Alma Redemptoris Mater a 8 (Collegio Romano ms.) (Giovanni Pierluigi da Palestrina): Difference between revisions
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==Music files== | ==Music files== | ||
{{#Legend:}} | {{#Legend:}} | ||
*{{PostedDate|2019-04-22}} {{CPDLno|54037}} | |||
:'''Original key (F) - high chiavette:''' [[Media:Palestrina_Alma_Redemptoris_Mater_(F).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_(F).ly|{{Ly}}]] | |||
:'''Transposed down a tone (E flat):''' [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_tone_(E_flat).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_tone_(E_flat).ly|{{Ly}}]] | |||
:'''Transposed down a minor third (D):''' [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_minor_third_(D).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_minor_third_(D).ly|{{Ly}}]] | |||
:'''Transposed down a fourth (C):''' [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_fourth_(C).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_fourth_(C).ly|{{Ly}}]] - Alto in tenor clef | |||
{{Editor|Pothárn Imre|2019-04-22}}{{ScoreInfo|A4|2|67}}{{Copy|CPDL}} | |||
:'''Edition notes:''' Transcribed from Palestrina Werke, Band 7. Original note values. In measure 28 in the Bassus the first dotted minim in the source is D, which we have corrected to C. | |||
*{{CPDLno|34680}} [http://notenova.com?p=1712 {{net}}] | *{{CPDLno|34680}} [http://notenova.com?p=1712 {{net}}] | ||
{{Editor|Casey Rule|2015-02-26}}{{ScoreInfo|Letter|3|74}}{{Copy|Personal}} | {{Editor|Casey Rule|2015-02-26}}{{ScoreInfo|Letter|3|74}}{{Copy|Personal}} | ||
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:'''Edition notes:''' A tone lower, in E flat {{KbdRed}} {{MXL}} | :'''Edition notes:''' A tone lower, in E flat {{KbdRed}} {{MXL}} | ||
* {{CPDLno|18108}} [[Media:Palestrina-Alma_Redemptoris_Mater.pdf|{{pdf}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.mid|{{mid}}]] [[Media:Palestrina-Alma_Redemptoris_Mater. | * {{CPDLno|18108}} [[Media:Palestrina-Alma_Redemptoris_Mater.pdf|{{pdf}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.mid|{{mid}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.mxl|{{XML}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.sib|{{sib}}]] (Sibelius 4) | ||
{{Editor|John Henry Fowler|2008-10-06}}{{ScoreInfo|Letter|2|40}}{{Copy|CPDL}} | {{Editor|John Henry Fowler|2008-10-06}}{{ScoreInfo|Letter|2|40}}{{Copy|CPDL}} | ||
:'''Edition notes:''' In E flat. | :'''Edition notes:''' In E flat. {{MXL}} | ||
* {{CPDLno|5385}} [{{website|cantoral}} {{net}}] | * {{CPDLno|5385}} [{{website|cantoral}} {{net}}] | ||
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|}} | ||
'''Description:''' As printed in the Palestrina Werke (Breitkopf, vol. 7: 73–75), this is a double-chorus motet in which chorus 1 sings from m. 1 to m. 16, chorus 2 from m. 17 to m. 33, and both choruses together from m. 34 to the end. This antiphonal work is a completely different setting from the two others in the ''Palestrina Werke'', one of which is in fact for four voices and the other of which features some 8-part writing at the very end. | '''Description:''' As printed in the Palestrina Werke (Breitkopf, vol. 7: 73–75), this is a double-chorus motet in which chorus 1 sings from m. 1 to m. 16, chorus 2 from m. 17 to m. 33, and both choruses together from m. 34 to the end. This antiphonal work is a completely different setting from the two others in the ''Palestrina Werke'', one of which is in fact for four voices and the other of which features some 8-part writing at the very end. |
Revision as of 22:42, 22 June 2019
Music files
ICON | SOURCE |
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Midi | |
MusicXML | |
Capella | |
Encore | |
Finale | |
LilyPond | |
Sibelius | |
Web Page | |
File details | |
Help |
- (Posted 2019-04-22) CPDL #54037:
- Original key (F) - high chiavette:
- Transposed down a tone (E flat):
- Transposed down a minor third (D):
- Transposed down a fourth (C): - Alto in tenor clef
- Editor: Pothárn Imre (submitted 2019-04-22). Score information: A4, 2 pages, 67 kB Copyright: CPDL
- Edition notes: Transcribed from Palestrina Werke, Band 7. Original note values. In measure 28 in the Bassus the first dotted minim in the source is D, which we have corrected to C.
