Alma Redemptoris Mater a 8 (Collegio Romano ms.) (Giovanni Pierluigi da Palestrina): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
*{{PostedDate|2019-04-22}} {{CPDLno|54037}}
:'''Original key (F) - high chiavette:''' [[Media:Palestrina_Alma_Redemptoris_Mater_(F).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_(F).ly|{{Ly}}]]
:'''Transposed down a tone (E flat):''' [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_tone_(E_flat).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_tone_(E_flat).ly|{{Ly}}]]
:'''Transposed down a minor third (D):''' [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_minor_third_(D).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_minor_third_(D).ly|{{Ly}}]]
:'''Transposed down a fourth (C):''' [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_fourth_(C).pdf|{{pdf}}]] [[Media:Palestrina_Alma_Redemptoris_Mater_-_down_a_fourth_(C).ly|{{Ly}}]] - Alto in tenor clef
{{Editor|Pothárn Imre|2019-04-22}}{{ScoreInfo|A4|2|67}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from Palestrina Werke, Band 7. Original note values. In measure 28 in the Bassus the first dotted minim in the source is D, which we have corrected to C.
 
*{{CPDLno|34680}} [http://notenova.com?p=1712 {{net}}]  
*{{CPDLno|34680}} [http://notenova.com?p=1712 {{net}}]  
{{Editor|Casey Rule|2015-02-26}}{{ScoreInfo|Letter|3|74}}{{Copy|Personal}}
{{Editor|Casey Rule|2015-02-26}}{{ScoreInfo|Letter|3|74}}{{Copy|Personal}}
Line 7: Line 15:
*{{CPDLno|34371}} [[Media:Palestrina_alma.pdf|{{pdf}}]] [[Media:Palestrina_alma.mid|{{mid}}]] [[Media:Palestrina_alma.ly|{{ly}}]]  
*{{CPDLno|34371}} [[Media:Palestrina_alma.pdf|{{pdf}}]] [[Media:Palestrina_alma.mid|{{mid}}]] [[Media:Palestrina_alma.ly|{{ly}}]]  
{{Editor|Francesco Spiga|2015-01-20}}{{ScoreInfo|A4|3|315}}{{Copy|CPDL}}
{{Editor|Francesco Spiga|2015-01-20}}{{ScoreInfo|A4|3|315}}{{Copy|CPDL}}
:'''Edition notes:''' Urtext edition with ''Mensurstrich'' layout. In original notated high clefs, in F (for SATB lower pitch is recommended). Typesetter's notes in Appendix page.
:'''Edition notes:''' Based on Breitkopf & Härtel 1876 edition, with ''Mensurstrich'' layout. In original notated high clefs, in F (for SATB a lower pitch is recommended). Typesetter's notes in Appendix page.


* {{CPDLno|30172}} [[Media:Palestrina-Alma_Redemptoris-SAAB.pdf|{{pdf}}]] [[Media:Palestrina-Alma_Redemptoris-SAAB.mxl|{{XML}}]] [[Media:Palestrina-Alma_Redemptoris-SAAB.mus|{{mus}}]] (Finale 2012)  
* {{CPDLno|30172}} [[Media:Palestrina-Alma_Redemptoris-SAAB.pdf|{{pdf}}]] [[Media:Palestrina-Alma_Redemptoris-SAAB.mxl|{{XML}}]] [[Media:Palestrina-Alma_Redemptoris-SAAB.mus|{{mus}}]] (Finale 2012)  
Line 13: Line 21:
:'''Edition notes:''' In F; ed. for SAAB (from SATB); score includes list of editorial changes.  {{MXL}}
:'''Edition notes:''' In F; ed. for SAAB (from SATB); score includes list of editorial changes.  {{MXL}}


