Eterne laudis lilium (Robert Fayrfax): Difference between revisions

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'''Description:''' The text of this motet, as well as being a highly fanciful genealogy of Jesus Christ down the female line, is an acrostic spelling out the name of its dedicatee, Fayrfax's royal patron and quite possibly personal friend, Elizabeth of York, wife of Henry VII.  The ‘Anthem of oure lady and Saint Elisabeth’ for which Fayrfax was paid 20 shillings by the queen in 1502 is probably this work.
'''Description:''' The text of this motet, as well as being a highly fanciful genealogy of Jesus Christ down the female line, is an acrostic spelling out the name of its dedicatee, Fayrfax's royal patron and quite possibly personal friend, Elizabeth of York, wife of Henry VII.  The ‘Anthem of oure lady and Saint Elisabeth’ for which Fayrfax was paid 20 shillings by the queen in 1502 is probably this work.


'''External websites:'''
'''External websites:''' [http://books.google.co.uk/books?id=-StRhNWLgtUC Google Books] offers a limited preview of ''Sacred Music from the Lambeth Choirbook'', ed. Margaret Lyon (A-R Editions, Inc., 1985), including an introduction to this piece and English translation of the text.


==Original text and translations==
==Original text and translations==

Revision as of 21:39, 26 May 2010

Music files

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CPDL #21639: Icon_pdf.gif Icon_snd.gif Sibelius 5
Editor: David Fraser (submitted 2010-05-20).   Score information: A4, 11 pages, 188 kB   Copyright: CPDL
Edition notes:

General Information

Title: Eterne laudis lilium
Composer: Robert Fayrfax

Number of voices: 5vv   Voicing: SATTB

Genre: SacredMotet

Language: Latin
Instruments: a cappella
Published:

Description: The text of this motet, as well as being a highly fanciful genealogy of Jesus Christ down the female line, is an acrostic spelling out the name of its dedicatee, Fayrfax's royal patron and quite possibly personal friend, Elizabeth of York, wife of Henry VII. The ‘Anthem of oure lady and Saint Elisabeth’ for which Fayrfax was paid 20 shillings by the queen in 1502 is probably this work.

External websites: Google Books offers a limited preview of Sacred Music from the Lambeth Choirbook, ed. Margaret Lyon (A-R Editions, Inc., 1985), including an introduction to this piece and English translation of the text.

Original text and translations

Latin.png Latin text

E terne laudis lilium, O dulcis Maria, te
L audat vox angelica, nutrix Christi pia.
I ure prolis glorie detur harmonia,
S alus nostre memoria omni agonia.

A ve radix, flos virginum, O sanctificata.
B enedicta in utero materno creata.
E ras sancta puerpera et inviolata,
T uo ex Iesu filio virgo peramata.

H onestis celi precibus virgo veneraris.
R egis excelsi filii visu iocundaris.
E ius divino lumine tu nusquam privaris.
G aude sole splendidior virgo singularis.

I ssachar quoque Nazaphat necnon Ismaria,
N ati ex Iesse stipite qua venit Maria,
A tque Maria Cleophe sancto Zacharia,
A qua patre Elisabeth, matre Sophonia

N atus est Dei gratia Iohannes Baptista.
G audebat clauso Domino in matrice cista.
L inee ex hoc genere est Evangelista
I ohannes. Anne filia ex Maria ista

E st Iesus Dei filius natus in hunc mundum,
cujus cruoris tumulo mundatur immundum.
Conferat nos in gaudium in evum iocundum,
qui cum Patre et spiritu sancto regnat in unum. Amen
English.png English translation requested