Come, ye Sons of Art, Z 323 (Henry Purcell): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
===Vocal scores===
===Vocal scores===
====Complete work====
====Complete work====
*{{CPDLno|15467}} [[Media:Z323_Come_ye_Sons_VS_PML.pdf|{{Pdf}}]]
*{{CPDLno|15467}} [[Media:Z323_Come_ye_Sons_VS_PML.pdf|{{Pdf}}]]  
{{Editor|Philip Legge|2007-11-19}}{{ScoreInfo|A4|33|588}}{{CopyCC|Attribution-Share Alike 3.0}}
{{Editor|Philip Legge|2007-11-19}}{{ScoreInfo|A4|33|588}}{{CopyCC|Attribution-Share Alike 3.0}}
:'''Edition notes:''' Revised 17 March 2008 to correct an error in tenor part of ''See, Nature rejoicing'' (bar 546). Revised 10 October 2008 with complete keyboard reduction from movement 8 onward to end.
:'''Edition notes:''' Revised 17 March 2008 to correct an error in tenor part of ''See, Nature rejoicing'' (bar 546). Revised 10 October 2008 with complete keyboard reduction from movement 8 onward to end.


====2nd Chorus, ''Come, ye Sons of Art''====
====2nd Chorus, ''Come, ye Sons of Art''====
*{{CPDLno|10741}} [[Media:TUMS_Come_ye_Sons_1_0.pdf|{{Pdf}}]] [[Media:TUMS Busking Book 1 0.sib|{{sib}}]] (Sibelius 3)
*{{CPDLno|10741}} [[Media:TUMS_Come_ye_Sons_1_0.pdf|{{Pdf}}]] [[Media:TUMS Busking Book 1 0.mxl|{{XML}}]] [[Media:TUMS Busking Book 1 0.sib|{{sib}}]] (Sibelius 3)  
{{Editor|Philip Legge|2006-01-15}}{{ScoreInfo|A4|1|52}}{{Copy|Personal}}
{{Editor|Philip Legge|2006-01-15}}{{ScoreInfo|A4|1|52}}{{Copy|Personal}}
:'''Edition notes:''' Included in the [[TUMS Busking Book]]. Choir parts only, corresponding to bars 116–143 of vocal score above (CPDL #15467).
:'''Edition notes:''' Included in the [[TUMS Busking Book]]. Choir parts only, corresponding to bars 116–143 of vocal score above (CPDL #15467). {{MXL}}


====''Sound the trumpet''====
====''Sound the trumpet''====
*{{CPDLno|13351}} [[Media:Purcell_-_Sound_the_Trumpet.pdf|{{pdf}}]] [[Media:Sound_the_trumpet.mxl|{{XML}}]] [[Media:Sound_the_trumpet.sib|{{sib}}]] (Sibelius 4)
*{{CPDLno|13351}} [[Media:Purcell_-_Sound_the_Trumpet.pdf|{{pdf}}]] [[Media:Sound_the_trumpet.mxl|{{XML}}]] [[Media:Sound_the_trumpet.sib|{{sib}}]] (Sibelius 4)
{{Editor|Dale McIntyre|2007-01-05}}{{ScoreInfo|A4|4|52}}{{Copy|CPDL}}
{{Editor|Dale McIntyre|2007-01-05}}{{ScoreInfo|A4|4|52}}{{Copy|CPDL}}
:'''Edition notes:''' {{cat|Solo CtCt}}
:'''Edition notes:''' {{cat|Solo CtCt}} {{MXL}}


