https://www.cpdl.org/wiki/api.php?action=feedcontributions&user=Rote&feedformat=atomChoralWiki - User contributions [en]2024-03-29T00:17:17ZUser contributionsMediaWiki 1.39.4https://www.cpdl.org/wiki/index.php?title=Talk:Missa_annuntiate_nobis_(Jos%C3%A9_de_Torres)&diff=330931Talk:Missa annuntiate nobis (José de Torres)2012-01-24T19:43:21Z<p>Rote: </p>
<hr />
<div>The reason for the suggested changes/corrections has been abbreviated with the following keys.<br />
<br />
* ACC: accidentals were not always explicitly written in the scores. They have been added for various reasons:<br />
* ACC-MEL. for melodic reasons<br />
* ACC-ANA. in analogy to a similar phrase<br />
* ACC-UNI. for uniformity with another voice or instrument<br />
* ACC-FIN. for terminating in a major chord (optional)<br />
* ACC-HARM. for harmonic reasons<br />
* TRF transcription error from the manuscript<br />
* ERR error in the manuscript<br />
<br />
----<br />
<br />
==1. Kyrie==<br />
<br />
* T.15 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.30 g# instead of g (Chor 1 Alt, Vln 1) (ACC-FIN)<br />
* T.40 Chor 2 Sopran, 2. Note: g instead of f# (halbe Note) (TRF)<br />
* T.44 Chor 1 Tenor, 2.+3. Note : e instead of c (2x) (TRF)<br />
* T.45 Chor 1 Tenor, a (1/2-Note), 1/4 Pause, d (1/4-Note) (TRF)<br />
* T.46 Chor 1 Tenor, g g (2x 1/4-Note), 1/2 Pause (TRF)<br />
* T.47 Chor 1 Tenor, b(high) (3/4-Note) b(low), like previously T.46 (TRF)<br />
* T.48 Chor 1 Tenor. (ERR)<br />
: (The manuscript terminates the Christe with a double note; not with a single note as the other voices.)<br />
* T.48 g# instead of g (Chor 1 Alt, Vln 1, Vln 2, Ob) (ACC-FIN)<br />
* T.57 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.57 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.59 Vln 2: c# instead of c (ACC-MEL)<br />
* T.60 Ob: c# instead of c (ACC-MEL)<br />
* T.61 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.62 Chor 1 Alt: b instead of g (TRF)<br />
* T.63 Chor 2 Sopran: c# instead of c (ACC-MEL)<br />
* T.63 Chor 1 Alt: b instead of g (TRF)<br />
* T.64 Chor 2 Alt + Vln 2: c# instead of c (ACC-MEL)<br />
* T.65 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.66 Chor 2 Bass: c# instead of c (ACC-MEL)<br />
* T.68 Chor 1 Sopran1: c# instead of c (ACC-MEL)<br />
* T.68 Chor 1 Sopran1 and Vln. 2: d# instead of d throughout (TRF)<br />
* T.69 g# instead of g (Chor 1 Alt, Vln 1, Chor 2 Sopran) (ACC-FIN)<br />
<br />
==2. Gloria==<br />
<br />
* T.5 Chor 1 Alt: (ERR)<br />
: The manuscript has e g# a. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths.<br />
: This is apparently a copying error.<br />
: A suggested replacement: f# b g<br />
* Z.12 Chor 2 Sopran a# instead of a (2x)? (ACC-ANA)<br />
* T.14 Chor 2 Bass, Org, Hp: c# instead of c (ACC-MEL)<br />
* T.14 Chor 2 Bass: g instead of b (TRF)<br />
* T.24 Chor 1 Alt: (ERR)<br />
: The manuscript has d b d. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths, and a dissonance c#/d on the last beat.<br />
: This is apparently a copying error.<br />
: A suggested replacement: d a(high) f#<br />
* T.26 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.29 Chor 2 Sopran: f instead of f# (ACC)<br />
* T.40 Chor 1 Sopran2: f# instead of d (TRF)<br />
* T.41 Chor 1 Sopran2: g a instead of e f# (TRF)<br />
* T.75 Chor 1 Tenor: 4.+6. Note g instead of g# (2x, like in Org,Hp) (ACC-UNI)<br />
: (The Ms. has no natural)<br />
* T.82 Chor 2 Alt: d# instead of d (wie in Ob) (ACC-UNI)<br />
* T.85 Schlusstakt: g# instead of g (Chor 1 Alt, Chor 1 Sopran, Vln.1) (ACC-MEL)<br />
<br />
==3. Credo: Patrem omnipotentem==<br />
<br />
* T.6 Chor 2 Tenor: e-c-c-c instead of e-e-e-c (?ERR-ANA)<br />
* T.46 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.47 Chor 1 Sopran2: c# instead of c (ACC-MEL)<br />
* T.48 Chor 2 Sopran + Vln 1: c# instead of c (ACC-MEL)<br />
* T.49 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.50 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.51 Chor 2 Bass + Org: c# instead of c (ACC-MEL)<br />
* T.52 Chor 1 Alt: c# instead of c (2x) (ACC-MEL)<br />
* T.53 Chor 2 Tenor, Vln2: c# d# c# instead of c d c (?ACC-ANA)<br />
: (The analogous phrase in Alt 1 in T.52 has also no accidentals in the Ms.)<br />
