Magnificat quarti toni 'Anima mea' (Cristóbal de Morales): Difference between revisions
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*'''CPDL #12012:''' [{{SERVER}}/wiki/images/f/f9/Morales-Mag4-1.pdf {{pdf}}] [{{SERVER}}/wiki/images/d/dd/Morales-Mag4-1.mid {{mid}}] [{{SERVER}}/wiki/images/c/cf/Morales-Mag4-1.cap Capella 5] | *'''CPDL #12012:''' [{{SERVER}}/wiki/images/f/f9/Morales-Mag4-1.pdf {{pdf}}] [{{SERVER}}/wiki/images/d/dd/Morales-Mag4-1.mid {{mid}}] [{{SERVER}}/wiki/images/c/cf/Morales-Mag4-1.cap Capella 5] | ||
{{Editor|Michael Wendel|2006-07-15}} | {{Editor|Michael Wendel|2006-07-15}}{{ScoreInfo|A4|7|156}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' | ||
Revision as of 09:21, 5 May 2011
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- CPDL #12012: Capella 5
- Editor: Michael Wendel (submitted 2006-07-15). Score information: A4, 7 pages, 156 kB Copyright: CPDL
- Edition notes:
General Information
'Title: Magnificat Quarti Toni 'Anima mea
Composer: Cristóbal de Morales
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Evening Canticle
Language: Latin
Instruments: a cappella
Published: 1545
Description: Setting of odd verses of the Magnificat. See composer page for links to other Magnificat settings. During the Renaissance, magnificats were often sung in alternatim, that is with alternating verses of plainsong and polyphony. For this reason, the 'eight' Magnificats of Morales, were published as 16 Magnificats with the understanding that plainsong chant would be used.
External websites:
Original text and translations
Original text and translations may be found at Magnificat.