Messe a 8 vois et 8 violons et flutes (H.3) (Marc-Antoine Charpentier): Difference between revisions

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(Added a full score to the vocal score already present, and adapted the edition notes and copyright where required.)
m (Text replacement - "}} {{Published" to "}} {{Pub|1|")
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:'''Vocal score:''' [[Media:Messe_H.3_-_vocal_score.pdf|{{pdf}}]]{{Editor|Walter Heeroma|2016-12-31}}{{ScoreInfo|A4|119|5489}}
:'''Vocal score:''' [[Media:Messe_H.3_-_vocal_score.pdf|{{pdf}}]]{{Editor|Walter Heeroma|2016-12-31}}{{ScoreInfo|A4|119|5489}}
:{{Copy|Personal}}
:{{Copy|Personal}}
:'''Edition notes:''' This edition consists of a full score, supplemented by a {{Cat|Keyboard version|vocal score}} for the use by choir members and soloists. The edition has been made by Walter Heeroma and Madeleine Heiligers from the original manuscript in the Meslanges Autographes in the Bibliothèque Nationale, Paris, for the occasion of the performance in Amsterdam on November 15, 2015 by the Lelikoor conducted by JanJoost van Elburg. The vocal score may be used in combination with the full score by Catherine Cessac as well (a list of differences between the two editions has been provided). A CPDL edition of the orchestra parts may be expected around February 2018.
:'''Orchestra parts:''' [[Media:Charpentier_-_Messe_H.3_orchestra_parts.zip|{{zip}}]]{{Editor|Walter Heeroma|2017-12-27}}{{ScoreInfo|A4|134|1697}}
:{{Copy|Personal}}
:'''Edition notes:''' This edition consists of a full score, supplemented by a vocal score for the use by choir members and soloists and a set of orchestra parts. The edition has been made by Walter Heeroma and Madeleine Heiligers from the original manuscript in the Meslanges Autographes in the Bibliothèque Nationale, Paris, for the occasion of the performance in Amsterdam on November 15, 2015 by the Lelikoor conducted by JanJoost van Elburg. The vocal score may be used in combination with the full score by Catherine Cessac as well (a list of differences between the two editions has been provided).  
:'''Copyright:''' © Walter Heeroma and Madeleine Heijligers, 2015, 2017. Users are free to download and print the score for personal use or to share them within their choirs or orchestras, and to use the score for performances and recordings. Any commercial use, e.g. printing and selling scores, is prohibited without explicit permission by the copyright holders. If the score is used for a performance or recording, the editors would enjoy to receive a notice at [mailto:hehe-editions@xs4all.nl hehe-editions]. Any comments on the edition may be sent to the same e-mail address, and will be highly appreciated.
:'''Copyright:''' © Walter Heeroma and Madeleine Heijligers, 2015, 2017. Users are free to download and print the score for personal use or to share them within their choirs or orchestras, and to use the score for performances and recordings. Any commercial use, e.g. printing and selling scores, is prohibited without explicit permission by the copyright holders. If the score is used for a performance or recording, the editors would enjoy to receive a notice at [mailto:hehe-editions@xs4all.nl hehe-editions]. Any comments on the edition may be sent to the same e-mail address, and will be highly appreciated.


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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|Orchestra: |strings, woodwinds and continuo}}
{{Instruments|Orchestra: |strings, woodwinds and continuo}}
{{Published|Probably first composed 1672}}
{{Pub|1||Probably first composed 1672}}


'''Description:''' The Mass is probably an arrangement made by Charpentier himself in the 1680's of an original dating from 1672 (now lost), and was possibly commanded by the Paris Jesuites to celebrate the canonization of their general Francesco di Borgia. More information is in the preface to the CPDL#42459 edtion.
'''Description:''' The Mass is probably an arrangement made by Charpentier himself in the 1680's of an original dating from 1672 (now lost), and was possibly commanded by the Paris Jesuites to celebrate the canonization of their general Francesco di Borgia. More information is in the preface to the CPDL#42459 edtion.
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==Original text and translations==
==Original text and translations==
{{MassText}} • ''[[O salutaris hostia]] • [[Domine salvum fac]]''
{{MassText|O salutaris hostia|Domine salvum fac}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Baroque music]]
[[Category:Baroque music]]

Revision as of 01:03, 19 October 2019

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  • (Posted 2016-12-31)  CPDL #42459: 
Full score:  
Editor: Walter Heeroma (submitted 2017-11-07).   Score information: A4, 172 pages, 9.15 MB   
Vocal score:  
Editor: Walter Heeroma (submitted 2016-12-31).   Score information: A4, 119 pages, 5.36 MB   
Copyright: Personal
Orchestra parts:  
Editor: Walter Heeroma (submitted 2017-12-27).   Score information: A4, 134 pages, 1.66 MB   
Copyright: Personal
Edition notes: This edition consists of a full score, supplemented by a vocal score for the use by choir members and soloists and a set of orchestra parts. The edition has been made by Walter Heeroma and Madeleine Heiligers from the original manuscript in the Meslanges Autographes in the Bibliothèque Nationale, Paris, for the occasion of the performance in Amsterdam on November 15, 2015 by the Lelikoor conducted by JanJoost van Elburg. The vocal score may be used in combination with the full score by Catherine Cessac as well (a list of differences between the two editions has been provided).
Copyright: © Walter Heeroma and Madeleine Heijligers, 2015, 2017. Users are free to download and print the score for personal use or to share them within their choirs or orchestras, and to use the score for performances and recordings. Any commercial use, e.g. printing and selling scores, is prohibited without explicit permission by the copyright holders. If the score is used for a performance or recording, the editors would enjoy to receive a notice at hehe-editions. Any comments on the edition may be sent to the same e-mail address, and will be highly appreciated.

General Information

Title: Messe a 8 vois et 8 violons et flutes (H.3)
Composer: Marc-Antoine Charpentier

Number of voices: 8vv   Voicing: SATB.SATB
both chorus and soli
Genre: SacredMass

Language: Latin
Instruments: Orchestra: strings, woodwinds and continuo

First published:

Description: The Mass is probably an arrangement made by Charpentier himself in the 1680's of an original dating from 1672 (now lost), and was possibly commanded by the Paris Jesuites to celebrate the canonization of their general Francesco di Borgia. More information is in the preface to the CPDL#42459 edtion.

External websites: http://www.musicaneo.com/sheetmusic/sm-53727_mass_h_3.html#53727
http://www.musicaneo.com/sheetmusic/sm-53518_domine_salvum_h_283.html#53518

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus DeiO salutaris hostia Domine salvum fac