* T.54 g# instead of g (Chor 1 Alt, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==4. Credo: Et incarnatus==<br />
<br />
==5. Credo: Crucifixus==<br />
<br />
* T.6 Chor 2 Tenor. d instead of f# (TRF)<br />
* T.7 Chor 2 Tenor. c instead of e (4x), b instead of d (2x) (TRF)<br />
* T.17 Chor 1 Alt. c# instead of c (ACC-MEL)<br />
<br />
==6. Credo: Et resurrexit==<br />
<br />
* T.8 Chor 1 Tenor c# d# instead of c d (ACC-HARM)<br />
* T.57 Chor 2 Bass,Org+Hp: b instead of c (TRF)<br />
<br />
==7. Credo: Et in spiritum sanctum==<br />
<br />
* T.10 Chor 1, Alt: g instead of g# (ACC-MEL)<br />
* T.11 Chor 2, Alt: g instead of g# (ACC-MEL)<br />
* T.14 Chor 2, Bass: g instead of b (TRF)<br />
* T.16 Chor 2, Bass: g instead of b (TRF)<br />
* T.45 g# instead of g (Chor 1 Sopran2, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==8. Sanctus==<br />
<br />
* T.8 Org+H: a d instead of f# b (TRF)<br />
* T.38 Chor 2, Tenor: d# instead of d (TRF)<br />
* T.38 Vln.1+2: d# c# instead of d c (ACC-HARM)<br />
* T.41 Chor 1, Sopran: b instead of c (?ERR, for harmonic reasons)<br />
<br />
==9. Agnus Dei==<br />
<br />
* T.5 Chor 1, Sopran 2: c# instead of c (ACC-MEL)<br />
* T.6 Chor 1, Alt: c# instead of c (ACC-MEL)<br />
* T.7 Chor 2, Bass + Org: d# instead of d (TRF)<br />
* T.8 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.9 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.13 Chor 1, Sopran1: f# instead of f (TRF)<br />
* T.13 Chor 1, Tenor: f# instead of f (TRF)<br />
* T.13 Org+H: f# instead of g (ERR/TRF)<br />
:(error in the organ score; the harp has f#)<br />
* T.18 Chor 1, Sopran2: g# instead of g (TRF)<br />
----<br />
[[User:Rote|Rote]] 13:25, 24 January 2012 (CST)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Missa_annuntiate_nobis_(Jos%C3%A9_de_Torres)&diff=330927Talk:Missa annuntiate nobis (José de Torres)2012-01-24T19:36:20Z<p>Rote: </p>
<hr />
<div>The reason for the suggested changes/corrections has been abbreviated with the following keys.<br />
<br />
* ACC: accidentals were not always explicitly written in the scores. They have been added for various reasons:<br />
* ACC-MEL. for melodic reasons<br />
* ACC-ANA. in analogy to a similar phrase<br />
* ACC-UNI. for uniformity with another voice or instrument<br />
* ACC-FIN. for terminating in a major chord (optional)<br />
* ACC-HARM. for harmonic reasons<br />
* TRF transcription error from the manuscript<br />
* ERR error in the manuscript<br />
<br />
----<br />
<br />
==1. Kyrie==<br />
<br />
* T.15 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.30 g# instead of g (Chor 1 Alt, Vln 1) (ACC-FIN)<br />
* T.40 Chor 2 Sopran, 2. Note: g instead of f# (halbe Note) (TRF)<br />
* T.44 Chor 1 Tenor, 2.+3. Note : e instead of c (2x) (TRF)<br />
* T.45 Chor 1 Tenor, a (1/2-Note), 1/4 Pause, d (1/4-Note) (TRF)<br />
* T.46 Chor 1 Tenor, g g (2x 1/4-Note), 1/2 Pause (TRF)<br />
* T.47 Chor 1 Tenor, b(high) (3/4-Note) b(low), like previously T.46 (TRF)<br />
* T.48 Chor 1 Tenor. (ERR)<br />
: (The manuscript terminates the Christe with a double note; not with a single note as the other voices.)<br />
* T.48 g# instead of g (Chor 1 Alt, Vln 1, Vln 2, Ob) (ACC-FIN)<br />
* T.57 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.57 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.59 Vln 2: c# instead of c (ACC-MEL)<br />
* T.60 Ob: c# instead of c (ACC-MEL)<br />
* T.61 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.62 Chor 1 Alt: b instead of g (TRF)<br />
* T.63 Chor 2 Sopran: c# instead of c (ACC-MEL)<br />
* T.63 Chor 1 Alt: b instead of g (TRF)<br />
* T.64 Chor 2 Alt + Vln 2: c# instead of c (ACC-MEL)<br />
* T.65 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.66 Chor 2 Bass: c# instead of c (ACC-MEL)<br />
* T.68 Chor 1 Sopran and Vln. 2: d# instead of d throughout (TRF)<br />
* T.69 g# instead of g (Chor 1 Alt, Vln 1, Chor 2 Sopran) (ACC-FIN)<br />
<br />
==2. Gloria==<br />
<br />
* T.5 Chor 1 Alt: (ERR)<br />
: The manuscript has e g# a. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths.<br />
: This is apparently a copying error.<br />
: A suggested replacement: f# b g<br />
* Z.12 Chor 2 Sopran a# instead of a (2x)? (ACC-ANA)<br />
