Johann Sebastian Bach: Difference between revisions
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* Bach works published at CPDL sorted alphabetically by title, see {{CiteCat|Johann Sebastian Bach compositions}} | * Bach works published at CPDL sorted alphabetically by title, see {{CiteCat|Johann Sebastian Bach compositions}} | ||
* Bach works at CPDL listed by BWV number, see [[Johann Sebastian Bach/BWV list]] | |||
* Bach Cantatas sortable by BWV number and calendar, see [[Sortable list of cantatas (Johann Sebastian Bach)]] | * Bach Cantatas sortable by BWV number and calendar, see [[Sortable list of cantatas (Johann Sebastian Bach)]] | ||
* Automation of this page, see [[/Automation]] | |||
}} | }} | ||
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*{{NoCo|Es ist das Heil uns kommen her, BWV 9}} | *{{NoCo|Es ist das Heil uns kommen her, BWV 9}} | ||
*{{NoCo|Es ist dir gesagt, Mensch, was gut ist, BWV 45}} | *{{NoCo|Es ist dir gesagt, Mensch, was gut ist, BWV 45}} | ||
*{{NoCo|Es ist ein trotzig und verzagt Ding, BWV 176}} | *{{NoCo|Es ist ein trotzig und verzagt Ding, BWV 176}} | ||
*{{NoCo|Es ist euch gut, daß ich hingehe, BWV 108}} | *{{NoCo|Es ist euch gut, daß ich hingehe, BWV 108}} | ||
*{{NoCo|Es ist nichts Gesundes an meinem Leibe, BWV 25}} | *{{NoCo|Es ist nichts Gesundes an meinem Leibe, BWV 25}} | ||
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*{{NoCo|Der Friede sei mit dir, BWV 158}} | *{{NoCo|Der Friede sei mit dir, BWV 158}} | ||
'''G''' | '''G''' | ||
*{{NoCo|Geist und Seele wird verwirret, BWV 35}} | *{{NoCo|Geist und Seele wird verwirret, BWV 35}} | ||
*{{NoCo|Gelobet sei der Herr, mein Gott, BWV 129}} | *{{NoCo|Gelobet sei der Herr, mein Gott, BWV 129}} | ||
Line 116: | Line 117: | ||
*{{NoCo|Herr, wie du willt, so schick's mit mir, BWV 73}} | *{{NoCo|Herr, wie du willt, so schick's mit mir, BWV 73}} | ||
*{{NoCo|Ein Herz, das seinen Jesum lebend weiß, BWV 134}} | *{{NoCo|Ein Herz, das seinen Jesum lebend weiß, BWV 134}} | ||
*{{NoCo|Herz und Mund und Tat und Leben, BWV 147}} | *{{NoCo|Herz und Mund und Tat und Leben, BWV 147}} | ||
*{{NoCo|Der Himmel lacht! Die Erde jubilieret, BWV 31}} | *{{NoCo|Der Himmel lacht! Die Erde jubilieret, BWV 31}} | ||
*{{NoCo|Die Himmel erzählen die Ehre Gottes, BWV 76}} | *{{NoCo|Die Himmel erzählen die Ehre Gottes, BWV 76}} | ||
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*{{NoCo|Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145}} | *{{NoCo|Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145}} | ||
*{{NoCo|Ich liebe den Höchsten von ganzem Gemüte, BWV 174}} | *{{NoCo|Ich liebe den Höchsten von ganzem Gemüte, BWV 174}} | ||
*{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}} | *{{NoCo|Ich ruf' zu dir, Herr Jesu Christ, BWV 177}} | ||
*{{NoCo|Ich steh mit einem Fuß im Grabe, BWV 156}} | *{{NoCo|Ich steh mit einem Fuß im Grabe, BWV 156}} | ||
*{{NoCo|Ich will den Kreuzstab gerne tragen, BWV 56}} | *{{NoCo|Ich will den Kreuzstab gerne tragen, BWV 56}} | ||
*{{NoCo|Ihr, die ihr euch von Christo nennet, BWV 164}} | *{{NoCo|Ihr, die ihr euch von Christo nennet, BWV 164}} | ||
Line 148: | Line 148: | ||
'''J''' | '''J''' | ||
*{{NoCo|Jauchzet Gott in allen Landen, BWV 51}} | *{{NoCo|Jauchzet Gott in allen Landen, BWV 51}} | ||
*{{NoCo|Jesu, der du meine Seele, BWV 78}} | *{{NoCo|Jesu, der du meine Seele, BWV 78}} | ||
*{{NoCo|Jesu, nun sei gepreiset, BWV 41}} | *{{NoCo|Jesu, nun sei gepreiset, BWV 41}} | ||
*{{NoCo|Jesus nahm zu sich die Zwölfe, BWV 22}} | *{{NoCo|Jesus nahm zu sich die Zwölfe, BWV 22}} | ||
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*{{NoCo|Lobe den Herrn, meine Seele, BWV 143}} | *{{NoCo|Lobe den Herrn, meine Seele, BWV 143}} | ||
*{{NoCo|Lobet Gott in seinen Reichen, BWV 11}} | *{{NoCo|Lobet Gott in seinen Reichen, BWV 11}} | ||