*{{CPDLno|23145}} [[Media:Alma_Redemptoris_Mater.pdf|{{pdf}}]] [[Media:Alma_Redemptoris_Mater_Gibb.mid|{{mid}}]] [[Media:Alma_Redemptoris_Mater.cap|{{Cap}}]]  
*{{CPDLno|23145}} [[Media:Alma_Redemptoris_Mater.pdf|{{pdf}}]] [[Media:Alma_Redemptoris_Mater_Gibb.mid|{{mid}}]] [[Media:Alma_Redemptoris_Mater.mxl|{{XML}}]] [[Media:Alma_Redemptoris_Mater.cap|{{Cap}}]]  
{{Editor|James Gibb|2011-02-14}}{{ScoreInfo|A4|2|49}}{{Copy|CPDL}}
{{Editor|James Gibb|2011-02-14}}{{ScoreInfo|A4|2|49}}{{Copy|CPDL}}
:'''Edition notes:''' A tone lower, in E flat {{KbdRed}}
:'''Edition notes:''' A tone lower, in E flat {{KbdRed}} {{MXL}}


* {{CPDLno|18108}} [[Media:Palestrina-Alma_Redemptoris_Mater.pdf|{{pdf}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.mid|{{mid}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.sib|{{sib}}]] (Sibelius 4) / [[Media:Palestrina-Alma_Redemptoris_Mater.xml|{{XML}}]]
* {{CPDLno|18108}} [[Media:Palestrina-Alma_Redemptoris_Mater.pdf|{{pdf}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.mid|{{mid}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.mxl|{{XML}}]] [[Media:Palestrina-Alma_Redemptoris_Mater.sib|{{sib}}]] (Sibelius 4)
{{Editor|John Henry Fowler|2008-10-06}}{{ScoreInfo|Letter|2|40}}{{Copy|CPDL}}
{{Editor|John Henry Fowler|2008-10-06}}{{ScoreInfo|Letter|2|40}}{{Copy|CPDL}}
:'''Edition notes:''' In E flat.
:'''Edition notes:''' In E flat. {{MXL}}


* {{CPDLno|5385}} [{{website|cantoral}} {{net}}]
* {{CPDLno|5385}} [{{website|cantoral}} {{net}}]
Line 25: Line 33:
:'''Edition notes:''' E major
:'''Edition notes:''' E major


* {{CPDLno|322}} {{LinkW|pal-alma.pdf|pal-alma.mid}} [[Media:Alma_redemptoris_2sys.enc|{{Enc}}]]
* {{CPDLno|322}} [[Media:ws-pal-alma.pdf|{{Pdf}}]] [[Media:ws-pal-alma.mid|{{Mid}}]]  [[Media:Alma_redemptoris_2sys.enc|{{Enc}}]]
{{Editor|John Henry Fowler|1999-07-23}}{{ScoreInfo|Letter|4|64}}{{Copy|CPDL}}
{{Editor|John Henry Fowler|1999-07-23}}{{ScoreInfo|Letter|4|64}}{{Copy|CPDL}}
:'''Edition notes:''' In E flat {{ScoreError|Missing syllable in underlay}}
:'''Edition notes:''' In E flat {{ScoreError|Missing syllable in underlay}}
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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|}}  
{{Pub|1|}}  


'''Description:''' As printed in the Palestrina Werke (Breitkopf, vol. 7: 73–75), this is a double-chorus motet in which chorus 1 sings from m. 1 to m. 16, chorus 2 from m. 17 to m. 33, and both choruses together from m. 34 to the end. This antiphonal work is a completely different setting from the two others in the ''Palestrina Werke'', one of which is in fact for four voices and the other of which features some 8-part writing at the very end.
'''Description:''' As printed in the Palestrina Werke (Breitkopf, vol. 7: 73–75), this is a double-chorus motet in which chorus 1 sings from m. 1 to m. 16, chorus 2 from m. 17 to m. 33, and both choruses together from m. 34 to the end. This antiphonal work is a completely different setting from the two others in the ''Palestrina Werke'', one of which is in fact for four voices and the other of which features some 8-part writing at the very end.

