Ave stella matutina (Francisco Valls): Difference between revisions
Jgoodliffe (talk | contribs) (adding "Ave stella matutina) |
m (Text replacement - "{{Published|Not known}}" to "{{Pub|1|}}") |
||
(8 intermediate revisions by 5 users not shown) | |||
Line 1: | Line 1: | ||
==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2018-12-26}} {{CPDLno|52714}} [[Media:Valls-matut.pdf|{{pdf}}]] [[Media:Valls-matut.mid|{{mid}}]] [[Media:Valls-matut.sib|{{Sib}}]] | *{{PostedDate|2018-12-26}} {{CPDLno|52714}} [[Media:Valls-matut.pdf|{{pdf}}]] [[Media:Valls-matut.mid|{{mid}}]] [[Media:Valls-matut.mxl|{{XML}}]] [[Media:Valls-matut.sib|{{Sib}}]] | ||
{{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2018-12-26}}{{ScoreInfo|A4|31|241}}{{Copy|CPDL}} | {{Editor|2|Jonathan Goodliffe|Mick Swithinbank|2018-12-26}}{{ScoreInfo|A4|31|241}}{{Copy|CPDL}} | ||
:'''Edition notes:''' The text has been added to the bass voice in the second choir, although it may have been intended that this part should be instumental only. Where the score has a dotted semi quaver rest followed by a semidemi quaver, this represents an interpretation of the composer's intention when writing a semi quaver rest followed by a semi quaver. | :'''Edition notes:''' The text has been added to the bass voice in the second choir, although it may have been intended that this part should be instumental only. Where the score has a dotted semi quaver rest followed by a semidemi quaver, this represents an interpretation of the composer's intention when writing a semi quaver rest followed by a semi quaver. | ||
:{{MXL}} | |||
==General Information== | ==General Information== | ||
Line 13: | Line 14: | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments| | {{Instruments|2 violins, bc & separate organ accompaniment for the second choir}} | ||
{{ | {{Pub|1|}} | ||
'''Description:''' A nine voice motet with solo passages for tenor and soprano | '''Description:''' A nine voice motet with solo passages for tenor and soprano | ||
Line 64: | Line 65: | ||
imbued with celestial dew, | imbued with celestial dew, | ||
like a dry fleece: | like a dry fleece: | ||
therefore console us in this prison. | |||
O | You are full of the grace of God | ||
O chosen spouse of God: | |||
be to us a straight path to eternal joy, | be to us a straight path to eternal joy, | ||
where peace and glory are found. | where peace and glory are found. | ||
You will always have a pious ear for us. | |||
So listen to us, sweet Mary.}} | |||
{{btm}} | {{btm}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Baroque music]] | [[Category:Baroque music]] |
Revision as of 18:25, 12 October 2019
Music files
ICON | SOURCE |
---|---|
Midi | |
MusicXML | |
Sibelius | |
File details | |
Help |
- Editors: Jonathan Goodliffe and Mick Swithinbank (submitted 2018-12-26). Score information: A4, 31 pages, 241 kB Copyright: CPDL
- Edition notes: The text has been added to the bass voice in the second choir, although it may have been intended that this part should be instumental only. Where the score has a dotted semi quaver rest followed by a semidemi quaver, this represents an interpretation of the composer's intention when writing a semi quaver rest followed by a semi quaver.
- MusicXML source file(s) in compressed .mxl format.
General Information
Title: Ave stella matutina
Composer: Francisco Valls
Lyricist: Simon Stock
Number of voices: 9vv Voicing: SATB.SSATB
Genre: Sacred, Motet
Language: Latin
Instruments: 2 violins, bc & separate organ accompaniment for the second choir
First published:
Description: A nine voice motet with solo passages for tenor and soprano
External websites:
Original text and translations
Original text and translations
Latin text Ave stella matutina, |
English translation Hail, morning star, |