'''M''' | '''M''' | ||
*{{NoCo|Mache dich, mein Geist, bereit, BWV 115}} | *{{NoCo|Mache dich, mein Geist, bereit, BWV 115}} | ||
Line 176: | Line 175: | ||
*{{NoCo|Meinen Jesum laß ich nicht, BWV 124}} | *{{NoCo|Meinen Jesum laß ich nicht, BWV 124}} | ||
*{{NoCo|Meine Seel erhebt den Herren, BWV 10}} | *{{NoCo|Meine Seel erhebt den Herren, BWV 10}} | ||
*{{NoCo|Meine Seufzer, meine Tränen, BWV 13}} | *{{NoCo|Meine Seufzer, meine Tränen, BWV 13}} | ||
*{{NoCo|Mit Fried und Freud ich fahr dahin, BWV 125}} | *{{NoCo|Mit Fried und Freud ich fahr dahin, BWV 125}} | ||
'''N''' | '''N''' | ||
*{{NoCo|Nach dir, Herr, verlanget mich, BWV 150}} | *{{NoCo|Nach dir, Herr, verlanget mich, BWV 150}} | ||
Line 189: | Line 186: | ||
*{{NoCo|Nun komm, der Heiden Heiland, BWV 61}} | *{{NoCo|Nun komm, der Heiden Heiland, BWV 61}} | ||
*{{NoCo|Nun komm, der Heiden Heiland, BWV 62}} | *{{NoCo|Nun komm, der Heiden Heiland, BWV 62}} | ||
*{{NoCo| | *{{NoCo|Nur jedem das Seine, BWV 163}} | ||
{{middle|3}} | |||
'''O''' | '''O''' | ||
*{{NoCo|O ewiges Feuer, o Ursprung der Liebe, BWV 34}} | *{{NoCo|O ewiges Feuer, o Ursprung der Liebe, BWV 34}} | ||
Line 205: | Line 202: | ||
*{{NoCo|Schau, lieber Gott, wie meine Feind, BWV 153}} | *{{NoCo|Schau, lieber Gott, wie meine Feind, BWV 153}} | ||
*{{NoCo|Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46}} | *{{NoCo|Schauet doch und sehet, ob irgend ein Schmerz sei, BWV 46}} | ||
*{{NoCo|Schleicht, spielende Wellen, BWV 206}} | *{{NoCo|Schleicht, spielende Wellen, BWV 206}} | ||
*{{NoCo|Schmücke dich, o liebe Seele, BWV 180}} | *{{NoCo|Schmücke dich, o liebe Seele, BWV 180}} | ||
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'''U''' | '''U''' | ||
*{{NoCo|Ein ungefärbt Gemüte, BWV 24}} | *{{NoCo|Ein ungefärbt Gemüte, BWV 24}} | ||
*{{NoCo|Unser Mund sei voll Lachens, BWV 110}} | *{{NoCo|Unser Mund sei voll Lachens, BWV 110}} | ||
'''V''' | '''V''' | ||
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===Chorale Harmonizations (BWV 250-BWV 438)=== | ===Chorale Harmonizations (BWV 250-BWV 438)=== | ||
<!--{{#SortWorks:Chorales|cols=3}}--> | |||
{{top}} | {{top}} | ||
*{{NoCo|Ach bleib' bei uns, Herr Jesu Christ, BWV 253}} | *{{NoCo|Ach bleib' bei uns, Herr Jesu Christ, BWV 253}} | ||
*{{NoCo|Ach Gott, erhör mein Seufzen und Wehklagen, BWV 254}} | *{{NoCo|Ach Gott, erhör mein Seufzen und Wehklagen, BWV 254}} | ||
*{{NoCo|Ach Gott und Herr, wie gross und schwer (Chorale)|Ach | *{{NoCo|Ach Gott und Herr, wie gross und schwer (Chorale), BWV 255}} | ||
*{{NoCo|Ach, was soll ich Sünder machen (Chorale) | *{{NoCo|Ach lieben Christen seid getrost, BWV 256}} | ||
*{{NoCo|Alle Menschen müssen sterben (Chorale) | *{{NoCo|Ach, was soll ich Sünder machen (Chorale), BWV 259}} | ||
*{{NoCo|Allein Gott in der Höh' sei Ehr' (Chorale) | *{{NoCo|Alle Menschen müssen sterben (Chorale), BWV 262}} | ||
*{{NoCo|Allein zu dir, Herr Jesu Christ (Chorale)| | *{{NoCo|Allein Gott in der Höh' sei Ehr' (Chorale), BWV 260}} | ||
*{{NoCo|Als Jesus Christus in der Nacht, BWV 265|Als Jesus Christus in der Nacht, BWV 265}} | *{{NoCo|Allein zu dir, Herr Jesu Christ (Chorale), BWV 261}} | ||
*{{NoCo|Das alte Jahr vergangen ist (Chorale)| | *{{NoCo|Alles ist an Gottes Segen, BWV 263}} | ||
*{{NoCo|Als der gütige Gott, BWV 264}} | |||
*{{NoCo|Als Jesus Christus in der Nacht, BWV 265|Als Jesus Christus in der Nacht, BWV 265}} | |||
*{{NoCo|Als vierzig Tag nach Ostern warn, BWV 266}} | |||
*{{NoCo|An Wasserflüssen Babylon, BWV 267}} | |||
*{{NoCo|Auf auf mein Herz, BWV 268}} | |||
*{{NoCo|Das alte Jahr vergangen ist (Chorale), BWV 288}} | |||
*{{NoCo|Befiehl du deine Wege, BWV 270}} | |||
*{{NoCo|Befiehl du deine Wege, BWV 271}} | |||
*{{NoCo|Befiehl du deine Wege, BWV 272}} | *{{NoCo|Befiehl du deine Wege, BWV 272}} | ||
