Claudio Monteverdi: Difference between revisions

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__TOC__ [[Image:Monteverdi.jpg|right]]
[[Image:Monteverdi.jpg|right]]
'''Aliases:''' Claudio Monteverde
'''Aliases:''' Claudio Monteverde
==Life==
==Life==
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He was the first composer to realise the potential of opera for expressing powerful emotions, and he brought to his church music the musical innovations of his madrigal and instrumental style that he continued to refine throughout his lifetime.
He was the first composer to realise the potential of opera for expressing powerful emotions, and he brought to his church music the musical innovations of his madrigal and instrumental style that he continued to refine throughout his lifetime.


Claudio (Giovanni Antonio) Monteverdi was born in Cremona in 1567, and baptised – probably at an age of several days – on the 15th of May. Monteverdi’s father Baldassare was a chemist and also practiced medicine; his mother Maddalena (née Zignani) died young, and Baldassare married twice more. Claudio had one elder sister, a younger brother Giulio Cesare who also pursued a musical career, and three more half-siblings from his father’s second marriage. Both Claudio and Giulio Cesare received a good musical education from [[Marco Antonio Ingegneri|Marc’Antonio Ingegneri]], who was ''maestro di cappella'' of Cremona Cathedral, and whom Monteverdi would acknowledge as his teacher on the title page of his first book of madrigals. Claudio was clearly a precociously gifted boy, at the age of 15 sending a collection of three-part motets to be published in Venice by the printing house of Gardane, and following these with two further publications before he reached the age of 18, the latter of which, the volume of three-part canzonets, was published by Ricciardo Amadino, whose printing firm would go on to publish much of Monteverdi’s subsequent work.
Claudio (Giovanni Antonio) Monteverdi was born in Cremona in 1567, and baptised – probably at an age of several days – on the 15th of May. Monteverdi’s father Baldassare was a chemist and also practiced medicine; his mother Maddalena (née Zignani) died young, and Baldassare married twice more. Claudio had one elder sister, a younger brother [[Giulio Cesare Monteverdi|Giulio Cesare]] who also pursued a musical career, and three more half-siblings from his father’s second marriage. Both Claudio and Giulio Cesare received a good musical education from [[Marco Antonio Ingegneri|Marc’Antonio Ingegneri]], who was ''maestro di cappella'' of Cremona Cathedral, and whom Monteverdi would acknowledge as his teacher on the title page of his first book of madrigals. Claudio was clearly a precociously gifted boy, at the age of 15 sending a collection of three-part motets to be published in Venice by the printing house of Gardane, and following these with two further publications before he reached the age of 18, the latter of which, the volume of three-part canzonets, was published by Ricciardo Amadino, whose printing firm would go on to publish much of Monteverdi’s subsequent work.


By the time Monteverdi was ready to publish his second book of five-part madrigals, he had evidently outstripped his teacher and was looking for a musical posting outside Cremona; he visited Milan to obtain patronage, and within three years he was in full-time employment as a violinist or gamba player at the court of the Gonzaga family in Mantua. The third book of madrigals that was published soon after show the influence of the Mantuan ''maestro di cappella'', [[Giaches de Wert]], but Monteverdi's fame quickly spread and he became one of the leading court musicians. After the death of de Wert in 1596 he was succeeded by a more senior musician, Pallavicino, but upon his death in 1601 came Monteverdi's opportunity as musical director of the Mantuan court. In the meantime, Monteverdi had married one of the court singers, Claudia de Cattaneis, on 20 May 1599, who would bear him three children; Francesco (1601–?1677/78), Leonora (1603), and Massimiliano (1604–61).
By the time Monteverdi was ready to publish his second book of five-part madrigals, he had evidently outstripped his teacher and was looking for a musical posting outside Cremona; he visited Milan to obtain patronage, and within three years he was in full-time employment as a violinist or gamba player at the court of the Gonzaga family in Mantua. The third book of madrigals that was published soon after show the influence of the Mantuan ''maestro di cappella'', [[Giaches de Wert]], but Monteverdi's fame quickly spread and he became one of the leading court musicians. After the death of de Wert in 1596 he was succeeded by a more senior musician, Pallavicino, but upon his death in 1601 came Monteverdi's opportunity as musical director of the Mantuan court. In the meantime, Monteverdi had married one of the court singers, Claudia de Cattaneis, on 20 May 1599, who would bear him three children; Francesco (1601–?1677/78), Leonora (1603), and Massimiliano (1604–61).
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In 1600 Monteverdi was the subject of an attack by the musical theorist [[wikipedia:Giovanni Artusi|Artusi]], who criticised certain of Monteverdi’s harmonic practices and his modern style of word-painting, concerning works which were yet to appear in print but must have been circulating in manuscript. In 1603 and 1605 Monteverdi published the fourth and fifth books of madrigals, including much of the secular music he had worked on in the previous decade at Mantua that had attracted the ire of Artusi. The fifth book includes a brief reply to the criticism, which was amplified two years later by Monteverdi’s younger brother Giulio Cesare in the introduction to the [[Scherzi musicali (Claudio Monteverdi)|''Scherzi musicali'']] of 1607; this only served to further popularise Monteverdi’s music and enhance his fame.
In 1600 Monteverdi was the subject of an attack by the musical theorist [[wikipedia:Giovanni Artusi|Artusi]], who criticised certain of Monteverdi’s harmonic practices and his modern style of word-painting, concerning works which were yet to appear in print but must have been circulating in manuscript. In 1603 and 1605 Monteverdi published the fourth and fifth books of madrigals, including much of the secular music he had worked on in the previous decade at Mantua that had attracted the ire of Artusi. The fifth book includes a brief reply to the criticism, which was amplified two years later by Monteverdi’s younger brother Giulio Cesare in the introduction to the [[Scherzi musicali (Claudio Monteverdi)|''Scherzi musicali'']] of 1607; this only served to further popularise Monteverdi’s music and enhance his fame.


Monteverdi’s final years at Mantua were dominated by the composition of a series of dramatic works and unhappiness in his personal life, while the star of his fame ascended ever further. His first opera, [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|L'Orfeo]] received its successful premiere at the beginning of 1607 during Carnival, and was followed by commissions for a second opera, ''L'Arianna'', and several other smaller dramatic works including the ''balletto'' [[Ballo delle Ingrate (Claudio Monteverdi)|''Il ballo delle ingrate'']]. In the middle of the year Monteverdi returned to Cremona with his wife, who having been seriously ill for some time, was to be cared for by Monteverdi’s apothecary father. Claudia died on September 10; after little more than a fortnight he was recalled to Mantua. The inherent amount of overwork during the next year precipitated a nervous collapse; Claudio for a time again returned to his father’s house in Cremona to recuperate, before an angry exchange of letters resulted in a pay rise from the Gonzagas, more or less obliging him to return to court duties. However, Monteverdi’s desire to remain any longer in Mantua was effectively at an end.  
Monteverdi’s final years at Mantua were dominated by the composition of a series of dramatic works and unhappiness in his personal life, while the star of his fame ascended ever further. His first opera, [[L'Orfeo, SV 318 (Claudio Monteverdi)|L'Orfeo]] received its successful premiere at the beginning of 1607 during Carnival, and was followed by commissions for a second opera, ''L'Arianna'', and several other smaller dramatic works including the ''balletto'' [[Ballo delle Ingrate (Claudio Monteverdi)|''Il ballo delle ingrate'']]. In the middle of the year Monteverdi returned to Cremona with his wife, who having been seriously ill for some time, was to be cared for by Monteverdi’s apothecary father. Claudia died on September 10; after little more than a fortnight he was recalled to Mantua. The inherent amount of overwork during the next year precipitated a nervous collapse; Claudio for a time again returned to his father’s house in Cremona to recuperate, before an angry exchange of letters resulted in a pay rise from the Gonzagas, more or less obliging him to return to court duties. However, Monteverdi’s desire to remain any longer in Mantua was effectively at an end.  


The subsequent publication of the [[Messa e Vespro della Beata Vergine (Claudio Monteverdi)|Vespro della beata Vergine]] in 1610 has been sometimes interpreted by music historians as being nothing less than an elaborate curriculum vitae, or job application for a church posting elsewhere: it was the first sizeable collection of church music published since the motets of his youth. The volume includes a learned six-part parody mass based on a motet of [[Nicolas Gombert]], written in the Renaissance polyphonic style which he described as the ''prima prattica'', or first practice, which strongly leans to the Roman school of church music dominated in the previous century by [[Palestrina]]; in August he travelled to Rome to obtain permission to dedicate the volume to Pope Paul V. On the other hand, the Vespers music inventively fuses traditional plainsong psalmody with the new technical innovations from Monteverdi’s dramatic music, described as the ''seconda prattica'' (second practice), interspersed with more intimate motets ''“designed for princely chapels or apartments”'', thus lending itself to the elaborate instrumental and choral resources of Venice under the long line of ''maestri di cappella'' culminating in [[Andrea Gabrieli|Andrea]] and [[Giovanni Gabrieli]]; following the latter’s death in 1611, Monteverdi was invited to perform for the procurators of the Basilica of San Marco. Monteverdi succeeded, and in 1613 moved to Venice, where he would remain as ''maestro di cappella'' for the rest of his life.
The subsequent publication of the [[Messa e Vespro della Beata Vergine (Claudio Monteverdi)|Vespro della beata Vergine]] in 1610 has been sometimes interpreted by music historians as being nothing less than an elaborate curriculum vitae, or job application for a church posting elsewhere: it was the first sizeable collection of church music published since the motets of his youth. The volume includes a learned six-part parody mass based on a motet of [[Nicolas Gombert]], written in the Renaissance polyphonic style which he described as the ''prima prattica'', or first practice, which strongly leans to the Roman school of church music dominated in the previous century by [[Palestrina]]; in August he travelled to Rome to obtain permission to dedicate the volume to Pope Paul V. On the other hand, the Vespers music inventively fuses traditional plainsong psalmody with the new technical innovations from Monteverdi’s dramatic music, described as the ''seconda prattica'' (second practice), interspersed with more intimate motets ''“designed for princely chapels or apartments”'', thus lending itself to the elaborate instrumental and choral resources of Venice under the long line of ''maestri di cappella'' culminating in [[Andrea Gabrieli|Andrea]] and [[Giovanni Gabrieli]]; following the latter’s death in 1611, Monteverdi was invited to perform for the procurators of the Basilica of San Marco. Monteverdi succeeded, and in 1613 moved to Venice, where he would remain as ''maestro di cappella'' for the rest of his life.
{{WikipediaLink}}
{{WikipediaLink}}
{{WorksListBox|
{{WorksListBox|
Monteverdi's works are sorted below by genre: there are also lists of Monteverdi's works  
Monteverdi's works are sorted below by genre: there are also lists of Monteverdi's works  
* sorted in [[:Category:Claudio Monteverdi compositions|alphabetical order]]
* sorted in [[:Category:Claudio Monteverdi compositions|alphabetical order]]
* sorted by [[List of works by publication (Claudio Monteverdi)|publication order]]. }}
* sorted by [[Claudio Monteverdi - list of works by publication|publication order]].}}


==Dramatic works==
==Dramatic works==
{{Legend}}
*{{NoCo|L'Orfeo, SV 318}}, opera (''favola in musica'') (prologue, 5 acts), produced Feb. 1607, pub. 1609,
{{Recent_additions}}
*{{NoCo|Donna, s’io miro voi, giaccio divengo}}   ( [{{filepath:Mont-dsi-quart.pdf}} {{pdf}}] [{{filepath:Mont-dsi-quart.midi}} {{mid}}] )


 
*{{NoComp|Bellezza le|Claudio Monteverdi| Dovute Lodi| ''dovute lodi'', SV 245|Balletto de la |''De la''{{sp}}}}, ballet, 3vv+instr, pub. in {{NoComp|Scherzi musicali|Claudio Monteverdi}}, 1607
 
 
*{{NoComp|L'Orfeo, Favola in Musica|Claudio Monteverdi||, SV 318}}, opera (prologue, 5 acts), produced Feb. 1607, pub. 1609, ( [{{filepath:Claudio Monteverdi-Orfeo.pdf}} {{Pdf}}]  [{{filepath:Claudio Monteverdi-Orfeo.mid}} {{Mid}}] ) pub. 1615 ( [{{filepath:Monteverdi Orfeo Act-1 PML.pdf}} {{Pdf}}] )
*{{NoComp|Bellezza le|Claudio Monteverdi| Dovute Lodi| ''dovute lodi'', SV 245|Balletto de la |''De la''{{sp}}}}, ballet, 3vv+instr, pub. in {{NoComp|Scherzi musicali|Claudio Monteverdi}}, 1607{{LLinkW|mont-bal.pdf|/Mont-bal.mid}}


*''L'Arianna'', SV 291, opera, 1608 – ''lost, aside from lament:''
*''L'Arianna'', SV 291, opera, 1608 – ''lost, aside from lament:''
:* ''Lamento d'Arianna'', SV 22, 1v, bc, pub. 1623
:* ''Lamento d'Arianna'', SV 22, 1v, bc, pub. 1623
:# {{NoCo|Lasciatemi morire}} {{editions|1}}
:# {{NoCo|Lasciatemi morire}}
:*{{NoCo|Lamento d'Arianna}}, SV 107, 5vv, bc, pub. 1614
:*{{NoCo|Lamento d'Arianna}}, SV 107, 5vv, bc, pub. 1614
:# {{NoCo|Lasciatemi morire}} {{editions|multiple}}
:# {{NoCo|Lasciatemi morire}}
:# {{NoCo|O Teseo, Teseo mio}} {{editions|multiple}}
:# {{NoCo|O Teseo, Teseo mio}}
:# {{NoCo|Dove, dove è la fede}} {{editions|multiple}}
:# {{NoCo|Dove, dove è la fede}}
:# {{NoCo|Ahi, che non pur risponde}} {{editions|multiple}}
:# {{NoCo|Ahi, che non pur risponde}}
:# ''Misera ancor do loco'' [1623 version only]
:# ''Misera ancor do loco'' [1623 version only]


*{{NoComp|ballo delle Ingrate|Claudio Monteverdi||, SV 167||''Il''{{sp}}}}, ballet, 4vv, 1608, pub. 1638 {{editions|2}}
*{{NoComp|ballo delle Ingrate|Claudio Monteverdi||, SV 167||''Il''{{sp}}}}, ballet, 4vv, 1608, pub. 1638
*Prologue to ''L'Idropica'', comedy with music, 1608 – ''lost''
*Prologue to ''L'Idropica'', comedy with music, 1608 – ''lost''
*{{NoComp|Tirsi e Clori|Claudio Monteverdi||, SV 145}}, ballet, 1616{{LLink|Tirsi e Clori Monteverdi.pdf|Tirsi_e_Clori.mid|media=Tirsi e Clori.MUS|type=Finale 2005}}
*{{NoComp|Tirsi e Clori|Claudio Monteverdi||, SV 145}}, ballet, 1616
 
