Deo gratias (36 part canon) (Johannes Ockeghem): Difference between revisions
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*'''CPDL #6657:''' [ | *'''CPDL #6657:''' [{{SERVER}}/wiki/images/sheet/ock-deoz.pdf {{Pdf}}] [{{SERVER}}/wiki/images/sound/ock-deoz.mid {{Mid}}] [{{SERVER}}/wiki/images/source/ock-deoz.mus Finale 2000] | ||
{{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|4|240}}{{Copy|Personal}} | {{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|4|240}}{{Copy|Personal}} | ||
:'''Edition notes:''' 36 part canon, 9 choirs, all parts shown, this version also has S, A, T, B parts available separately. | :'''Edition notes:''' 36 part canon, 9 choirs, all parts shown, this version also has S, A, T, B parts available separately. | ||
:*'''CPDL #6658:''' [ | :*'''CPDL #6658:''' [{{SERVER}}/wiki/images/sheet/ock-deo1.pdf {{Pdf}}] [{{SERVER}}/wiki/images/sound/ock-deo1.mid {{Mid}}] [{{SERVER}}/wiki/images/source/ock-deo1.mus Finale 2000] | ||
{{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|128}}{{Copy|Personal}} | {{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|128}}{{Copy|Personal}} | ||
:'''Edition notes:''' 36 part canon, 9 soprano parts | :'''Edition notes:''' 36 part canon, 9 soprano parts | ||
:*'''CPDL #6659:''' [ | :*'''CPDL #6659:''' [{{SERVER}}/wiki/images/sheet/ock-deo2.pdf {{Pdf}}] [{{SERVER}}/wiki/images/sound/ock-deo2.mid {{Mid}}] [{{SERVER}}/wiki/images/source/ock-deo2.mus Finale 2000] | ||
{{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|132}}{{Copy|Personal}} | {{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|132}}{{Copy|Personal}} | ||
:'''Edition notes:''' 36 part canon, 9 alto/tenor parts | :'''Edition notes:''' 36 part canon, 9 alto/tenor parts | ||
:*'''CPDL #6660:''' [ | :*'''CPDL #6660:''' [{{SERVER}}/wiki/images/sheet/ock-deo3.pdf {{Pdf}}] [{{SERVER}}/wiki/images/sound/ock-deo3.mid {{Mid}}] [{{SERVER}}/wiki/images/source/ock-deo3.mus Finale 2000] | ||
{{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|112}}{{Copy|Personal}} | {{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|112}}{{Copy|Personal}} | ||
:'''Edition notes:''' 36 part canon, 9 tenor parts | :'''Edition notes:''' 36 part canon, 9 tenor parts | ||
:*'''CPDL #6661:''' [ | :*'''CPDL #6661:''' [{{SERVER}}/wiki/images/sheet/ock-deo4.pdf {{Pdf}}] [{{SERVER}}/wiki/images/sound/ock-deo4.mid {{Mid}}] [{{SERVER}}/wiki/images/source/ock-deo4.mus Finale 2000] | ||
{{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|116}}{{Copy|Personal}} | {{Editor|Sabine Cassola|2004-02-09}}{{ScoreInfo|A4|3|116}}{{Copy|Personal}} | ||
:'''Edition notes:''' 36 part canon, 9 bass parts | :'''Edition notes:''' 36 part canon, 9 bass parts | ||
---- | ---- | ||
*'''CPDL #4065:''' [ | *'''CPDL #4065:''' [{{SERVER}}/wiki/images/sheet/ock-deog.pdf {{Pdf}}] | ||
{{Editor|Thomas Gebhardt|2002-10-08}}{{ScoreInfo|A4|2|100}}{{Copy|Personal}} | {{Editor|Thomas Gebhardt|2002-10-08}}{{ScoreInfo|A4|2|100}}{{Copy|Personal}} | ||
:'''Edition notes:''' 36 part canon, 9 choirs, only one choir shown. Notes from Thomas Gebhardt on performance: ... each part is divided into 9 singers (or parts), they start singing one bar after another, i.e. bar1=soprano1, bar2=soprano2 ... bar9=soprano9+alto(high tenor)1, bar10=alto2 ... bar17=alto9+tenor1 (on 3rd beat), bar18=tenor2 ... bar25=tenor9+bass1, bar26=bass2 ... soprano holds c'' until end of piece But various alternatives are possible. We have done the piece starting in bar 25 with tenor/bass duet (all singers but no canon) singing until the end, after that started the canon of soprano and alto only (18 singers). In a second version we did the complete canon (36 singers) as described above. Latin remarks in the score are quoted from original print. | :'''Edition notes:''' 36 part canon, 9 choirs, only one choir shown. Notes from