Exultate justi (Ludovico da Viadana): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
*{{PostedDate|2016-11-20}} {{CPDLno|41968}} [[Media:Exsultate_iusti_(Viadana)_A-flat.pdf|{{pdf}}]] [[Media:Exsultate_iusti_(Viadana)_A-flat.mid|{{mid}}]]  
*{{PostedDate|2019-08-26}} {{CPDLno|55173}} [[Media:Viadana,_Exsultate_Justi_adapted_to_English.pdf|{{pdf}}]] [[Media:Exsultate_Justi,_Viadana_adapt_to_english_Lift_Your_Voices_To_Heaven,_Yelm_Community_Choir,_Spring.mp3|{{mp3}}]]
{{Editor|Simon Biazeck|2016-11-20}}{{ScoreInfo|A4|8|122}}{{Copy|CPDL}}
{{Editor|Warren Shaffer|2019-08-26}}{{ScoreInfo|Letter|9|150}}{{Copy|Creative Commons Attribution}}
:'''Edition notes:''' A-flat
:'''Edition notes:'''  


*{{PostedDate|2016-11-20}} {{CPDLno|41967}} [[Media:Exsultate_iusti_(Viadana).pdf|{{pdf}}]] [[Media:Exsultate_iusti_(Viadana)_G.mid|{{mid}}]]  
*{{PostedDate|2019-07-24}} {{CPDLno|54883}} [[Media:Exsultate_justi.pdf|{{pdf}}]] [[Media:Exsultate_justi.mscz|{{Muse}}]] [[Media:Exsultate_justi.mxl|{{XML}}]]<br>[[Media:Exsultate_justi.mid|{{mid}}]] [[Media:Exsultate_justi.mp3|{{mp3}}]] <u>Soprano:</u> [[Media:Exsultate_justiSopr.mp3|{{mp3}}]]  <u>Alto:</u> [[Media:Exsultate_justiAlto.mp3|{{mp3}}]]  <u>Tenor:</u> [[Media:Exsultate_justiTenor.mp3|{{mp3}}]]  <u>Bass:</u> [[Media:Exsultate_justiBass.mp3|{{mp3}}]]  
{{Editor|Simon Biazeck|2016-11-20}}{{ScoreInfo|A4|8|120}}{{Copy|CPDL}}
{{Editor|William Chimiak|2019-07-24}}{{ScoreInfo|Letter|4|92}}{{Copy|CPDL}}
:'''Edition notes:''' Regarding the much-discussed question of tempo relationships, perfomers should probably observe the contemporary
:'''Edition notes:'''  
Venetian practice in which a whole bar in triple time eqauls a half bar in duple time (dotted breve = minim). This is best achieved by
setting a quick and light three (one beat per bar) at the beginning.


The Basso Continuo (merely a Basso seguente here) is not necessary unless the ensemble lacks musical acumen or
*{{PostedDate|2019-06-15}} {{CPDLno|54552}} [[Media:Exsultate_iusti_(Viadana)_Original_pitch.pdf|{{pdf}}]]
is unable to hold the pitch. In editions comprising works in Prima Prattica and Seconda Prattica it was common to provide
{{Editor|Simon Biazeck|2019-06-15}}{{ScoreInfo|Unknown||}}{{Copy|CPDL}}
an instrumntal bass throughout, regardless of whether or not it was considered ideal for works in Old Roman Style.
:'''Edition notes:''' Original pitch: F


Why make a new edition of this most well-known work? A transcription prepared from Vincenti’s 1605 print reveals
*{{PostedDate|2019-06-15}} {{CPDLno|54551}} [[Media:Exsultate_iusti_(Viadana)_G.pdf|{{pdf}}]]
a few persistent errors in most modern editions (probably perpetuated by popular “on sale” material), most of which seem
{{Editor|Simon Biazeck|2019-06-15}}{{ScoreInfo|A4|8|115}}{{Copy|CPDL}}
inexplicable even if their editors thought it necessary to “improve“ Viadana’s counterpoint. I have no such reservations.
:'''Edition notes:''' In G. Transposed up a whole tone for SATB


The most egregious mistake concerns the counterpoint in bar 19 of the Tenor part where he should descend, rather than ascend
*{{PostedDate|2019-06-13}} {{CPDLno|54543}} [[Media:Exsultate_iusti_(Viadana)_A-flat.pdf|{{pdf}}]]
a tone after the four quavers. This is almost certainly a casual error, but the fact that it causes a doubled third with the
{{Editor|Simon Biazeck|2019-06-13}}{{ScoreInfo|A4|8|116}}{{Copy|CPDL}}
Cantus should have been the first clue to the fault. Those who claim that they “like” it, or in truth, have simply grown fond
:'''Edition notes:''' In A-flat. Transposed up a minor third for SATB
of it through repetition, should consider that the composer would not have, and his version is both correct and idiomatic.