*''Le nozze di Tetide'', favola marittima, 1616 – ''work begun and abandoned, lost''
*''Le nozze di Tetide'', favola marittima, 1616 – ''work begun and abandoned, lost''
*''Andromeda'', opera, 1618–20 – ''lost''
*''Andromeda'', opera, 1618–20 – ''lost''
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*''Mercurio e Marte'', torneo, 1628 – ''lost''
*''Mercurio e Marte'', torneo, 1628 – ''lost''
*''Proserpina rapita'', SV 323, opera, 1630 – ''lost, aside from trio:''
*''Proserpina rapita'', SV 323, opera, 1630 – ''lost, aside from trio:''
:*{{NoComp|Come dolce oggi|Claudio Monteverdi|| ''l’auretta spira'', SV 173}}, 3vv, bc, pub. 1651 ( [{{website|callon}} {{Net}}] )
:*{{NoComp|Come dolce oggi|Claudio Monteverdi|| ''l’auretta spira'', SV 173}}, 3vv, bc, pub. 1651
*{{NoComp|Volgendo il ciel per l'immortal sentiero|Claudio Monteverdi||, SV 154}}, ballet, ''ca'' 1636, pub. 1638  {{Editions|2}}
*{{NoComp|Volgendo il ciel per l'immortal sentiero|Claudio Monteverdi||, SV 154}}, ballet, ''ca'' 1636, pub. 1638  {{Editions|2}}
*''Il ritorno d’Ulisse in patria'', SV 325, opera, 1640
*''Il ritorno d’Ulisse in patria'', SV 325, opera, 1640
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*''La vittoria d’Amore'', ballet, 1641 – ''lost''
*''La vittoria d’Amore'', ballet, 1641 – ''lost''
*''L’incoronazione di Poppea'', SV 308, opera, 1642
*''L’incoronazione di Poppea'', SV 308, opera, 1642
:*{{NoComp|Amici, è giunta l'ora|Claudio Monteverdi| (from "Poppea")}}, 1v, 3vv, bc {{LLink|Monteverdi amici e giunta l'ora.pdf|Monteverdi amici e giunta l'ora.mid|media=Amici e giunta l'ora.MUS|type=Finale 2005}}
:*{{NoComp|Amici, è giunta l'ora|Claudio Monteverdi| (from "Poppea")}}, 1v, 3vv, bc  
:*{{NoComp|Pur ti miro|Claudio Monteverdi| (from "Poppea")}}, 2vv, bc {{LLink|Pur ti miro Monteverdi.pdf|media=Pur ti miro.MUS|type=Finale 2005}} [{{filepath:Pur_ti_miro.mid}} {{mid}}]
:*{{NoComp|Pur ti miro|Claudio Monteverdi| (from "Poppea")}}, 2vv, bc


==Secular works==
==Secular works==
{{Legend}}
Score listing includes number of voices, instruments, and publication date (if known).
Score listing includes number of voices, instruments, and publication date (if known).
=== ''Il primo libro de madrigali'' (''First book of madrigals'', Venice, 1587) ===
{{top}}
# {{NoCo|Ch'io ami la mia vita}}, SV23, 5vv  {{editions|5}}
===''Il primo libro de madrigali'' (''First book of madrigals'', Venice, 1587)===
# {{NoCo|Se per havervi oimè}}, SV24, 5vv  {{editions|3}}
# {{NoCo|Ch'io ami la mia vita}}, SV23, 5vv
# {{NoComp|A che tormi il ben mio|Claudio Monteverdi|| ''s’io dico di morire'', SV 25}}, 5vv  {{editions|5}}
# {{NoCo|Se per havervi oimè}}, SV24, 5vv
# {{NoCo|Amor per tua mercè}}, SV26, 5vv  {{editions|4}}
# {{NoComp|A che tormi il ben mio|Claudio Monteverdi|| ''s’io dico di morire'', SV 25}}, 5vv
# {{NoCo|Baci soavi e cari}}, SV27, 5vv  {{editions|4}}
# {{NoCo|Amor per tua mercè}}, SV26, 5vv
# {{NoCo|Se pur non mi consenti}}, SV28, 5vv  {{editions|3}}
# {{NoCo|Baci soavi e cari}}, SV27, 5vv
# {{NoCo|Filli cara e amata}}, SV29, 5vv  {{editions|2}}
# {{NoCo|Se pur non mi consenti}}, SV28, 5vv
# {{NoCo|Poi che del mio dolore}}, SV30, 5vv  {{editions|3}}
# {{NoCo|Filli cara e amata}}, SV29, 5vv
# {{NoCo|Fumia la pastorella}}, SV31, 5vv  {{editions|3}}
# {{NoCo|Poi che del mio dolore}}, SV30, 5vv
# {{NoCo|Almo divino raggio}}, SV31, 5vv  {{editions|3}}
# {{NoCo|Fumia la pastorella}}, SV31, 5vv
# {{NoCo|All'hora i pastor tutti}}, SV31, 5vv  {{editions|4}}
# {{NoCo|Almo divino raggio}}, SV31, 5vv
# {{NoCo|Se nel partir da voi, vita mia}}, SV32, 5vv  {{editions|4}}
# {{NoCo|All'hora i pastor tutti}}, SV31, 5vv
# {{NoCo|Tra mille fiamme}}, SV33, 5vv  {{editions|3}}
# {{NoCo|Se nel partir da voi, vita mia}}, SV32, 5vv
# {{NoCo|Usciam, ninfe, homai fuor di questi boschi}}; SV34, 5vv  {{editions|3}}
# {{NoCo|Tra mille fiamme}}, SV33, 5vv
# {{NoCo|Questa ordi il laccio}}, SV35, 5vv  {{editions|2}}
# {{NoCo|Usciam, ninfe, homai fuor di questi boschi}}; SV34, 5vv
# {{NoCo|La vaga pastorella sen va tra fiori}}, SV36, 5vv  {{editions|3}}
# {{NoCo|Questa ordi il laccio}}, SV35, 5vv
# {{NoCo|Amor, s’il tuo ferire}}, SV37, 5vv  {{editions|3}}
# {{NoCo|La vaga pastorella sen va tra fiori}}, SV36, 5vv
# {{NoCo|Donna, s’io miro voi, giaccio divengo}}, SV38, 5vv ( [{{filepath:Monte-1-18.pdf}} {{pdf}}] [{{filepath:Monte-1-18.mid}} {{mid}}] [{{filepath:Monte-1-18.zip}} MUP] )
# {{NoCo|Amor, s’il tuo ferire}}, SV37, 5vv
# {{NoCo|Ardo, sì, ma non t’amo}}, SV39, 5vv ( [{{filepath:Monte-1-19.pdf}} {{pdf}}] [{{filepath:Monte-1-19.mid}} {{mid}}] [{{filepath:Monte-1-19.zip}} MUP] )
# {{NoCo|Donna, s’io miro voi, giaccio divengo}}, SV38, 5vv
# {{NoCo|Riposta. Ardi o gela a tua voglia}}, SV39, 5vv ( [{{filepath:Monte-1-20.pdf}} {{pdf}}] [{{filepath:Monte-1-20.mid}} {{mid}}] [{{filepath:Monte-1-20.zip}} MUP] )
# {{NoCo|Ardo, sì, ma non t'amo}}, SV39, 5vv
# {{NoCo|Contrariposta. Arsi e alsi a mia voglia}}, SV39, 5vv ( [{{filepath:Monte-1-21.pdf}} {{pdf}}] [{{filepath:Monte-1-21.mid}} {{mid}}] [{{filepath:Monte-1-21.zip}} MUP] )
# {{NoCo|Ardi o gela a tua voglia}}, SV39, 5vv
 
# {{NoCo|Arsi e alsi a mia voglia}}, SV39, 5vv
=== ''Il secondo libro de madrigali'' (''Second book of madrigals'', Venice, 1590) ===
{{mdl}}
# {{NoCo|Non si levava ancor - E dicea l'una sospirando}} 5vv  {{editions|2}}
===''Il secondo libro de madrigali'' (''Second book of madrigals'', Venice, 1590)===
# {{NoCo|Bevea fillide mia}}, 5vv  {{editions|2}}
# {{NoCo|Non si levava ancor - E dicea l'una sospirando}} 5vv
# {{NoCo|Dolcissimi legami}}, 5vv  {{editions|2}}
# {{NoCo|Bevea Fillide mia}}, 5vv
# {{NoCo|Non giacinti o narcisi}}, 5vv  {{editions|2}}
# {{NoCo|Dolcissimi legami}}, 5vv
# {{NoCo|Intorno a due vermiglie}}, 5vv  {{editions|2}}
# {{NoCo|Non giacinti o narcisi}}, 5vv
# {{NoCo|Non sono in queste rive}}, 5vv {{editions|2}}
# {{NoCo|Intorno a due vermiglie}}, 5vv
# {{NoCo|Tutte le bocche belle}}, 5vv {{editions|3}}
# {{NoCo|Non sono in queste rive}}, 5vv
# {{NoCo|Donna nel mio ritorno}}, 5vv {{editions|3}}
# {{NoCo|Tutte le bocche belle}}, 5vv
# {{NoCo|Quell'ombra esser vorrei}}, 5vv {{editions|3}}
# {{NoCo|Donna nel mio ritorno}}, 5vv
# {{NoCo|S'andasse Amor a caccia}}, 5vv {{editions|2}}
# {{NoCo|Quell'ombra esser vorrei}}, 5vv
# {{NoCo|Mentre io miravo fiso}}, 5vv {{editions|2}}
# {{NoCo|S'andasse Amor a caccia}}, 5vv
# {{NoCo|Ecco mormorar l'onde}}, 5vv  {{editions|8}}
# {{NoCo|Mentre io miravo fiso}}, 5vv
# {{NoCo|Dolcemente dormiva}}, 5vv  {{editions|3}}
# {{NoCo|Ecco mormorar l'onde}}, 5vv
# {{NoCo|Se tu mi lassi}}, 5vv  {{editions|2}}
# {{NoCo|Dolcemente dormiva}}, 5vv
# {{NoCo|La bocca onde}}, 5vv  {{editions|2}}
# {{NoCo|Se tu mi lassi}}, 5vv
# {{NoCo|Crudel, perchè mi fuggi?}}, 5vv – {{editions|3}}
# {{NoCo|La bocca onde}}, 5vv
# {{NoCo|Questo specchio ti dono}}, 5vv  {{editions|2}}
# {{NoCo|Crudel, perchè mi fuggi?}}, 5vv
# {{NoCo|Non mi è grave il morire}}, 5vv  {{editions|2}}
# {{NoCo|Questo specchio ti dono}}, 5vv
# {{NoCo|Ti spontò l'ali amor la donna mia}}, 5vv  {{editions|3}}
# {{NoCo|Non mi è grave il morire}}, 5vv
# {{NoCo|Cantai un tempo}}, 5vv  {{editions|3}}
# {{NoCo|Ti spontò l'ali amor la donna mia}}, 5vv
 
# {{NoCo|Cantai un tempo}}, 5vv
=== ''Il terzo libro de madrigali'' (''Third book of madrigals'', Venice, 1592) ===
{{btm}}
# {{NoCo|La giovinetta pianta}}, SV60, 5vv  {{editions|2}}
{{top}}
# {{NoCo|O come è gran martire}}, SV61, 5vv  {{editions|3}}
# {{NoCo|Sovra tenere herbette}}, SV62, 5vv  {{editions|3}}
# {{NoCo|O dolce anima mia}}, SV63, 5vv  {{editions|3}}
# {{NoCo|Stracciami pur il core}}, SV64, 5vv  {{editions|2}}
# {{NoCo|O rossignuol ch'in queste verdi fronde}}, SV65, 5vv  {{editions|2}}
# {{NoCo|Se per estremo ardore}}, SV66, 5vv  {{editions|2}}
# {{NoCo|Vattene pur, crudel, con quella pace}}, SV67, 5vv  {{editions|3}}
# {{NoCo|Là tra’l sangu’e le morti egro giacente}}, SV67, 5vv  {{editions|2}}
# {{NoCo|Poi ch'ella in sè tornò deserto e muto}}, SV67, 5vv  {{editions|2}}
# {{NoCo|O primavera, gioventù de l'anno}}, SV68, 5vv  {{editions|3}}
# {{NoCo|Perfidissimo volto ben l'usata bellezza}}, SV69, 5vv  {{editions|2}}
# {{NoCo|Ch'io non t'ami, cor mio}}, SV70, 5vv  {{editions|2}}
# {{NoCo|Occhi, un tempo mia vita}}, SV71, 5vv  {{editions|2}}
# {{NoCo|Vivrò fra i miei tormenti e le mie cure}}, SV72, 5vv  {{editions|3}}
# {{NoCo|Ma dove, O lasso me, dove restaro ?}}, SV72, 5vv  {{editions|3}}
# {{NoCo|Io pur verrò là dove sete}}, SV72, 5vv  {{editions|3}}
# {{NoCo|Lumi miei, cari lumi}}, SV73, 5vv  {{editions|2}}
# {{NoCo|Rimanti in pace a la dolente e bella Fillida}}, SV74, 5vv  {{editions|2}}
# {{NoCo|Ond'ei di morte la sua faccia impressa}}, SV74, 5vv  {{editions|2}}


