Talk:Lauda anima mea (Orlando di Lasso): Difference between revisions

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The original key of the piece is as is the edition by Antonio Melis. Soprano starts on A. So James Gibb's edition is transposed down a note from original key. I checked Lassus's original (Patrocinium musices prima pars 1573) and it confirms this.
The original key of the piece is as is the edition by Antonio Melis. Soprano starts on A. So James Gibb's edition is transposed down a note from original key. I checked Lassus's original (Patrocinium musices prima pars 1573) and it confirms this. James Gibb's edition has transposed up a minor third the edition it took as a basis, i.e. Brian Marble's edition. But that edition is not in the original key, it is clearly stated that it is transposed down a P4 (which I take it means a pure fourth.)<br>
[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 13:42, 8 February 2018 (UTC)
[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 13:42, 8 February 2018 (UTC)

Latest revision as of 13:45, 8 February 2018

The original key of the piece is as is the edition by Antonio Melis. Soprano starts on A. So James Gibb's edition is transposed down a note from original key. I checked Lassus's original (Patrocinium musices prima pars 1573) and it confirms this. James Gibb's edition has transposed up a minor third the edition it took as a basis, i.e. Brian Marble's edition. But that edition is not in the original key, it is clearly stated that it is transposed down a P4 (which I take it means a pure fourth.)
Imruska (talk) 13:42, 8 February 2018 (UTC)