===Full scores===
===Full scores===
Line 43: Line 42:
{{Editor|Philip Legge|2008-03-16}}{{ScoreInfo|A4|84|1255}}{{CopyCC|Attribution-Share Alike 3.0}}
{{Editor|Philip Legge|2008-03-16}}{{ScoreInfo|A4|84|1255}}{{CopyCC|Attribution-Share Alike 3.0}}
:'''Edition notes:''' revised 10 October 2008. Parts contained: 2 violins, viola, 2 oboes, 2 recorder, 2 trumpets (in C and D), timpani, instrumental bass, and continuo (keyboard). The recorder parts are cued into the oboe parts, as in some performances the same players play both oboe and recorder; if so, the separate recorder parts are dispensable. If however, the recorders are played by additional players, then ''ad libitum'' parts are provided for descant including the final section, ''See, Nature rejoicing''.
:'''Edition notes:''' revised 10 October 2008. Parts contained: 2 violins, viola, 2 oboes, 2 recorder, 2 trumpets (in C and D), timpani, instrumental bass, and continuo (keyboard). The recorder parts are cued into the oboe parts, as in some performances the same players play both oboe and recorder; if so, the separate recorder parts are dispensable. If however, the recorders are played by additional players, then ''ad libitum'' parts are provided for descant including the final section, ''See, Nature rejoicing''.
===Arrangements===
*{{PostedDate|2018-09-09}} {{CPDLno|51276}} [http://amisdeparalelles.wifeo.com/partitions.php {{net}}]
{{Editor|Agnès Blin|2018-09-09}}{{ScoreInfo|A4|76|993 ko}}{{Copy|Personal}}
:'''Edition notes:''' Arrangement pour SSAA et orchestre à cordes et clavecin. D'après le manuscrit Rés.F.1713(1) de la Bibliothèque Nationale de France. avec adaptation à l'usage courant de la règle des altérations accidentelles, des clés usuelles, et correction des fautes flagrantes du manuscrit.
:{{Arranger|Agnès Blin}}


==General Information==
==General Information==
Line 53: Line 58:
{{Genre|Secular|Cantatas}}
{{Genre|Secular|Cantatas}}
{{Language|English}}
{{Language|English}}
{{Instruments|Baroque chamber orchestra: 2 flutes (treble recorders), 2 oboes, bassoon, 2 trumpets, timpani, 2 violins, viola, double bass, basso continuo}}
{{Instruments|Baroque chamber orchestra:| 2 flutes (treble recorders), 2 oboes, bassoon, 2 trumpets, timpani, 2 violins, viola, double bass, basso continuo}}
{{Published|}}
{{Pub|1|}}


'''Description:''' Birthday ode composed for the birthday of Queen Mary, 30 April 1694
'''Description:''' Birthday ode composed for the birthday of Queen Mary, 30 April 1694

Revision as of 20:29, 21 June 2019

Music files

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ICON SOURCE
Icon_pdf.gif Pdf
MusicXML.png MusicXML
Sibelius.png Sibelius
Network.png Web Page
File details.gif File details
Question.gif Help

Vocal scores

Complete work

  • CPDL #15467:   
Editor: Philip Legge (submitted 2007-11-19).   Score information: A4, 33 pages, 588 kB   Copyright: CC BY-SA 3.0
Edition notes: Revised 17 March 2008 to correct an error in tenor part of See, Nature rejoicing (bar 546). Revised 10 October 2008 with complete keyboard reduction from movement 8 onward to end.

2nd Chorus, Come, ye Sons of Art

  • CPDL #10741:      (Sibelius 3)
Editor: Philip Legge (submitted 2006-01-15).   Score information: A4, 1 page, 52 kB   Copyright: Personal
Edition notes: Included in the TUMS Busking Book. Choir parts only, corresponding to bars 116–143 of vocal score above (CPDL #15467). MusicXML source file(s) in compressed .mxl format.

Sound the trumpet

  • CPDL #13351:      (Sibelius 4)
Editor: Dale McIntyre (submitted 2007-01-05).   Score information: A4, 4 pages, 52 kB   Copyright: CPDL
Edition notes: Solo CtCt MusicXML source file(s) in compressed .mxl format.

Full scores

Complete work

  • CPDL #13638:   
Editor: Philip Legge (submitted 2007-02-23).   Score information: A4, 63 pages, 958 kB   Copyright: CC BY-SA 3.0
Edition notes: revised 10 October 2008, now encompassing the complete work.

Sinfonia

  • CPDL #06531:  IMSLP.png PDF and MusiXTeX files available.
Editor: Martin Straeten (submitted 2004-01-17).   Score information: A4, 5 pages, 100 kB   Copyright: Personal
Edition notes: Full score of opening movement of the Ode.

2nd Chorus, Come, ye Sons of Art

  • CPDL #03378:   
Editor: Luciano Bibiloni (submitted 2002-03-19).   Score information: A4, 7 pages, 164 kB   Copyright: Personal
Edition notes: Full score of 2nd chorus, following counter-tenor duet Sound the trumpet.