=== ''Il quarto libro de madrigali'' (''Fourth book of madrigals'', Venice, 1603) ===
===''Il terzo libro de madrigali'' (''Third book of madrigals'', Venice, 1592)===
# {{NoComp|Ah! dolente partita|Claudio Monteverdi||, ''ah fin de la mia vita'', SV 75}}, 5vv, 1603 {{editions|3}}
# {{NoCo|La giovinetta pianta}}, SV60, 5vv
# {{NoCo|Cor mio, mentre vi miro}} {{Editions|3}}
# {{NoCo|O come è gran martire}}, SV61, 5vv
# {{NoCo|Cor mio, non mori? E mori! }}   {{Editions|2}}
# {{NoCo|Sovra tenere herbette}}, SV62, 5vv
# {{NoCo|Sfogava con le stelle}}, 5vv, 1603 – {{editions|4}}
# {{NoCo|O dolce anima mia}}, SV63, 5vv
# {{NoCo|Volgea l'anima mia}}   ( [{{filepath:Mont-vol.pdf}} {{pdf}}] [{{filepath:Mont-vol.midi}} {{mid}}] )
# {{NoCo|Stracciami pur il core}}, SV64, 5vv
# {{NoCo|Anima mia, perdona}}   ( [{{filepath:Mont-ani.pdf}} {{pdf}}] [{{filepath:Mont-ani.midi}} {{mid}}] )
# {{NoCo|O rossignuol ch'in queste verdi fronde}}, SV65, 5vv
# {{NoCo|Che se tu se'il cor mio}}, 5vv, 1603 {{Editions|2}}
# {{NoCo|Se per estremo ardore}}, SV66, 5vv
# {{NoCo|Luci serene e chiare}} {{Editions|2}}
# {{NoCo|Vattene pur, crudel, con quella pace}}, SV67, 5vv
# {{NoCo|La piaga c'ho nel core }}   ( [{{filepath:Mont-lap.pdf}} {{pdf}}] [{{filepath:Mont-lap.midi}} {{mid}}] )
# {{NoCo|Là tra’l sangu’e le morti egro giacente}}, SV67, 5vv
# {{NoCo|Voi pur da me partite}}   ( [{{filepath:Mont-voi.pdf}} {{pdf}}] [{{filepath:Mont-voi.midi}} {{mid}}] )
# {{NoCo|Poi ch'ella in sè tornò deserto e muto}}, SV67, 5vv
# {{NoCo| A un giro sol}}   ( [{{filepath:Mont-aun.pdf}} {{pdf}}] [{{filepath:Mont-aun.midi}} {{mid}}] )
# {{NoCo|O primavera, gioventù de l'anno}}, SV68, 5vv
# {{NoCo|Ohimè, se tanto amate}}, 5vv, 1603 – {{editions|3}}
# {{NoCo|Perfidissimo volto ben l'usata bellezza}}, SV69, 5vv
# {{NoCo|Io mi son giovinetta}}, 5vv, 1603 – {{editions|3}}
# {{NoCo|Ch'io non t'ami, cor mio}}, SV70, 5vv
# {{NoCo|Quel augellin che canta}}, 5vv, 1603 – {{editions|5}}
# {{NoCo|Occhi, un tempo mia vita}}, SV71, 5vv
# {{NoCo|Non più guerra, pietate}}   ( [{{filepath:Mont-non.pdf}} {{pdf}}] [{{filepath:Mont-non.midi}} {{mid}}] )
# {{NoCo|Vivrò fra i miei tormenti e le mie cure}}, SV72, 5vv
# {{NoCo|Sì ch'io vorrei morire}}, 5vv, 1603 – {{editions|5}}
# {{NoCo|Ma dove, O lasso me, dove restaro ?}}, SV72, 5vv
# {{NoComp|Anima dolorosa|Claudio_Monteverdi|| ''che vivendo'', SV 90}}, 5vv, 1603 – {{editions|2}}
# {{NoCo|Io pur verrò là dove sete}}, SV72, 5vv
# {{NoComp|Anima del cor|Claudio Monteverdi|| ''mio poi che da me misera me'', SV 91}}, 5vv, 1603 – {{editions|2}}
# {{NoCo|Lumi miei, cari lumi}}, SV73, 5vv
# {{NoCo|Longe da te, cor mio }}   ( [{{filepath:Mont-lon.pdf}} {{pdf}}] [{{filepath:Mont-lon.midi}} {{mid}}] )
# {{NoCo|Rimanti in pace a la dolente e bella Fillida}}, SV74
# {{NoCo|Piagn' e sospira}}   {{Editions|3}}
# {{NoCo|Ond'ei di morte la sua faccia impressa}}, SV74, 5vv
{{mdl}}
===''Il quarto libro de madrigali'' (''Fourth book of madrigals'', Venice, 1603)===
# {{NoComp|Ah! dolente partita|Claudio Monteverdi||, ''ah fin de la mia vita'', SV 75}}, 5vv, 1603
# {{NoCo|Cor mio, mentre vi miro}}
# {{NoCo|Cor mio, non mori? E mori! }}
# {{NoCo|Sfogava con le stelle}}, 5vv, 1603
# {{NoCo|Volgea l'anima mia}}
# {{NoCo|Anima mia, perdona}}
# {{NoCo|Che se tu se' il cor mio}}, 5vv, 1603
# {{NoCo|Luci serene e chiare}}
# {{NoCo|La piaga c'ho nel core }}
# {{NoCo|Voi pur da me partite}}
# {{NoCo| A un giro sol}}
# {{NoCo|Ohimè, se tanto amate}}, 5vv, 1603
# {{NoCo|Io mi son giovinetta}}, 5vv, 1603
# {{NoCo|Quel augellin che canta}}, 5vv, 1603
# {{NoCo|Non più guerra, pietate}}
# {{NoCo|Sì ch'io vorrei morire}}, 5vv, 1603
# {{NoComp|Anima dolorosa|Claudio_Monteverdi|| ''che vivendo'', SV 90}}, 5vv, 1603
# {{NoComp|Anima del cor mio|Claudio Monteverdi|| ''poi che da me misera me'', SV 91}}, 5vv, 1603
# {{NoCo|Longe da te, cor mio }}
# {{NoCo|Piagn' e sospira}}
{{btm}}
{{top}}
===''Il quinto libro de madrigali'' ''(Fifth book of madrigals, Venice, 1605)''===
# {{NoCo|Cruda Amarilli}}, 5vv, 1605
# {{NoCo|O Mirtillo}}, 5vv, 1605
# {{NoComp|Era l'anima mia|Claudio Monteverdi|| ''già presso a l'ultim' hore''|Stabat Virgo / }}, 5vv, 1605
# {{NoComp|Ecco|Claudio Monteverdi| Silvio colei|, ''Silvio, colei ch'in odio hai tanto''|Qui pependit / }}, 5vv, 1605
# {{NoCo|Ma se con la pietà}}, 5vv, 1605
# {{NoComp|Dorinda|Claudio Monteverdi||, ''ah dirò mia, se mia non sei''|Maria quid ploras / }}, 5vv, 1605
# {{NoComp|Ecco|Claudio Monteverdi| piegando|, ''piegando le ginocchie a terra''|Te Jesu Christe / }}, 5vv, 1605
# {{NoComp|Ferir quel petto|Claudio Monteverdi||, ''Silvio''|Pulchræ sunt / }}, 5vv, 1605
# {{NoCo|Ch'io t'ami, e t'ami più de la mia vita}}
# {{NoComp|Deh bella e cara|Claudio Monteverdi|||Sancta Maria / }}, 5vv, 1605
# {{NoComp|Ma tu piu che mai dura|Claudio Monteverdi|||Spernit Deus / }}, 5vv, 1605
# {{NoCo|Che dar più | ''Che dar più vi poss'io?'' }}
# {{NoCo|M'e più dolce il penar}}
# {{NoComp|Ahi come a un vago sol|Claudio Monteverdi|| ''cortese giro'', SV 101|Viues in corde / }}, 5vv, 1605
# {{NoComp|Troppo ben può|Claudio Monteverdi|| ''questo tiranno amore''|Ure me / }}, 5vv, 1605
# {{NoCo|Amor, se giusto sei}}
# {{NoComp|T'amo mia vita|Claudio Monteverdi|||Gloria tua / }}, 5vv, 1605
# {{NoCo|E cosi à poco à poco}}
# {{NoCo|Questi vaghi concenti}}
# {{NoCo|Ecco piegando}}
{{mdl}}
===''Il sesto libro de madrigali'' (''Sixth book of madrigals, Venice, 1614'')===
# {{NoCo|Lasciatemi morire}}, 5vv, 1614 '' also see above: Lamento d’Arianna, under Dramatic works''
# {{NoCo|O Teseo, Teseo mio}}, 5vv, 1614
# {{NoCo|Dove, dove è la fede}}, 5vv, 1614
# {{NoComp|Ahi, che non pur risponde|Claudio Monteverdi}}, 5vv, 1614
# {{NoCo|Zefiro torna e il bel tempo rimena}}, 5vv, 1614
# {{NoCo|Una Donna fra l'altre honesta e bella vidi}}, 5vv, bc, 1614
# {{NoCo|A Dio, Florida Bella}}, 5vv
# {{NoCo|Incenerite spoglie, avara tomba}}, 5vv, 1614
# {{NoComp|Ditelo, o fiumi e voi ch'udiste}}, 5vv, 1614
# {{NoCo|Darà la notte il sol}}, 5vv, 1614
# {{NoCo|Ma te raccoglie, o ninfa}}, 5vv, 1614
# {{NoCo|O chiome d'or, neve gentil del seno}}, 5vv, 1614
# {{NoCo|Dunque amate reliquie}}, 5vv, 1614
# {{NoCo|Ohimè il bel viso}}, 5vv, bc, 1614
# {{NoCo|Qui rise, O Tirsi}}, 5vv, bc, 1614
# {{NoCo|Misero Alceo}}, 5vv, bc, 1614
# {{NoCo|Batto, qui pianse Ergasto}}, 5vv, bc, 1614
# {{NoCo|Presso un fiume tranquillo}}, 7vv, bc, 1614
{{btm}}
{{top}}


=== ''Il quinto libro de madrigali'' ''(Fifth book of madrigals, Venice, 1605)'' ===
===''Il settimo libro di madrigali'' (''Seventh book of madrigals, Venice, 1619'')===
# {{NoCo|Cruda Amarilli}}, 5vv, 1605 {{editions|3}}
# {{NoCo|Tempro la cetra}}, 1v, str, 1619
# {{NoCo|O Mirtillo}}, 5vv, 1605 {{editions|2}}
# {{NoComp|A quest'olmo|Claudio Monteverdi||, '' a quest’ ombre et a quest’ onde'', SV 119}}, 6vv, 2vl, 2rec, bc, 1619
# {{NoComp|Era l'anima mia|Claudio Monteverdi|| ''già presso a l'ultim' hore''|Stabat Virgo / }}, 5vv, 1605 {{editions|2}}
# {{NoCo|Non è di gentil core}} 2vv, bc, 1619
# {{NoComp|Ecco|Claudio Monteverdi| Silvio colei|, ''Silvio, colei ch'in odio hai tanto''|Qui pependit / }}, 5vv, 1605 {{editions|3}}
# {{NoCo|O come sei gentile}} 2vv, bc, 1619
# {{NoCo|Ma se con la pietà}}, 5vv, 1605 {{editions|2}}
# {{NoCo|Io son pur vezzosetta}} 2vv, bc, 1619
# {{NoComp|Dorinda|Claudio Monteverdi||, ''ah dirò mia, se mia non sei''|Maria quid ploras / }}, 5vv, 1605 {{editions|3}}
# {{NoCo|O viva fiamma}} 2vv, bc, 1619
# {{NoComp|Ecco|Claudio Monteverdi| piegando|, ''piegando le ginocchie a terra''|Te Jesu Christe / }}, 5vv, 1605  {{editions|4}}
# {{NoCo|Vorrei baciarti}} 2vv, bc, 1619
# {{NoComp|Ferir quel petto|Claudio Monteverdi||, ''Silvio''|Pulchræ sunt / }}, 5vv, 1605  {{editions|3}}
# {{NoCo|Dice la mia bellissima Licori}} 2vv, bc, 1619
# {{NoCo|Ch'io t'ami, e t'ami più de la mia vita}}   ( [{{filepath:Mont-cht.pdf}} {{pdf}}] [{{filepath:Mont-cht.midi}} {{mid}}] )
# {{NoComp|Ah che non si conviene|Claudio Monteverdi|| ''romper la fede'', SV 125}}, 2vv, bc, 1619
# {{NoComp|Deh bella e cara|Claudio Monteverdi|||Sancta Maria / }}, 5vv, 1605 {{editions|2}}
# {{NoCo|Non vedrò mai le stelle}}, 2vv, bc, 1619
# {{NoComp|Ma tu piu che mai dura|Claudio Monteverdi|||Spernit Deus / }}, 5vv, 1605 {{editions|2}}
# {{NoCo|Ecco vicine o bella Tigre}}
# {{NoCo|Che dar più | ''Che dar più vi poss'io?'' }}   ( [{{filepath:Mont-che.pdf}} {{pdf}}] [{{filepath:Mont-che.midi}} {{mid}}] )
# {{NoCo|Perchè fuggi?}}
# {{NoCo|M'e più dolce il penar}}   ( [{{filepath:Mont-mep.pdf}} {{pdf}}] [{{filepath:Mont-mep.midi}} {{mid}}] )
# {{NoCo|Tornate}}
# {{NoComp|Ahi come a un vago sol|Claudio Monteverdi|| ''cortese giro'', SV 101|Viues in corde / }}, 5vv, 1605  {{editions|2}}
# {{NoCo|Soave libertate}}
# {{NoComp|Troppo ben può|Claudio Monteverdi|| ''questo tiranno amore''|Ure me / }}, 5vv, 1605 {{editions|2}}
# {{NoCo|S'el vostro cor madonna}}
# {{NoCo|Amor, se giusto sei}}   ( [{{filepath:Mont-amo.pdf}} {{pdf}}] [{{filepath:Mont-amo.midi}} {{mid}}] )
# {{NoCo|Interrotte speranze}}
# {{NoComp|T'amo mia vita|Claudio Monteverdi|||Gloria tua / }}, 5vv, 1605 {{editions|2}}
# {{NoComp|Augellin|Claudio Monteverdi|| ''che la voce al canto spieghi'', SV 133}}, 3vv, bc, 1619
# {{NoCo|E cosi à poco à poco}}   ( [{{filepath:Mont-eco.pdf}} {{pdf}}] [{{filepath:Mont-eco.midi}} {{mid}}] )
# {{NoCo|Vaga su spina ascosa}}
# {{NoCo|Questi vaghi concenti}}   ( [{{filepath:Mont-quv.pdf}} {{pdf}}] [{{filepath:Mont-quv.midi}} {{mid}}] )
# {{NoCo|Eccomi pronta ai baci}}, 3vv, 1619
 
=== ''Il sesto libro de madrigali'' (''Sixth book of madrigals, Venice, 1614'') ===
# {{NoCo|Lasciatemi morire}}, 5vv, 1614 – {{editions|4}}''; also see above: Lamento d’Arianna, under Dramatic works''
# {{NoCo|O Teseo, Teseo mio}}, 5vv, 1614 {{LLink|Mont-ote.pdf|Monte-ote.midi}}
# {{NoCo|Dove, dove è la fede}}, 5vv, 1614 {{LLink|Mont-dov.pdf|Mont-dov.midi}}
# {{NoComp|Ahi, che non pur risponde|Claudio Monteverdi}}, 5vv, 1614 {{LLink|Mont-ahi.pdf|Mont-ahi.midi}}
# {{NoCo|Zefiro torna e il bel tempo rimena}}, 5vv, 1614 {{LLink|Mont-zef.pdf|Mont-zef.midi}}
# {{NoCo|Una Donna fra l'altre honesta e bella vidi}}, 5vv, bc, 1614 {{LLink|Mont-una.pdf|Mont-una.midi}}
# {{NoCo|A Dio, Florida Bella}}, 5vv   ( [{{filepath:Mont-adi.pdf}} {{pdf}}] [{{filepath:Mont-adi.midi}} {{mid}}] )
# {{NoCo|Incenerite spoglie, avara tomba}}, 5vv, 1614 – {{editions|2}}
# {{NoComp|Ditelo|Claudio Monteverdi| Voi|, ''o fiumi e voi ch'udiste''}}, 5vv, 1614 – {{editions|2}}
# {{NoCo|Darà la notte il sol}}, 5vv, 1614 – {{editions|2}}
# {{NoCo|Ma te raccoglie, o ninfa}}, 5vv, 1614 – {{editions|2}}
# {{NoCo|O chiome d'or, neve gentil del seno}}, 5vv, 1614 – {{editions|2}}
# {{NoCo|Dunque amate reliquie}}, 5vv, 1614 – {{editions|2}}
# {{NoCo|Ohimè il bel viso}}, 5vv, bc, 1614 {{LLink|Mont-ohi.pdf|Mont-ohi.midi}}
# {{NoCo|Qui rise, O Tirsi}}, 5vv, bc, 1614 {{LLink|Mont-qui.pdf|Mont-qui.midi}}
# {{NoCo|Misero Alceo}}, 5vv, bc, 1614 {{LLink|Mont-mis.pdf|Mont-mis.midi}}
# {{NoCo|Batto, qui pianse Ergasto}}, 5vv, bc, 1614 {{LLink|Mont-bat.pdf|Mont-bat.midi}}
# {{NoCo|Presso un fiume tranquillo}}, 7vv, bc, 1614 {{LLink|Mont-pre.pdf|Mont-pre.midi}}
 
