Passio Domini Jesu Christi secundum Matthaeum (Orlando di Lasso): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{PostedDate|2015-12-10}} {{CPDLno|37812}} [[Media:Lasso-Passio_secundum_Matthaeum1.pdf|{{pdf}}]] [[Media:Lasso-Passio_secundum_Matthaeum1.mid|{{mid}}]] [[Media:Lasso-Passio_secundum_Matthaeum1.mxl|{{XML}}]] [[Media:Lasso-Passio_secundum_Matthaeum1.musx|{{F14}}]] (Finale 2014)
 
*{{PostedDate|2015-12-10}} {{CPDLno|37812}} [{{filepath:Lasso-Passio_secundum_Matthaeum1.pdf}} {{pdf}}] [{{filepath:Lasso-Passio_secundum_Matthaeum1.mid}} {{mid}}] [{{filepath:Lasso-Passio_secundum_Matthaeum1.musx}} Finale 2014]
{{Editor|Willem Verkaik|2015-12-10}}{{ScoreInfo|Letter|10|721}}{{Copy|CPDL}}
{{Editor|Willem Verkaik|2015-12-10}}{{ScoreInfo|Letter|10|721}}{{Copy|CPDL}}
:'''Edition notes:''' The first of three partitions
:{{EdNotes|The 1st of 3 parts, pp. 1-10.}}


*{{PostedDate|2015-12-10}} {{CPDLno|37813}} [{{filepath:Lasso-Passio_secundum_Matthaeum2.pdf}} {{pdf}}] [{{filepath:Lasso-Passio_secundum_Matthaeum2.mid}} {{mid}}] [{{filepath:Lasso-Passio_secundum_Matthaeum2.musx}} Finale 2014]
*{{PostedDate|2015-12-10}} {{CPDLno|37813}} [[Media:Lasso-Passio_secundum_Matthaeum2.pdf|{{pdf}}]] [[Media:Lasso-Passio_secundum_Matthaeum2.mid|{{mid}}]] [[Media:Lasso-Passio_secundum_Matthaeum2.mxl|{{XML}}]] [[Media:Lasso-Passio_secundum_Matthaeum2.musx|{{F14}}]] (Finale 2014)
{{Editor|Willem Verkaik|2015-12-10}}{{ScoreInfo|Letter|17|1084}}{{Copy|CPDL}}
{{Editor|Willem Verkaik|2015-12-10}}{{ScoreInfo|Letter|17|1084}}{{Copy|CPDL}}
:'''Edition notes:''' The second of three partitions
:{{EdNotes|The 2nd of 3 parts.}}


*{{PostedDate|2015-12-10}} {{CPDLno|37814}} [{{filepath:Lasso-Passio_secundum_Matthaeum3.pdf}} {{pdf}}] [{{filepath:Lasso-Passio_secundum_Matthaeum3.mid}} {{mid}}] [{{filepath:Lasso-Passio_secundum_Matthaeum3.musx}} Finale 2014]
*{{PostedDate|2015-12-10}} {{CPDLno|37814}} [[Media:Lasso-Passio_secundum_Matthaeum3.pdf|{{pdf}}]] [[Media:Lasso-Passio_secundum_Matthaeum3.mid|{{mid}}]] [[Media:Lasso-Passio_secundum_Matthaeum3.mxl|{{XML}}]] [[Media:Lasso-Passio_secundum_Matthaeum3.musx|{{F14}}]] (Finale 2014)
{{Editor|Willem Verkaik|2015-12-10}}{{ScoreInfo|Letter|10|579}}{{Copy|CPDL}}
{{Editor|Willem Verkaik|2015-12-10}}{{ScoreInfo|Letter|10|579}}{{Copy|CPDL}}
:'''Edition notes:''' The third of three partitions
:{{EdNotes|The 3rd of 3 parts, pp. 28-37.}}
 
 
 
 


==General Information==
==General Information==
'''Title:''' ''Passio Domini nostril Jesu Christi secundum Matthaeum''
{{Title|Passio Domini nostril Jesu Christi secundum Matthaeum}}
 