Less easy to explain is the omission of a repeat of 'in cithara' for the Altus & Tenor in bar 20, which is perfectly clear in the
*{{PostedDate|2017-10-14}} {{CPDLno|46796}} [[Media:Exsultate_justi_Viadana_JG.pdf|{{pdf}}]] [[Media:Exsultate_justi_Viadana_JG.mid|{{mid}}]] [[Media:Exsultate_justi_Viadana_JG.mxl|{{XML}}]] [[Media:Exsultate_justi_Viadana_JG.capx|{{Capx}}]]
original print, and written out in full where one may have reasonably expected the customary repeat sign.
{{Editor|James Gibb|2017-10-14}}{{ScoreInfo|A4|4|63}}{{Copy|CPDL}}
:'''Edition notes:''' in G. {{MXL}} Revised files uploaded 08/09/19.


*{{PostedDate|2015-07-20}} {{CPDLno|34854}} [[Media:Viadana - Exsultate Justi.pdf|{{pdf}}]]
*{{PostedDate|2015-07-20}} {{CPDLno|34854}} [[Media:Viadana - Exsultate Justi.pdf|{{pdf}}]]
Line 31: Line 29:
:'''Edition notes:''' Transposed and revoiced into C Major for TTBB
:'''Edition notes:''' Transposed and revoiced into C Major for TTBB


* {{CPDLno|33161}} [[Media:Exsultati_justi_Viadana.pdf|{{pdf}}]] [[Media:Exsultati_justi_Viadana.mid|{{mid}}]] [[Media:Exsultati_Justi_Viadana.sib|{{sib}}]] (Sibelius 4)  
* {{CPDLno|33161}} [[Media:Exsultate_justi_Viadana.pdf|{{pdf}}]] [[Media:Exsultati_justi_Viadana.mid|{{mid}}]] [[Media:Exsultati_Justi_Viadana.mxl|{{XML}}]] [[Media:Exsultati_Justi_Viadana.sib|{{sib}}]] (Sibelius 4)  
{{Editor|Brian Marble|2014-10-18}}{{ScoreInfo|Letter|4|69}}{{Copy|CPDL}}
{{Editor|Brian Marble|2014-10-18}}{{ScoreInfo|Letter|4|69}}{{Copy|CPDL}}
:'''Edition notes:''' In G.  Corrected edition uploaded 7-21-15
:'''Edition notes:''' In G.  Corrected edition (per errors below) uploaded 5-29-19. {{MXL}}


*{{CPDLno|3307}} {{LinkW|via-exsu.pdf}}
*{{CPDLno|3307}} [[Media:ws-via-exsu.pdf|{{Pdf}}]]
{{Editor|Christopher Moore|2002-03-05}}{{ScoreInfo|A4|6|159}}{{Copy|Personal}}
{{Editor|Christopher Moore|2002-03-05}}{{ScoreInfo|A4|6|159}}{{Copy|Personal}}
:'''Edition notes:''' Does not include any underlay.
:'''Edition notes:''' Does not include any underlay.