=== ''Il settimo libro di madrigali'' (''Seventh book of madrigals, Venice, 1619'') ===
# {{NoCo|Tempro la cetra}}, 1v, str, 1619 – {{editions|3}}
# {{NoComp|A quest'olmo|Claudio Monteverdi||, '' a quest’ ombre et a quest’ onde'', SV 119}}, 6vv, 2vl, 2rec, bc, 1619 – {{editions|3}}
# {{NoCo|Non è di gentil core}} 2vv, bc, 1619 {{editions|2}}
# {{NoCo|O come sei gentile}} 2vv, bc, 1619 {{editions|2}}
# {{NoCo|Io son pur vezzosetta}} 2vv, bc, 1619 {{editions|2}}
# {{NoCo|O viva fiamma}} 2vv, bc, 1619 {{editions|2}}
# {{NoCo|Vorrei baciarti}} 2vv, bc, 1619 {{editions|2}}
# {{NoCo|Dice la mia bellissima Licori}} 2vv, bc, 1619 {{editions|2}}
# {{NoComp|Ah che non si conviene|Claudio Monteverdi|| ''romper la fede'', SV 125}}, 2vv, bc, 1619 {{editions|2}}
# {{NoCo|Non vedrò mai le stelle}}, 2vv, bc, 1619 {{editions|2}}
# {{NoCo|Ecco vicine o bella Tigre}} {{editions|2}}
# {{NoCo|Perchè fuggi?}} {{editions|2}}
# {{NoCo|Tornate}}{{editions|2}}
# {{NoCo|Soave libertate}}{{editions|2}}
# {{NoCo|S'el vostro cor madonna}} {{editions|2}}
# {{NoCo|Interrotte speranze}} {{editions|2}}
# {{NoComp|Augellin|Claudio Monteverdi|| ''che la voce al canto spieghi'', SV 133}}, 3vv, bc, 1619 {{editions|2}}
# {{NoCo|Vaga su spina ascosa}} {{editions|2}}
# {{NoCo|Eccomi pronta ai baci}}, 3vv, 1619 {{editions|3}}
# {{NoCo|Parlo miser o taccio}} {{editions|2}}
# {{NoCo|Parlo miser o taccio}} {{editions|2}}
# {{NoComp|Tu|Claudio Monteverdi| Dormi!| ''Dormi? Ah crudo core''}}, 4vv, 1619 {{editions|2}}
# {{NoComp|Tu|Claudio Monteverdi| Dormi!| ''Dormi? Ah crudo core''}}, 4vv, 1619
# {{NoComp|Al lume delle stelle|Claudio Monteverdi|| ''Tirsi sotto un alloro'', SV 138}}, 4vv, bc, 1619 {{editions|2}}
# {{NoComp|Al lume delle stelle|Claudio Monteverdi|| ''Tirsi sotto un alloro'', SV 138}}, 4vv, bc, 1619
# {{NoCo|Con che soavità}}, 1v, str, lutes, hpd, 1619 {{LLinkW|mont-con.pdf|mont-con.mid|mont-con.sib|Sibelius 2}}
# {{NoCo|Con che soavità}}, 1v, str, lutes, hpd, 1619
# {{NoCo|Ohimè dove il mio ben}} {{LLink|Ohimè dov'è il mio ben.pdf|Ohimè dov'è il mio ben.midi|Ohimè dov'è il mio ben-1.midi|{{mid}}|ext1={{filepath:Ohimè dov'è il mio ben-2.midi}} {{mid}}|ext2={{filepath:Ohimè dov'è il mio ben-3.midi}} {{mid}}|media=Ohimè dov'è il mio ben.ly|type=LilyPond}}
# {{NoCo|Ohimè dove il mio ben}}
# {{NoCo|Se i languidi miei sguardi}} {{LLink|Se i languidi.pdf|Se i languidi.midi|media=Se i languidi.ly|type=LilyPond}}
# {{NoCo|Se i languidi miei sguardi}}
# {{NoCo|Se pur destina}} {{LLink|Partenza amorosa.pdf|Partenza amorosa.midi|media=Partenza amorosa.ly|type=LilyPond}}
# {{NoCo|Se pur destina}} {{editions|2}}
# {{NoCo|Chiome d'oro}}, 2vv, 2vl, chit/hpd, 1619 {{LLinkW|mont-chi.pdf|mont-chi.mid|mont-chi.sib|Sibelius 2}}
# {{NoCo|Chiome d'oro}}, 2vv, 2vl, chit/hpd, 1619
# {{NoComp|Amor che deggio far|Claudio Monteverdi|| ''se non mi giova amar'', SV 144}}, 4vv, 2vl, bc, 1619 {{LLink|Amor che deggio far.pdf|Amor che deggio far.midi|media=Amor che deggio far.ly|type=LilyPond}}
# {{NoComp|Amor che deggio far|Claudio Monteverdi|| ''se non mi giova amar'', SV 144}}, 4vv, 2vl, bc, 1619
# {{NoCo|Tirsi e Clori}} – ''see above, Dramatic works''
# {{NoCo|Tirsi e Clori}} – ''see above, Dramatic works''
 
{{mdl}}
=== ''Ottavo libro di madrigali'' (''Eighth book of madrigals, Venice, 1638'') ===
===''Ottavo libro di madrigali'' (''Eighth book of madrigals, Venice, 1638'')===
# {{NoComp|Altri canti d'Amor, tenero arciero|Claudio Monteverdi||, SV 146}}, 6vv, 2vl, 4vla, 1638 {{editions|2}}
# {{NoComp|Altri canti d'Amor, tenero arciero|Claudio Monteverdi||, SV 146}}, 6vv, 2vl, 4vla, 1638
# {{NoCo|Hor che'l ciel e la terra}}, 6vv, 2vl, 1638 {{editions|2}}
# {{NoCo|Hor che'l ciel e la terra}}, 6vv, 2vl, 1638
# {{NoCo|Gira il nemico insidioso Amore}}, 3vv, 1638 {{editions|2}}
# {{NoCo|Gira il nemico insidioso Amore}}, 3vv, 1638
# {{NoCo|Se vittorie sì belle}}, 2vv, bc, 1638 {{editions|2}}
# {{NoCo|Se vittorie sì belle}}, 2vv, bc, 1638
# {{NoComp|Armato il cor d'adamantina fede|Claudio Monteverdi||, SV 150}}, 2vv, bc, 1638 {{editions|2}}
# {{NoComp|Armato il cor d'adamantina fede|Claudio Monteverdi||, SV 150}}, 2vv, bc, 1638
# {{NoCo|Ogni amante è guerrier}}, 2–3vv, bc, 1638 {{editions|2}}
# {{NoCo|Ogni amante è guerrier}}, 2–3vv, bc, 1638
# {{NoComp|Combattimento di Tancredi e Clorinda|Claudio Monteverdi||, SV 153}} – ''see above, Dramatic works''
# {{NoComp|Combattimento di Tancredi e Clorinda|Claudio Monteverdi||, SV 153}} – ''see above, Dramatic works''
# {{NoComp|Ardo, avvampo, mi struggo, ardo: accorrete|Claudio Monteverdi||, SV 152}}, 8vv, 2vl, 1638 {{editions|3}}
# {{NoComp|Ardo, avvampo, mi struggo, ardo: accorrete|Claudio Monteverdi||, SV 152}}, 8vv, 2vl, 1638
# {{NoComp|Volgendo il ciel per l'immortal sentiero|Claudio Monteverdi||, SV 154}} – ''see above, Dramatic works''
# {{NoComp|Volgendo il ciel per l'immortal sentiero|Claudio Monteverdi||, SV 154}} – ''see above, Dramatic works''
# {{NoCo|Movete al mio bel suon}}   ( [{{filepath:Mont-mov.pdf}} {{pdf}}] [{{filepath:Mont-mov.midi}} {{mid}}] )
# {{NoCo|Movete al mio bel suon}}
# {{NoComp|Altri canti di Marte|Claudio Monteverdi|| ''e di sua schiera'', SV 155}}, 6vv, 2vl, 1638 (2 editions available)
# {{NoComp|Altri canti di Marte|Claudio Monteverdi|| ''e di sua schiera'', SV 155}}, 6vv, 2vl, 1638
# {{NoCo|Vago augelletto che cantando vai}}, 6–7vv, 2vl, cb, bc, 1638,  {{Editions|2}}
# {{NoCo|Vago augelletto che cantando vai}}, 6–7vv, 2vl, cb, bc, 1638
# {{NoCo|Mentre vaga angioletta}}, 2vv, bc, 1638 {{editions|2}}
# {{NoCo|Mentre vaga angioletta}}, 2vv, bc, 1638
# {{NoComp|Ardo e scoprir, ahi lasso, io non ardisco|Claudio Monteverdi||, SV 158}}, 2vv, bc, 1638 {{editions|2}}
# {{NoComp|Ardo e scoprir, ahi lasso, io non ardisco|Claudio Monteverdi||, SV 158}}, 2vv, bc, 1638
# {{NoCo|Dolcissimo uscignolo}}, 5vv, 1638 {{editions|3}}
# {{NoCo|Dolcissimo uscignolo}}, 5vv, 1638
# {{NoCo|Chi vol haver felice e lieto il core}}, 5vv, 1638 {{editions|3}}
# {{NoCo|Chi vol haver felice e lieto il core}}, 5vv, 1638
# {{NoCo|O sia tranquillo il mare o pien d'orgoglio}}, 2vv, bc, 1638 {{editions|2}}
# {{NoCo|O sia tranquillo il mare o pien d'orgoglio}}, 2vv, bc, 1638
# {{NoCo|Lamento della Ninfa}}, 1–4vv, bc, 1638   {{editions|3}}
# {{NoCo|Lamento della Ninfa}}, 1–4vv, bc, 1638
# {{NoCo|Ninfa che, scalza il piede e sciolto il crine}}, 1–3vv, bc, 1638 {{editions|2}}
# {{NoCo|Ninfa che, scalza il piede e sciolto il crine}}, 1–3vv, bc, 1638
# {{NoCo|Perchè t'en fuggi, o Fillide?}}, 3vv, bc, 1638 {{editions|2}}
# {{NoCo|Perchè t'en fuggi, o Fillide?}}, 3vv, bc, 1638
# {{NoCo|Non partir, ritrosetta}}, 3vv, bc, 1638 {{editions|3}}
# {{NoCo|Non partir, ritrosetta}}, 3vv, bc, 1638
# {{NoCo|Su, su, su pastorelli vezzosi}}, 3vv, bc, 1638 – {{editions|3}}
# {{NoCo|Su, su, su pastorelli vezzosi}}, 3vv, bc, 1638
# {{NoComp|Ballo delle Ingrate|Claudio Monteverdi||, SV 167}} – ''see above, Dramatic works''
# {{NoComp|Ballo delle Ingrate|Claudio Monteverdi||, SV 167}} – ''see above, Dramatic works''
{{btm}}
===''Madrigali e canzonette libro nono'' (''Madrigals and song nineth book, Venice, 1651'')===
# {{NoCo|Bel pastor dal cui bel guardo}}
# {{NoCo|Zefiro torna e di soavi accenti}}, 2vv, bc, 1651
# {{NoCo|Se vittorie sì belle}}, 2vv, bc, 1638
# {{NoComp|Armato il cor d'adamantina fede|Claudio Monteverdi||, SV 150}}, 2vv, bc, 1638
# {{NoComp|Ardo e scoprir, ahi lasso, io non ardisco|Claudio Monteverdi||, SV 158}}, 2vv, bc, 1638
# {{NoCo|O sia tranquillo il mare o pien d'orgoglio}}, 2vv, bc, 1638
# {{NoComp|Alcun non mi consigli|Claudio Monteverdi||, SV 169}}
# {{NoCo|Di far sempre gioire amor speranza dà}}
# {{NoCo|Quando dentro al tuo seno}}
# {{NoCo|Non voglio amare per non penare }}
# {{NoCo|Come dolce oggi}}
# {{NoCo|Alle danze, alle gioie}}
# {{NoCo|Perché se m'odiavi}}
# {{NoCo|Si si ch'io v'amo, occhi vaghi, occhi belli }}
# {{NoCo|Su, su, su, pastorelli vezzosi (1651)}}
# {{NoCo|O mio bene, o mia vita}}


=== ''Madrigali e canzonette libro nono'' (''Madrigals and song nineth book, Venice, 1651'') ===
===Other madrigals===
# {{NoCo|Bel pastor dal cui bel guardo}}   ( [{{filepath:Mont-bel.pdf}} {{pdf}}] [{{filepath:Mont-bel.midi}} {{mid}}] )
{{top}}
# {{NoCo|Zefiro torna e di soavi accenti}}, 2vv, bc, 1651 – {{editions|3}}
*{{NoCo|Amarilli onde m'assale}}, 3instr, 3vv, 1607
# {{NoCo|Se vittorie sì belle}}, 2vv, bc, 1638  {{editions|2}}
*{{NoCo|Amorosa pupilletta}}, 3instr, 3vv, 1607
# {{NoComp|Armato il cor d'adamantina fede|Claudio Monteverdi||, SV 150}}, 2vv, bc, 1638  {{editions|2}}
# {{NoComp|Ardo e scoprir, ahi lasso, io non ardisco|Claudio Monteverdi||, SV 158}}, 2vv, bc, 1638  {{editions|2}}
# {{NoCo|O sia tranquillo il mare o pien d'orgoglio}}, 2vv, bc, 1638  {{editions|2}}
# {{NoComp|Alcun non mi consigli|Claudio Monteverdi||, SV 169}}, {{editions|2}}
# {{NoCo|Di far sempre gioire amor speranza dà}}   ( [{{filepath:Mont-dif.pdf}} {{pdf}}] [{{filepath:Mont-dif.midi}} {{mid}}] )
# {{NoCo|Quando dentro al tuo seno}}   ( [{{filepath:Mont-qua.pdf}} {{pdf}}] [{{filepath:Mont-qua.midi}} {{mid}}] )
# {{NoCo|Non voglio amare per non penare }}   ( [{{filepath:Mont-nvo.pdf}} {{pdf}}] [{{filepath:Mont-nvo.midi}} {{mid}}] )
# {{NoCo|Come dolce oggi}} {{editions|2}}
# {{NoCo|Alle danze, alle gioie}}   ( [{{filepath:Mont-all.pdf}} {{pdf}}] [{{filepath:Mont-all.midi}} {{mid}}] )
# {{NoCo|Perché se m'odiavi}}  {{editions|2}}
# {{NoCo|Si si ch'io v'amo, occhi vaghi, occhi belli }}   ( [{{filepath:Mont-sis.pdf}} {{pdf}}] [{{filepath:Mont-sis.midi}} {{mid}}] )
# {{NoCo|Su, su, su, pastorelli vezzosi (1651)}}   ( [{{filepath:Mont-sus.pdf}} {{pdf}}] [{{filepath:Mont-sus.midi}} {{mid}}] )
# {{NoCo|O mio bene, o mia vita }}   ( [{{filepath:Mont-omb.pdf}} {{pdf}}] [{{filepath:Mont-omb.midi}} {{mid}}] )
 
