Clamabat autem mulier channanea (Pedro de Escobar): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
* {{CPDLno|29272}} [[Media:Clamabat_autem_mulier_Escobar.pdf|{{pdf}}]] [[Media:Clamabat_autem_mulier_Escobar.mid|{{mid}}]] [[Media:Clamabat autem mulier Escobar.mxl|{{XML}}]] [[Media:Clamabat autem mulier Escobar.capx|{{Capx}}]]
{{Editor|James Gibb|2013-05-30}}{{ScoreInfo|A4|4|39}}{{Copy|CPDL}}
:'''Edition notes:''' Reformatting of #1830, taking into account the editorial suggestions below. {{MXL}}


*{{CPDLno|1830}} {{LinkW|esco-cla.pdf|esco-cla.mid|esco-cla.zip|Finale 1998}}
*{{CPDLno|1830}} [[Media:ws-esco-cla.pdf|{{Pdf}}]] [[Media:ws-esco-cla.mid|{{Mid}}]] [[Media:ws-esco-cla.mus|{{mus}}]] (Finale 1998)
{{Editor|Emilio Cano Molina|2000-12-01}}{{ScoreInfo|A4|5|96}}{{Copy|Personal}}
{{Editor|Emilio Cano Molina|2000-12-01}}{{ScoreInfo|A4|5|96}}{{Copy|Personal}}
:'''Edition notes:''' {{ScoreError|In bars 20 and 40, the E of the bass should be flat. See also [[Mick Swithinbank]]'s comments below}}
:'''Edition notes:''' {{ScoreError|In bars 20 and 40, the E of the bass should be flat. See also [[Mick Swithinbank]]'s comments below}}
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{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:'''
{{Pub|1|}}  


'''Description:''' The text is a paraphrase of Matthew 15:22-28 and is designated for the Second Sunday in Lent. To quote Todd Michael Borgerding, 'The 16th-century exegetical tradition portrays this narrative as a parable teaching Christians to reject their heresies and confess faith in the true church'.
'''Description:''' The text is a paraphrase of Matthew 15:22-28 and is designated for the Second Sunday in Lent. To quote Todd Michael Borgerding, 'The 16th-century exegetical tradition portrays this narrative as a parable teaching Christians to reject their heresies and confess faith in the true church'. There is an error in the text of bar 68, where all three voices are shown as having the word 'eunt'. This should read 'eum', as a look at the Vulgate will confirm. Possible error in music: the tenor at the end of bar 39 momentarily clashes with the bass.<br>
As for the music:
Bars 20 and 40 of the score contain the unusual and ugly feature of a diminished fifth between the two lowest sounding voices - the position where such an interval was most taboo. It would surprise me if this was the composer's intention. In performance, it could be eliminated, at bar 20, by giving the tenor a crotchet (quarter-note) rest instead of B flat and having this voice enter with the syllable 'Chri-' off the beat, on the tied G, and at bar 40 by replacing the tenor's B flat with C. (In bar 20, I don't find the option of substituting B natural for B flat particularly felicitous.) One further detail: the tenor at the end of bar 39 momentarily and rather unnecessarily clashes with the bass: the tenor's minim (half-note) C could be replaced with crotchets C and D. There is also an error in the text of bar 68, where all three voices are shown as having the word 'eunt'. This should read 'eum', as a look at the Vulgate will confirm.<br>
[[Mick Swithinbank]]<br>
[[Mick Swithinbank]]<br>



Revision as of 23:20, 22 June 2019

Music files

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ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Finale.png Finale
File details.gif File details
Question.gif Help
  • CPDL #29272:         
Editor: James Gibb (submitted 2013-05-30).   Score information: A4, 4 pages, 39 kB   Copyright: CPDL
Edition notes: Reformatting of #1830, taking into account the editorial suggestions below. MusicXML source file(s) in compressed .mxl format.
  • CPDL #01830:      (Finale 1998)
Editor: Emilio Cano Molina (submitted 2000-12-01).   Score information: A4, 5 pages, 96 kB   Copyright: Personal
Edition notes:
Error.gif Possible error(s) identified. Error summary: In bars 20 and 40, the E of the bass should be flat. See also Mick Swithinbank's comments below See the discussion page for full description.

General Information

Title: Clamabat autem mulier channanea
Composer: Pedro de Escobar

Number of voices: 4vv   Voicing: SATB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published:

Description: The text is a paraphrase of Matthew 15:22-28 and is designated for the Second Sunday in Lent. To quote Todd Michael Borgerding, 'The 16th-century exegetical tradition portrays this narrative as a parable teaching Christians to reject their heresies and confess faith in the true church'. There is an error in the text of bar 68, where all three voices are shown as having the word 'eunt'. This should read 'eum', as a look at the Vulgate will confirm. Possible error in music: the tenor at the end of bar 39 momentarily clashes with the bass.
Mick Swithinbank

External websites:

Original text and translations

Original text and translations may be found at Clamabat autem mulier.