Eternal source of every joy (Thomas Jarman): Difference between revisions

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*{{CPDLno|24122}} [{{filepath:JarmT-EternalSource.pdf}} {{pdf}}] [{{filepath:JarmT-EternalSource.mid}} {{mid}}] [{{filepath:JarmT-EternalSource.sib}} Sibelius 6]  
*{{CPDLno|24122}} [{{filepath:JarmT-EternalSource.pdf}} {{pdf}}] [{{filepath:JarmT-EternalSource.mid}} {{mid}}] [{{filepath:JarmT-EternalSource.sib}} Sibelius 6] {{sib}}
{{Editor|Edmund Gooch|2011-08-08}}{{ScoreInfo|A4|2|34}}{{Copy|Public Domain}}
{{Editor|Edmund Gooch|2011-08-08}}{{ScoreInfo|A4|2|34}}{{Copy|Public Domain}}
:'''Edition notes:''' The source gives the parts in the order Tenor - Alto - Treble - Bass (labelled as such in the first piece in the book). The treble and bass parts are bracketed together, with small notes between them to fill in the harmony of a keyboard part doubling the voices. This accompaniment has been omitted from the present edition. Only the first verse of the text is underlaid in the source: three subsequent verses have been added editorially.
:'''Edition notes:''' The source gives the parts in the order Tenor - Alto - Treble - Bass (labelled as such in the first piece in the book). The treble and bass parts are bracketed together, with small notes between them to fill in the harmony of a keyboard part doubling the voices. This accompaniment has been omitted from the present edition. Only the first verse of the text is underlaid in the source: three subsequent verses have been added editorially.

Revision as of 09:48, 15 April 2016

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Editor: Edmund Gooch (submitted 2011-08-08).   Score information: A4, 2 pages, 34 kB   Copyright: Public Domain
Edition notes: The source gives the parts in the order Tenor - Alto - Treble - Bass (labelled as such in the first piece in the book). The treble and bass parts are bracketed together, with small notes between them to fill in the harmony of a keyboard part doubling the voices. This accompaniment has been omitted from the present edition. Only the first verse of the text is underlaid in the source: three subsequent verses have been added editorially.

General Information

Title: Eternal source of every joy
Composer: Thomas Jarman
Tune: New Year's Day
Lyricist: Philip Doddridge

Number of voices: 4vv   Voicing: SATB

Genre: SacredHymn   Meter: 88. 88 (L.M.)

Language: English
Instruments: A cappella

Published: 1840

Description: A setting from page 12 of Thomas Jarman's collection The Wesleyan Melodist [c1840], where the tune is named 'New Year's Day'.

External websites:

Original text and translations

Original text and translations may be found at Eternal source of every joy.