Audivi vocem (Thomas Tallis): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{Legend}}
*{{NewWork|2012-06-23}} {{CPDLno|26574}} [{{filepath:Tall-aud.pdf}} {{pdf}}]
{{Editor|Jan Pallas|2012-06-23}}{{ScoreInfo|A4|2|86}}{{Copy|CPDL}}
:'''Edition notes:'''


*{{CPDLno|10850}} [{{filepath:TAL-AUDI.pdf}} {{pdf}}] [{{filepath:TAL-AUDI.mid}} {{mid}}] [{{filepath:TAL-AUDI.sib}} Sibelius 2]
*{{CPDLno|10850}} [{{filepath:TAL-AUDI.pdf}} {{pdf}}] [{{filepath:TAL-AUDI.mid}} {{mid}}] [{{filepath:TAL-AUDI.sib}} Sibelius 2]
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*{{CPDLno|10724}} [{{filepath:Tallis-Audivi_Vocem-With-Chant.pdf}} {{pdf}}] [{{filepath:Tallis-Audivi_Vocem-With-Chant.mid}} {{mid}}] [{{filepath:Tallis-Audivi_Vocem-With-Chant.sib}} Sibelius 4]
*{{CPDLno|10724}} [{{filepath:Tallis-Audivi_Vocem-With-Chant.pdf}} {{pdf}}] [{{filepath:Tallis-Audivi_Vocem-With-Chant.mid}} {{mid}}] [{{filepath:Tallis-Audivi_Vocem-With-Chant.sib}} Sibelius 4]
{{Editor|John Henry Fowler|2006-01-14}} {{ScoreInfo|Letter|4|50}} {{Copy|CPDL}}
{{Editor|John Henry Fowler|2006-01-14}} {{ScoreInfo|Letter|4|50}} {{Copy|CPDL}}
:'''Edition notes:''' Midi file: 6 Kbyte, Sibelius 4 file: 35 KByte - this edition has CHANT added, and has been fixed with Mick Swithinbank's edits.
:'''Edition notes:''' This edition has CHANT added, and has been fixed with Mick Swithinbank's edits (see talk page).


*{{CPDLno|10632}} [{{filepath:Tallis-Audivi_Vocem.pdf}} {{pdf}}] [{{filepath:Tallis-Audivi_Vocem.mid}} {{mid}}] [{{filepath:Tallis-Audivi_Vocem.sib}} Sibelius 4]
*{{CPDLno|10632}} [{{filepath:Tallis-Audivi_Vocem.pdf}} {{pdf}}] [{{filepath:Tallis-Audivi_Vocem.mid}} {{mid}}] [{{filepath:Tallis-Audivi_Vocem.sib}} Sibelius 4]
{{Editor|John Henry Fowler|2006-01-07}} {{ScoreInfo|Letter|3|38}} {{Copy|CPDL}}
{{Editor|John Henry Fowler|2006-01-07}} {{ScoreInfo|Letter|3|38}} {{Copy|CPDL}}
:'''Edition notes:''' Midi file: 6 Kbyte, Sibelius 4 file: 35 KByte - this edition has been fixed with Mick Swithinbank's edits.
:'''Edition notes:''' This edition has been fixed with Mick Swithinbank's edits (see talk page).


*{{CPDLno|10616}} [{{filepath:AUDIVI2.pdf}} {{pdf}}] [{{filepath:AUDIVI2.mid}} {{mid}}] [{{filepath:Audivi_Vocem.enc}} Encore]
*{{CPDLno|10616}} [{{filepath:AUDIVI2.pdf}} {{pdf}}] [{{filepath:AUDIVI2.mid}} {{mid}}] [{{filepath:Audivi_Vocem.enc}} Encore]
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'''Published:'''  
'''Published:'''  


'''Description:''' Responsorium <br>
'''Description:''' Responsorium
A couple of extra points concerning the score to which I previously suggested changes. In bar 9, the alto's first three notes appear to be identical to the soprano's, whereas they should be: whole note B flat, half-note A. In bar 21 the alto's penultimate note (quarter-note F) should be deleted, so that the first note in bar 22 (likewise a quarter-note F) can be brought forward into bar 21. In bar 22, the alto's C sharp should be a half-note and its penultimate note in this bar should be editorially modified to C natural. In bar 28, the tenor should have C sharp rather than C natural, by analogy with bar 7, creating a nice false relation. Some editions also have a passage of plainsong at the end, which is not included here.


'''External websites:'''  
'''External websites:'''  
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==Original text and translations==
==Original text and translations==
{{Text|Latin}}
{{Text|Latin}}
 
<poem>
Audivi vocem de caelo venientem: <br>
Audivi vocem de caelo venientem:
Oleum recondite in vasis vestris, <br>
Oleum recondite in vasis vestris,
dum sponsus advenerit. <br>
dum sponsus advenerit.
Media nocte clamor factus est. <br>
Media nocte clamor factus est.
Ecce sponsus venit. <br>
Ecce sponsus venit.
 
</poem>


{{Translation|English}}
{{Translation|English}}
''by Mick Swithinbank, drawing on the Douay-Rheims Bible translation''
''by Mick Swithinbank, drawing on the Douay-Rheims Bible translation''
 
<poem>
''I heard a voice from heaven saying: <br>
I heard a voice from heaven saying:
''Lay up the oil in your vessels <br>
Lay up the oil in your vessels
''when the bridegroom cometh. <br>
when the bridegroom cometh.
''At midnight there was a cry made: <br>
At midnight there was a cry made:
''Behold the bridegroom cometh.''
Behold the bridegroom cometh.''
</poem>


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]
[[Category:All Saints]]
[[Category:All Saints]]

Revision as of 00:35, 7 July 2012

Music files

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CPDL #26574:  Icon_pdf.gif
Editor: Jan Pallas (submitted 2012-06-23).   Score information: A4, 2 pages, 86 kB   Copyright: CPDL
Edition notes:
Editor: David Fraser (submitted 2006-01-26).   Score information: A4, 3 pages, 150 kB    Copyright: Personal
Edition notes:
Editor: John Henry Fowler (submitted 2006-01-14).   Score information: Letter, 4 pages, 50 kB    Copyright: CPDL
Edition notes: This edition has CHANT added, and has been fixed with Mick Swithinbank's edits (see talk page).
Editor: John Henry Fowler (submitted 2006-01-07).   Score information: Letter, 3 pages, 38 kB    Copyright: CPDL
Edition notes: This edition has been fixed with Mick Swithinbank's edits (see talk page).
Editor: John Henry Fowler (submitted 2006-01-07).   Score information: Letter, 3 pages, 35 kB    Copyright: CPDL
Edition notes: Use Sibelius score if possible. Encore has problem with whole-note rests.

General Information

Title: Audivi vocem
Composer: Thomas Tallis
Source of text: Jeremiah 40:10 and Matthew 25:6

Number of voices: 4vv   Voicing: SATB

Genre: Sacred, Motet

Language: Latin
Instruments: a cappella
Published:

Description: Responsorium

External websites:

Original text and translations

Latin.png Latin text

Audivi vocem de caelo venientem:
Oleum recondite in vasis vestris,
dum sponsus advenerit.
Media nocte clamor factus est.
Ecce sponsus venit.

English.png English translation by Mick Swithinbank, drawing on the Douay-Rheims Bible translation

I heard a voice from heaven saying:
Lay up the oil in your vessels
when the bridegroom cometh.
At midnight there was a cry made:
Behold the bridegroom cometh.

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