=== ''Other madrigals'' ===
*{{NoComp|Balletto de la Bellezza le|Claudio Monteverdi| Dovute Lodi| ''dovute lodi'', SV 245}} – ''see above, Dramatic works''
*{{NoComp|Balletto de la Bellezza le|Claudio Monteverdi| Dovute Lodi| ''dovute lodi'', SV 245}} – ''see above, Dramatic works''
*{{NoComp|Canzonette d'amore|Claudio Monteverdi|| ''che m’uscite del cuore'', SV 2}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/noten/ {{net}}] )
*{{NoComp|Canzonette d'amore|Claudio Monteverdi|| ''che m’uscite del cuore'', SV 2}}, 3vv, 1584
*{{NoCo|Chi vol che m'innamori}}, 3vv, 1641 – {{editions|2}}
*{{NoCo|Chi vol che m'innamori}}, 3vv, 1641
*{{NoCo|Chi vuol veder d'inverno un dolce aprile}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/noten/ {{Net}}] )
*{{NoCo|Chi vuol veder d'inverno un dolce aprile}}, 3vv, 1584
*{{NoCo|Come farò cuor mio}}, 3vv, 1584 ({{Broken}}[http://www.xs4all.nl/~bettina/Index.htm {{net}}] )
*{{NoCo|Clori amorosa}} 3instr, 3vv, 1607
*{{NoCo|Cosi sol d'una chiara fonte}}   ( [{{filepath:Mont cosi sol.pdf}} {{pdf}}] )
*{{NoCo|Come farò cuor mio}}, 3vv, 1584
*{{NoCo|E' questa vita un lampo}}, 5vv, 1641 {{LLink|Mont-equ.pdf|Mont-equ.midi}}
*{{NoCo|Cosi sol d'una chiara fonte}}
<!-- *{{NoComp|E' questa vita un lampo|Claudio Monteverdi}}]], 5vv, 1641 ( [http://digilander.iol.it/palmir/choral.html {{Net}}] ) -->
*{{NoCo|Damigella tutta bella}}, 3instr, 3vv, 1607
*{{NoCo|Eri già tutta mia}}, 1v, 1632 {{LLinkW|mont-eri.pdf}} [{{filepath:Mont-eri.mid}} {{mid}}]
*{{NoCo|Dolci miei sospiri}}, 3instr, 3vv, 1607
*{{NoCo|I bei legami}}, 3instr, 3vv, bc {{LLink|I bei legami.pdf|I_bei_legami.mid}}
*{{NoCo|Ecco di dolci raggi}}, 1v, bc, 1632
*{{NoCo|Il mio martir}}, 3vv, 1584 {{editions|5}}
*{{NoCo|E' questa vita un lampo}}, 5vv, 1641
*{{NoCo|La fiera vista}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/ {{net}}] )
<!-- *{{NoComp|E' questa vita un lampo|Claudio Monteverdi}}]], 5vv, 1641 -->
*{{NoComp|L'Orfeo, Favola in Musica|Claudio Monteverdi||, SV 318}} &ndash; ''see above, Dramatic works''
*{{NoCo|Eri già tutta mia}}, 1v, bc, 1632
*{{NoCo|Maledetto sia l'aspetto}}, 1v, 1632 {{LLinkW|mont-mal.pdf}} [{{filepath:Mont-mal.mid}} {{mid}}]
*{{NoCo|Et e pur dunque vero}}, 1v, bc, 1632
*{{NoCo|O ciechi, ciechi}}, 5vv, 2vl, bc, 1641 {{LLink|Mont-cie.pdf|Ciechi.midi}}
*{{NoCo|Fugge il verno dei dolori}}, 3instr, 3vv, 1607
*{{NoCo|Possente spirto}} &nbsp; ( [{{filepath:Mont_pos.pdf}} {{pdf}}] )
*{{NoCo|Giovinetta ritrosetta}}, 3instr, 3vv, 1607
*{{NoCo|Qual si può dir maggiore}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/noten/ {{net}}] )
*{{NoCo|I bei legami}}, 3instr, 3vv, bc, 1607
*{{NoCo|Quando l'alba in oriente}}, 3vv, 1607 – {{editions|2}}
*{{NoCo|Il mio martir}}, 3vv, 1584
*{{NoCo|Quando sperai del mio servir mercede}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/noten/ {{net}}] )
*{{NoCo|Io ardo}}, 3vv, 1594
*{{NoCo|Quel sguardo sdegnosetto}}, 1v, 1632 {{LLinkW|mont-qu1.pdf|mont-qu1.mid|mont-qu1.mus|Finale 2004}}
*{{NoCo|La fiera vista}}, 3vv, 1584
*{{NoCo|Raggi, dov'è il mio bene?}}, 3vv, 1584 {{editions|2}}
*{{NoCo|La pastorella}}, 3instr, 3vv, 1607
*{{NoCo|Sì come crescon}}, 3vv, 1584 – {{editions|3}}
*{{NoCo|La violetta}}, 3instr, 3vv, 1607
*{{NoCo|Sì dolce è'l tormento}}, 1v, 1624 {{LLinkW|mont-sid.pdf|mont-sid.mid|mont-sid.mus|Finale 2003}}
{{mdl}}
*{{NoCo|Son questi i crespi crini}}, 3vv, 1584 – {{editions|6}}
*{{NoCo|Lidia spina del mio core}}, 3instr, 3vv, 1607
*{{NoCo|Spuntava il dì quando la rosa sovra}}, 3vv, bc, 1641 {{LLink|Mont-spo.pdf|Mont-spo.midi}}
*{{NoCo|L'Orfeo, SV 318}} &ndash; ''see above, Dramatic works''
*{{NoCo|Su, su, su che 'l giorno è fore}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/noten/vokal/monte/monte07.pdf {{Pdf}}] [http://www.tobis-notenarchiv.de/noten/vokal/monte/monte07.mid {{Mid}}] )
*{{NoCo|Maledetto sia l'aspetto}}, 1v, bc, 1632
*{{NoCo|Tu ridi sempre mai}}, 3vv, 1584 ( [http://www.tobis-notenarchiv.de/noten/ {{net}}] )
*{{NoCo|Non cosi tosto io miro}}, 3instr, 3vv, 1607
*{{NoCo|Voi ch’ascoltate in rime sparse il suono}}, 5vv, 2vl, bc, 1641 {{LLink|Voichascoltate.pdf|Voichascoltate.midi}}
*{{NoCo|Occhi miei se mirar}} 3 vv, 1594
*{{NoCo|O ciechi, ciechi}}, 5vv, 2vl, bc, 1641
*{{NoCo|O rosetta, che rosetta}}, 3instr, 3vv, 1607
*{{NoCo|Possente spirto}}
*{{NoCo|Qual si può dir maggiore}}, 3vv, 1584
*{{NoCo|Quando l'alba in oriente}}, 3instr, 3vv, 1607
*{{NoCo|Quando sperai del mio servir mercede}}, 3vv, 1584
*{{NoCo|Quante son stelle}}, 3vv, 1594
*{{NoCo|Quel sguardo sdegnosetto}}, 1v, bc, 1632
*{{NoCo|Raggi, dov'è il mio bene?}}, 3vv, 1584  
*{{NoCo|Se non mi date}}, 3vv, 1594
*{{NoCo|Sì come crescon}}, 3vv, 1584
*{{NoCo|Sì dolce è'l tormento}}, 1v, 1624
*{{NoCo|Son questi i crespi crini}}, 3vv, 1584
*{{NoCo|Spuntava il dì quando la rosa sovra}}, 3vv, bc, 1641
*{{NoCo|Su, su, su che 'l giorno è fore}}, 3vv, 1584
*{{NoCo|Tu ridi sempre mai}}, 3vv, 1584
*{{NoCo|Vaghi rai di cigli ardenti}}, 3instr, 3vv, 1607
*{{NoCo|Voi ch’ascoltate in rime sparse il suono}}, 5vv, 2vl, bc, 1641
{{btm}}


==Sacred works==
==Sacred works==
{{Legend}}
Score listing includes number of voices, instruments, and publication date (if known).
Score listing includes number of voices, instruments, and publication date (if known).
 
{{top}}
*{{NoCo|Ab aeterno ordinata sum}}, 1v, 1641 – {{editions|2}}
*{{NoCo|Ab aeterno ordinata sum}}, 1v, 1641
*{{NoCo|Adoramus te, Christe}}, 6vv, 1620 – {{editions|2}}
*{{NoCo|Adoramus te, Christe}}, 6vv, 1620
*{{NoCo|Angelus ad pastores ait}}, 3vv, 1582
*{{NoCo|Angelus ad pastores ait}}, 3vv, 1582 {{editions|2}}
*{{NoComp|Ave Maria|Claudio Monteverdi||, ''gratia plena''}}, 3vv, 1582 {{editions|4}}
*{{NoComp|Ave Maria|Claudio Monteverdi||, ''gratia plena''}}, 3vv, 1582 {{editions|6}}
 
*{{NoCo|Beatus vir qui timet Dominum}}, 6vv, 2vl, 3vla/trb, org, 1641
*{{NoCo|Beatus vir}}, 6vv, 2vl, 3vla/trb, org, 1641 {{editions|2}}
*{{NoCo|Beatus vir qui timet Dominum II}}, 5vv, bc, 1641
*{{NoCo|Beatus vir II}}, 5vv, bc, 1641 {{LLink|mont-be2.pdf|beatus2.midi}}
*{{NoCo|Beatus vir (1650)}}, 7vv, 2vl, bc, 1650
 
*{{NoCo|Cantate Domino a 2|Cantate Domino}}, 2vv, 1615
*{{NoCo|Cantate Domino}}, 6vv, 1620 {{LLinkW|mont-can.pdf|mont-can.mid|mont-can.sib|Sibelius 2}}
*{{NoCo|Cantate Domino}}, 6vv, 1620
*{{NoCo|Christe, adoramus te}}, 5vv, 1620 {{LLinkW|mont-chr.pdf|mont-chr.mid|mont-chr.zip|Encore zipped}}
*{{NoCo|Christe, adoramus te}}, 5vv, 1620
*{{NoCo|Confitebor I}}, 8vv, bc, 1641 {{LLink|mont-cf1.pdf|mont-cf1.midi}}
*{{NoCo|Confitebor I}}, 8vv, bc, 1641
*{{NoCo|Confitebor II}}, 3vv, 2vl, bc, 1641 {{LLink|mont-cf2.pdf|mont-cf2.midi}}
*{{NoCo|Confitebor II}}, 3vv, 2vl, bc, 1641
*{{NoCo|Confitebor III}}, 5vv, bc, 1641 {{LLink|mont-cf3.pdf|mont-cf3.midi}}
*{{NoCo|Confitebor III}}, 5vv, bc, 1641
*{{NoCo|Credidi}}, 8vv, bc, 1641 {{LLink|mont-cre.pdf|mont-cre.midi}}
*{{NoCo|Confitebor I (1650)}}, 1v, 2vl, bc, 1650
*{{NoCo|Crucifixus}}, 4vv, 1641 {{LLink|mont-cru.pdf|mont-cru.mid}}
*{{NoCo|Confitebor II (1650)}} 2vv, 2vl, bc, 1650
*{{NoCo|Currite, currite, populi, currite}}, 1v, bc, 1625 ( [{{filepath:Mont-cur.pdf}} {{pdf}}] [{{filepath:Mont-cur.midi}} {{mid}}] )
*{{NoCo|Credidi}}
 
*{{NoCo|Crucifixus}}, 4vv, 1641
*{{NoCo|Deus tuorum militum I}}, 1v, 2vl, bc, 1641 {{LLink|mont-de1.pdf|mont-de1.midi}}
*{{NoCo|Currite, currite, populi, currite}}, 1v, bc, 1625
*{{NoCo|Deus tuorum militum II}}, 3vv, 2vl, bc, 1641 {{LLink|mont-de2.pdf|mont-de2.midi}}
*{{NoCo|Deus tuorum militum I}}, 1v, 2vl, bc, 1641
*{{NoCo|Dixit Dominus I}}, 8vv, 2vl, bc, 1641 {{LLink|Mont-dx1.pdf|Mont-dx1.midi}}
*{{NoCo|Deus tuorum militum II}}, 3vv, 2vl, bc, 1641
*{{NoCo|Dixit Dominus II}} 8vv, 2vl, bc & 4 colla parte instruments ad lib. &nbsp; {{editions|2}}
*{{NoCo|Dixit Dominus I}}, 8vv, 2vl, bc, 1641
*{{NoCo|Domine ne in furore tuo}}, 6vv, 1620 {{editions|2}}
*{{NoCo|Dixit Dominus II}} 8vv, 2vl, bc & 4 colla parte instruments ad lib.
 