*{{NoCo|Bekennen will ich seinen Namen, BWV 200}} | *{{NoCo|Bekennen will ich seinen Namen, BWV 200}} | ||
*{{NoCo | *{{NoCo|Christ, der du bist der helle Tag, BWV 273}} | ||
*{{NoCo|Christ ist erstanden (Chorale)|Christ | *{{NoCo|Christ ist erstanden (Chorale), BWV 276}} | ||
*{{NoCo|Christ lag in Todesbanden}} | *{{NoCo|Christ lag in Todesbanden, BWV 277-278}} | ||
*{{NoCo|Christ lag in Todesbanden, BWV 279}} | |||
*{{NoCo|Christ unser Herr zum Jordan kam, BWV 280|Christ unser Herr zum Jordan kam, BWV 280}} | *{{NoCo|Christ unser Herr zum Jordan kam, BWV 280|Christ unser Herr zum Jordan kam, BWV 280}} | ||
*{{NoCo|Christus, der ist mein Leben (Chorale)|Christus, der ist mein Leben, BWV | *{{NoCo|Christus, der ist mein Leben (Chorale), BWV 281}} | ||
*{{NoCo|Christus, der ist mein Leben, BWV 282}} | |||
*{{NoCo|Christus, der uns selig macht (Chorale) | *{{NoCo|Christus, der uns selig macht (Chorale), BWV 283}} | ||
*{{NoCo| | *{{NoCo|Christus ist erstanden, hat überwunden, BWV 284}} | ||
*{{NoCo|Da der Herr Christ zu Tische sass (Chorale)|Da der Herr Christ zu Tische sass, BWV 285}} | *{{NoCo|Da der Herr Christ zu Tische sass (Chorale)|Da der Herr Christ zu Tische sass, BWV 285}} | ||
*{{NoCo|Dank sei Gott in der Höhe (Chorale)|Dank sei Gott in der Höhe, BWV 287}} | *{{NoCo|Dank sei Gott in der Höhe (Chorale)|Dank sei Gott in der Höhe, BWV 287}} | ||
*{{NoCo|Danket dem Herren, denn er ist freundlich | *{{NoCo|Danket dem Herren, denn er ist freundlich, BWV 286}} | ||
*{{NoCo|Dir, | *{{NoCo|Den Vater dort oben, BWV 292}} | ||
*{{NoCo|Der Tag, der ist so freudenreich, BWV 294}} | |||
*{{NoCo|Dir, dir Jehova, BWV 299}} | |||
*{{NoCo|Ein Lämmlein geht und trägt die Schuld, BWV 267}} | *{{NoCo|Ein Lämmlein geht und trägt die Schuld, BWV 267}} | ||
*{{NoCo|Ein feste Burg ist unser Gott, BWV 302}} | |||
*{{NoCo|Ein feste Burg ist unser Gott, BWV 303}} | |||
*{{NoCo|Erbarm' dich mein, o Herre Gott, BWV 305}} | |||
*{{NoCo|Erstanden ist der heilge Christ, BWV 306}} | |||
{{mdl}} | |||
*{{NoCo|Es spricht der Unweisen Mund wohl, BWV 308}} | |||
*{{NoCo|Gelobet sei der Herr, BWV 45.7}} | |||
*{{NoCo|Gelobet seist du Jesu Christ, BWV 314}} | |||
*{{NoCo|Gib dich zufrieden und sei stille, BWV 315}} | *{{NoCo|Gib dich zufrieden und sei stille, BWV 315}} | ||
*{{NoCo|Heut triumphieret Gottes Sohn| | *{{NoCo|Gott, der du selber bist das Licht, BWV 316}} | ||
*{{NoCo|Ich | *{{NoCo|Herr Jesu Christ, dich zu uns wend, BWV 332}} | ||
*{{NoCo|In dulci jubilo| | *{{NoCo|Herr, wie du willst, so schicks mit mir, BWV 339}} | ||
*{{NoCo|Heut triumphieret Gottes Sohn, BWV 342}} | |||
*{{NoCo|Ich dank dir schon durch deinen Sohn, BWV 349}} | |||
*{{NoCo|Ich esse mit Freuden mein weniges Brot, BWV 84.3}} | |||
*{{NoCo|Ich hab mein Sach, BWV 351}} | |||
*{{NoCo|In dulci jubilo, BWV 368}} | |||
*{{NoCo|Jesu deine Liebeswunden, BWV 471}} | |||
*{{NoCo|Jesu, Jesu, du bist mein, BWV 357}} | *{{NoCo|Jesu, Jesu, du bist mein, BWV 357}} | ||
*{{NoCo|Jesu, | *{{NoCo|Jesu, meiner Seelen Wonne, BWV 359}} | ||
*{{NoCo|Nun | *{{NoCo|Jesu, meiner Freuden Freude, BWV 360}} | ||
*{{NoCo| | *{{NoCo|Jesu, nun sei gepreiset, BWV 362}} | ||
*{{NoCo|Warum sollt ich mich denn grämen BWV 422}} | *{{NoCo|Jesus meine Zuversicht, BWV 365}} | ||
*{{NoCo|Machs mit mir, Gott, nach deiner Güt, BWV 377}} | |||
*{{NoCo|Komm, Gott Schöpfer, BWV 370}} | |||
*{{NoCo|Nun bitten wir den heiligen Geist, BWV 385}} | |||
*{{NoCo|Nun danket alle Gott, BWV 386}} | |||
*{{NoCo|Nun freut euch, lieben Christen g'mein, BWV 388}} | |||
*{{NoCo|Nun hilf uns, Herr, den Dienern dein, BWV 120.6}} | |||
*{{NoCo|Nun preiset alle, BWV 391}} | |||
*{{NoCo|Nun ruhen alle Wälder, BWV 244.10}} | |||
*{{NoCo|Nun sich der Tag, BWV 396}} | |||
*{{NoCo|O Mensch, bewein' dein' Sünde groß, BWV 402}} | |||
*{{NoCo|Seelenbräutigam, Jesu, Gottes Lamm, BWV 409}} | |||
*{{NoCo|Die Sonn hat sich, BWV 297}} | |||