* T.14 Chor 2 Bass, Org, Hp: c# instead of c (ACC-MEL)<br />
* T.14 Chor 2 Bass: g instead of b (TRF)<br />
* T.24 Chor 1 Alt: (ERR)<br />
: The manuscript has d b d. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths, and a dissonance c#/d on the last beat.<br />
: This is apparently a copying error.<br />
: A suggested replacement: d a(high) f#<br />
* T.26 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.29 Chor 2 Sopran: f instead of f# (ACC)<br />
* T.40 Chor 1 Sopran2: f# instead of d (TRF)<br />
* T.41 Chor 1 Sopran2: g a instead of e f# (TRF)<br />
* T.75 Chor 1 Tenor: 4.+6. Note g instead of g# (2x, like in Org,Hp) (ACC-UNI)<br />
: (The Ms. has no natural)<br />
* T.82 Chor 2 Alt: d# instead of d (wie in Ob) (ACC-UNI)<br />
* T.85 Schlusstakt: g# instead of g (Chor 1 Alt, Chor 1 Sopran, Vln.1) (ACC-MEL)<br />
<br />
==3. Credo: Patrem omnipotentem==<br />
<br />
* T.6 Chor 2 Tenor: e-c-c-c instead of e-e-e-c (?ERR-ANA)<br />
* T.46 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.47 Chor 1 Sopran2: c# instead of c (ACC-MEL)<br />
* T.48 Chor 2 Sopran + Vln 1: c# instead of c (ACC-MEL)<br />
* T.49 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.50 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.51 Chor 2 Bass + Org: c# instead of c (ACC-MEL)<br />
* T.52 Chor 1 Alt: c# instead of c (2x) (ACC-MEL)<br />
* T.53 Chor 2 Tenor, Vln2: c# d# c# instead of c d c (?ACC-ANA)<br />
: (The analogous phrase in Alt 1 in T.52 has also no accidentals in the Ms.)<br />
* T.54 g# instead of g (Chor 1 Alt, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==4. Credo: Et incarnatus==<br />
<br />
==5. Credo: Crucifixus==<br />
<br />
* T.6 Chor 2 Tenor. d instead of f# (TRF)<br />
* T.7 Chor 2 Tenor. c instead of e (4x), b instead of d (2x) (TRF)<br />
* T.17 Chor 1 Alt. c# instead of c (ACC-MEL)<br />
<br />
==6. Credo: Et resurrexit==<br />
<br />
* T.8 Chor 1 Tenor c# d# instead of c d (ACC-HARM)<br />
* T.57 Chor 2 Bass,Org+Hp: b instead of c (TRF)<br />
<br />
==7. Credo: Et in spiritum sanctum==<br />
<br />
* T.10 Chor 1, Alt: g instead of g# (ACC-MEL)<br />
* T.11 Chor 2, Alt: g instead of g# (ACC-MEL)<br />
* T.14 Chor 2, Bass: g instead of b (TRF)<br />
* T.16 Chor 2, Bass: g instead of b (TRF)<br />
* T.45 g# instead of g (Chor 1 Sopran2, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==8. Sanctus==<br />
<br />
* T.8 Org+H: a d instead of f# b (TRF)<br />
* T.38 Chor 2, Tenor: d# instead of d (TRF)<br />
* T.38 Vln.1+2: d# c# instead of d c (ACC-HARM)<br />
* T.41 Chor 1, Sopran: b instead of c (?ERR, for harmonic reasons)<br />
<br />
==9. Agnus Dei==<br />
<br />
* T.5 Chor 1, Sopran 2: c# instead of c (ACC-MEL)<br />
* T.6 Chor 1, Alt: c# instead of c (ACC-MEL)<br />
* T.7 Chor 2, Bass + Org: d# instead of d (TRF)<br />
* T.8 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.9 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.13 Chor 1, Sopran1: f# instead of f (TRF)<br />
* T.13 Chor 1, Tenor: f# instead of f (TRF)<br />
* T.13 Org+H: f# instead of g (ERR/TRF)<br />
:(error in the organ score; the harp has f#)<br />
* T.18 Chor 1, Sopran2: g# instead of g (TRF)<br />
----<br />
[[User:Rote|Rote]] 13:25, 24 January 2012 (CST)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Missa_annuntiate_nobis_(Jos%C3%A9_de_Torres)&diff=330925Missa annuntiate nobis (José de Torres)2012-01-24T19:34:21Z<p>Rote: </p>
<hr />
<div>==Music files==<br />
{{Legend}}<br />
<br />
===1. Kyrie===<br />
*{{CPDLno|19910}} [{{filepath:Tor-ann1.pdf}} {{pdf}}] [{{filepath:Tor-ann1.mid}} {{mid}}] [{{filepath:Tor-ann1.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2009-08-05}}{{ScoreInfo|A4|13|117}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. {{ScoreError}}<br />
===2. Gloria===<br />
*{{CPDLno|19911}} [{{filepath:Tor-ann2.pdf}} {{pdf}}] [{{filepath:Tor-ann2.mid}} {{mid}}] [{{filepath:Tor-ann2.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2009-08-05}}{{ScoreInfo|A4|15|132}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Bar 5 alto first choir second note changed from G sharp to A. Bar 39 first soprano, first choir. Second note changed from B to A. {{ScoreError}}<br />
<br />
===3. Credo===<br />
<br />
