Quaeramus cum pastoribus (Jean Mouton): Difference between revisions

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:Secunda pars: ''Ubi pascas, ubi cubes?''
:Secunda pars: ''Ubi pascas, ubi cubes?''


This motet by Mouton was the basis for a number of parody works by later composers, including parody masses by [[Cristóbal de Morales|Morales]] and [[Adrian Willaert|Willaert]] as well as motets by [[Thomas Crecquillon|Crecquillon]], [[Quaeramus cum pastoribus (Pedro de Cristo)|Pedro de Cristo]] and [[Quaeramus cum Pastoribus (Giovanni Croce)|Giovanni Croce]] (the latter two motets being available at CDPL).
This motet by Mouton was the basis for a number of parody works by later composers, including parody masses by [[Cristóbal de Morales|Morales]] and [[Adrian Willaert|Willaert]] as well as motets by [[Thomas Crecquillon|Crecquillon]], [[Quaeramus cum pastoribus (Pedro de Cristo)|Pedro de Cristo]] and [[Quaeramus cum pastoribus (Giovanni Croce)|Giovanni Croce]] (the latter two motets being available at CDPL).


It was so popular in its day that it was sung everywhere from the Sistine Chapel to Guatemalan frontier missions.
It was so popular in its day that it was sung everywhere from the Sistine Chapel to Guatemalan frontier missions.

Revision as of 16:03, 7 August 2018

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  • CPDL #12916:        (Finale 2005)
Editor: Charles H. Giffen (submitted 2006-10-25).   Score information: Letter, 8 pages, 205 kB   Copyright: CPDL May be freely copied, distributed, and performed for nonprofit purpose.
Edition notes: Musica ficta clearly indicated. MusicXML source file(s) in compressed .mxl format.

General Information

Title: Quaeramus cum pastoribus
Composer: Jean Mouton

Number of voices: 4vv   Voicing: SATB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: Motet in two parts

Prima pars: Quaeramus cum pastoribus
Secunda pars: Ubi pascas, ubi cubes?

This motet by Mouton was the basis for a number of parody works by later composers, including parody masses by Morales and Willaert as well as motets by Crecquillon, Pedro de Cristo and Giovanni Croce (the latter two motets being available at CDPL).

It was so popular in its day that it was sung everywhere from the Sistine Chapel to Guatemalan frontier missions.

External websites:

Original text and translations

Original text and translations may be found at Quaeramus cum pastoribus.