*{{NoCo|Valet will ich wir geben, BWV 415}} | |||
*{{NoCo|Vor deinen Thron tret' ich hiermit, BWV 668}} | |||
*{{NoCo|Warum betrübst du dich, mein Herz, BWV 420}} | |||
*{{NoCo|Warum sollt ich mich denn grämen BWV 422}} | |||
*{{NoCo|Wenn mein Stündlein vorhanden ist, BWV 428}} | |||
*{{NoCo|Wenn mein Stündlein vorhanden ist, BWV 429}} | |||
*{{NoCo|Wer Gott vertraut, hat wohl gebaut, BWV 433}} | |||
*{{NoCo|Wir glauben all an einen Gott, BWV 437}} | |||
*{{NoCo|Wo Gott der Herr nicht bei uns hält, BWV 258}} | |||
{{btm}} | {{btm}} | ||
==== | {{top}} | ||
====Editions with different harmonizations==== | |||
*{{NoCo|185 Bach Chorales}} | |||
*{{NoCo|389 Choralgesänge}} | |||
*{{NoCo|Chorals of the German Organ Mass (Clavier Übung III)}} | *{{NoCo|Chorals of the German Organ Mass (Clavier Übung III)}} | ||
*{{NoCo| | *{{NoCo|Christ lag in Todesbanden}} – Disambiguation page, 11 different arrangements | ||
*''O Haupt voll Blut und Wunden'', or PASSION CHORALE – [[Herzlich thut mich verlangen (Johann Sebastian Bach)|Disambiguation page]] | |||
{{mdl}} | |||
====Chorales in cantatas, arranged differently==== | |||
*{{NoCo|Sei Lob und Preis mit Ehren, BWV 28.2}} | |||
*{{NoCo|Verleih' uns Frieden gnädiglich, BWV 126.6}} | |||
*''O Haupt voll Blut und Wunden'' | *{{NoCo|Was Gott tut, das ist wohlgetan, BWV 75.7}} | ||
{{btm}} | |||
{{top}} | |||
=== | ===Passions, Oratorios, Magnificat=== | ||
*{{NoCo|Christmas Oratorio, BWV 248 | *{{NoCo|Christmas Oratorio, BWV 248}} | ||
*{{NoCo|Magnificat|Magnificat, BWV 243}} and 1723 interpolations: | |||
**{{NoCo|Gloria in excelsis Deo}} | |||
**''[[Magnificat, BWV 243 (Johann Sebastian Bach)|Freut euch und jubiliert]]'' | |||
*{{NoCo|Magnificat|Magnificat, BWV 243}} | |||
**{{NoCo|Gloria in excelsis Deo | |||
** | |||
*{{NoCo|Markus-Passion BWV 247}} | *{{NoCo|Markus-Passion BWV 247}} | ||
*{{NoCo|St John Passion, BWV 245}} | |||
*{{NoCo|St Matthew Passion, BWV 244}} | |||
{{mdl|3}} | |||
===Masses=== | |||
*{{NoCo|Mass in B minor, BWV 232}} | *{{NoCo|Mass in B minor, BWV 232}} | ||
*{{NoCo|Missa in F}} BWV 233 | *{{NoCo|Missa in F}} BWV 233 | ||
*{{NoCo|Missa brevis in G, BWV 236}} | *{{NoCo|Missa brevis in G, BWV 236}} | ||
*{{NoCo|Missa in g minor, BWV 235}} | *{{NoCo|Missa in g minor, BWV 235}} | ||
*{{NoCo|Missa in A | *{{NoCo|Missa in A, BWV 234}} | ||
*{{NoCo|Sanctus, BWV 325}} | *{{NoCo|Sanctus, BWV 325}} | ||
*{{NoCo|Sanctus in C, BWV 237}} | *{{NoCo|Sanctus in C, BWV 237}} | ||
*{{NoCo|Sanctus in D BWV 238}} | *{{NoCo|Sanctus in D BWV 238}} | ||
*{{NoCo| | {{mdl|3}} | ||
* | |||
===Motets=== | |||
*{{NoCo|Fürchte dich nicht, BWV 228}} | |||
*{{NoCo|Der Geist hilft unsrer Schwachheit auf, BWV 226}} | |||
*{{NoCo| | *{{NoCo|Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159}} | ||
*{{NoCo| | *{{NoCo|Jesu, meine Freude, BWV 227}} | ||
*{{NoCo| | *{{NoCo|Komm, heiliger Geist, Herre Gott, BWV 226}} | ||
*{{NoCo| | *{{NoCo|Komm, Jesu, komm, BWV 229}} | ||
* | *{{NoCo|Lobet den Herrn, BWV 230}} | ||
*{{NoCo| | *{{NoCo|Singet dem Herrn ein neues Lied, BWV 225}} | ||
*{{NoCo| | {{btm}} | ||
*{{NoCo| | {{top}} | ||
*{{NoCo| | |||
*{{NoCo| | ===Lieder, songs, arias=== | ||
*{{NoCo|Ich steh an deiner Krippen hier, BWV 469}} | |||
*{{NoCo|Jesu, Jesu, du bist mein, BWV 470}} | |||
*{{NoCo|Jesus, unser Trost und Leben, BWV 475}} | |||
*{{NoCo|Komm, süsser Tod, BWV 478}} | |||
*{{NoCo|Kommt, Seelen, dieser Tag, BWV 479}} | |||
*{{NoCo|O Jesulein süß, BWV 493}} | |||
*{{NoCo|Vergiss mein nicht, BWV 505}} | |||
{{mdl|3}} | |||
===Other works=== | |||
{{mdl|3}} | |||
{{btm}} | |||
===Editions with texts translated to other languages=== | ===Editions with texts translated to other languages=== | ||
{{top}} | |||
*{{NoCo|Ah Lord when my last end is come | *{{NoCo|Ah Lord when my last end is come, BWV 245.40}} | ||
