Psalmen Davids, Op. 2 (Heinrich Schütz)

Heinrich Schütz, Psalmen Davids sampt etlichen Moteten und Concerten, published Dresden, 1619

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Abbreviations:
bc = basso continuo, bsn = bassoon, cor = cornetto, timp = timpani, tpt = trumpet, trb = trombone, vl = violin, vla = viola

1. Der Herr sprach zu meinem Herren (Psalmus 110), SWV 22

   SATB–SATB, instr à 5 ad lib, bc

2. Warum toben die Heiden (Psalmus 2), SWV 23

   SATB–SATB, 2×instr à 4 ad lib, bc

3. Ach, Herr, straf mich nicht (Psalmus 6), SWV 24

   SATB–SATB, bc

4. Aus der Tiefe (Psalmus 130), SWV 25

   SATB–SATB, bc

5. Ich freu mich des (Psalmus 122), SWV 26

   SATB–SATB, 2×instr à 4 ad lib, bc

6. Herr, unser Herrscher (Psalmus 8), SWV 27

   SSAB–ATTB, instr à 5 ad lib, bc

7. Wohl dem, der nicht wandelt (Psalmus 1), SWV 28

   SSAB–ATTB, bc

8. Wie lieblich sind deine Wohnunge (Psalmus 84), SWV 29

   SSAB–TTBB, bc

9. Wohl dem, der den Herren fürchtet (Psalmus 128), SWV 30

   SSAT–ATBB, bc

10. Ich hebe meine Augen auf (Psalmus 121), SWV 31

    SATB–SATB, bc

11. Danket dem Herren, denn er ist freundlich (Psalmus 136), SWV 32

    SSST–ATTB, 2×instr à 4 ad lib, bc

12. Der Herr ist mein Hirt (Psalmus 23), SWV 33

    SSAT–SATB, bc

13. Ich danke dem Herrn (Psalmus 111), SWV 34

    SATB–SATB, 2×instr à 4 ad lib, bc

14. Singet dem Herrn ein neues Lied (Psalmus 98), SWV 35

    SATB–SATB, bc

    CPDL #9682: (A4, 16 pp, 360 KB) Finale-2000, edited by Sabine Cassola, copyright © 1996 SMC.

15. Jauchzet dem Herren, alle Welt (Psalmus 100), SWV 36

    SATB+bc–SATB+bc

    CPDL #11299: (A4, 8 pp) MusiXTeX, edited by Christof K. Biebricher, personal copyright.

    CPDL #11267: (A4, 14 pp, 124 KB), edited by Wilbert Berendsen, personal copyright.

    CPDL #9582: (A4, 12 pp, 85 KB) PDF, MIDI & Overture, edited by John Kilpatrick, personal copyright.

    CPDL #6552: (A4, 11 pp, 200 KB), edited by Helmut Kickton, personal copyright.

16. An den Wassern zu Babel (Psalmus 137), SWV 37

    SATB–SATB, bc

17. Alleluja! Lobet den Herren (Psalmus 150), SWV 38

    SATB–SATB, 2×instr à 4 ad lib, bc

    CPDL #11234: (A4, 56 pp, 369 KB) Sibelius 3 Scorch, edited by and copyright © 2006 Philip Legge.

18. Lobe den Herren, meine Seele (Concert), SWV 39

    SATB–SATB, bc

19. Ist nicht Ephraim mein teurer Sohn (Moteto), SWV 40

    SSTB–ATTB, 2×instr à 4 ad lib, bc

    CPDL #6552: (A4, 27 pp, 200 KB) Sibelius, edited by Steven Langley Guy, personal copyright.

20. Nun lob, mein Seel, den Herren (Canzon), SWV 41

    SATB–SATB, instr à 4, instr à 5 ad lib, bc

21. Die mit Tränen säen (Moteto), SWV 42

    ST+3trb–ST+3trb, bc

22. Nicht uns, Herr (Psalmus 115), SWV 43

    T+3cor–SATB–A+3trb, bc

23. Wohl dem, der den Herren fürchtet (Psalmus 128), SWV 44

    T+4cor–A+vl+3trb–SATB, instr à 4 ad lib, bc

24. Danket dem Herren, denn er ist freundlich (Psalmus 136), SWV 45

    SSAT–A+3trb, instr à 5 ad lib, tpt, timp, bc

25. Zion spricht, der Herr hat mich verlassen (Concert), SWV 46

    ST+3cor,bsn–ST+4trb, 2×instr à 4 ad lib, bc

26. Jauchzet dem Herren, alle Welt (Concert), SWV 47

    AT+2cor,bsn–ST–S+vl+3vla, instr à 5 ad lib, bc

General information

Composer: Heinrich Schütz

Catalogue Number: SWV 22–47

Genre: Sacred, Motet

Language: German

Published: first published in Dresden, 1619, and subsequently denoted as Schütz's opus 2. Subsequently printed in the 19th century in the Sämtliche Werke (Old Schütz Edition) published in Leipzig and edited by Philipp Spitta, and more recently in the New Schütz Edition published since 1955 by Bärenreiter, Kassel, in volumes 23–26.

Description: this mighty collection, the first volume of Psalmen Davids, clearly shows the influence of Schütz's time in Venice under the tutelage of Giovanni Gabrieli, with many of the pieces written for multiple choirs, with obbligato instruments and extra vocal parts that can be disposed between voices and instruments ad libitum. In the instrumental listings above, almost all of the ensembles described as instruments... ad lib are partially or completely supplied with texts, so in effect the pieces for 2 choirs plus 2 instrumental groups can also be sung as pieces for 4 choirs. These extra choirs are described as the cappella, whereas the principal choir(s), which often include solo voices, are described as the cori favoriti.