Thomas Gebhardt on performance: ... each part is divided into 9 singers (or parts), they start singing one bar after another, i.e. bar1=soprano1, bar2=soprano2 ... bar9=soprano9+alto(high tenor)1, bar10=alto2 ... bar17=alto9+tenor1 (on 3rd beat), bar18=tenor2 ... bar25=tenor9+bass1, bar26=bass2 ... soprano holds c'' until end of piece But various alternatives are possible. We have done the piece starting in bar 25 with tenor/bass duet (all singers but no canon) singing until the end, after that started the canon of soprano and alto only (18 singers). In a second version we did the complete canon (36 singers) as described above. Latin remarks in the score are quoted from original print. |
Revision as of 05:32, 12 November 2008
Music files (3 editions available)
ICON | SOURCE |
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File details | |
Help |
- CPDL #6657: Finale 2000
- Editor: Sabine Cassola (submitted 2004-02-09). Score information: A4, 4 pages, 240 kB Copyright: Personal
- Edition notes: 36 part canon, 9 choirs, all parts shown, this version also has S, A, T, B parts available separately.
- CPDL #6658: Finale 2000
- Editor: Sabine Cassola (submitted 2004-02-09). Score information: A4, 3 pages, 128 kB Copyright: Personal
- Edition notes: 36 part canon, 9 soprano parts
- CPDL #6659: Finale 2000
- Editor: Sabine Cassola (submitted 2004-02-09). Score information: A4, 3 pages, 132 kB Copyright: Personal
- Edition notes: 36 part canon, 9 alto/tenor parts
- CPDL #6660: Finale 2000
- Editor: Sabine Cassola (submitted 2004-02-09). Score information: A4, 3 pages, 112 kB Copyright: Personal
- Edition notes: 36 part canon, 9 tenor parts
- CPDL #6661: Finale 2000
- Editor: Sabine Cassola (submitted 2004-02-09). Score information: A4, 3 pages, 116 kB Copyright: Personal
- Edition notes: 36 part canon, 9 bass parts
- Editor: Thomas Gebhardt (submitted 2002-10-08). Score information: A4, 2 pages, 100 kB Copyright: Personal
- Edition notes: 36 part canon, 9 choirs, only one choir shown. Notes from Thomas Gebhardt on performance: ... each part is divided into 9 singers (or parts), they start singing one bar after another, i.e. bar1=soprano1, bar2=soprano2 ... bar9=soprano9+alto(high tenor)1, bar10=alto2 ... bar17=alto9+tenor1 (on 3rd beat), bar18=tenor2 ... bar25=tenor9+bass1, bar26=bass2 ... soprano holds c until end of piece But various alternatives are possible. We have done the piece starting in bar 25 with tenor/bass duet (all singers but no canon) singing until the end, after that started the canon of soprano and alto only (18 singers). In a second version we did the complete canon (36 singers) as described above. Latin remarks in the score are quoted from original print.
- Editor: Philip Legge (submitted 2006-01-07). Score information: A4, 1 page, 28 kB Copyright: © 2001 Philip Legge
- Edition notes: Contains the individual soprano, alto, tenor, and bass parts for singers on a single page. See the full score for precise details of the realisation and when the various parts enter.
- CPDL #10615: Scorch
- Editor: Philip Legge (submitted 2006-01-07). Score information: A4, 8 pages, 221 kB Copyright: © 2001 Philip Legge
- Edition notes: Full score. This edition represents one possible realisation of the 36 part canon, involving an overlapping repeat from bar 33 onward. If the singers are placed in a circle in singing order, the repeat will begin in the Soprano 1 part at the same time as the first entry of the last singing part, Bass 9.
General Information
Title: Deo Gratias (36 part canon)
Composer: Johannes Ockeghem
Number of voices: 36vv Voicing: 9 × SATB
Genre: Sacred, Canon
Language: Latin
Instruments: a cappella
Published:
Description: Work consists of 4 overlapping canons, each for 9 voices.
Text and translations
Latin text
Deo gratias.
English translation
Thanks be to God.