*{{NoCo|All glory, laud and honour}} | *{{NoCo|All glory, laud and honour, BWV 245.26}} | ||
*{{NoCo|All my heart this night rejoices}} | *{{NoCo|All my heart this night rejoices, BWV 422}} | ||
*{{NoComp|Behold! in lowly manger stall}} | *{{NoCo|Ave verum corpus, BWV 147.10}} (Latin contrafactum of Wohl mir, daß ich Jesum habe/Jesus bleibet meine Freude) | ||
*{{NoComp|Credo in unum Deum}} | *{{NoComp|Behold! in lowly manger stall, BWV 248-3.8}} | ||
*{{NoComp|Discendi Santo Spirito}} | *{{NoComp|Credo in unum Deum, BWV 437}} | ||
*{{NoComp|Ein Kind geborn zu Bethlehem}} | *{{NoComp|Discendi Santo Spirito, BWV 370}} | ||
*{{NoComp|In peace and joy}} | *{{NoComp|Ein Kind geborn zu Bethlehem, BWV 65.2}} | ||
*{{NoComp|In peace and joy, BWV 125.6}} | |||
*{{NoComp|Lodate Dio}} (Italian version of 'Lobet den Herrn') | *{{NoComp|Lodate Dio}} (Italian version of 'Lobet den Herrn') | ||
*{{NoComp|Now Blessed be Thou, Christ Jesu}} | {{mdl|3}} | ||
*''[[My soul, there is a country (Melchior Vulpius)]]'' | |||
*{{NoComp|Now Blessed be Thou, Christ Jesu, BWV 314|Johann Sebastian Bach}} | |||
*{{NoComp|Now join we all to praise Thee, BWV 362}} | *{{NoComp|Now join we all to praise Thee, BWV 362}} | ||
*{{NoCo|Now let us to the bagpipe' sound | *{{NoCo|Now let us to the bagpipe's sound, BWV 212.24}} | ||
*{{NoCo|O caput cruentatum}} | *{{NoCo|O caput cruentatum, BWV 244.44}} | ||
*{{NoCo|O hail this brightest day of days}} | *{{NoCo|O hail this brightest day of days, BWV 294}} | ||
*{{NoCo|O Jesulein süß|O | *{{NoCo|O Jesulein süß, BWV 493|O one little sweet}} (English translation of Jesulein süß) | ||
*{{NoComp|Ode to the Seasons (and to Change)}} | *{{NoComp|Ode to the Seasons (and to Change), BWV 147.10}} | ||
*{{NoCo|Oratório de Natal}} (Portuguese version of Christmas | *{{NoCo|Oratório de Natal}} (Portuguese version of Christmas Oratorio) | ||
{{mdl|3}} | |||
*{{NoComp|Rejoice ye | *''[[Psallite Deo nostro in laetitia (sicut locutus est from Magnificat), BWV 243.11 (Johann Sebastian Bach)|Psallite Deo nostro in laetitia]]'' (Sicut locutus est from Magnificat) | ||
*{{NoCo|Round me falls the night}} | *{{NoComp|Rejoice ye heavens, BWV 311}} | ||
*{{NoComp|Señor, tu que eres bueno}} | *{{NoCo|Round me falls the night, BWV 409}} | ||
*{{NoComp|Signore dolce volto | *{{NoComp|Señor, tu que eres bueno, BWV 244.17}} | ||
*{{NoComp|Signore dolce volto, BWV 244.44}} | |||
*{{NoCo|Van 't vroeglicht van de dageraad, BWV 121}} | *{{NoCo|Van 't vroeglicht van de dageraad, BWV 121.1}} | ||
*{{NoComp|We Christians may rejoice, BWV 110.7}} | |||
{{btm}} | |||
===Vocal Arrangements based on Bach's works=== | ===Vocal Arrangements based on Bach's works=== | ||
{{top}} | |||
*{{NoComp|Aria de la Suite No. 3}} aka "Air on G String" | *{{NoComp|Aria de la Suite No. 3}} aka "Air on G String" | ||
*{{NoComp|Bach's Christmas Carol}} ''Hark the Herald'' adapted to Gavotte from 4th Orchestral Suite | *{{NoComp|Bach's Christmas Carol}} ''Hark the Herald'' adapted to Gavotte from 4th Orchestral Suite | ||
*{{NoCo|Come, let us all this day, BWV 479}} | *{{NoCo|Come, let us all this day, BWV 479}} | ||
*{{NoComp|Dona nobis pacem}} (arrangement of keyboard Prelude in C# minor, BWV 849) | *{{NoComp|Dona nobis pacem, BWV 849}} (arrangement of keyboard Prelude in C# minor, BWV 849) | ||
*{{ | *{{NoCo|Haec Tibi dona pura, BWV 244.15}} anon. harmonization of Passion Chorale | ||
*{{NoCo|Gottes Sohn ist kommen | *{{NoCo|Gottes Sohn ist kommen, BWV 600}} (''Orgelbüchlein''), arr. soprano, fl, vln, bc | ||
{{mdl}} | |||
*{{NoComp|Ode to the Seasons (and to Change), BWV 147.10}} contrafactum of ''Jesu bleibet maine Freude'', [[Herz und Mund und Tat und Leben, BWV 147 (Johann Sebastian Bach)|Cantata 147]] | |||
*{{NoCo|O sacred head}} (from St. Matthew's-Passion, nrs. 15/17 and nr. 54) | |||