*{{CPDLno|429}} {{LinkW|via-exul.pdf|via-exul.mid|via-exul.zip|Encore}}
*{{CPDLno|429}} [[Media:ws-via-exul.pdf|{{Pdf}}]] [[Media:ws-via-exul.mid|{{Mid}}]] [[Media:ws-via-exul.enc|{{Enc}}]]
{{Editor|2|Paco Marmol|Manolo Casaus|1999-10-14}}{{ScoreInfo|A4|6|99}}{{Copy|CPDL}}
{{Editor|2|Paco Marmol|Manolo Casaus|1999-10-14}}{{ScoreInfo|A4|6|99}}{{Copy|CPDL}}
:'''Edition notes:''' Encore file is [[zipped]].
:'''Edition notes:'''


==General Information==
==General Information==
Line 52: Line 50:
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|}}
{{Pub|1|1627|in ''{{NoComp|Promptuarii musici concentus ecclesiasticos, Pars Tertia|Johann Donfrid}}''|no=248}}
 
{{Pub|2|1977|in ''[[The Chester Book of Motets]]''|vol=Book 1|no=12}}
'''Description:'''  
'''Description:'''  


'''External websites:'''  
'''External websites:'''


==Original text and translations==
==Original text and translations==

Revision as of 16:49, 8 November 2019

Music files

L E G E N D Disclaimer How to download
ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
Icon_mp3.gif Mp3
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Encore_Icon2.png Encore
Icon_ly.gif LilyPond
MuScor.png MuseScore
Sibelius.png Sibelius
File details.gif File details
Question.gif Help
  • (Posted 2019-08-26)  CPDL #55173:     
Editor: Warren Shaffer (submitted 2019-08-26).   Score information: Letter, 9 pages, 150 kB   Copyright: CC BY
Edition notes:
  • (Posted 2019-07-24)  CPDL #54883:       
        Soprano:   Alto:   Tenor:   Bass:  
Editor: William Chimiak (submitted 2019-07-24).   Score information: Letter, 4 pages, 92 kB   Copyright: CPDL
Edition notes:
  • (Posted 2019-06-15)  CPDL #54552:   
Editor: Simon Biazeck (submitted 2019-06-15).   Score information: Unknown   Copyright: CPDL
Edition notes: Original pitch: F
  • (Posted 2019-06-15)  CPDL #54551:   
Editor: Simon Biazeck (submitted 2019-06-15).   Score information: A4, 8 pages, 115 kB   Copyright: CPDL
Edition notes: In G. Transposed up a whole tone for SATB
  • (Posted 2019-06-13)  CPDL #54543:   
Editor: Simon Biazeck (submitted 2019-06-13).   Score information: A4, 8 pages, 116 kB   Copyright: CPDL
Edition notes: In A-flat. Transposed up a minor third for SATB
  • (Posted 2017-10-14)  CPDL #46796:         
Editor: James Gibb (submitted 2017-10-14).   Score information: A4, 4 pages, 63 kB   Copyright: CPDL
Edition notes: in G. MusicXML source file(s) in compressed .mxl format. Revised files uploaded 08/09/19.
  • (Posted 2015-07-20)  CPDL #34854:   
Editor: Doug Poppen (submitted 2015-03-22).   Score information: Letter, 7 pages, 82.7 kB   Copyright: CPDL
Edition notes: Transposed and revoiced into C Major for TTBB
  • CPDL #33161:        (Sibelius 4)
Editor: Brian Marble (submitted 2014-10-18).   Score information: Letter, 4 pages, 69 kB   Copyright: CPDL
Edition notes: In G. Corrected edition (per errors below) uploaded 5-29-19. MusicXML source file(s) in compressed .mxl format.
  • CPDL #03307:   
Editor: Christopher Moore (submitted 2002-03-05).   Score information: A4, 6 pages, 159 kB   Copyright: Personal
Edition notes: Does not include any underlay.
  • CPDL #00429:       
Editors: Paco Marmol and Manolo Casaus (submitted 1999-10-14).   Score information: A4, 6 pages, 99 kB   Copyright: CPDL
Edition notes:

General Information

Title: Exultate justi
Composer: Ludovico da Viadana
Source of text: Psalm 32 (V) vv. 1-3

Number of voices: 4vv   Voicings: SATB or TTBB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1627 in Promptuarii musici concentus ecclesiasticos, Pars Tertia, no. 248
    2nd published: 1977 in The Chester Book of Motets, Book 1, no. 12
Description:

External websites:

Original text and translations

Original text and translations may be found at Psalm 33.

English.png English translation

Rejoice in the Lord, O ye just; praise befits the upright.
Give praise to the Lord on the harp; sing to him with the psaltery, the instrument of ten strings.
Sing to him a new canticle, sing well unto him with a loud noise.
Rejoice in the Lord, O ye just; praise befits the upright.

Translation by St Ann choir