{{Composer|Orlando di Lasso}}
{{Composer|Orlando di Lasso}}
{{Voicing|6|SSATTB}}<br>
{{Voicing|5-6|SSATTB}}
{{Genre|Sacred|Passions}}
{{Genre|Sacred|Passions}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
 
{{Pub|1|1575|in ''{{NoCo|Patrocinium musices passio quarta pars}}''|no=1}}
'''Published:''' 1575
{{Descr|The passion follows the traditional Latin text of the {{Cat|Palm Sunday}} Mass. There are traditionally the following actors:
 
'''Description:''' The passion follows the traditional Latin text of the Palm Sunday Mass.  
There are traditionally the following actors:
 
*The Evangelist (the storyteller), here singing the plain chant lines indicated by the initial capital C. The C stands for Chronista, but also for the recitation note C.
*The Evangelist (the storyteller), here singing the plain chant lines indicated by the initial capital C. The C stands for Chronista, but also for the recitation note C.
*Jesus, here singing the plain chant lines indicated by the initial F. This refers also to his recitation tone, but also in a stylized version stands for a crucifix.
*Jesus, here singing the plain chant lines indicated by the initial F. This refers also to his recitation tone, but also in a stylized version stands for a crucifix.
*Soliloquents: solospeakers, such as Peter, Judas, Caiphas, Pilate. Sung by the choir in two- or three part polyphonic settings
*Soliloquents: solospeakers, such as Peter, Judas, Caiphas, Pilate. Sung by the choir in two- or three part polyphonic settings
 
*Turbae: the multitudes, such as the disciples, priests, soldiers, the people. Sung by the choir in five- or six part polyphonic settings.}}
*Turbae: the multitudes, such as the disciples, priests, soldiers, the people. Sung by the choir in five- or six part polyphonic settings.
{{#ExtWeb:
 
*[http://www.drbo.org/lvb/chapter/47026.htm Latin Vulgate text].}}
*The complete score has been arbitrarily divided into three partitions, to avoid overloaded size of files.
 
'''External websites:'''
 
 
==Original text and translations==
==Original text and translations==
{{ExtText}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 16:31, 8 November 2021

Music files

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  • (Posted 2015-12-10)  CPDL #37812:        (Finale 2014)
Editor: Willem Verkaik (submitted 2015-12-10).   Score information: Letter, 10 pages, 721 kB   Copyright: CPDL
Edition notes: The 1st of 3 parts, pp. 1-10.
  • (Posted 2015-12-10)  CPDL #37813:        (Finale 2014)
Editor: Willem Verkaik (submitted 2015-12-10).   Score information: Letter, 17 pages, 1.06 MB   Copyright: CPDL
Edition notes: The 2nd of 3 parts.
  • (Posted 2015-12-10)  CPDL #37814:        (Finale 2014)
Editor: Willem Verkaik (submitted 2015-12-10).   Score information: Letter, 10 pages, 579 kB   Copyright: CPDL
Edition notes: The 3rd of 3 parts, pp. 28-37.

General Information

Title: Passio Domini nostril Jesu Christi secundum Matthaeum
Composer: Orlando di Lasso
Number of voices: 5-6vv   Voicing: SSATTB
Genre: Sacred, Passion

Language: Latin
Instruments: A cappella

First published: 1575 in Patrocinium musices passio quarta pars, no. 1
Description: The passion follows the traditional Latin text of the Palm Sunday Mass. There are traditionally the following actors:

  • The Evangelist (the storyteller), here singing the plain chant lines indicated by the initial capital C. The C stands for Chronista, but also for the recitation note C.
  • Jesus, here singing the plain chant lines indicated by the initial F. This refers also to his recitation tone, but also in a stylized version stands for a crucifix.
  • Soliloquents: solospeakers, such as Peter, Judas, Caiphas, Pilate. Sung by the choir in two- or three part polyphonic settings
  • Turbae: the multitudes, such as the disciples, priests, soldiers, the people. Sung by the choir in five- or six part polyphonic settings.

External websites:

Original text and translations

Visit the external website(s) listed above for the original text and/or translations.   

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