*{{NoComp|Ode to the Seasons (and to Change)}} contrafactum of ''Jesu bleibet maine Freude'', [[Herz und Mund und Tat und Leben, BWV 147 (Johann Sebastian Bach) | |||
|Cantata 147]] | |||
*{{NoCo|O sacred head}} | |||
*{{NoCo|Spiritus Domini}} (Arrangement of fugue nr.9 from WTC II BWV 878) | *{{NoCo|Spiritus Domini}} (Arrangement of fugue nr.9 from WTC II BWV 878) | ||
*{{NoCo|Wachet auf!}} | *{{NoCo|Wachet auf!}} various harmonisations | ||
*{{NoCo|Veni Sancte Spiritus}} ''Die Kunst der Fuge'' BWV 1080 | *{{NoCo|Veni Sancte Spiritus}} ''Die Kunst der Fuge'' BWV 1080 | ||
{{btm}} | |||
===Misattributed works=== | ===Misattributed works=== | ||
{{top}} | |||
*[[Bist du bei mir (Gottfried Heinrich Stölzel) | *''[[Aperite Portas (Anonymous)]]'' – Uncertain composer and lyricist | ||
*[[St. Luke Passion | *''[[Bist du bei mir (Gottfried Heinrich Stölzel)]]'' – Aria, BWV 508 | ||
*''[[Gedenke, Herr, wie es uns gehet]]'' – Cantata, BWV 217, composer unknown | |||
*''[[Ich weiß, daß mein Erlöser lebt (Georg Philipp Telemann)]]'' – Cantata, BWV 160 | |||
*''[[Lobt ihn mit Herz und Munde (Anonymous)]]'' – Cantata, BWV 220 | |||
{{mdl}} | |||
*''[[Meine Seele rühmt und preist (Georg Melchior Hoffmann)]]'' – Cantata BWV 189 | |||
*''[[Sanctus in D minor (Antonio Caldara)]]'' – BWV 239 | |||
*''[[Schlage doch, gewünschte Stunde (Georg Melchior Hoffmann)]]'' – Cantata, BWV 53 | |||
*''[[St. Luke Passion (Anonymous)]]'' – BWV 246 | |||
*''[[Uns ist ein Kind geboren (Johann Kuhnau)]]'' – Cantata, BWV 142 | |||
{{btm}} | |||
{{Whatlinkshere}} | {{Whatlinkshere}} | ||
{{CheckMissing}} | |||
==Publications== | |||
*1708 – Cantata ''[[Gott ist mein König, BWV 71 (Johann Sebastian Bach)|Gott ist mein König]]'' (BWV 71) | |||
*1726-1731 – ''Clavier-Übung I'' | |||
*1727-1737 – Picander's publication of cantata librettos | |||
*1735-1739 – ''Clavier-Übung II'' and ''Clavier-Übung III'' | |||
*1736 – Schemelli's {{NoComp|Musicalisches Gesängbuch|Georg Christian Schemelli}} (BWV 439-507) | |||
*1741 – Goldberg Variations | |||
*1747 – ''Canonische Veränderungen über das Weynacht-Lied, Vom Himmel hoch, da komm ich her'' (BWV 769) | |||
*1748 – ''Das Musikalische Opfer'' | |||
*1751 – ''Die Kunst der Fuge'' | |||
*1784-1787 – ''[[Vierstimmige Choralgesänge|Johann Sebastian Bachs vierstimmige Choralgesänge]]'', 371 chorales, edited by C. P. E. Bach | |||
*1801 – {{NoComp|Das wohltemperierte Klavier|Johann Sebastian Bach}}, Teil 1 and Teil 2 | |||
*1851-1899 – ''[[Bach-Gesellschaft Ausgabe|Johann Sebastian Bach's Werke]]'', 46 volumes | |||
*1892 – ''[[185 Bach Chorales (Johann Sebastian Bach)|185 Bach Chorales]]'', reprint of pp. 177-276 of Bachs-Werke Ausgabe, vol. 39 (1892), in alphabetical order | |||
*1898 – ''[[389 Choralgesänge (Johann Sebastian Bach)|389 Choralgesänge]]'' | |||
== Recordings of interest == | == Recordings of interest == | ||
{|class="wikitable sortable" cellspacing="0" cellpadding="1px" style="border: solid 1px" | {|class="wikitable sortable" cellspacing="0" cellpadding="1px" style="border: solid 1px" | ||
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|172, 68, 1||Bach Kantaten (1)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||rowspan="5"|Rotzsch, Neues Bachisches Collegium Musicum||CD 1981-1983||Berlin Classics 0021502BC ||rowspan="5"|Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch | |172, 68, 1||Bach Kantaten (1)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||rowspan="5"|Rotzsch, Neues Bachisches Collegium Musicum||CD 1981-1983||Berlin Classics 0021502BC ||rowspan="5"|Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch | ||
|- | |- | ||
|137, 21||Bach Kantaten (3)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam ||CD 1981-1983||Leipzig Classics BC-2175-2 | |137, 21||Bach Kantaten (3)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam ||CD 1981-1983||Leipzig Classics BC-2175-2 | ||