*{{NoCo|Dixit Dominus I (1650)}} 8vv, bc, 1650
*{{NoCo|Ecce sacrum paratum convivium}} 1v, bc, 1641 ( [{{filepath:Eccesacrum.pdf}} {{pdf}}] [{{filepath:Eccesacrum.midi}} {{mid}}] )
*{{NoCo|Dixit Dominus II (1650)}} 8vv, bc, 1650
*{{NoCo|Et iterum}}, 3vv, bc, 1641 {{LLink|Mont-ite.pdf|Monte-ite.midi}}
*{{NoCo|Domine ne in furore tuo}}, 6vv, 1620
*{{NoCo|Et resurrexit}}, 2vv, 2vl, bc, 1641 {{LLink|Mont-res.pdf|etresurr.midi}}
*{{NoCo|Domine Pater et Deus}}, 3vv, 1582
 
*{{NoCo|Ecce sacrum paratum convivium}} 1v, bc, 1625
*{{NoComp|Felle amaro|Claudio Monteverdi| /Cruda Amarilli| ({{eq}} ''Cruda Amarilli'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop1.pdf {{extpdf}}] )
*{{NoCo|Ego dormio}}, 2vv, bc, 1625
 
*{{NoCo|Ego flos campi}}, 1v, bc, 1624
*{{NoCo|Gloria a 8}} {{LLink|Monteverdi Gloria a 8.pdf|Monteverdi Gloria a 8.MID|media=Monteverdi Gloria a 8.mus|type=Finale 2006}}
*{{NoCo|Ego sum pastor bonus}}, 3vv, 1582
*{{NoCo|Gloria}}, 7vv, 2vl, 4vla/trb, bc, 1641 – {{editions|2}}
*{{NoCo|Eli clamans}}, 3vv, 1582
*{{NoComp|Gloria tua|Claudio Monteverdi| / T'amo mia vita| ({{eq}} ''T'amo mia vita'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop18.pdf {{extpdf}}] )
*{{NoCo|Et iterum}}, 3vv, bc, 1641
 
*{{NoCo|Et resurrexit}}, 2vv, 2vl, bc, 1641
*{{NoComp|Haec sunt promissa|Claudio Monteverdi}}, 5vv &nbsp; ( [{{filepath:Haecsunt.pdf}} {{pdf}}] [{{filepath:Haecsunt.midi}} {{mid}}] )
*{{NoCo|Exultent caeli}} 5vv, bc
*{{NoCo|Hei fili non respondes}},5vv &nbsp; ( [{{filepath:Heifili.pdf}} {{pdf}}] [{{filepath:Heifili.midi}} {{mid}}] )
*{{NoComp|Felle amaro|Claudio Monteverdi| / Cruda Amarilli| ({{eq}} ''Cruda Amarilli'')}}, 5vv, 1607
*{{NoCo|Hodie Christus natus est}} &nbsp; ( [{{filepath:Hodie.pdf}} {{pdf}}] [{{filepath:Hodie.mid}} {{mid}}] )
*{{NoCo|Fuge, anima mea, mundum}}, 2vv, 1620
 
*{{NoCo|Gloria a 8}}
*{{NoCo|Iam moriar mi fili}}, 5vv &nbsp; ( [{{filepath:Iammoriar.pdf}} {{pdf}}] [{{filepath:Iammoriar.midi}} {{mid}}] )
*{{NoCo|Gloria}}, 7vv, 2vl, 4vla/trb, bc, 1641
*{{NoCo|Iste confessor I}}, 1v, 2vl, bc, 1641 {{LLink|mont-is1.pdf|mont-is1.midi}}
*{{NoComp|Gloria tua|Claudio Monteverdi| / T'amo mia vita| ({{eq}} ''T'amo mia vita'')}}, 5vv, 1607
*{{NoCo|Iste confessor, SV 279}}, 2vv, 2vl, bc, 1641 – {{editions|2}}
*{{NoComp|Haec sunt promissa|Claudio Monteverdi}}, 5vv
 
*{{NoCo|Hei fili non respondes}},5vv
*{{NoCo|Jubilet tota civitas}}, 1v, bc, 1641 {{LLink|mont-iub.pdf|mont-iub.midi}}
*{{NoCo|Hodie Christus natus est}}, 3vv. 1582 {{editions|3}}
 
*{{NoCo|Iam moriar mi fili}}, 5vv
*{{NoComp|Laetatus sum|Claudio Monteverdi| a 6}}, 6vv, 2vl, 2trb, bsn, bc, 1650 {{LLink|Monteverdi - Laetatus sum (Short score).pdf|Monteverdi - Laetatus sum (Short score).mid|media=Monteverdi - Laetatus sum (Short score).sib|type=Sibelius 2}}
*{{NoCo|In tua patientia}}, 3vv, 1582
*{{NoComp|Lauda Jerusalem|Claudio Monteverdi| a 5 voci da Cappella| ''Dominum''}}, 5vv, 1650 {{LLinkW|mont-laj.pdf}}
*{{NoCo|Iste confessor I}}, 1v, 2vl, bc, 1641
*{{NoCo|Lauda Sion Salvatorem}}, 3vv, 1582 {{LLinkW|mont-lau.pdf|mont-lau.mid|mont-lau.zip|Encore zipped}}
*{{NoCo|Iste confessor, SV 279}}, 2vv, 2vl, bc, 1641
*{{NoCo|Laudate Dominum in sanctis eius}}, 1v, bc, 1641 {{LLink|mont-lau.pdf|mont-lau.midi}}
*{{NoCo|Iusti tulerunt}}, 3vv, 1582
*{{NoComp|Laudate Dominum|Claudio Monteverdi|| ''omnes gentes'', I}}, 6vv, 1641 – {{editions|2}}
*{{NoCo|Jubilet tota civitas}}, 1v, bc, 1641
*{{NoComp|Laudate Dominum|Claudio Monteverdi| Secondo| ''omnes gentes'', II}}, 8vv, 2vl, bc, 1641 ( [http://www.vocalpdf.nl/english/index.html {{Net}}] )
*{{NoCo|Laetatus sum a 5 voci}}
*{{NoCo|Laudate Dominum omnes gentes, III}} &nbsp; ( [{{filepath:Monteverdi_Laudate_Dominum_III.pdf}} {{pdf}}] [{{filepath:Monteverdi_Laudate_Dominum_III.mid}} {{mid}}] )
*{{NoComp|Laetatus sum|Claudio Monteverdi| a 6}}, 6vv, 2vl, 2trb, bsn, bc, 1650
*{{NoCo|Laudate Dominum omnes gentes|Laudate Dominum - basso solo}} &nbsp; ( [{{filepath:Mon-laubass.pdf}} {{pdf}}] [{{filepath:Mon-laubass.sib}} Sibelius 6] )
*{{NoCo|Lapidabant Stephanum}}, 3vv, 1582
*{{NoComp|Laudate pueri|Claudio Monteverdi| a 5 voci da Cappella| ''Dominum''}}, 5vv, 1650 {{LLinkW|mont-la3.pdf|mont-la3.mid|mont-la3.mus|Finale 2003}}
*{{NoCo|Lauda, Jerusalem, Dominum}}, 3vv,bc
*{{NoCo|Laudate pueri I}}, 5vv, 2 vl, bc, 1641 {{LLink|mont-lp1.pdf|mont-lp1.midi}}
*{{NoCo|Lauda Jerusalem a 5 voci da Cappella}}
*{{NoCo|Laudate pueri II}}, 5vv, bc, 1641 {{LLink|mont-lp2.pdf|mont-lp2.midi}}
*{{NoCo|Lauda Sion Salvatorem}}, 3vv, 1582 {{editions|2}}
*{{NoCo|Litaniae della Beata Vergine}}, 6vv, 1650 – {{editions|2}}
*{{NoCo|Laudate Dominum in sanctis eius}}
{{Recent_additions}}
*{{NoComp|Laudate Dominum|Claudio Monteverdi|| ''omnes gentes'', I}}, 6vv, 1641
*{{NoCo|Longe mi Jesu}} (={{NoCo|Parlo miser o taccio}} &nbsp; {{editions|n}}
*{{NoComp|Laudate Dominum|Claudio Monteverdi| Secondo| ''omnes gentes'', II}}, 8vv, 2vl, bc, 1641
 
*{{NoCo|Laudate Dominum omnes gentes, III}}
 
*{{NoCo|Laudate Dominum omnes gentes|Laudate Dominum - basso solo}}
*{{NoCo|Magnificat primo, a 8}}''vv'', 2 vl, (4 trb or stgs), bc, 1640 – {{editions|2}} ''Full score, vocal score and parts available''
*{{NoComp|Laudate pueri|Claudio Monteverdi| a 5 voci da Cappella| ''Dominum''}}, 5vv, 1650
*{{NoCo|Magnificat secondo, a 4}}''vv'', bc, 1641 {{editions|3}}
*{{NoCo|Laudate pueri I}}, 5vv, 2 vl, bc, 1641
*{{NoComp|Maria quid ploras|Claudio Monteverdi| / Dorinda| ({{eq}} ''Dorinda, ah dirò mia'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop9.pdf {{extpdf}}] )
*{{NoCo|Laudate pueri II}}, 5vv, bc, 1641
*{{NoCo|Memento}}, 8vv, bc, 1641 {{LLink|mont-mem.pdf|mont-mem.midi}}
*{{NoCo|Litaniae della Beata Vergine}}, 6vv, 1650
*{{NoComp|Messa da Capella|Claudio Monteverdi| a quattro voci (1641)}}, 4vv, 1641 ( [{{website|kantor}}a_cappella/masses/monteverdi/missa_f/ {{Net}}] )
*{{NoCo|Longe mi Jesu}} (={{NoCo|Parlo miser o taccio}})
*{{NoComp|Messa|Claudio Monteverdi| a quattro voci da Cappella (1650)| ''da Cappella''}}, 4vv, 1650 {{editions|2}}
*{{NoCo|Magnificat primo, a 8}}''vv'', 2 vl, (4 trb or stgs), bc, 1640 – ''Full score, vocal score and parts available''
*{{NoCo|Mi Jesu}}, 5vv &nbsp; ( [{{filepath:Mijesu.pdf}} {{pdf}}] [{{filepath:Mijesu.midi}} {{mid}}] )
*{{NoCo|Magnificat secondo, a 4}}''vv'', bc, 1641
*{{NoCo|Missa In illo tempore}}, 6vv, 1610 {{LLink|Missa Illo Tempore.pdf}} {{editions|2}}
{{mdl}}
*{{NoCo|O bone Jesu}} &nbsp; ( [{{filepath:mont-o.bone.jesu.pdf}} {{pdf}}] [{{filepath:Monteverdi.O.Bone.Jesu.mid}} {{mid}}] [{{filepath:Monteverdi.O.Bone.Jesu.mus}} {{mus}}] )
*{{NoComp|Maria quid ploras|Claudio Monteverdi| / Dorinda| ({{eq}} ''Dorinda, ah dirò mia'')}}, 5vv, 1607
*{{NoCo|O Jesu mea vita}} (= {{NoComp|Sì ch'io vorrei morire|Claudio Monteverdi}}), 5vv, 1609 – {{editions|2}}
*{{NoCo|Memento}}, 8vv, bc, 1641
*{{NoCo|O stellae coruscantes}} (= [[Sfogava con le stelle (Claudio Monteverdi)|''Sfogava con le stelle'']]) &nbsp; ( [http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=O-stellae-coruscantes.pdf {{extpdf}}] [http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=O-stellae-coruscantes.mid {{extmid}}]&nbsp;{{external}}[http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=O-stellae-coruscantes.xml Capella 5] )
*{{NoComp|Messa da Capella|Claudio Monteverdi| a quattro voci (1641)}}, 4vv, 1641
 
*{{NoComp|Messa|Claudio Monteverdi| a quattro voci da Cappella (1650)| ''da Cappella''}}, 4vv, 1650
*{{NoCo|Pascha concelebranda|Pascha concelebranda (Altri canti di Marte)}} &nbsp; ( [http://www.nova-cantica-essen.de/notenarchiv/monteverdicoppini/index.php#Pascha_concelebranda {{Net}}] )
*{{NoCo|Mi Jesu}}, 5vv
*{{NoCo|Pianto della Madonna}}, 1v, bc, 1641 {{LLink|mont-pia.pdf|mont-pia.midi}}
*{{NoCo|Missa In illo tempore}}, 6vv, 1610
*{{NoCo|Plorat amare}} (= [[Piagn' e sospira (Claudio Monteverdi)|''Piagn' e sospira'']]), 5vv, 1608 ( [http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=Plorat-amare.pdf {{extpdf}}] [http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=Plorat-amare.mid {{extmid}}]&nbsp;{{external}}[http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=Plorat-amare.xml Capella 5] )
*{{NoCo|Nisi Dominus (a 3 vv)}} 3vv, 2vl, bc, 1650
*{{NoComp|Pulchræ sunt|Claudio Monteverdi| / Ferir quel petto| ({{eq}} ''Ferir quel petto, Silvio'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop4.pdf {{extpdf}}] )
*{{NoCo|Nisi Dominus (a 6 vv)}} 6vv, bc, 1650
 
*{{NoCo|O beatae viae, o felices gressus}}, 2vv, 1620
*{{NoCo|Quam pulchra es}} &nbsp; ( [http://www.classicaland.com/fma.asp {{net}}] )
*{{NoCo|O bone Jesu}}, 3vv, 1582 {{editions|3}}
*{{NoCo|Qui laudes tuas cantat}} &nbsp; ( [http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=Qui-laudes-tuas-cantat.pdf {{extpdf}}] [http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=Qui-laudes-tuas-cantat.mid {{extmid}}]&nbsp;{{external}}[http://www.nova-cantica-essen.de/notenarchiv/download_log.php?dl=Qui-laudes-tuas-cantat.xml Capella 5] )
*{{NoCo|O Domine Jesu Christe I}}, 3vv, 1582
*{{NoComp|Qui pependit|Claudio Monteverdi| / Ecco Silvio colei| ({{eq}} ''Ecco, Silvio colei'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop3.pdf {{extpdf}}] )
*{{NoCo|O Domine Jesu Christe II}}, 3vv, 1582
 
*{{NoCo|O crux benedicta}}, 3vv, 1582
*{{NoCo|Rutilante in nocte}} (= {{NoCo|Io mi son giovinetta}}) {{Link|http://www.nova-cantica-essen.de/notenarchiv/weihnachten/ {{net}}}}
*{{NoCo|O Jesu mea vita}} (= {{NoComp|Sì ch'io vorrei morire|Claudio Monteverdi}}), 5vv, 1609
 
*{{NoCo|O magnum pietatis opus}}, 3vv, 1582
*{{NoComp|Sancta Maria|Claudio Monteverdi| / Deh bella e cara| ({{eq}} ''Deh, bella e cara'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop8.pdf {{extpdf}}] )
*{{NoCo|O quam pulchra es}}, 1v, Bc
*{{NoCo|Salve Regina I}}, 2vv, 2 vl, bc, 1641 {{LLink|mont-sr1.pdf|mont-sr1.midi}}
*{{NoCo|O stellae coruscantes}} (= [[Sfogava con le stelle (Claudio Monteverdi)|''Sfogava con le stelle'']])
*{{NoCo|Salve Regina II}}, 2vv, bc, 1641 {{LLink|mont-sr2.pdf|mont-sr2.midi}}
*{{NoCo|Pascha concelebranda|Pascha concelebranda (Altri canti di Marte)}}  
*{{NoCo|Salve Regina III}}, 3vv, bc, 1641 {{LLink|mont-sr3.pdf|mont-sr3.midi}}
*{{NoCo|Pater venit hora}}, 3vv, 1582
*{{NoCo|Sanctorum meritis I}}, 1v, 2 vl, bc, 1641 {{LLink|mont-sa1.pdf|mont-sa1.midi}}
*{{NoCo|Pianto della Madonna}}, 1v, bc, 1641
*{{NoCo|Sanctorum meritis II}}, 1v, 2 vl, bc, 1641 {{LLink|mont-sa2.pdf|mont-sa2.midi}}
*{{NoCo|Plorat amare}} (= [[Piagn' e sospira (Claudio Monteverdi)|''Piagn' e sospira'']]), 5vv, 1608
*{{NoComp|Spernit Deus|Claudio Monteverdi| / Ma tu piu che mai dura| ({{eq}} ''Ma tu piu che mai dura'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop6.pdf {{extpdf}}] )
*{{NoComp|Pulchræ sunt|Claudio Monteverdi| / Ferir quel petto| ({{eq}} ''Ferir quel petto, Silvio'')}}, 5vv, 1607
*{{NoComp|Stabat Virgo|Claudio Monteverdi| / Era l'anima mia| ({{eq}} ''Era l'anima mia'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop5.pdf {{extpdf}}] )
*{{NoCo|Quam pulchra es}}, 3vv, 1582 {{editions|2}}
*{{NoCo|Surgens Jesu}}, 3vv, 1582 ({{Broken}}[http://www.xs4all.nl/~bettina/Index.htm {{Net}}] )
*{{NoCo|Qui laudes tuas cantat}}
 
