Claudio Pari: Difference between revisions
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Italian composer of Burgundian birth. In the ''auto-da-fé'' celebrated at the monastery of S Domenico, Palermo, on 22 December 1598, he was sentenced to row in the galleys for five years for heresy. From 6 September 1611 to 18 March 1619, the dates of the dedications of his second and fourth books of five-part madrigals, he was active in Sicily, particularly in Palermo. In the dedication of the third book he refers to his ultramontane origin, and on all the title-pages he is described as Burgundian. The dedication and postscript of the second book state that, as well as the lost first book, he had already published a collection of six-part madrigals, which is also lost. In 1615, according to an uncatalogued document in the Archivio di Stato, Palermo, he received a three-year appointment as director of music at the house of the Jesuits at Salemi, in western Sicily. | Italian composer of Burgundian birth. In the ''auto-da-fé'' celebrated at the monastery of S Domenico, Palermo, on 22 December 1598, he was sentenced to row in the galleys for five years for heresy. From 6 September 1611 to 18 March 1619, the dates of the dedications of his second and fourth books of five-part madrigals, he was active in Sicily, particularly in Palermo. In the dedication of the third book he refers to his ultramontane origin, and on all the title-pages he is described as Burgundian. The dedication and postscript of the second book state that, as well as the lost first book, he had already published a collection of six-part madrigals, which is also lost. In 1615, according to an uncatalogued document in the Archivio di Stato, Palermo, he received a three-year appointment as director of music at the house of the Jesuits at Salemi, in western Sicily. | ||
He may be considered a worthy follower of Giovanni de Macque’s chromatic style and is indeed worthy to stand alongside the best Sicilian madrigalists of the day, such as Antonio Il Verso (who also published a ''Lamento d’Arianna'' in 1619), Sigismondo | He may be considered a worthy follower of Giovanni de Macque’s chromatic style and is indeed worthy to stand alongside the best Sicilian madrigalists of the day, such as Antonio Il Verso (who also published a ''Lamento d’Arianna'' in 1619), [[Sigismondo d'India]] and Giuseppe Palazzotto e Tagliavia. | ||
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*[[Deh s'alcuna pietat' il cor ti punge (Claudio Pari)|''Deh s'alcuna pietat' il cor ti punge'']] ( [ | *[[Deh s'alcuna pietat' il cor ti punge (Claudio Pari)|''Deh s'alcuna pietat' il cor ti punge'']] ( [{{filepath:Pari-3Madrigals.pdf}} {{pdf}}] [{{filepath:Pari-3Madrigals.MID}} {{mid}}] [{{filepath:Pari-3Madrigals.mus}} Finale 2006] ) | ||
*[[Lasciatemi morire (Claudio Pari)|''Lasciatemi morire'']] ( [ | *[[Lasciatemi morire (Claudio Pari)|''Lasciatemi morire'']] ( [{{filepath:Pari-3Madrigals.pdf}} {{pdf}}] [{{filepath:Pari-3Madrigals.MID}} {{mid}}] [{{filepath:Pari-3Madrigals.mus}} Finale 2006] ) | ||
*[[Sonno crudel che nel notorn' oblio (Claudio Pari)|''Sonno crudel che nel notorn' oblio'']] ( [ | *[[Sonno crudel che nel notorn' oblio (Claudio Pari)|''Sonno crudel che nel notorn' oblio'']] ( [{{filepath:Pari-3Madrigals.pdf}} {{pdf}}] [{{filepath:Pari-3Madrigals.MID}} {{mid}}] [{{filepath:Pari-3Madrigals.mus}} Finale 2006] ) | ||
Revision as of 12:56, 6 October 2008
Aliases: Claude Paris
Life
Born: 1574, Salines (now Salins-les-Bains), Burgundy
Died: after 1619
Biography:
Italian composer of Burgundian birth. In the auto-da-fé celebrated at the monastery of S Domenico, Palermo, on 22 December 1598, he was sentenced to row in the galleys for five years for heresy. From 6 September 1611 to 18 March 1619, the dates of the dedications of his second and fourth books of five-part madrigals, he was active in Sicily, particularly in Palermo. In the dedication of the third book he refers to his ultramontane origin, and on all the title-pages he is described as Burgundian. The dedication and postscript of the second book state that, as well as the lost first book, he had already published a collection of six-part madrigals, which is also lost. In 1615, according to an uncatalogued document in the Archivio di Stato, Palermo, he received a three-year appointment as director of music at the house of the Jesuits at Salemi, in western Sicily.
He may be considered a worthy follower of Giovanni de Macque’s chromatic style and is indeed worthy to stand alongside the best Sicilian madrigalists of the day, such as Antonio Il Verso (who also published a Lamento d’Arianna in 1619), Sigismondo d'India and Giuseppe Palazzotto e Tagliavia.
View the Wikipedia article on Claudio Pari.
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