Benedictus: Difference between revisions
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Richard Mix (talk | contribs) (better to use this page for disambiguation, I think) |
Richard Mix (talk | contribs) ("second of two" seems incorrect) |
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'''Benedictus''' is the first word of several texts: | '''Benedictus''' is the first word of several texts, often distinguishable by context alone: | ||
*[[Benedictus qui venit]], the second half of the [[Sanctus]] | *[[Benedictus qui venit]], the second half of the [[Sanctus]] | ||
*[[Benedictus Deus Israel|Benedictus [Dominus] Deus Israel]], the second | *[[Benedictus Deus Israel|Benedictus [Dominus] Deus Israel]], the second {{CC|Morning Canticles|Canticle at morning prayer}}. | ||
*[[Benedictus sit Deus]] | *[[Benedictus sit Deus]], the Offertory for {{CC|Trinity}} | ||
They should of course be written in full when linking. | |||
{{TextAutoList}} | {{TextAutoList}} | ||
[[Category:Disambiguation of texts]] | [[Category:Disambiguation of texts]] |
Revision as of 20:25, 7 December 2017
Benedictus is the first word of several texts, often distinguishable by context alone:
- Benedictus qui venit, the second half of the Sanctus
- Benedictus [Dominus] Deus Israel, the second Canticle at morning prayer.
- Benedictus sit Deus, the Offertory for Trinity
They should of course be written in full when linking.
Other settings possibly not included in the manual list above
- Daniël Clément — Benedictus
- Nicolas Couturier — Benedictus
- Mariano Garau — Sanctus
- Francisco Guerrero — Benedictus
- Alexandre Guilmant — 3 3-st. Motetten
- José Maurício Nunes Garcia — Creed in B Flat (1808)
- José Maurício Nunes Garcia — Creed in B Flat
- José Maurício Nunes Garcia — Creed in C (1820)
- José Maurício Nunes Garcia — Creed in C
- José Maurício Nunes Garcia — Creed in C II (arr.)
- José Maurício Nunes Garcia — Creed in D
- José Maurício Nunes Garcia — Creed in D - II
- José Maurício Nunes Garcia — Kyrie and Creed for Palm Sunday
- José Maurício Nunes Garcia — Office of Palm Sunday - II
- José Maurício Nunes Garcia — Office of Palm Sunday I
- Juan del Vado — Four settings of the Benedictus