Psalmen Davids, Op. 2 (Heinrich Schütz): Difference between revisions
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#''An den Wassern zu Babel'' (Psalmus 137), SWV 37 | #''An den Wassern zu Babel'' (Psalmus 137), SWV 37 |
Revision as of 02:25, 31 March 2008
Heinrich Schütz, Psalmen Davids sampt etlichen Moteten und Concerten, published Dresden, 1619
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Abbreviations:
bc = basso continuo, bsn = bassoon, cor = cornetto, timp = timpani, tpt = trumpet, trb = trombone, vl = violin, vla = viola
- Der Herr sprach zu meinem Herren (Psalmus 110), SWV 22
- SATB–SATB, instr à 5 ad lib, bc
- Warum toben die Heiden (Psalmus 2), SWV 23
- SATB–SATB, 2×instr à 4 ad lib, bc
- Ach, Herr, straf mich nicht (Psalmus 6), SWV 24
- SATB–SATB, bc
- Aus der Tiefe (Psalmus 130), SWV 25
- SATB–SATB, bc
- Ich freu mich des (Psalmus 122), SWV 26
- SATB–SATB, 2×instr à 4 ad lib, bc
- Herr, unser Herrscher (Psalmus 8), SWV 27
- SSAB–ATTB, instr à 5 ad lib, bc
- Wohl dem, der nicht wandelt (Psalmus 1), SWV 28
- SSAB–ATTB, bc
- Wie lieblich sind deine Wohnunge (Psalmus 84), SWV 29
- SSAB–TTBB, bc
- Wohl dem, der den Herren fürchtet (Psalmus 128), SWV 30
- SSAT–ATBB, bc
- Ich hebe meine Augen auf (Psalmus 121), SWV 31
- SATB–SATB, bc
- Danket dem Herren, denn er ist freundlich (Psalmus 136), SWV 32
- SSST–ATTB, 2×instr à 4 ad lib, bc
- Der Herr ist mein Hirt (Psalmus 23), SWV 33
- SSAT–SATB, bc
- Ich danke dem Herrn (Psalmus 111), SWV 34
- SATB–SATB, 2×instr à 4 ad lib, bc
- Singet dem Herrn ein neues Lied (Psalmus 98), SWV 35
- SATB–SATB, bc
- CPDL #9682: (A4, 16 pp, 360 KB) Finale-2000, edited by Sabine Cassola, copyright © 1996 SMC.
- Jauchzet dem Herren, alle Welt (Psalmus 100), SWV 36
- SATB+bc–SATB+bc
- CPDL #11299: (A4, 8 pp) MusiXTeX, edited by Christof K. Biebricher, personal copyright.
- CPDL #11267: (A4, 14 pp, 124 KB), edited by Wilbert Berendsen, personal copyright.
- CPDL #9582: (A4, 12 pp, 85 KB) PDF, MIDI & Overture, edited by John Kilpatrick, personal copyright.
- CPDL #6552: (A4, 11 pp, 200 KB), edited by Helmut Kickton, personal copyright.
- An den Wassern zu Babel (Psalmus 137), SWV 37
- SATB–SATB, bc
- Alleluja! Lobet den Herren (Psalmus 150), SWV 38
- SATB–SATB, 2×instr à 4 ad lib, bc
- CPDL #11234: (A4, 56 pp, 369 KB) Sibelius 3 Scorch, edited by and copyright © 2006 Philip Legge.
- SATB–SATB, 2×instr à 4 ad lib, bc
- Lobe den Herren, meine Seele (Concert), SWV 39
- SATB–SATB, bc
- Ist nicht Ephraim mein teurer Sohn (Moteto), SWV 40
- SSTB–ATTB, 2×instr à 4 ad lib, bc
- CPDL #6552: (A4, 27 pp, 200 KB) Sibelius, edited by Steven Langley Guy, personal copyright.
- Nun lob, mein Seel, den Herren (Canzon), SWV 41
- SATB–SATB, instr à 4, instr à 5 ad lib, bc
- Die mit Tränen säen (Moteto), SWV 42
- ST+3trb–ST+3trb, bc
- Nicht uns, Herr (Psalmus 115), SWV 43
- T+3cor–SATB–A+3trb, bc
- Wohl dem, der den Herren fürchtet (Psalmus 128), SWV 44
- T+4cor–A+vl+3trb–SATB, instr à 4 ad lib, bc
- Danket dem Herren, denn er ist freundlich (Psalmus 136), SWV 45
- SSAT–A+3trb, instr à 5 ad lib, tpt, timp, bc
- Zion spricht, der Herr hat mich verlassen (Concert), SWV 46
- ST+3cor,bsn–ST+4trb, 2×instr à 4 ad lib, bc
- Jauchzet dem Herren, alle Welt (Concert), SWV 47
- AT+2cor,bsn–ST–S+vl+3vla, instr à 5 ad lib, bc
General information
Composer: Heinrich Schütz
Catalogue Number: SWV 22–47
Language: German
Published: first published in Dresden, 1619, and subsequently denoted as Schütz's opus 2. Subsequently printed in the 19th century in the Sämtliche Werke (Old Schütz Edition) published in Leipzig and edited by Philipp Spitta, and more recently in the New Schütz Edition published since 1955 by Bärenreiter, Kassel, in volumes 23–26.
Description: this mighty collection, the first volume of Psalmen Davids, clearly shows the influence of Schütz's time in Venice under the tutelage of Giovanni Gabrieli, with many of the pieces written for multiple choirs, with obbligato instruments and extra vocal parts that can be disposed between voices and instruments ad libitum. In the instrumental listings above, almost all of the ensembles described as instruments... ad lib are partially or completely supplied with texts, so in effect the pieces for 2 choirs plus 2 instrumental groups can also be sung as pieces for 4 choirs. These extra choirs are described as the cappella, whereas the principal choir(s), which often include solo voices, are described as the cori favoriti.