====3.1 Patrem omnipotentem====<br />
*{{NewWork|2010-10-08}} {{CPDLno|22391}} [{{filepath:Tor-ann3.pdf}} {{pdf}}] [{{filepath:Tor-ann3.mid}} {{mid}}] [{{filepath:Tor-ann3.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-10-03}}{{ScoreInfo|A4|14|96}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-10-08. {{ScoreError}}<br />
<br />
====3.2 Et incarnatus====<br />
*{{CPDLno|22418}} [{{filepath:Tor-ann4.pdf}} {{pdf}}] [{{filepath:Tor-ann4.mid}} {{mid}}] [{{filepath:Tor-ann4.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-10-08}}{{ScoreInfo|A4|2|35}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.<br />
:{{Voicing|4|SSAT}}<br />
<br />
====3.3 Crucifixus====<br />
*{{CPDLno|22419}} [{{filepath:Tor-ann5.pdf}} {{pdf}}] [{{filepath:Tor-ann5.mid}} {{mid}}] [{{filepath:Tor-ann5.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-10-08}}{{ScoreInfo|A4|4|40}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. Corrected version uploaded 2010-11-04. {{ScoreError}}<br />
<br />
====3.4 Et resurrexit====<br />
*{{CPDLno|22480}} [{{filepath:Tor-ann6.pdf}} {{pdf}}] [{{filepath:Tor-ann6.mid}} {{mid}}] [{{filepath:Tor-ann6.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-10-21}}{{ScoreInfo|A4|14|97}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. {{ScoreError}}<br />
<br />
====3.5 Et in spiritum sanctum====<br />
*{{CPDLno|22481}} [{{filepath:Tor-ann7.pdf}} {{pdf}}] [{{filepath:Tor-ann7.mid}} {{mid}}] [{{filepath:Tor-ann7.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-10-21}}{{ScoreInfo|A4|13|99}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. {{ScoreError}}<br />
<br />
===4. Sanctus===<br />
*{{CPDLno|22570}} [{{filepath:Tor-ann8.pdf}} {{pdf}}] [{{filepath:Tor-ann8.mid}} {{mid}}] [{{filepath:Tor-ann8.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-11-03}}{{ScoreInfo|A4|10|83}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. {{ScoreError}}<br />
<br />
===5. Benedictus (added by a later arranger)===<br />
*{{CPDLno|22573}} [{{filepath:Tor-ann8a.pdf}} {{pdf}}] [{{filepath:Tor-ann8a.mid}} {{mid}}] [{{filepath:Tor-ann8a.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-11-05}}{{ScoreInfo|A4|2|31}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral.<br />
<br />
===6. Agnus Dei===<br />
*{{CPDLno|22589}} [{{filepath:Tor-ann9.pdf}} {{pdf}}] [{{filepath:Tor-ann9.mid}} {{mid}}] [{{filepath:Tor-ann9.sib}} Sibelius 5] <br />
{{Editor|Jonathan Goodliffe|2010-11-08}}{{ScoreInfo|A4|15|108}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Transcribed from a copy of the manuscript (see external websites, below). The original is in Guatemala Cathedral. {{ScoreError}}<br />
<br />
==General Information==<br />
'''Title:''' ''Missa annuntiate nobis''<br><br />
{{Composer|José de Torres}}<br />
<br />
{{Voicing|8|SSAT.SATB}}<br><br />
{{Genre|Sacred|Masses|9=Torres, José de}}<br />
{{Language|2|Ancient Greek|Latin}}<br />
'''Instruments:''' two violins, oboe, harp and organ<br><br />
'''Published:''' Not known<br />
<br />
'''Description:''' An 8 part mass with orchestral accompaniment. It is not clear why it is called "annuntiate nobis". That is a phrase from the plainchant "Quem vidistis pastores", but there is no obvious imitation of that plainchant. A Benedictus is included although it was clearly added by a later arranger, plagiarised from the Christe Eleison. Spanish masses from this period often seem to omit the Benedictus (the same applies to, for instance, Francisco Valls' Missa Scala Aretina, Missa Primi Toni and Missa Quarti Toni). If the Benedictus is to be performed as part of this mass it might be more authentic to use one of Torres' 3 part settings. One of these is included on CPDL. In the prosody, the syllables in the words "te-rra" and "to-llis" are split thus, no doubt because until very recently double r and double l were treated as letters in their own right in Spanish, the double r being rolled and the double l pronounced as "y" or "ly".<br />
<br />
'''External websites:''' from the [[Música Colonial Archive]]. [http://conan.lib.muohio.edu/musica/frame.html?filename=7-044.djvu Copy of the manuscript] the original of which is in Guatemala Cathedral. It can be accessed with "Dejavu" software. Free download available [http://www.dejavusoftware.com/ here].<br />
