Euge caeli porta (Thomas Tallis): Difference between revisions
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*{{NewWork|2011-12-28}} {{CPDLno|24128}} [{{filepath:Euge_Caeli_CPDL.pdf}} {{pdf}}] | *{{NewWork|2014-01-06}} {{CPDLno|30954}} [{{filepath:TALL-EUG.pdf}} {{pdf}}] | ||
{{Editor|David Fraser|2014-01-06}}{{ScoreInfo|A4|2|114}}{{Copy|CPDL}} | |||
:'''Edition notes:''' At original pitch for SATT | |||
*{{CPDLno|2011-12-28}} {{CPDLno|24128}} [{{filepath:Euge_Caeli_CPDL.pdf}} {{pdf}}] | |||
{{Editor|Matthew Collins|2011-08-09}}{{ScoreInfo|A4|2|53}}{{Copy|CPDL}} | {{Editor|Matthew Collins|2011-08-09}}{{ScoreInfo|A4|2|53}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Transposed down a minor 3rd from G minor to allow for the Soprano line to be sung by a countertenor (set for {{Cat|AATB}}). The 2nd Alto part has also had minor changes. The word setting whilst remaining fairly intact, has changed slightly. | :'''Edition notes:''' Transposed down a minor 3rd from G minor to allow for the Soprano line to be sung by a countertenor (set for {{Cat|AATB}}). The 2nd Alto part has also had minor changes. The word setting whilst remaining fairly intact, has changed slightly. | ||
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{{Composer|Thomas Tallis}} | {{Composer|Thomas Tallis}} | ||
{{Voicing|4|SATB}} or {{Cat|AATB}}<br> | {{Voicing|4|SATB}} or {{Cat|AATB}} or {{Cat|SATT}} <br> | ||
{{Genre|Sacred| | {{Genre|Sacred|Sequence hymns}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
'''Instruments:''' {{acap}}<br> | '''Instruments:''' {{acap}}<br> | ||
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'''Description:''' This is an intriguing score, containing so many odd inversions, especially second inversions. I can't help feeling that it might sound better if the bass part were pitched an octave higher, so that it was mostly above the tenor, serving as another alto part. It would be interesting to compare the score with another source or with an authoritative recording, but I don't have one.<br> | '''Description:''' This is an intriguing score, containing so many odd inversions, especially second inversions. I can't help feeling that it might sound better if the bass part were pitched an octave higher, so that it was mostly above the tenor, serving as another alto part. It would be interesting to compare the score with another source or with an authoritative recording, but I don't have one.<br> | ||
Addition by DF, 6.1.2014 - Paul M is right in that his version with T & B "interchanged" is actually the correct one (at least according to TCM; I don't have access to the original Gyffard Partbooks), suggesting that his original source was defective. | |||
'''External websites:''' | '''External websites:''' |
Revision as of 16:01, 6 January 2014
Music files
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CPDL #30954:
- Editor: David Fraser (submitted 2014-01-06). Score information: A4, 2 pages, 114 kB Copyright: CPDL
- Edition notes: At original pitch for SATT
- Editor: Matthew Collins (submitted 2011-08-09). Score information: A4, 2 pages, 53 kB Copyright: CPDL
- Edition notes: Transposed down a minor 3rd from G minor to allow for the Soprano line to be sung by a countertenor (set for AATB). The 2nd Alto part has also had minor changes. The word setting whilst remaining fairly intact, has changed slightly.
- CPDL #06604: Finale 2007 Transposed version with tenor/bass switched:
- Editor: Paul R. Marchesano (submitted 2004-01-30). Score information: Letter, 2 pages, 124 kB Copyright: Personal
- Edition notes: Set for SATB. Translation corrected on score Dec 2008. Second PDF edition transposed down whole step with tenor/bass parts interchanged and tenor lowered one octave overall.
General Information
Title: Euge caeli porta
Composer: Thomas Tallis
Number of voices: 4vv Voicing: SATB
or AATB or SATT
Genre: Sacred, Sequence hymn
Language: Latin
Instruments: a cappella
Published:
Description: This is an intriguing score, containing so many odd inversions, especially second inversions. I can't help feeling that it might sound better if the bass part were pitched an octave higher, so that it was mostly above the tenor, serving as another alto part. It would be interesting to compare the score with another source or with an authoritative recording, but I don't have one.
Addition by DF, 6.1.2014 - Paul M is right in that his version with T & B "interchanged" is actually the correct one (at least according to TCM; I don't have access to the original Gyffard Partbooks), suggesting that his original source was defective.
External websites:
Original text and translations
Latin text
Euge caeli porta quae nunc aperta veritatis lumen, ipsum solem justitiae, indutum carne ducis in orbem.
English translation supplied by The St. Ann Choir, directed by William Mahrt
Well done, O gate of heaven, who now opened, leads into the world the Light of Truth, the very Sun of Justice, clothed in flesh.
German translation Gut so, Himmelstür, die du nun geöffnet das Licht der Welt, die Sonne der Gerechtigkeit selbst, in Fleisch gehüllt in die Welt führst.