|- | |- | ||
|140, 61, 36||Bach: Kantaten (7) ||Arleen Augér, Peter Schreier, Siegfried Lorenz||CD 1980-1983||Berlin Classics 0020992BC | |140, 61, 36||Bach: Kantaten (7) ||Arleen Augér, Peter Schreier, Siegfried Lorenz||CD 1980-1983||Berlin Classics 0020992BC | ||
|- | |- | ||
|110, 71||Bach: Kantaten (8) ||Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz||CD 1981-1982||Berlin Classics 0021002BC | |110, 71||Bach: Kantaten (8) ||Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz||CD 1981-1982||Berlin Classics 0021002BC | ||
|- | |- | ||
|79, | |79, 80, 192, 50||Bach Kantaten (9)||Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam||CD 1980-1982||Berlin Classics 0021762BC | ||
|- | |- | ||
|244 || Matthäus-Passion || Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster || Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig || 3 CD 1970 || Leipzig Classics || One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review [http://www.bach-cantatas.com/Vocal/BWV244-Mauersberger.htm here.] | |244 || Matthäus-Passion || Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster || Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig || 3 CD 1970 || Leipzig Classics || One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review [http://www.bach-cantatas.com/Vocal/BWV244-Mauersberger.htm here.] | ||
|- | |- | ||
| 245 || Johannes-Passion || Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper || Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester || 2 CD 1964 || Deutsche Grammophon 453-007-2 || Definitely a romantic interpretation, but one that improves with age. | | 245 || Johannes-Passion || Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper || Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester || 2 CD 1964 || Deutsche Grammophon 453-007-2 || Definitely a romantic interpretation, but one that improves with age. | ||
|- | |- | ||
|} | |} | ||
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*[http://www.bach-digital.de/content/below/index.xml?XSL.lastPage.SESSION=/content/below/index.xml JSB's autograph scores] at Bach Digital | *[http://www.bach-digital.de/content/below/index.xml?XSL.lastPage.SESSION=/content/below/index.xml JSB's autograph scores] at Bach Digital | ||
* [http://bach-cantatas.com/Scores Bach Cantatas Website]: Free PDF vocal scores to nearly every Bach cantata | * [http://bach-cantatas.com/Scores Bach Cantatas Website]: Free PDF vocal scores to nearly every Bach cantata | ||
* [http://www.imslp.org/index.php?title=Category:Bach%2C_Johann_Sebastian The ''Bach-Gesellschaft Ausgabe'' (BGA)] edition piece by piece (in PDF) on the site of the [http://www.imslp.org/index.php?title=Main_Page International Music Score Library Project (IMSLP)] | * [http://www.imslp.org/index.php?title=Category:Bach%2C_Johann_Sebastian The ''Bach-Gesellschaft Ausgabe'' (BGA)] edition piece by piece (in PDF) on the site of the [http://www.imslp.org/index.php?title=Main_Page International Music Score Library Project (IMSLP)] | ||
* The (almost) [http://notes.tarakanov.net/bachpss.htm complete BGA] in PDF (complete books) - Russian site | * The (almost) [http://notes.tarakanov.net/bachpss.htm complete BGA] in PDF (complete books) - Russian site | ||
* [http://scores.ccarh.org/bach/ Parts for BWV 11, 43, 48, 213, 232 and complete Chorales] at CCARH | * [http://scores.ccarh.org/bach/ Parts for BWV 11, 43, 48, 213, 232 and complete Chorales] at CCARH |
Latest revision as of 08:32, 10 February 2024
Life
Born: 21 March 1685
Died: 28 July 1750
Biography
Johann Sebastian Bach was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organization from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
- The above is an excerpt from Wikipedia. For the full article, click here.