<br />
==Original text and translations==<br />
{{MassText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Missa_annuntiate_nobis_(Jos%C3%A9_de_Torres)&diff=330921Talk:Missa annuntiate nobis (José de Torres)2012-01-24T19:26:24Z<p>Rote: </p>
<hr />
<div>The reason for the suggested changes/corrections has been abbreviated with the following keys.<br />
<br />
* ACC: accidentals were not always explicitly written in the scores. They have been added for various reasons:<br />
* ACC-MEL. for melodic reasons<br />
* ACC-ANA. in analogy to a similar phrase<br />
* ACC-UNI. for uniformity with another voice or instrument<br />
* ACC-FIN. for terminating in a major chord (optional)<br />
* ACC-HARM. for harmonic reasons<br />
* TRF transcription error from the manuscript<br />
* ERR error in the manuscript<br />
<br />
----<br />
<br />
==1. Kyrie==<br />
<br />
* T.15 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.30 g# instead of g (Chor 1 Alt, Vln 1) (ACC-FIN)<br />
* T.40 Chor 2 Sopran, 2. Note: g instead of f# (halbe Note) (TRF)<br />
* T.44 Chor 1 Tenor, 2.+3. Note : e instead of c (2x) (TRF)<br />
* T.45 Chor 1 Tenor, a (1/2-Note), 1/4 Pause, d (1/4-Note) (TRF)<br />
* T.46 Chor 1 Tenor, g g (2x 1/4-Note), 1/2 Pause (TRF)<br />
* T.47 Chor 1 Tenor, b(high) (3/4-Note) b(low), like previously T.46 (TRF)<br />
* T.48 Chor 1 Tenor. (ERR)<br />
: (The manuscript terminates the Christe with a double note; not with a single note as the other voices.)<br />
* T.48 g# instead of g (Chor 1 Alt, Vln 1, Vln 2, Ob) (ACC-FIN)<br />
* T.57 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.57 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.59 Vln 2: c# instead of c (ACC-MEL)<br />
* T.60 Ob: c# instead of c (ACC-MEL)<br />
* T.61 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.62 Chor 1 Alt: b instead of g (TRF)<br />
* T.63 Chor 2 Sopran: c# instead of c (ACC-MEL)<br />
* T.63 Chor 1 Alt: b instead of g (TRF)<br />
* T.64 Chor 2 Alt + Vln 2: c# instead of c (ACC-MEL)<br />
* T.65 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.66 Chor 2 Bass: c# instead of c (ACC-MEL)<br />
* T.68 Chor 1 Sopran and Vln. 2: d# instead of d throughout (TRF)<br />
* T.69 g# instead of g (Chor 1 Alt, Vln 1, Chor 2 Sopran) (ACC-FIN)<br />
<br />
==2. Gloria==<br />
<br />
* T.5 Chor 1 Alt: (ERR)<br />
: The manuscript has e g# a. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths.<br />
: This is apparently a copying error.<br />
: A suggested replacement: f# b g<br />
* Z.12 Chor 2 Sopran a# instead of a (2x)? (ACC-ANA)<br />
* T.14 Chor 2 Bass, Org, Hp: c# instead of c (ACC-MEL)<br />
* T.14 Chor 2 Bass: g instead of b (TRF)<br />
* T.24 Chor 1 Alt: (ERR)<br />
: The manuscript has d b d. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths, and a dissonance c#/d on the last beat.<br />
: This is apparently a copying error.<br />
: A suggested replacement: d a(high) f#<br />
* T.26 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.29 Chor 2 Sopran: f instead of f# (ACC)<br />
* T.40 Chor 1 Sopran2: f# instead of d (TRF)<br />
* T.41 Chor 1 Sopran2: g a instead of e f# (TRF)<br />
* T.75 Chor 1 Tenor: 4.+6. Note g instead of g# (2x, wie in Org,Hp) (ACC-UNI)<br />
: (The Ms. has no natural)<br />
* T.82 Chor 2 Alt: d# instead of d (wie in Ob) (ACC-UNI)<br />
* T.85 Schlusstakt: g# instead of g (Chor 1 Alt, Chor 1 Sopran, Vln.1) (ACC-MEL)<br />
<br />
==3. Credo: Patrem omnipotentem==<br />
<br />
* T.6 Chor 2 Tenor: e-c-c-c instead of e-e-e-c (?ERR-ANA)<br />
* T.46 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.47 Chor 1 Sopran2: c# instead of c (ACC-MEL)<br />
* T.48 Chor 2 Sopran + Vln 1: c# instead of c (ACC-MEL)<br />
* T.49 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.50 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.51 Chor 2 Bass + Org: c# instead of c (ACC-MEL)<br />
* T.52 Chor 1 Alt: c# instead of c (2x) (ACC-MEL)<br />
* T.53 Chor 2 Tenor, Vln2: c# d# c# instead of c d c (?ACC-ANA)<br />
: (The analogous phrase in Alt 1 in T.52 has also no accidentals in the Ms.)<br />
* T.54 g# instead of g (Chor 1 Alt, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==4. Credo: Et incarnatus==<br />
<br />
==5. Credo: Crucifixus==<br />
<br />
* T.6 Chor 2 Tenor. d instead of f# (TRF)<br />
* T.7 Chor 2 Tenor. c instead of e (4x), b instead of d (2x) (TRF)<br />
* T.17 Chor 1 Alt. c# instead of c (ACC-MEL)<br />
<br />
==6. Credo: Et resurrexit==<br />
<br />
* T.8 Chor 1 Tenor c# d# instead of c d (ACC-HARM)<br />
* T.57 Chor 2 Bass,Org+Hp: b instead of c (TRF)<br />
<br />
==7. Credo: Et in spiritum sanctum==<br />
<br />
* T.10 Chor 1, Alt: g instead of g# (ACC-MEL)<br />
* T.11 Chor 2, Alt: g instead of g# (ACC-MEL)<br />
* T.14 Chor 2, Bass: g instead of b (TRF)<br />
* T.16 Chor 2, Bass: g instead of b (TRF)<br />
* T.45 g# instead of g (Chor 1 Sopran2, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==8. Sanctus==<br />
<br />
* T.8 Org+H: a d instead of f# b (TRF)<br />
* T.38 Chor 2, Tenor: d# instead of d (TRF)<br />
* T.38 Vln.1+2: d# c# instead of d c (ACC-HARM)<br />
* T.41 Chor 1, Sopran: b instead of c (?ERR, for harmonic reasons)<br />
<br />
==9. Agnus Dei==<br />
<br />
* T.5 Chor 1, Sopran 2: c# instead of c (ACC-MEL)<br />
* T.6 Chor 1, Alt: c# instead of c (ACC-MEL)<br />
* T.7 Chor 2, Bass + Org: d# instead of d (TRF)<br />
* T.8 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.9 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.13 Chor 1, Sopran1: f# instead of f (TRF)<br />
* T.13 Chor 1, Tenor: f# instead of f (TRF)<br />
* T.13 Org+H: f# instead of g (ERR/TRF)<br />
:(error in the organ score; the harp has f#)<br />
* T.18 Chor 1, Sopran2: g# instead of g (TRF)<br />
----<br />
[[User:Rote|Rote]] 13:25, 24 January 2012 (CST)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Missa_annuntiate_nobis_(Jos%C3%A9_de_Torres)&diff=330920Talk:Missa annuntiate nobis (José de Torres)2012-01-24T19:25:52Z<p>Rote: list of corrections and editions</p>
<hr />
<div>The reason for the suggested changes/corrections has been abbreviated with the following keys.<br />
<br />
* ACC: accidentals were not always explicitly written in the scores. They have been added for various reasons:<br />
* ACC-MEL. for melodic reasons<br />
* ACC-ANA. in analogy to a similar phrase<br />
* ACC-UNI. for uniformity with another voice or instrument<br />
* ACC-FIN. for terminating in a major chord (optional)<br />
* ACC-HARM. for harmonic reasons<br />
* TRF transcription error from the manuscript<br />
* ERR error in the manuscript<br />
<br />
----<br />
<br />
==1. Kyrie==<br />
<br />
* T.15 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.30 g# instead of g (Chor 1 Alt, Vln 1) (ACC-FIN)<br />
* T.40 Chor 2 Sopran, 2. Note: g instead of f# (halbe Note) (TRF)<br />
* T.44 Chor 1 Tenor, 2.+3. Note : e instead of c (2x) (TRF)<br />
* T.45 Chor 1 Tenor, a (1/2-Note), 1/4 Pause, d (1/4-Note) (TRF)<br />
* T.46 Chor 1 Tenor, g g (2x 1/4-Note), 1/2 Pause (TRF)<br />
* T.47 Chor 1 Tenor, b(high) (3/4-Note) b(low), like previously T.46 (TRF)<br />
* T.48 Chor 1 Tenor. (ERR)<br />
: (The manuscript terminates the Christe with a double note; not with a single note as the other voices.)<br />
* T.48 g# instead of g (Chor 1 Alt, Vln 1, Vln 2, Ob) (ACC-FIN)<br />
* T.57 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.57 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.59 Vln 2: c# instead of c (ACC-MEL)<br />
* T.60 Ob: c# instead of c (ACC-MEL)<br />
* T.61 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.62 Chor 1 Alt: b instead of g (TRF)<br />
* T.63 Chor 2 Sopran: c# instead of c (ACC-MEL)<br />
* T.63 Chor 1 Alt: b instead of g (TRF)<br />
* T.64 Chor 2 Alt + Vln 2: c# instead of c (ACC-MEL)<br />
* T.65 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.66 Chor 2 Bass: c# instead of c (ACC-MEL)<br />
* T.68 Chor 1 Sopran and Vln. 2: d# instead of d throughout (TRF) !!<br />
* T.69 g# instead of g (Chor 1 Alt, Vln 1, Chor 2 Sopran) (ACC-FIN)<br />
<br />
==2. Gloria==<br />
<br />
* T.5 Chor 1 Alt: (ERR)<br />
: The manuscript has e g# a. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths.<br />
: This is apparently a copying error.<br />
: A suggested replacement: f# b g<br />
* Z.12 Chor 2 Sopran a# instead of a (2x)? (ACC-ANA)<br />
* T.14 Chor 2 Bass, Org, Hp: c# instead of c (ACC-MEL)<br />
