Hamburg (Samuel Babcock): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2016-05-30}} {{CPDLno|39867}} [[Media:HamburgBabcock1795bpr.pdf|{{pdf}}]] [[Media:HamburgBabcock1795bpr.mid|{{mid}}]] [[Media:HamburgBabcock1795bpr.mxl|{{XML}}]]  
*{{PostedDate|2016-05-30}} {{CPDLno|39867}} [[Media:HamburgBabcock1795bpr.pdf|{{pdf}}]] [[Media:HamburgBabcock1795bpr.mid|{{mid}}]] [[Media:HamburgBabcock1795bpr.mxl|{{XML}}]]
{{Editor|Barry Johnston|2016-05-30}}{{ScoreInfo|Letter|1|68}}{{Copy|Public Domain}}
{{Editor|Barry Johnston|2016-05-30}}{{ScoreInfo|Letter|1|68}}{{Copy|Public Domain}}
:'''Edition notes:''' Oval note edition.  
:{{EdNotes|Oval note edition.}}


*{{PostedDate|2016-05-30}} {{CPDLno|39866}} [[Media:HamburgBabcock1795a.pdf|{{pdf}}]]  
*{{PostedDate|2016-05-30}} {{CPDLno|39866}} [[Media:HamburgBabcock1795a.pdf|{{pdf}}]]
{{Editor|Barry Johnston|2016-05-30}}{{ScoreInfo|7 x 10 inches (landscape)|1|69}}{{Copy|Public Domain}}
{{Editor|Barry Johnston|2016-05-30}}{{ScoreInfo|7 x 10 inches (landscape)|1|69}}{{Copy|Public Domain}}
:'''Edition notes:''' Note shapes added (4-shape).
:{{EdNotes|Note shapes added (4-shape).}}


==General Information==
==General Information==
Line 15: Line 15:
{{Lyricist|Isaac Watts}}
{{Lyricist|Isaac Watts}}


{{Voicing|3|STB}}<br>
{{Voicing|3|STB}}
{{Genre|Sacred|Set pieces}} &nbsp; {{Meter|88. 88 (L.M.)}}
{{Genre|Sacred|Set pieces}} &nbsp; {{Meter|88. 88 (L.M.)}}
{{Language|English}}
{{Language|English}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Pub|1|1795|in Babcock's ''[[The Middlesex Harmony (Samuel Babcock)|The Middlesex Harmony]]''|no=7|pg=12-13}}
{{Pub|1|1795|in Babcock's ''[[The Middlesex Harmony (Samuel Babcock)|The Middlesex Harmony]]''|no=7|pg=12-13}}
 
{{Descr|Words by [[Isaac Watts]], 1706, ''Confession and Pardon'', in seventeen stanzas. Babcock used stanzas sixteen and seventeen in his composition. These are the only two stanzas of the poem that have meter L. M. (88. 88); the rest of the poem is S. M. (66. 86).}}
'''Description:''' Words by [[Isaac Watts]], 1706, ''Confession and Pardon'', in seventeen stanzas. Babcock used stanzas sixteen and seventeen in his composition. These are the only two stanzas of the poem that have meter L. M. (88. 88); the rest of the poem is S. M. (66. 86).
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{LinkText|Alas, my aching heart}}
{{LinkText|Alas, my aching heart}}

Latest revision as of 03:56, 19 July 2021

Music files

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  • (Posted 2016-05-30)  CPDL #39867:       
Editor: Barry Johnston (submitted 2016-05-30).   Score information: Letter, 1 page, 68 kB   Copyright: Public Domain
Edition notes: Oval note edition.
  • (Posted 2016-05-30)  CPDL #39866:   
Editor: Barry Johnston (submitted 2016-05-30).   Score information: 7 x 10 inches (landscape), 1 page, 69 kB   Copyright: Public Domain
Edition notes: Note shapes added (4-shape).

General Information

Title: Hamburg
First Line: Rise, says the Prince of mercy, rise
Composer: Samuel Babcock
Lyricist: Isaac Watts

Number of voices: 3vv   Voicing: STB
Genre: SacredSet piece   Meter: 88. 88 (L.M.)

Language: English
Instruments: A cappella

First published: 1795 in Babcock's The Middlesex Harmony, no. 7, p. 12-13
Description: Words by Isaac Watts, 1706, Confession and Pardon, in seventeen stanzas. Babcock used stanzas sixteen and seventeen in his composition. These are the only two stanzas of the poem that have meter L. M. (88. 88); the rest of the poem is S. M. (66. 86).

External websites:

Original text and translations

Original text and translations may be found at Alas, my aching heart.