Ad alligandos reges (Francisco Valls): Difference between revisions

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'''Title:''' ''Ad alligandos reges''<br>
'''Title:''' ''Ad alligandos reges''<br>
{{Composer|Francisco Valls}}
{{Composer|Francisco Valls}}
'''Source of text:''' [[Psalm 149]], vv.8-9
'''Source of text:''' [[Psalm 149]], vv. 8-9


{{Voicing|1|Solo Soprano}}<br>
{{Voicing|1|Solo Soprano}}<br>
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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|Basso continuo}}
{{Instruments|Basso continuo}}
{{Published|1742}}
{{Pub|1|1742|in ''{{NoCo|Mapa Armónico Práctico}}''|no=&nbsp;}}


'''Description:''' From "Mapa Armonico Practico". Manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. Included by the composer as an example of the use of recitative and aria style in sacred music.
'''Description:''' Manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. Included by the composer as an example of the use of recitative and aria style in sacred music.


'''External websites:'''  
'''External websites:'''  

Revision as of 07:52, 1 November 2019

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  • CPDL #12776:        (Sibelius 2)
Editor: Jonathan Goodliffe (submitted 2006-10-06).   Score information: A4, 3 pages, 55 kB   Copyright: CPDL
Edition notes: MusicXML source file(s) in compressed .mxl format.

General Information

Title: Ad alligandos reges
Composer: Francisco Valls
Source of text: Psalm 149, vv. 8-9

Number of voices: 1v   Voicing: Soprano solo

Genre: SacredAria

Language: Latin
Instruments: Basso continuo

First published: 1742 in Mapa Armónico Práctico, no.  

Description: Manuscript, including this score, published by Consejo Superior de Investigaciones Cientificas. Included by the composer as an example of the use of recitative and aria style in sacred music.

External websites:

Original text and translations

Original text and translations may be found at Psalm 149.