* T.14 Chor 2 Bass: g instead of b (TRF)<br />
* T.24 Chor 1 Alt: (ERR)<br />
: The manuscript has d b d. (p.25).<br />
: These notes appear on the same lines as Sopran 2 (p.18) but with a different clef, leading to parallel fifths, and a dissonance c#/d on the last beat.<br />
: This is apparently a copying error.<br />
: A suggested replacement: d a(high) f#<br />
* T.26 Chor 2 Sopran: 1/4-Note instead of 1/2-Note (ERR-ANA)<br />
* T.29 Chor 2 Sopran: f instead of f# (ACC)<br />
* T.40 Chor 1 Sopran2: f# instead of d (TRF)<br />
* T.41 Chor 1 Sopran2: g a instead of e f# (TRF)<br />
* T.75 Chor 1 Tenor: 4.+6. Note g instead of g# (2x, wie in Org,Hp) (ACC-UNI)<br />
: (The Ms. has no natural)<br />
* T.82 Chor 2 Alt: d# instead of d (wie in Ob) (ACC-UNI)<br />
* T.85 Schlusstakt: g# instead of g (Chor 1 Alt, Chor 1 Sopran, Vln.1) (ACC-MEL)<br />
<br />
==3. Credo: Patrem omnipotentem==<br />
<br />
* T.6 Chor 2 Tenor: e-c-c-c instead of e-e-e-c (?ERR-ANA)<br />
* T.46 Chor 1 Alt: c# instead of c (ACC-MEL)<br />
* T.47 Chor 1 Sopran2: c# instead of c (ACC-MEL)<br />
* T.48 Chor 2 Sopran + Vln 1: c# instead of c (ACC-MEL)<br />
* T.49 Chor 2 Alt: c# instead of c (ACC-MEL)<br />
* T.50 Chor 1 Tenor: c# instead of c (ACC-MEL)<br />
* T.51 Chor 2 Bass + Org: c# instead of c (ACC-MEL)<br />
* T.52 Chor 1 Alt: c# instead of c (2x) (ACC-MEL)<br />
* T.53 Chor 2 Tenor, Vln2: c# d# c# instead of c d c (?ACC-ANA)<br />
: (The analogous phrase in Alt 1 in T.52 has also no accidentals in the Ms.)<br />
* T.54 g# instead of g (Chor 1 Alt, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==4. Credo: Et incarnatus==<br />
<br />
==5. Credo: Crucifixus==<br />
<br />
* T.6 Chor 2 Tenor. d instead of f# (TRF)<br />
* T.7 Chor 2 Tenor. c instead of e (4x), b instead of d (2x) (TRF)<br />
* T.17 Chor 1 Alt. c# instead of c (ACC-MEL)<br />
<br />
==6. Credo: Et resurrexit==<br />
<br />
* T.8 Chor 1 Tenor c# d# instead of c d (ACC-HARM)<br />
* T.57 Chor 2 Bass,Org+Hp: b instead of c (TRF)<br />
<br />
==7. Credo: Et in spiritum sanctum==<br />
<br />
* T.10 Chor 1, Alt: g instead of g# (ACC-MEL)<br />
* T.11 Chor 2, Alt: g instead of g# (ACC-MEL)<br />
* T.14 Chor 2, Bass: g instead of b (TRF)<br />
* T.16 Chor 2, Bass: g instead of b (TRF)<br />
* T.45 g# instead of g (Chor 1 Sopran2, Chor 2 Sopran, Vln 1) (ACC-FIN)<br />
<br />
==8. Sanctus==<br />
<br />
* T.8 Org+H: a d instead of f# b (TRF)<br />
* T.38 Chor 2, Tenor: d# instead of d (TRF)<br />
* T.38 Vln.1+2: d# c# instead of d c (ACC-HARM)<br />
* T.41 Chor 1, Sopran: b instead of c (?ERR, for harmonic reasons)<br />
<br />
==9. Agnus Dei==<br />
<br />
* T.5 Chor 1, Sopran 2: c# instead of c (ACC-MEL)<br />
* T.6 Chor 1, Alt: c# instead of c (ACC-MEL)<br />
* T.7 Chor 2, Bass + Org: d# instead of d (TRF)<br />
* T.8 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.9 Chor 2, Alt: c# instead of c (ACC-MEL)<br />
* T.13 Chor 1, Sopran1: f# instead of f (TRF)<br />
* T.13 Chor 1, Tenor: f# instead of f (TRF)<br />
* T.13 Org+H: f# instead of g (ERR/TRF)<br />
:(error in the organ score; the harp has f#)<br />
* T.18 Chor 1, Sopran2: g# instead of g (TRF)<br />
----<br />
[[User:Rote|Rote]] 13:25, 24 January 2012 (CST)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Johannespassion,_BWV_245_(Johann_Sebastian_Bach)&diff=276033Johannespassion, BWV 245 (Johann Sebastian Bach)2011-03-06T18:19:45Z<p>Rote: identified score errors</p>
<hr />
<div>{{IncompleteEdition}}<br />
<br />
__TOC__<br />
<br />
{{Legend}}<br />
<br />
==Version I (1724)==<br />
<br />
'''''<big>Parte prima</big>'''''<br />
<br />
===(1) Herr, unser Herrscher (Chorus)===<br />
<br />
*'''CPDL #5658:''' [{{SERVER}}/wiki/images/sheet/bwv-jp01.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp01.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp01.zip Capella]<br />
{{Editor|Michael Dreschel|2003-10-11}}{{ScoreInfo|A4|11|144}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(2a) Jesus ging mit seinen Jüngern (Evangelista, Jesus)===<br />
<br />
===(2b) Jesum von Nazareth (Chorus)===<br />
<br />
*'''CPDL #5659:''' [{{SERVER}}/wiki/images/sheet/bwv-jp03.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp03.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp03.zip Capella]<br />
