Missa cum quatuor vocibus (Pierre Colin): Difference between revisions

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(adding Credo)
(completing the transcription)
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{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|8|75}}{{Copy|CPDL}}
{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|8|75}}{{Copy|CPDL}}
:'''Edition notes:''' Emendations by Mick Swithinbank
:'''Edition notes:''' Emendations by Mick Swithinbank
===4. Sanctus===
*{{NewWork|2012-02-21}} {{CPDLno|25614}} [{{filepath:Col-mis4.pdf}} {{pdf}}] [{{filepath:Col-mis4.mid}} {{mid}}] [{{filepath:Col-mis4.sib}} Sibelius 5]
{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|2|29}}{{Copy|CPDL}}
:'''Edition notes:'''
===Benedictus===
Not included in source
===5. Agnus dei===
*{{NewWork|2012-02-21}} {{CPDLno|25615}} [{{filepath:Col-mis5.pdf}} {{pdf}}] [{{filepath:Col-mis5.mid}} {{mid}}] [{{filepath:Col-mis5.sib}} Sibelius 5]
{{Editor|Jonathan Goodliffe|2012-02-21}}{{ScoreInfo|A4|2|25}}{{Copy|CPDL}}
:'''Edition notes:'''


==General Information==
==General Information==
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'''Published:''' Not known
'''Published:''' Not known


'''Description:''' From the [[Música Colonial Archive]]. A four part mass. Attributed in the late 17th/early 18th Century source to "Petrus Colineus". There may have been a setting of the Benedictus, which was not included in the source, because by that time in Spain and Latin America the Benedictus was usually sung to a simple 3 part setting. Sanctus and Agnus dei to follow.
'''Description:''' From the [[Música Colonial Archive]]. A four part mass. Attributed in the late 17th/early 18th Century source to "Petrus Colineus". There may have been a setting of the Benedictus, which was not included in the source, because by that time in Spain and Latin America the Benedictus was usually sung to a simple 3 part setting.


'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=9-0005.djvu copy of the manuscript], the original of which is in Guatemala Cathedral.
'''External websites:''' [http://conan.lib.muohio.edu/musica/frame.html?filename=9-0005.djvu copy of the manuscript], the original of which is in Guatemala Cathedral.

Revision as of 21:56, 21 February 2012

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1. Kyrie

CPDL #25610:  Icon_pdf.gif Icon_snd.gif Sibelius 5 
Editor: Jonathan Goodliffe (submitted 2012-02-20).   Score information: A4, 2 pages, 26 kB   Copyright: CPDL
Edition notes:

2. Gloria

CPDL #25611:  Icon_pdf.gif Icon_snd.gif Sibelius 5 
Editor: Jonathan Goodliffe (submitted 2012-02-20).   Score information: A4, 4 pages, 49 kB   Copyright: CPDL
Edition notes:

3. Credo

CPDL #25612:  Icon_pdf.gif Icon_snd.gif Sibelius 5 
Editor: Jonathan Goodliffe (submitted 2012-02-21).   Score information: A4, 8 pages, 75 kB   Copyright: CPDL
Edition notes: Emendations by Mick Swithinbank

4. Sanctus

CPDL #25614:  Icon_pdf.gif Icon_snd.gif Sibelius 5 
Editor: Jonathan Goodliffe (submitted 2012-02-21).   Score information: A4, 2 pages, 29 kB   Copyright: CPDL
Edition notes:

Benedictus

Not included in source

5. Agnus dei

CPDL #25615:  Icon_pdf.gif Icon_snd.gif Sibelius 5 
Editor: Jonathan Goodliffe (submitted 2012-02-21).   Score information: A4, 2 pages, 25 kB   Copyright: CPDL
Edition notes:

General Information

Title: Missa cum quatuor vocibus
Composer: Pierre Colin

Number of voices: 4vv   Voicing: STTB

Genre: SacredMass

Language: Latin
Instruments: a cappella
Published: Not known

Description: From the Música Colonial Archive. A four part mass. Attributed in the late 17th/early 18th Century source to "Petrus Colineus". There may have been a setting of the Benedictus, which was not included in the source, because by that time in Spain and Latin America the Benedictus was usually sung to a simple 3 part setting.

External websites: copy of the manuscript, the original of which is in Guatemala Cathedral.


Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei