Laudate pueri Dominum (Antonio Durán de la Motta): Difference between revisions
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*{{PostedDate|2014-11-26}} {{CPDLno|33491}} [{{filepath:Duran_de_la_Motta-Laudate_pueri_Dominum.pdf}} {{pdf}}] [{{filepath:Duran_de_la_Motta-Laudate_pueri_Dominum.mid}} {{mid}}] [{{filepath:Duran_de_la_Motta-Laudate_pueri_Dominum.musx}} Finale 2014 | *{{PostedDate|2014-11-26}} {{CPDLno|33491}} [{{filepath:Duran_de_la_Motta-Laudate_pueri_Dominum.pdf}} {{pdf}}] [{{filepath:Duran_de_la_Motta-Laudate_pueri_Dominum.mid}} {{mid}}] [{{filepath:Duran_de_la_Motta-Laudate_pueri_Dominum.musx}} {{F14}}] (Finale 2014) | ||
{{Editor|José Medina|2014-11-26}}{{ScoreInfo|A4|8|466}}{{Copy|CPDL}} | {{Editor|José Medina|2014-11-26}}{{ScoreInfo|A4|8|466}}{{Copy|CPDL}} | ||
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Revision as of 18:55, 3 August 2016
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- Editor: José Medina (submitted 2014-11-26). Score information: A4, 8 pages, 466 kB Copyright: CPDL
- Edition notes:
General Information
Title: Laudate pueri Dominum
Composer: Antonio Durán de la Motta
Number of voices: 4vv Voicings: SSAT or SATB
Genre: Sacred, Unknown
Language: Latin
Instruments: A cappella
Published:
Description: Archives of the San Antonio Abad Seminar of Cuzco-Peru. Manuscripts are dated 1723.
Original tonality: Doric-D. Original document suggests its performance with two Sopranos, Alto and Bass. The execution can also be recommended as follows: First voice=Soprano, Second voice=Tenor, Third voice=Alto, Fourth voice=Bass. Because of its rhythmic and melodic structures, it can be performed with choir and instruments playing "colla parte"
External websites:
Original text and translations
Original text and translations may be found at Psalm 113, verses 1, 3, 5, 6 and doxology.