*{{NoComp|Qui pependit|Claudio Monteverdi| / Ecco Silvio colei| ({{eq}} ''Ecco, Silvio colei'')}}, 5vv, 1607
*{{NoComp|Te Jesu Christe|Claudio Monteverdi| / Ecco piegando| ({{eq}} ''Ecco, piegando'')}}, 5vv, 1607 – {{editions|2}}
*{{NoCo|Qui vult venire}}, 3vv, 1582
 
*{{NoCo|Quia vidisti me}}, 3vv, 1582
*{{NoComp|Ubi duo|Claudio Monteverdi|| ''vel tres congregati fuerint'')}}, 3vv, 1582 – {{editions|2}}
*{{NoCo|Rutilante in nocte}} (= {{NoCo|Io mi son giovinetta}})
*{{NoComp|Ure me|Claudio Monteverdi| / Troppo ben può| ({{eq}} ''Troppo ben può'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop17.pdf {{extpdf}}] )
*{{NoCo|Salve crux pretiosa}}, 3vv, 1582
*{{NoCo|Ut queant laxis}}, 2vv, 2vl, bc, 1641 {{LLink|monte-utq.pdf|monte-utq.midi}}
*{{NoCo|Salve o regina (1624)|Salve o Regina (1624)}}, 1v, bc, 1624
 
*{{NoCo|Salve Regina (1625)}}, 1v, bc, 1625
*'''{{NoCo|Vespro della Beata Vergine}}''', 1610 (complete) &nbsp; ( [http://www.johnkilpatrick.co.uk/music/1610/index.htm {{net}}])
*{{NoCo|Salve Regina I}}, 2vv, 2 vl, bc, 1641
*# {{NoCo|Domine ad adiuvandum}}, 6vv, 2cornetts, 3trb, 2vl, 4vla, bc – {{editions|4}}
*{{NoCo|Salve Regina II}}, 2vv, bc, 1641
*# {{NoCo|Dixit Dominus}}, 6vv, 6instr – {{editions|3}}
*{{NoCo|Salve Regina III}}, 3vv, bc, 1641
*# {{NoCo|Nigra sum}}, 1v, bc – {{editions|2}}
*{{NoComp|Sancta Maria|Claudio Monteverdi| / Deh bella e cara| ({{eq}} ''Deh, bella e cara'')}}, 5vv, 1607
*# {{NoCo|Laudate pueri a 8}}, 8v, bc – {{editions|3}}
*{{NoCo|Sanctorum meritis I}}, 1v, 2 vl, bc, 1641
*# {{NoCo|Pulchra es}}, 2v, bc – {{editions|2}}
*{{NoCo|Sanctorum meritis II}}, 1v, 2 vl, bc, 1641
*# {{NoCo|Lætatus sum}}, 6v, bc – {{editions|2}}
*{{NoComp|Spernit Deus|Claudio Monteverdi| / Ma tu piu che mai dura| ({{eq}} ''Ma tu piu che mai dura'')}}, 5vv, 1607
*# {{NoCo|Duo Seraphim clamabant à 3}}, 3vv, bc, 1610 – {{editions|4}}
*{{NoComp|Stabat Virgo|Claudio Monteverdi| / Era l'anima mia| ({{eq}} ''Era l'anima mia'')}}, 5vv, 1607
*# {{NoCo|Nisi Dominus}}, 10vv, org – {{editions|2}}
*{{NoCo|Surge, propera}}, 3vv, 1582
*# {{NoCo|Audi cœlum}}, 6v, bc – {{editions|2}}
*{{NoCo|Surgens Jesu|Surgens Jesus}}, 3vv, 1582 {{editions|2}}
*# {{NoCo|Lauda Jerusalem Dominum}}, 7vv, bc – {{editions|3}}
*{{NoComp|Te Jesu Christe|Claudio Monteverdi| / Ecco piegando| ({{eq}} ''Ecco, piegando'')}}, 5vv, 1607
*# {{NoCo|Sonata sopra Sancta Maria ora pro nobis}}, 1v, 2cornetts, 3trb, 2vl, 2vla, bc – {{editions|2}}
*{{NoCo|Tu es pastor ovium}}, 3vv, 1582
*# {{NoCo|Ave maris stella}}, 2v, choir 8vv, 5instr, bc – {{editions|2}}
*{{NoCo|Tu es Petrus}}, 3vv, 1582
*# {{NoComp|Magnificat|Claudio Monteverdi| a 7 voci}}, 7vv, 2fl, 2rec, 3cornetts, 2trb, 2vl, vla, bc – {{editions|2}}
*{{NoComp|Ubi duo|Claudio Monteverdi|| ''vel tres congregati fuerint'')}}, 3vv, 1582 {{editions|3}}
*# {{NoComp|Magnificat|Claudio Monteverdi| a 6 voci}}, 6vv, bc – ''individual movements available''
*{{NoComp|Ure me|Claudio Monteverdi| / Troppo ben può| ({{eq}} ''Troppo ben può'')}}, 5vv, 1607
*{{NoComp|Viues in corde|Claudio Monteverdi| / Ahi come a un vago sol| ({{eq}} ''Ahi, come a un vago sol'')}}, 5vv, 1607 ( {{Broken}}[http://www.jpj.dk/Cop20.pdf {{extpdf}}] )
*{{NoCo|Ut queant laxis}}, 2vv, 2vl, bc, 1641
*{{NoCo|Veni sponsa Christi}}, 3vv, 1582
*'''{{NoCo|Vespro della Beata Vergine}}''', 1610
*# {{NoCo|Domine ad adiuvandum}}, 6vv, 2cornetts, 3trb, 2vl, 4vla, bc
*# {{NoCo|Dixit Dominus}}, 6vv, 6instr
*# {{NoCo|Nigra sum}}, 1v, bc
*# {{NoCo|Laudate pueri a 8}}, 8v, bc
*# {{NoCo|Pulchra es}}, 2v, bc
*# {{NoCo|Lætatus sum}}, 6v, bc
*# {{NoCo|Duo Seraphim clamabant à 3}}, 3vv, bc, 1610
*# {{NoCo|Nisi Dominus}}, 10vv, org
*# {{NoCo|Audi cœlum}}, 6v, bc
*# {{NoCo|Lauda Jerusalem Dominum}}, 7vv, bc
*# {{NoCo|Sonata sopra Sancta Maria ora pro nobis}}, 1v, 2cornetts, 3trb, 2vl, 2vla, bc
*# {{NoCo|Ave maris stella}}, 2v, choir 8vv, 5instr, bc
*# {{NoComp|Magnificat|Claudio Monteverdi| a 7 voci}}, 7vv, 2fl, 2rec, 3cornetts, 2trb, 2vl, vla, bc
*# {{NoComp|Magnificat|Claudio Monteverdi| a 6 voci}}, 6vv, bc
*{{NoComp|Viues in corde|Claudio Monteverdi| / Ahi come a un vago sol| ({{eq}} ''Ahi, come a un vago sol'')}}, 5vv, 1607
{{btm}}


==Main publications==
==Main publications==
'''Opera'''
'''Opera'''
*{{NoCo|L'Orfeo, Favola in Musica}} (Venice, 1609, 1615)
*{{NoCo|L'Orfeo, SV 318}} (Venice, 1609, 1615)
*{{NoComp| |Claudio Monteverdi|Lasciatemi morire| ''Lamento d'Arianna''}}, only surviving excerpt from ''L'Arianna'' (Venice, 1623)
*{{NoComp| |Claudio Monteverdi|Lasciatemi morire| ''Lamento d'Arianna''}}, only surviving excerpt from ''L'Arianna'' (Venice, 1623)
Other dramatic works published in ''Scherzi musicali'' (1607), ''Madrigali guerreri et amorosi'' (1638), and ''Madrigali e canzonette'' (1651) below.<br>
Other dramatic works published in ''Scherzi musicali'' (1607), ''Madrigali guerreri et amorosi'' (1638), and ''Madrigali e canzonette'' (1651) below.<br>
Line 442: Line 480:
*{{NoCo|Concerto: settimo libro de madrigali}} (Venice, 1619)
*{{NoCo|Concerto: settimo libro de madrigali}} (Venice, 1619)
*{{NoCo|Scherzi musicali cioè arie et madrigali}} (Venice, 1632)
*{{NoCo|Scherzi musicali cioè arie et madrigali}} (Venice, 1632)
*{{NoCo|Madrigali guerrieri et amorosi}}... (Venice, 1638)
*{{NoCo|Madrigali guerrieri et amorosi}}(Venice, 1638)
*{{NoCo|Madrigali e canzonette libro nono}} (Venice, 1651)
*{{NoCo|Madrigali e canzonette libro nono}} (Venice, 1651)
'''Sacred vocal'''
'''Sacred vocal'''
Line 448: Line 486:
* ''Madrigali spirituali a quattro voci'' (Brescia, 1584)
* ''Madrigali spirituali a quattro voci'' (Brescia, 1584)
* [[Coppini edition (1607)|''Musica tolta da i madrigali'']] (Milan, 1607; 24 madrigal contrafacta with sacred texts, 11 by Monteverdi)
* [[Coppini edition (1607)|''Musica tolta da i madrigali'']] (Milan, 1607; 24 madrigal contrafacta with sacred texts, 11 by Monteverdi)
* ''Il secondo libro della musica''... (Milan 1608; 8 madrigal contrafacta with sacred texts)
* ''Il secondo libro della musica''(Milan 1608; 8 madrigal contrafacta with sacred texts)
* ''Il terzo libro della musica''... (Milan 1609; 19 madrigal contrafacta with sacred texts)
* ''Il terzo libro della musica''(Milan 1609; 19 madrigal contrafacta with sacred texts)
* [[Messa e Vespro della Beata Vergine (Claudio Monteverdi)|''Sanctissimæ Virgini Missa senis vocibus... ac Vesperæ pluribus decantandæ'']] (Venice, 1610)
* [[Messa e Vespro della Beata Vergine (Claudio Monteverdi)|''Sanctissimæ Virgini Missa senis vocibus… ac Vesperæ pluribus decantandæ'']] (Venice, 1610)
*{{NoCo|Selva morale e spirituale}} (Venice, 1641)
*{{NoCo|Selva morale e spirituale}} (Venice, 1641)
*{{NoCo|Messa a quattro voci, et salmi, concertati}} (Venice, 1650)
*{{NoCo|Messa a quattro voci, et salmi, concertati}} (Venice, 1650)


{{Whatlinkshere}}
{{Whatlinkshere}}
==External links==
==External links==
*English translations of the Fourth Book of Monteverdi's Madrigals (Quarto libro dei madrigali) at http://marshall.charles.googlepages.com
*English translations of the Fourth Book of Monteverdi's Madrigals (Quarto libro dei madrigali) at http://marshall.charles.googlepages.com

Revision as of 14:47, 9 November 2019

Monteverdi.jpg

Aliases: Claudio Monteverde

Life

Baptised: 15 May 1567

Died: 29 November 1643

Biography

Monteverdi's compositional career spans sixty years from the end of the Renaissance to the early Baroque: like Beethoven two centuries later he was the major transitional figure between two distinct musical eras.

He was the first composer to realise the potential of opera for expressing powerful emotions, and he brought to his church music the musical innovations of his madrigal and instrumental style that he continued to refine throughout his lifetime.

Claudio (Giovanni Antonio) Monteverdi was born in Cremona in 1567, and baptised – probably at an age of several days – on the 15th of May. Monteverdi’s father Baldassare was a chemist and also practiced medicine; his mother Maddalena (née Zignani) died young, and Baldassare married twice more. Claudio had one elder sister, a younger brother Giulio Cesare who also pursued a musical career, and three more half-siblings from his father’s second marriage. Both Claudio and Giulio Cesare received a good musical education from Marc’Antonio Ingegneri, who was maestro di cappella of Cremona Cathedral, and whom Monteverdi would acknowledge as his teacher on the title page of his first book of madrigals. Claudio was clearly a precociously gifted boy, at the age of 15 sending a collection of three-part motets to be published in Venice by the printing house of Gardane, and following these with two further publications before he reached the age of 18, the latter of which, the volume of three-part canzonets, was published by Ricciardo Amadino, whose printing firm would go on to publish much of Monteverdi’s subsequent work.

By the time Monteverdi was ready to publish his second book of five-part madrigals, he had evidently outstripped his teacher and was looking for a musical posting outside Cremona; he visited Milan to obtain patronage, and within three years he was in full-time employment as a violinist or gamba player at the court of the Gonzaga family in Mantua. The third book of madrigals that was published soon after show the influence of the Mantuan maestro di cappella, Giaches de Wert, but Monteverdi's fame quickly spread and he became one of the leading court musicians. After the death of de Wert in 1596 he was succeeded by a more senior musician, Pallavicino, but upon his death in 1601 came Monteverdi's opportunity as musical director of the Mantuan court. In the meantime, Monteverdi had married one of the court singers, Claudia de Cattaneis, on 20 May 1599, who would bear him three children; Francesco (1601–?1677/78), Leonora (1603), and Massimiliano (1604–61).

In 1600 Monteverdi was the subject of an attack by the musical theorist Artusi, who criticised certain of Monteverdi’s harmonic practices and his modern style of word-painting, concerning works which were yet to appear in print but must have been circulating in manuscript. In 1603 and 1605 Monteverdi published the fourth and fifth books of madrigals, including much of the secular music he had worked on in the previous decade at Mantua that had attracted the ire of Artusi. The fifth book includes a brief reply to the criticism, which was amplified two years later by Monteverdi’s younger brother Giulio Cesare in the introduction to the Scherzi musicali of 1607; this only served to further popularise Monteverdi’s music and enhance his fame.

Monteverdi’s final years at Mantua were dominated by the composition of a series of dramatic works and unhappiness in his personal life, while the star of his fame ascended ever further. His first opera, L'Orfeo received its successful premiere at the beginning of 1607 during Carnival, and was followed by commissions for a second opera, L'Arianna, and several other smaller dramatic works including the balletto Il ballo delle ingrate. In the middle of the year Monteverdi returned to Cremona with his wife, who having been seriously ill for some time, was to be cared for by Monteverdi’s apothecary father. Claudia died on September 10; after little more than a fortnight he was recalled to Mantua. The inherent amount of overwork during the next year precipitated a nervous collapse; Claudio for a time again returned to his father’s house in Cremona to recuperate, before an angry exchange of letters resulted in a pay rise from the Gonzagas, more or less obliging him to return to court duties. However, Monteverdi’s desire to remain any longer in Mantua was effectively at an end.