- Editor: Casey Rule (submitted 2015-02-26). Score information: Letter, 3 pages, 74 kB Copyright: Personal
- Edition notes: A tone lower, in E flat Major
- Editor: Francesco Spiga (submitted 2015-01-20). Score information: A4, 3 pages, 315 kB Copyright: CPDL
- Edition notes: Based on Breitkopf & Härtel 1876 edition, with Mensurstrich layout. In original notated high clefs, in F (for SATB a lower pitch is recommended). Typesetter's notes in Appendix page.
- Editor: Edward L. Stauff (submitted 2013-09-21). Score information: Letter, 6 pages, 509 kB Copyright: Public Domain
- Edition notes: In F; ed. for SAAB (from SATB); score includes list of editorial changes. MusicXML source file(s) in compressed .mxl format.
- Editor: James Gibb (submitted 2011-02-14). Score information: A4, 2 pages, 49 kB Copyright: CPDL
- Edition notes: A tone lower, in E flat Includes a keyboard reduction of the a cappella choral score. MusicXML source file(s) in compressed .mxl format.
- Editor: John Henry Fowler (submitted 2008-10-06). Score information: Letter, 2 pages, 40 kB Copyright: CPDL
- Edition notes: In E flat. MusicXML source file(s) in compressed .mxl format.
- Editor: Abel Di Marco (submitted 2003-08-01). Score information: Letter, 4 pages, 26.43 MB Copyright: Personal
- Edition notes: E major
- Editor: John Henry Fowler (submitted 1999-07-23). Score information: Letter, 4 pages, 64 kB Copyright: CPDL
- Edition notes: In E flat
- Possible error(s) identified. Error summary: Missing syllable in underlay See the discussion page for full description.
General Information
Title: Alma Redemptoris Mater a 8 (Collegio romano ms), not to be confused with Alma Redemptoris Mater (voci pari) or Alma Redemptoris Mater a 8 (Capella Giulia ms)
Composer: Giovanni Pierluigi da Palestrina
Number of voices: 8 or 4vv Voicing: SATB.SATB
in alternatim and together; also performable by a single choir SATB
Genre: Sacred, Votive antiphon
Language: Latin
Instruments: A cappella
First published:
Description: As printed in the Palestrina Werke (Breitkopf, vol. 7: 73–75), this is a double-chorus motet in which chorus 1 sings from m. 1 to m. 16, chorus 2 from m. 17 to m. 33, and both choruses together from m. 34 to the end. This antiphonal work is a completely different setting from the two others in the Palestrina Werke, one of which is in fact for four voices and the other of which features some 8-part writing at the very end.
External websites:
- Opera omnia VII at IMSLP
Original text and translations
Original text and translations may be found at Alma Redemptoris Mater.
- Pothárn Imre editions
- Casey Rule editions
- Francesco Spiga editions
- Edward L. Stauff editions
- James Gibb editions
- Keyboard reduction
- John Henry Fowler editions
- Abel Di Marco editions
- Editions with large score files
- Sheet music errors
- Giovanni Pierluigi da Palestrina compositions
- SATB.SATB
- 8-part choral music
- SATB
- Sacred music
- Votive antiphons
- Works in Latin
- A cappella
- Sheet music
- Advent
- Christmas
- Renaissance music