Strike the viol

  • CPDL #16377:  Network.png
Editor: William Long (submitted 2008-03-18).   Score information: Letter, 5 pages, 84 kB   Copyright: Personal
Edition notes: These settings of the song are based on that found in Orpheus Britannicus. That setting for soprano in c minor has been transposed down to a minor for the soprano and d minor for the alto. The recorder parts are not included in Orpheus Britannicus, but have been added from Come ye Sons of Art. Separate settings are provided for soprano and alto voices.

Parts

  • CPDL #16368:   
Editor: Philip Legge (submitted 2008-03-16).   Score information: A4, 84 pages, 1.23 MB   Copyright: CC BY-SA 3.0
Edition notes: revised 10 October 2008. Parts contained: 2 violins, viola, 2 oboes, 2 recorder, 2 trumpets (in C and D), timpani, instrumental bass, and continuo (keyboard). The recorder parts are cued into the oboe parts, as in some performances the same players play both oboe and recorder; if so, the separate recorder parts are dispensable. If however, the recorders are played by additional players, then ad libitum parts are provided for descant including the final section, See, Nature rejoicing.

Arrangements

  • (Posted 2018-09-09)  CPDL #51276:  Network.png
Editor: Agnès Blin (submitted 2018-09-09).   Score information: A4, 76 pages, 993 ko kB   Copyright: Personal
Edition notes: Arrangement pour SSAA et orchestre à cordes et clavecin. D'après le manuscrit Rés.F.1713(1) de la Bibliothèque Nationale de France. avec adaptation à l'usage courant de la règle des altérations accidentelles, des clés usuelles, et correction des fautes flagrantes du manuscrit.
Arranger: Agnès Blin

General Information

Title: Come, ye Sons of Art
Composer: Henry Purcell

Number of voices: 4vv   Voicing: SATB

Soloists: Soprano, high counter-tenor, counter-tenor, bass.
Catalogue Number: Z 323
Genre: SecularCantata

Language: English
Instruments: Baroque chamber orchestra: 2 flutes (treble recorders), 2 oboes, bassoon, 2 trumpets, timpani, 2 violins, viola, double bass, basso continuo

First published:

Description: Birthday ode composed for the birthday of Queen Mary, 30 April 1694

Movements:

  1. Sinfonia
  2. Ritornello, countertenor solo, and chorus, Come ye Sons of Art
  3. Countertenor duet, Sound the trumpet
  4. Ritornello and chorus, Come ye Sons of Art
  5. Countertenor solo and ritornello, Strike the viol, touch the lute
  6. Bass solo and chorus, The day that such a blessing gave
  7. Soprano solo, Bid the virtues, bid the graces
  8. Bass solo, These are the sacred charms
  9. Soprano and bass duet and chorus, See Nature, rejoicing

Original text and translations

English.png English text

2. Come, ye Sons of Art, come away,
Tune all your voices and instruments play
To celebrate this triumphant day.

3. Sound the trumpet, till around
You make the list'ning shores rebound.
On the sprightly hautboy play;
All the instruments of joy,
That skilful numbers can employ,
To celebrate the glories of this day.

4. Come, ye Sons of Art, come away,
Tune all your voices and instruments play
To celebrate this triumphant day.

5. Strike the viol, touch the lute,
Wake the harp, inspire the flute.
Sing your patroness's praise,
In cheerful and harmonious lays.

6. The day that such a blessing gave
No common festival should be.
What it justly seem'd to crave,
Grant, o grant, and let it have
The honour of a Jubilee.

7. Bid the virtues, bid the graces
To the sacred shrine repair
Round the altar take their places
Blessing with returns of pray'r
Their great defender's care,
While Maria's royal zeal
Best instructs you how to pray
Hourly from her own
Conversing with the Eternal Throne.

8. These are the sacred charms that shield
Her daring hero in the field;
Thus she supports his righteous cause,
Thus to aid his immortal pow'r she draws.

9. See Nature, rejoicing, has shown us the way,
With innocent revels to welcome the day.
The tuneful grove, and talking rill,
The laughing vale, the replying hill,
With charming harmony unite,
The happy season to invite.
What the Graces require,
And the Muses inspire,
Is at once our delight and our duty to pay.
Thus Nature, rejoicing, has shown us the way,
With innocent revels to welcome the day.