The subsequent publication of the Vespro della beata Vergine in 1610 has been sometimes interpreted by music historians as being nothing less than an elaborate curriculum vitae, or job application for a church posting elsewhere: it was the first sizeable collection of church music published since the motets of his youth. The volume includes a learned six-part parody mass based on a motet of Nicolas Gombert, written in the Renaissance polyphonic style which he described as the prima prattica, or first practice, which strongly leans to the Roman school of church music dominated in the previous century by Palestrina; in August he travelled to Rome to obtain permission to dedicate the volume to Pope Paul V. On the other hand, the Vespers music inventively fuses traditional plainsong psalmody with the new technical innovations from Monteverdi’s dramatic music, described as the seconda prattica (second practice), interspersed with more intimate motets “designed for princely chapels or apartments”, thus lending itself to the elaborate instrumental and choral resources of Venice under the long line of maestri di cappella culminating in Andrea and Giovanni Gabrieli; following the latter’s death in 1611, Monteverdi was invited to perform for the procurators of the Basilica of San Marco. Monteverdi succeeded, and in 1613 moved to Venice, where he would remain as maestro di cappella for the rest of his life.

View the Wikipedia article on Claudio Monteverdi.

Monteverdi's works are sorted below by genre: there are also lists of Monteverdi's works

Dramatic works

  • L'Orfeo, SV 318, opera (favola in musica) (prologue, 5 acts), produced Feb. 1607, pub. 1609,
  • L'Arianna, SV 291, opera, 1608 – lost, aside from lament:
  • Lamento d'Arianna, SV 22, 1v, bc, pub. 1623
  1. Lasciatemi morire
  1. Lasciatemi morire
  2. O Teseo, Teseo mio
  3. Dove, dove è la fede
  4. Ahi, che non pur risponde
  5. Misera ancor do loco [1623 version only]
  • Le nozze di Tetide, favola marittima, 1616 – work begun and abandoned, lost
  • Andromeda, opera, 1618–20 – lost
  • Apollo, dramatic cantata – lost
  • Combattimento di Tancredi e Clorinda, SV 153, dramatic scena, 3vv, 2vl, va, vc, cb, bc, 1624, pub. 1638   (2 editions available)
  • La finta pazza Licori, 1627 – lost
  • Gli amori di Diana e di Endimione, 1628 – lost
  • Mercurio e Marte, torneo, 1628 – lost
  • Proserpina rapita, SV 323, opera, 1630 – lost, aside from trio:
  • Volgendo il ciel per l'immortal sentiero, SV 154, ballet, ca 1636, pub. 1638   (2 editions available)
  • Il ritorno d’Ulisse in patria, SV 325, opera, 1640
  • Le nozze d’Enea con Lavinia, opera, 1641 – lost
  • La vittoria d’Amore, ballet, 1641 – lost
  • L’incoronazione di Poppea, SV 308, opera, 1642

Secular works

Score listing includes number of voices, instruments, and publication date (if known).

Il primo libro de madrigali (First book of madrigals, Venice, 1587)

  1. Ch'io ami la mia vita, SV23, 5vv
  2. Se per havervi oimè, SV24, 5vv
  3. A che tormi il ben mio s’io dico di morire, SV 25, 5vv
  4. Amor per tua mercè, SV26, 5vv
  5. Baci soavi e cari, SV27, 5vv
  6. Se pur non mi consenti, SV28, 5vv
  7. Filli cara e amata, SV29, 5vv
  8. Poi che del mio dolore, SV30, 5vv
  9. Fumia la pastorella, SV31, 5vv
  10. Almo divino raggio, SV31, 5vv
  11. All'hora i pastor tutti, SV31, 5vv
  12. Se nel partir da voi, vita mia, SV32, 5vv
  13. Tra mille fiamme, SV33, 5vv
  14. Usciam, ninfe, homai fuor di questi boschi; SV34, 5vv
  15. Questa ordi il laccio, SV35, 5vv
  16. La vaga pastorella sen va tra fiori, SV36, 5vv
  17. Amor, s’il tuo ferire, SV37, 5vv
  18. Donna, s’io miro voi, giaccio divengo, SV38, 5vv
  19. Ardo, sì, ma non t'amo, SV39, 5vv
  20. Ardi o gela a tua voglia, SV39, 5vv
  21. Arsi e alsi a mia voglia, SV39, 5vv

Il secondo libro de madrigali (Second book of madrigals, Venice, 1590)

  1. Non si levava ancor - E dicea l'una sospirando 5vv
  2. Bevea Fillide mia, 5vv
  3. Dolcissimi legami, 5vv
  4. Non giacinti o narcisi, 5vv
  5. Intorno a due vermiglie, 5vv
  6. Non sono in queste rive, 5vv
  7. Tutte le bocche belle, 5vv
  8. Donna nel mio ritorno, 5vv
  9. Quell'ombra esser vorrei, 5vv
  10. S'andasse Amor a caccia, 5vv
  11. Mentre io miravo fiso, 5vv
  12. Ecco mormorar l'onde, 5vv
  13. Dolcemente dormiva, 5vv
  14. Se tu mi lassi, 5vv
  15. La bocca onde, 5vv
  16. Crudel, perchè mi fuggi?, 5vv
  17. Questo specchio ti dono, 5vv
  18. Non mi è grave il morire, 5vv
  19. Ti spontò l'ali amor la donna mia, 5vv
  20. Cantai un tempo, 5vv

Il terzo libro de madrigali (Third book of madrigals, Venice, 1592)

  1. La giovinetta pianta, SV60, 5vv
  2. O come è gran martire, SV61, 5vv
  3. Sovra tenere herbette, SV62, 5vv
  4. O dolce anima mia, SV63, 5vv
  5. Stracciami pur il core, SV64, 5vv
  6. O rossignuol ch'in queste verdi fronde, SV65, 5vv
  7. Se per estremo ardore, SV66, 5vv
  8. Vattene pur, crudel, con quella pace, SV67, 5vv
  9. Là tra’l sangu’e le morti egro giacente, SV67, 5vv
  10. Poi ch'ella in sè tornò deserto e muto, SV67, 5vv
  11. O primavera, gioventù de l'anno, SV68, 5vv
  12. Perfidissimo volto ben l'usata bellezza, SV69, 5vv
  13. Ch'io non t'ami, cor mio, SV70, 5vv
  14. Occhi, un tempo mia vita, SV71, 5vv
  15. Vivrò fra i miei tormenti e le mie cure, SV72, 5vv
  16. Ma dove, O lasso me, dove restaro ?, SV72, 5vv
  17. Io pur verrò là dove sete, SV72, 5vv
  18. Lumi miei, cari lumi, SV73, 5vv
  19. Rimanti in pace a la dolente e bella Fillida, SV74
  20. Ond'ei di morte la sua faccia impressa, SV74, 5vv

Il quarto libro de madrigali (Fourth book of madrigals, Venice, 1603)

  1. Ah! dolente partita, ah fin de la mia vita, SV 75, 5vv, 1603
  2. Cor mio, mentre vi miro
  3. Cor mio, non mori? E mori!
  4. Sfogava con le stelle, 5vv, 1603
  5. Volgea l'anima mia
  6. Anima mia, perdona
  7. Che se tu se' il cor mio, 5vv, 1603
  8. Luci serene e chiare
  9. La piaga c'ho nel core
  10. Voi pur da me partite
  11. A un giro sol
  12. Ohimè, se tanto amate, 5vv, 1603
  13. Io mi son giovinetta, 5vv, 1603
  14. Quel augellin che canta, 5vv, 1603
  15. Non più guerra, pietate
  16. Sì ch'io vorrei morire, 5vv, 1603
  17. Anima dolorosa che vivendo, SV 90, 5vv, 1603
  18. Anima del cor mio poi che da me misera me, SV 91, 5vv, 1603
  19. Longe da te, cor mio
  20. Piagn' e sospira

Il quinto libro de madrigali (Fifth book of madrigals, Venice, 1605)

  1. Cruda Amarilli, 5vv, 1605
  2. O Mirtillo, 5vv, 1605
  3. Era l'anima mia già presso a l'ultim' hore, 5vv, 1605
  4. Ecco, Silvio, colei ch'in odio hai tanto, 5vv, 1605
  5. Ma se con la pietà, 5vv, 1605
  6. Dorinda, ah dirò mia, se mia non sei, 5vv, 1605
  7. Ecco, piegando le ginocchie a terra, 5vv, 1605
  8. Ferir quel petto, Silvio, 5vv, 1605
  9. Ch'io t'ami, e t'ami più de la mia vita
  10. Deh bella e cara, 5vv, 1605
  11. Ma tu piu che mai dura, 5vv, 1605
  12. Che dar più vi poss'io?
  13. M'e più dolce il penar
  14. Ahi come a un vago sol cortese giro, SV 101, 5vv, 1605
  15. Troppo ben può questo tiranno amore, 5vv, 1605
  16. Amor, se giusto sei
  17. T'amo mia vita, 5vv, 1605
  18. E cosi à poco à poco
  19. Questi vaghi concenti
  20. Ecco piegando

Il sesto libro de madrigali (Sixth book of madrigals, Venice, 1614)

  1. Lasciatemi morire, 5vv, 1614 also see above: Lamento d’Arianna, under Dramatic works
  2. O Teseo, Teseo mio, 5vv, 1614
  3. Dove, dove è la fede, 5vv, 1614
  4. Ahi, che non pur risponde, 5vv, 1614
  5. Zefiro torna e il bel tempo rimena, 5vv, 1614
  6. Una Donna fra l'altre honesta e bella vidi, 5vv, bc, 1614
  7. A Dio, Florida Bella, 5vv
  8. Incenerite spoglie, avara tomba, 5vv, 1614
  9. Ditelo, o fiumi e voi ch'udiste, 5vv, 1614
  10. Darà la notte il sol, 5vv, 1614
  11. Ma te raccoglie, o ninfa, 5vv, 1614
  12. O chiome d'or, neve gentil del seno, 5vv, 1614
  13. Dunque amate reliquie, 5vv, 1614
  14. Ohimè il bel viso, 5vv, bc, 1614
  15. Qui rise, O Tirsi, 5vv, bc, 1614
  16. Misero Alceo, 5vv, bc, 1614
  17. Batto, qui pianse Ergasto, 5vv, bc, 1614
  18. Presso un fiume tranquillo, 7vv, bc, 1614

Il settimo libro di madrigali (Seventh book of madrigals, Venice, 1619)

  1. Tempro la cetra, 1v, str, 1619
  2. A quest'olmo, a quest’ ombre et a quest’ onde, SV 119, 6vv, 2vl, 2rec, bc, 1619
  3. Non è di gentil core 2vv, bc, 1619
  4. O come sei gentile 2vv, bc, 1619
  5. Io son pur vezzosetta 2vv, bc, 1619
  6. O viva fiamma 2vv, bc, 1619
  7. Vorrei baciarti 2vv, bc, 1619
  8. Dice la mia bellissima Licori 2vv, bc, 1619
  9. Ah che non si conviene romper la fede, SV 125, 2vv, bc, 1619
  10. Non vedrò mai le stelle, 2vv, bc, 1619
  11. Ecco vicine o bella Tigre
  12. Perchè fuggi?
  13. Tornate
  14. Soave libertate
  15. S'el vostro cor madonna
  16. Interrotte speranze
  17. Augellin che la voce al canto spieghi, SV 133, 3vv, bc, 1619
  18. Vaga su spina ascosa
  19. Eccomi pronta ai baci, 3vv, 1619
  20. Parlo miser o taccio   (2 editions available)
  21. Tu Dormi? Ah crudo core, 4vv, 1619
  22. Al lume delle stelle Tirsi sotto un alloro, SV 138, 4vv, bc, 1619
  23. Con che soavità, 1v, str, lutes, hpd, 1619
  24. Ohimè dove il mio ben
  25. Se i languidi miei sguardi
  26. Se pur destina   (2 editions available)
  27. Chiome d'oro, 2vv, 2vl, chit/hpd, 1619
  28. Amor che deggio far se non mi giova amar, SV 144, 4vv, 2vl, bc, 1619
  29. Tirsi e Clorisee above, Dramatic works

Ottavo libro di madrigali (Eighth book of madrigals, Venice, 1638)

  1. Altri canti d'Amor, tenero arciero, SV 146, 6vv, 2vl, 4vla, 1638
  2. Hor che'l ciel e la terra, 6vv, 2vl, 1638
  3. Gira il nemico insidioso Amore, 3vv, 1638
  4. Se vittorie sì belle, 2vv, bc, 1638
  5. Armato il cor d'adamantina fede, SV 150, 2vv, bc, 1638
  6. Ogni amante è guerrier, 2–3vv, bc, 1638
  7. Combattimento di Tancredi e Clorinda, SV 153see above, Dramatic works
  8. Ardo, avvampo, mi struggo, ardo: accorrete, SV 152, 8vv, 2vl, 1638
  9. Volgendo il ciel per l'immortal sentiero, SV 154see above, Dramatic works
  10. Movete al mio bel suon
  11. Altri canti di Marte e di sua schiera, SV 155, 6vv, 2vl, 1638
  12. Vago augelletto che cantando vai, 6–7vv, 2vl, cb, bc, 1638
  13. Mentre vaga angioletta, 2vv, bc, 1638
  14. Ardo e scoprir, ahi lasso, io non ardisco, SV 158, 2vv, bc, 1638
  15. Dolcissimo uscignolo, 5vv, 1638
  16. Chi vol haver felice e lieto il core, 5vv, 1638
  17. O sia tranquillo il mare o pien d'orgoglio, 2vv, bc, 1638
  18. Lamento della Ninfa, 1–4vv, bc, 1638
  19. Ninfa che, scalza il piede e sciolto il crine, 1–3vv, bc, 1638
  20. Perchè t'en fuggi, o Fillide?, 3vv, bc, 1638
  21. Non partir, ritrosetta, 3vv, bc, 1638
  22. Su, su, su pastorelli vezzosi, 3vv, bc, 1638
  23. Ballo delle Ingrate, SV 167see above, Dramatic works

Madrigali e canzonette libro nono (Madrigals and song nineth book, Venice, 1651)

  1. Bel pastor dal cui bel guardo
  2. Zefiro torna e di soavi accenti, 2vv, bc, 1651
  3. Se vittorie sì belle, 2vv, bc, 1638
  4. Armato il cor d'adamantina fede, SV 150, 2vv, bc, 1638
  5. Ardo e scoprir, ahi lasso, io non ardisco, SV 158, 2vv, bc, 1638
  6. O sia tranquillo il mare o pien d'orgoglio, 2vv, bc, 1638
  7. Alcun non mi consigli, SV 169
  8. Di far sempre gioire amor speranza dà
  9. Quando dentro al tuo seno
  10. Non voglio amare per non penare
  11. Come dolce oggi
  12. Alle danze, alle gioie
  13. Perché se m'odiavi
  14. Si si ch'io v'amo, occhi vaghi, occhi belli
  15. Su, su, su, pastorelli vezzosi (1651)
  16. O mio bene, o mia vita

Other madrigals

Sacred works

Score listing includes number of voices, instruments, and publication date (if known).

Main publications

Opera

Other dramatic works published in Scherzi musicali (1607), Madrigali guerreri et amorosi (1638), and Madrigali e canzonette (1651) below.
Secular vocal

Sacred vocal


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External links