Beati quorum via, Op. 38, No. 3 (Charles Villiers Stanford): Difference between revisions
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* {{CPDLno|18961}} [ | * {{CPDLno|18961}} [[Media:Beati_Quorum_Via.pdf|{{pdf}}]] | ||
{{Editor|Jim Cooke|2009-02-25}}{{ScoreInfo|A4|6|140}}{{Copy|CPDL}} | {{Editor|Jim Cooke|2009-02-25}}{{ScoreInfo|A4|6|140}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Original publication had a typo in bars 39-40 in sop 2 to which this edition offers a solution (though it was not possible to consult the ms). The rationale is thus: the dotted minim in Sop 2, bar 39 was tied to the first crotchet of bar 40 but the text underlay for 'Domini' necessitated ignoring the tie and putting a melisma on the second syllable. Based on Stanford's setting of 'Domini' where he never stresses the second syllable, the conclusion is that the tie was meant and the text underlay incorrect in bar 40. | :'''Edition notes:''' Original publication had a typo in bars 39-40 in sop 2 to which this edition offers a solution (though it was not possible to consult the ms). The rationale is thus: the dotted minim in Sop 2, bar 39 was tied to the first crotchet of bar 40 but the text underlay for 'Domini' necessitated ignoring the tie and putting a melisma on the second syllable. Based on Stanford's setting of 'Domini' where he never stresses the second syllable, the conclusion is that the tie was meant and the text underlay incorrect in bar 40. | ||
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:'''Edition notes:''' Set for antiphonal SSA or TBB choirs | :'''Edition notes:''' Set for antiphonal SSA or TBB choirs | ||
*{{CPDLno|33080}} [ | *{{CPDLno|33080}} [[Media:Stanford - Beati_Quorum_Via.pdf|{{pdf}}]] [[Media:Stanford - Beati_Quorum_Via.mid|{{mid}}]] [[Media:Stanford - Beati_Quorum_Via.mus|Finale]] | ||
{{Editor|Chris Dell|2014-10-05}}{{ScoreInfo|A4|5|47}}{{Copy|CPDL}} | {{Editor|Chris Dell|2014-10-05}}{{ScoreInfo|A4|5|47}}{{Copy|CPDL}} | ||
:'''Edition notes:''' This edition was arranged for {{vcat|SSAATB}} to reduce the burden on choirs with many good altos but few men. | :'''Edition notes:''' This edition was arranged for {{vcat|SSAATB}} to reduce the burden on choirs with many good altos but few men. | ||
*{{CPDLno|23853}} [ | *{{CPDLno|23853}} [[Media:Stanford_-_Beati_quorum_via_down_a_m3.pdf|{{pdf}}]] | ||
{{Editor|Edward Tambling|2011-07-09}}{{ScoreInfo|A4|5|70}}{{Copy|CPDL}} | {{Editor|Edward Tambling|2011-07-09}}{{ScoreInfo|A4|5|70}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Transposed down a minor third for {{vcat|AATTBB}} | :'''Edition notes:''' Transposed down a minor third for {{vcat|AATTBB}} |
Revision as of 19:34, 17 August 2016
Music files
ICON | SOURCE |
---|---|
File details | |
Help |
Original voicing
- Editor: Casey Rule (submitted 2015-03-16). Score information: Letter, 6 pages, 84 kB Copyright: Personal
- Edition notes:
- Editor: Fernando Gómez Jácome (submitted 2013-03-31). Score information: A4, 6 pages, 102 kB Copyright: Personal
- Edition notes:
- Editor: Rod Mather (submitted 2011-12-07). Score information: A4, 6 pages, 94 kB Copyright: Personal
- Edition notes: Includes a keyboard reduction of the a cappella choral score.
- Editor: Jim Cooke (submitted 2009-02-25). Score information: A4, 6 pages, 140 kB Copyright: CPDL
- Edition notes: Original publication had a typo in bars 39-40 in sop 2 to which this edition offers a solution (though it was not possible to consult the ms). The rationale is thus: the dotted minim in Sop 2, bar 39 was tied to the first crotchet of bar 40 but the text underlay for 'Domini' necessitated ignoring the tie and putting a melisma on the second syllable. Based on Stanford's setting of 'Domini' where he never stresses the second syllable, the conclusion is that the tie was meant and the text underlay incorrect in bar 40.
- CPDL #00403: Encore
- Editor: John Henry Fowler (submitted 1999-05-13). Score information: Letter, 6 pages, 119 kB Copyright: CPDL
- Edition notes:
Arrangements
- Editor: Casey Rule (submitted 2015-03-16). Score information: Letter, 6 pages, 84 kB Copyright: Personal
- Edition notes: Set for antiphonal SSA or TBB choirs
- CPDL #33080: Finale
- Editor: Chris Dell (submitted 2014-10-05). Score information: A4, 5 pages, 47 kB Copyright: CPDL
- Edition notes: This edition was arranged for SSAATB to reduce the burden on choirs with many good altos but few men.
- Editor: Edward Tambling (submitted 2011-07-09). Score information: A4, 5 pages, 70 kB Copyright: CPDL
- Edition notes: Transposed down a minor third for AATTBB
- Editor: Douglas Brooks-Davies (submitted 2004-09-29). Score information: A4, 8 pages, 236 kB Copyright: Personal
- Edition notes: arranged for SAAT & organ by the editor.
- CPDL #02027: Sibelius
- Editor: Denis Mason (submitted 2001-01-30). Score information: A4, 6 pages, 210 kB Copyright: Personal
- Edition notes: Arranged for men's voices (TTB.TBB) by the editor.
General Information
Title: Beati quorum via, Op. 38, No. 3
Composer: Charles Villiers Stanford
Number of voices: 6vv Voicings: SSATBB or AATTBB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
Published:
Description: The third motet of the set "Three Latin Motets". The others are Justorum Animae and Coelos Ascendit Hodie.
External websites:
Original text and translations
Psalm 119:1, Original text and translations may be found at Psalm 119.
Latin text
Beati quorum via integra est,
qui ambulant in lege Domini.
English translation
Blessed are the undefiled in the way,
who walk in the law of the Lord.
German translation
Wohl denen, die ohne Tadel leben,
die im Gesetz des Herrn wandeln!
Italian translation
Beati quelli che sono integri nelle loro vie,
che camminano secondo la legge del Signore.
- Casey Rule editions
- Fernando Gómez Jácome editions
- Rod Mather editions
- Keyboard reduction
- Jim Cooke editions
- John Henry Fowler editions
- Chris Dell editions
- SSAATB
- 6-part choral music
- Edward Tambling editions
- AATTBB
- Douglas Brooks-Davies editions
- SAAT
- 4-part choral music
- Denis Mason editions
- TTB.TBB
- Charles Villiers Stanford compositions
- SSATBB
- Sacred music
- Motets
- Works in Latin
- A cappella
- Texts
- Latin texts
- Translations
- English translations
- German translations
- Italian translations
- Sheet music
- Early 20th century music