens non Papa}} | {{Composer|Jacobus Clemens non Papa}} | ||
{{Lyricist|}} | {{Lyricist|}} | ||
{{Voicing|4|STTB}} | {{Voicing|4|STTB}} | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1553|in ''[[Ecclesiasticarum cantionum quatuor vocum, liber 1]]'' (Susato)|no=5}} | ||
{{Pub|2|1556|in {{NoComp|Evangelia dominicorum et festorum dierum tomus sextus|Berg and Neuber}} (Berg & Neuber)|no=11}} | |||
''' | {{Pub|3|1559|in ''{{NoCo|Liber quintus cantionum sacrarum quatuor vocum}}'' (Phalèse)|no=2}} | ||
{{Descr|Somewhat unusually, Susato gave it a key signature of two flats, although some E flats require editorial cancellation, and in general quite a lot of editorial accidentals seem called for. The first word of the text is consistently spelled tristicia, which may cast light on the pronunciation of Latin in 16th century Flanders. The original clefs were C1, C3, C4 and F4.}} | |||
{{#ExtWeb:}} | |||
==Original text and translations== | ==Original text and translations== | ||
{{ | {{LinkText|Tristitia et anxietas - Sed tu Domine (William Byrd)}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Latest revision as of 00:54, 21 March 2023
Music files
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MusicXML | |
File details | |
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- Editor: Mick Swithinbank (submitted 2017-02-25). Score information: A4, 15 pages, 119 kB Copyright: CPDL
- Edition notes:
- Editor: Mick Swithinbank (submitted 2017-02-24). Score information: A4, 15 pages, 120 kB Copyright: CPDL
- Edition notes: At original pitch and with original note values, but modern clefs. In bar 126, Tenor's minims D and F replace a semibreve F in the source. Corrected version of score posted on 25 February 2017, with some changes of ficta and underlay.
General Information
Title: Tristitia et anxietas
Composer: Jacobus Clemens non Papa
Lyricist:
Number of voices: 4vv Voicing: STTB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1553 in Ecclesiasticarum cantionum quatuor vocum, liber 1 (Susato), no. 5
2nd published: 1556 in Evangelia dominicorum et festorum dierum tomus sextus (Berg & Neuber), no. 11
3rd published: 1559 in Liber quintus cantionum sacrarum quatuor vocum (Phalèse), no. 2
Description: Somewhat unusually, Susato gave it a key signature of two flats, although some E flats require editorial cancellation, and in general quite a lot of editorial accidentals seem called for. The first word of the text is consistently spelled tristicia, which may cast light on the pronunciation of Latin in 16th century Flanders. The original clefs were C1, C3, C4 and F4.
External websites:
Original text and translations
Original text and translations may be found at Tristitia et anxietas - Sed tu Domine (William Byrd).