Talk:Laudate Dominum (Jan Pieterszoon Sweelinck): Difference between revisions
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Sorry about that. The suggested errors are in S2 and A, not A & T and I've made the corrections above. I'm going from a comparison with the Alsbach 1957 edition of Cantiones sacrae - a tone higher, but no F sharps in bar 14, other than at the end for S2.<br> | Sorry about that. The suggested errors are in S2 and A, not A & T and I've made the corrections above. I'm going from a comparison with the Alsbach 1957 edition of Cantiones sacrae - a tone higher, but no F sharps in bar 14, other than at the end for S2.<br> | ||
[[User:Jamesgibb|Jamesgibb]] 04:57, 3 August 2012 (CDT) | [[User:Jamesgibb|Jamesgibb]] 04:57, 3 August 2012 (CDT)<br> | ||
Sorry to keep on about this, but OUP publish an edition (by John Rutter in ''European Sacred Music'') where the E naturals (as transposed) in bar 14 are given. E naturals also sound better to me. Of course I accept that editions vary, but, IMHO, choir directors should be aware that opinions differ. <br> | |||
[[User:Marghek|Marghek]] ([[User talk:Marghek|talk]]) 04:34, 5 August 2012 (CDT) |
Revision as of 09:34, 5 August 2012
- 14635
Bar 11: Tenor - E flat on "eum", not E natural.
Bar 14: Soprano II - E flats on "o-" and "po-", not E natural.
Bar 14: Alto - E flat on "populi", not E natural.
Bar 15: Bass - "li" at beginning of bar should instead be a crotchet rest.
Bar 22: Tenor - crotchet rest should be a quaver rest, followed by a quaver D. First four syllables of "misericordia" should be shifted left one note.
Bar 33: Tenor - "Domii" for "Domini".
Jamesgibb 10:36, 2 August 2012 (CDT)
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James:
Bar 14: Tenor has no Es, flat or natural. Did you mean Sop2 and Alto rather than A & T? Anyway, the E naturals seem fine to me.
The other 'suggested errors'? - Agreed.
Marghek 04:07, 3 August 2012 (CDT)
Sorry about that. The suggested errors are in S2 and A, not A & T and I've made the corrections above. I'm going from a comparison with the Alsbach 1957 edition of Cantiones sacrae - a tone higher, but no F sharps in bar 14, other than at the end for S2.
Jamesgibb 04:57, 3 August 2012 (CDT)
Sorry to keep on about this, but OUP publish an edition (by John Rutter in European Sacred Music) where the E naturals (as transposed) in bar 14 are given. E naturals also sound better to me. Of course I accept that editions vary, but, IMHO, choir directors should be aware that opinions differ.
Marghek (talk) 04:34, 5 August 2012 (CDT)