List of choral works
- Bach works published at CPDL sorted alphabetically by title, see Johann Sebastian Bach compositions
- Bach works at CPDL listed by BWV number, see Johann Sebastian Bach/BWV list
- Bach Cantatas sortable by BWV number and calendar, see Sortable list of cantatas (Johann Sebastian Bach)
- Automation of this page, see /Automation
Cantatas (BWV1-BWV 224 and BWV 249)
Chorale Harmonizations (BWV 250-BWV 438)
Editions with different harmonizations
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Chorales in cantatas, arranged differently |
Passions, Oratorios, Magnificat |
Masses |
Motets |
Lieder, songs, arias |
Other works |
Editions with texts translated to other languages
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Vocal Arrangements based on Bach's works
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Misattributed works
|
|
Click here to search for this composer on CPDL
Other works not listed above (See Template:CheckMissing for possible reasons and solutions)
- Absalom set to WTC 1.4 Fugue in C minor
- All people that on earth do dwell
- At the Lamb's high feast we sing
- Aus meines Herzens Grunde, BWV 269
- Ave Maria (Méditation sur… Bach)
- Behold a King WTC 1 Fugue 1 BVW 846
- Christ unser Herr zum Jordan kam (Chorale), BWV 176.6
- Der Gerechte kömmt um
- Der Tag ist nun vergangen
- Eres tú Jesús, Dios mío, BWV 147.10
- For the beauty of the earth
- Hoe helder staat de morgenster, BWV 36.4
- How bright and fair the morning star, BWV 36.4
- I stand all amazed / Jesu, joy of man's desiring
- Jesu, hope of men despairing. BWV 475
- Jesu, joy of man's desiring, BWV 147.10
- Jesus Christus, unser Heiland, BWV 363
- Johannespassion, BWV 245
- Matthäuspassion, BWV 244
- Missa in F, BWV 233
- Now blessed be Thou, Christ Jesu, BWV 314
- O God of Loveliness, BWV 466
- O Jesulein zart, BWV 493
- O Lamm Gottes, unschuldig, BWV 401
- O sacred head, surrounded
- Oster-Oratorium, BWV 249
- So wünsch' ich mir zu guter Letzt, BWV 502
- Sollt ich meinem Gott nicht singen, BWV 413
- Sollt ich meinem Gott nicht singen? BWV 413
- The duteous day now closeth, BWV 244.10
- Was alle Weisheit in der Welt, BWV 176.6
- Was mir behagt, ist nur die muntre Jagd, BWV 208
- Wer nur den lieben Gott läßt walten BWV 434
- Wie soll ich Dich empfangen
- Ó face amortecida, BWV 244.44
Publications
- 1708 – Cantata Gott ist mein König (BWV 71)
- 1726-1731 – Clavier-Übung I
- 1727-1737 – Picander's publication of cantata librettos
- 1735-1739 – Clavier-Übung II and Clavier-Übung III
- 1736 – Schemelli's Musicalisches Gesängbuch (BWV 439-507)
- 1741 – Goldberg Variations
- 1747 – Canonische Veränderungen über das Weynacht-Lied, Vom Himmel hoch, da komm ich her (BWV 769)
- 1748 – Das Musikalische Opfer
- 1751 – Die Kunst der Fuge
- 1784-1787 – Johann Sebastian Bachs vierstimmige Choralgesänge, 371 chorales, edited by C. P. E. Bach
- 1801 – Das wohltemperierte Klavier, Teil 1 and Teil 2
- 1851-1899 – Johann Sebastian Bach's Werke, 46 volumes
- 1892 – 185 Bach Chorales, reprint of pp. 177-276 of Bachs-Werke Ausgabe, vol. 39 (1892), in alphabetical order
- 1898 – 389 Choralgesänge
Recordings of interest
BWV | Title | Performers | Orchestra | Medium | Label | Notes |
---|---|---|---|---|---|---|
35, 54, 170 | Bach: Cantatas for alto | Andreas Scholl, Marcel Ponseele, Markus Markl | Collegium Vocale Orchestra | 1 CD 1999 | Harmonia Mundi 314902016440 | |
172, 68, 1 | Bach Kantaten (1) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | Rotzsch, Neues Bachisches Collegium Musicum | CD 1981-1983 | Berlin Classics 0021502BC | Highlights: Arleen Augér, Peter Schreier, Ludwig Güttler trumpet, good tempos and control of Thomanerchor by Rotzsch |
137, 21 | Bach Kantaten (3) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | CD 1981-1983 | Leipzig Classics BC-2175-2 | ||
140, 61, 36 | Bach: Kantaten (7) | Arleen Augér, Peter Schreier, Siegfried Lorenz | CD 1980-1983 | Berlin Classics 0020992BC | ||
110, 71 | Bach: Kantaten (8) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Siegfried Lorenz | CD 1981-1982 | Berlin Classics 0021002BC | ||
79, 80, 192, 50 | Bach Kantaten (9) | Arleen Augér, Ortrun Wenkel, Peter Schreier, Theo Adam | CD 1980-1982 | Berlin Classics 0021762BC | ||
244 | Matthäus-Passion | Peter Schreier, Theo Adam, Siegfried Vogel, Johannes Künzel, Hermann Christian Polster | Mauersberger & Mauersberger, Dresdner Kreuzchor & Thomanerchor; Gewandhausorchester Leipzig | 3 CD 1970 | Leipzig Classics | One of the best recordings: clarity of Schreier, especially the passion of the combined choirs. The last chorus is especially moving, given the history of Dresden in the decades before 1970. See review here. |
245 | Johannes-Passion | Hermann Prey, Evelyn Lear, Ernst Haefliger, Hertha Töpper | Karl Richter, Münchener Bach-Chor & Münchener Bach-Orchester | 2 CD 1964 | Deutsche Grammophon 453-007-2 | Definitely a romantic interpretation, but one that improves with age. |
External links
- Johann Sebastian Bach Home Page
- JSB's autograph scores at Bach Digital
- Bach Cantatas Website: Free PDF vocal scores to nearly every Bach cantata
- The Bach-Gesellschaft Ausgabe (BGA) edition piece by piece (in PDF) on the site of the International Music Score Library Project (IMSLP)
- The (almost) complete BGA in PDF (complete books) - Russian site
- Parts for BWV 11, 43, 48, 213, 232 and complete Chorales at CCARH
- Johann Sebastian Bach bibliography