Magnificat quarti toni 'Anima mea' (Cristóbal de Morales): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{#Legend:}} | ||
*{{CPDLno|12012}} [[Media:Morales-Mag4-1.pdf|{{pdf}}]] [[Media:Morales-Mag4-1.mid|{{mid}}]] [[Media:Morales-Mag4-1.mxl|{{XML}}]] [[Media:Morales-Mag4-1.cap|{{Cap}}]] (Capella 5) | |||
*{{CPDLno|12012}} [ | |||
{{Editor|Michael Wendel|2006-07-15}}{{ScoreInfo|A4|7|156}}{{Copy|CPDL}} | {{Editor|Michael Wendel|2006-07-15}}{{ScoreInfo|A4|7|156}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' {{MXL}} | ||
==General Information== | ==General Information== | ||
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{{Genre|Sacred|Evening Canticles|9=Morales, Cristobal de.4}} | {{Genre|Sacred|Evening Canticles|9=Morales, Cristobal de.4}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | |||
{{Published|1545}} | |||
'''Description:''' Setting of odd verses of the [[Magnificat]]. See composer page for links to other Magnificat settings. During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used. | '''Description:''' Setting of odd verses of the [[Magnificat]]. See composer page for links to other Magnificat settings. During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used. |
Revision as of 04:52, 21 January 2019
Music files
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- Editor: Michael Wendel (submitted 2006-07-15). Score information: A4, 7 pages, 156 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
General Information
Title: Magnificat Quarti Toni 'Anima mea'
Composer: Cristóbal de Morales
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Setting of odd verses of the Magnificat. See composer page for links to other Magnificat settings. During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.