Talk:Missa annuntiate nobis (José de Torres)

The reason for the suggested changes/corrections has been abbreviated with the following keys.

• ACC: accidentals were not always explicitly written in the scores. They have been added for various reasons:
• ACC-MEL. for melodic reasons
• ACC-ANA. in analogy to a similar phrase
• ACC-UNI. for uniformity with another voice or instrument
• ACC-FIN. for terminating in a major chord (optional)
• ACC-HARM. for harmonic reasons
• TRF transcription error from the manuscript
• ERR error in the manuscript

---

1. Kyrie

• T.15 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)
• T.30 g# instead of g (Chor 1 Alt, Vln 1) (ACC-FIN)
• T.40 Chor 2 Sopran, 2. Note: g instead of f# (halbe Note) (TRF)
• T.44 Chor 1 Tenor, 2.+3. Note : e instead of c (2x) (TRF)
• T.45 Chor 1 Tenor, a (1/2-Note), 1/4 Pause, d (1/4-Note) (TRF)
• T.46 Chor 1 Tenor, g g (2x 1/4-Note), 1/2 Pause (TRF)
• T.47 Chor 1 Tenor, b(high) (3/4-Note) b(low), like previously T.46 (TRF)
• T.48 Chor 1 Tenor. (ERR)

(The manuscript terminates the Christe with a double note; not with a single note as the other voices.)

• T.48 g# instead of g (Chor 1 Alt, Vln 1, Vln 2, Ob) (ACC-FIN)
• T.57 Chor 1 Alt: c# instead of c (ACC-MEL)
• T.57 Chor 2 Alt: c# instead of c (ACC-MEL)
• T.59 Vln 2: c# instead of c (ACC-MEL)
• T.60 Ob: c# instead of c (ACC-MEL)
• T.61 Chor 1 Alt: c# instead of c (ACC-MEL)
• T.62 Chor 1 Alt: b instead of g (TRF)
• T.63 Chor 2 Sopran: c# instead of c (ACC-MEL)
• T.63 Chor 1 Alt: b instead of g (TRF)
• T.64 Chor 2 Alt + Vln 2: c# instead of c (ACC-MEL)
• T.65 Chor 1 Tenor: c# instead of c (ACC-MEL)
• T.66 Chor 2 Bass: c# instead of c (ACC-MEL)
• T.68 Chor 1 Sopran and Vln. 2: d# instead of d throughout (TRF) !!
• T.69 g# instead of g (Chor 1 Alt, Vln 1, Chor 2 Sopran) (ACC-FIN)

2. Gloria

• T.5 Chor 1 Alt: (ERR)

The manuscript has e g# a. (p.25).

These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths.

This is apparently a copying error.

A suggested replacement: f# b g

• Z.12 Chor 2 Sopran a# instead of a (2x)? (ACC-ANA)
• T.14 Chor 2 Bass, Org, Hp: c# instead of c (ACC-MEL)
• T.14 Chor 2 Bass: g instead of b (TRF)
• T.24 Chor 1 Alt: (ERR)

The manuscript has d b d. (p.25).

These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths, and a dissonance c#/d on the last beat.

This is apparently a copying error.

A suggested replacement: d a(high) f#

• T.26 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)
• T.29 Chor 2 Sopran: f instead of f# (ACC)
• T.40 Chor 1 Sopran2: f# instead of d (TRF)
• T.41 Chor 1 Sopran2: g a instead of e f# (TRF)
• T.75 Chor 1 Tenor: 4.+6. Note g instead of g# (2x, wie in Org,Hp) (ACC-UNI)

(The Ms. has no natural)

• T.82 Chor 2 Alt: d# instead of d (wie in Ob) (ACC-UNI)
• T.85 Schlusstakt: g# instead of g (Chor 1 Alt, Chor 1 Sopran, Vln.1) (ACC-MEL)

3. Credo: Patrem omnipotentem

• T.6 Chor 2 Tenor: e-c-c-c instead of e-e-e-c (?ERR-ANA)
• T.46 Chor 1 Alt: c# instead of c (ACC-MEL)
• T.47 Chor 1 Sopran2: c# instead of c (ACC-MEL)
• T.48 Chor 2 Sopran + Vln 1: c# instead of c (ACC-MEL)
• T.49 Chor 2 Alt: c# instead of c (ACC-MEL)
• T.50 Chor 1 Tenor: c# instead of c (ACC-MEL)
• T.51 Chor 2 Bass + Org: c# instead of c (ACC-MEL)
• T.52 Chor 1 Alt: c# instead of c (2x) (ACC-MEL)
• T.53 Chor 2 Tenor, Vln2: c# d# c# instead of c d c (?ACC-ANA)

(The analogous phrase in Alt 1 in T.52 has also no accidentals in the Ms.)

• T.54 g# instead of g (Chor 1 Alt, Chor 2 Sopran, Vln 1) (ACC-FIN)

5. Credo: Crucifixus

• T.6 Chor 2 Tenor. d instead of f# (TRF)
• T.7 Chor 2 Tenor. c instead of e (4x), b instead of d (2x) (TRF)
• T.17 Chor 1 Alt. c# instead of c (ACC-MEL)

6. Credo: Et resurrexit

• T.8 Chor 1 Tenor c# d# instead of c d (ACC-HARM)
• T.57 Chor 2 Bass,Org+Hp: b instead of c (TRF)

7. Credo: Et in spiritum sanctum

• T.10 Chor 1, Alt: g instead of g# (ACC-MEL)
• T.11 Chor 2, Alt: g instead of g# (ACC-MEL)
• T.14 Chor 2, Bass: g instead of b (TRF)
• T.16 Chor 2, Bass: g instead of b (TRF)
• T.45 g# instead of g (Chor 1 Sopran2, Chor 2 Sopran, Vln 1) (ACC-FIN)

8. Sanctus

• T.8 Org+H: a d instead of f# b (TRF)
• T.38 Chor 2, Tenor: d# instead of d (TRF)
• T.38 Vln.1+2: d# c# instead of d c (ACC-HARM)
• T.41 Chor 1, Sopran: b instead of c (?ERR, for harmonic reasons)

9. Agnus Dei

• T.5 Chor 1, Sopran 2: c# instead of c (ACC-MEL)
• T.6 Chor 1, Alt: c# instead of c (ACC-MEL)
• T.7 Chor 2, Bass + Org: d# instead of d (TRF)
• T.8 Chor 2, Alt: c# instead of c (ACC-MEL)
• T.9 Chor 2, Alt: c# instead of c (ACC-MEL)
• T.13 Chor 1, Sopran1: f# instead of f (TRF)
• T.13 Chor 1, Tenor: f# instead of f (TRF)
• T.13 Org+H: f# instead of g (ERR/TRF)

(error in the organ score; the harp has f#)

• T.18 Chor 1, Sopran2: g# instead of g (TRF)

---

Rote 13:25, 24 January 2012 (CST)