Revision as of 22:42, 22 June 2019

Music files

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ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Capella.png Capella
Encore_Icon2.png Encore
Finale.png Finale
Icon_ly.gif LilyPond
Sibelius.png Sibelius
Network.png Web Page
File details.gif File details
Question.gif Help
  • (Posted 2019-04-22)  CPDL #54037: 
Original key (F) - high chiavette:    
Transposed down a tone (E flat):    
Transposed down a minor third (D):    
Transposed down a fourth (C):     - Alto in tenor clef
Editor: Pothárn Imre (submitted 2019-04-22).   Score information: A4, 2 pages, 67 kB   Copyright: CPDL
Edition notes: Transcribed from Palestrina Werke, Band 7. Original note values. In measure 28 in the Bassus the first dotted minim in the source is D, which we have corrected to C.
  • CPDL #34680:  Network.png
Editor: Casey Rule (submitted 2015-02-26).   Score information: Letter, 3 pages, 74 kB   Copyright: Personal
Edition notes: A tone lower, in E flat Major
  • CPDL #34371:       
Editor: Francesco Spiga (submitted 2015-01-20).   Score information: A4, 3 pages, 315 kB   Copyright: CPDL
Edition notes: Based on Breitkopf & Härtel 1876 edition, with Mensurstrich layout. In original notated high clefs, in F (for SATB a lower pitch is recommended). Typesetter's notes in Appendix page.
  • CPDL #30172:      (Finale 2012)
Editor: Edward L. Stauff (submitted 2013-09-21).   Score information: Letter, 6 pages, 509 kB   Copyright: Public Domain
Edition notes: In F; ed. for SAAB (from SATB); score includes list of editorial changes. MusicXML source file(s) in compressed .mxl format.
  • CPDL #23145:         
Editor: James Gibb (submitted 2011-02-14).   Score information: A4, 2 pages, 49 kB   Copyright: CPDL
Edition notes: A tone lower, in E flat Includes a keyboard reduction of the a cappella choral score. MusicXML source file(s) in compressed .mxl format.
  • CPDL #18108:        (Sibelius 4)
Editor: John Henry Fowler (submitted 2008-10-06).   Score information: Letter, 2 pages, 40 kB   Copyright: CPDL
Edition notes: In E flat. MusicXML source file(s) in compressed .mxl format.
  • CPDL #05385:  Network.png
Editor: Abel Di Marco (submitted 2003-08-01).   Score information: Letter, 4 pages, 26.43 MB   Copyright: Personal
Edition notes: E major
  • CPDL #00322:       
Editor: John Henry Fowler (submitted 1999-07-23).   Score information: Letter, 4 pages, 64 kB   Copyright: CPDL
Edition notes: In E flat
Error.gif Possible error(s) identified. Error summary: Missing syllable in underlay See the discussion page for full description.

General Information

Title: Alma Redemptoris Mater a 8 (Collegio romano ms), not to be confused with Alma Redemptoris Mater (voci pari) or Alma Redemptoris Mater a 8 (Capella Giulia ms)
Composer: Giovanni Pierluigi da Palestrina

Number of voices: 8 or 4vv   Voicing: SATB.SATB
in alternatim and together; also performable by a single choir SATB
Genre: SacredVotive antiphon

Language: Latin
Instruments: A cappella

First published:

Description: As printed in the Palestrina Werke (Breitkopf, vol. 7: 73–75), this is a double-chorus motet in which chorus 1 sings from m. 1 to m. 16, chorus 2 from m. 17 to m. 33, and both choruses together from m. 34 to the end. This antiphonal work is a completely different setting from the two others in the Palestrina Werke, one of which is in fact for four voices and the other of which features some 8-part writing at the very end.

External websites:

Original text and translations

Original text and translations may be found at Alma Redemptoris Mater.