{{Editor|Michael Dreschel|2003-10-11}}{{ScoreInfo|A4|1|20}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(2c) Jesus spricht zu ihnen (Evangelista, Jesus)===<br />
<br />
===(2d) Jesum von Nazareth (Chorus)===<br />
<br />
*'''CPDL #5660:''' [{{SERVER}}/wiki/images/sheet/bwv-jp05.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp05.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp05.zip Capella]<br />
{{Editor|Michael Dreschel|2003-10-11}}{{ScoreInfo|A4|1|20}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(2e) Jesus antwortete (Evangelista, Jesus)===<br />
<br />
===(3) O große Lieb (Choral)===<br />
<br />
*'''CPDL #5661:''' [{{SERVER}}/wiki/images/sheet/bwv-jp07.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp07.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp07.zip Capella]<br />
{{Editor|Michael Dreschel|2003-10-11}}{{ScoreInfo|A4|1|24}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
*'''CPDL #4083:''' [{{SERVER}}/wiki/images/sheet/bach-jp7.pdf {{pdf}}] [{{SERVER}}/wiki/images/source/bach-jp7.zip MUP]<br />
{{Editor|Vincent Carpentier|2002-10-14}}{{ScoreInfo|A4|1|96}}{{Copy|CPDL}}<br />
:'''Edition notes:''' MUP file is [[zipped]].<br />
<br />
*'''CPDL #2289:''' [{{website|freesheetmusic}} {{net}}]<br />
{{Editor|Arno Rog|2001-03-21}}{{ScoreInfo|A4|1|22}}{{Copy|Personal}}<br />
:'''Edition notes:'''<br />
<br />
*'''CPDL #2290:''' [{{website|freesheetmusic}} {{net}}]<br />
{{Editor|Arno Rog|2001-03-21}}{{ScoreInfo|A4|1|22}}{{Copy|Personal}}<br />
:'''Edition notes:''' In Dutch translation, "Leer mij, o Heer, uw lijden recht betrachten".<br />
<br />
===(4) Auf daß das Wort erfüllet würde (Evangelista, Jesus)===<br />
<br />
===(5) Dein Will gescheh, Herr Gott, zugleich (Choral)===<br />
<br />
*'''CPDL #6381:''' [{{SERVER}}/wiki/images/sheet/bwv-jp09.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp09.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp09.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|2|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
*'''CPDL #4084:''' [{{SERVER}}/wiki/images/sheet/bach-jp9.pdf {{pdf}}] [{{SERVER}}/wiki/images/source/bach-jp9.zip MUP]<br />
{{Editor|Vincent Carpentier|2002-10-14}}{{ScoreInfo|A4|1|108}}{{Copy|CPDL}}<br />
:'''Edition notes:''' MUP file is [[zipped]].<br />
<br />
===(6) Die Schar aber und der Oberhauptmann (Evangelista)===<br />
<br />
===(7) Von den Stricken meiner Sünden (Aria)===<br />
<br />
===(8) Simon Petrus aber folgete Jesu nach (Evangelista)===<br />
<br />
===(9) Ich folge dir gleichfalls (Aria)===<br />
<br />
===(10) Derselbige Jünger war dem Hohenpriester bekannt (Evangelista, Ancilla, Petrus, Jesus, Servus)===<br />
<br />
===(11) Wer hat dich so geschlagen (Choral)===<br />
<br />
*'''CPDL #6382:'''[{{SERVER}}/wiki/images/sheet/bwv-jp15.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp15.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp15.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|1|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
*'''CPDL #4085:''' [{{SERVER}}/wiki/images/sheet/bach-jp15.pdf {{pdf}}] [{{SERVER}}/wiki/images/source/bach-jp15.zip MUP]<br />
{{Editor|Vincent Carpentier|2002-10-14}}{{ScoreInfo|A4|1|104}}{{Copy|CPDL}}<br />
:'''Edition notes:''' MUP file is [[zipped]].<br />
<br />
===(12a) Und Hannas sandte ihn gebunden (Evangelista)===<br />
<br />
===(12b) Bist du nicht seiner Jünger einer (Chorus)===<br />
<br />
*'''CPDL #6383:''' [{{SERVER}}/wiki/images/sheet/bwv-jp17.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp17.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp17.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|2|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(12c) Er leugnete aber und sprach (Evangelista, Petrus, Servus)===<br />
<br />
===(13) Ach, mein Sinn (Aria)===<br />
<br />
===(14) Petrus, der nicht denkt zurück (Choral)===<br />
<br />
*'''CPDL #6384:''' [{{SERVER}}/wiki/images/sheet/bwv-jp20.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp20.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp20.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|2|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
'''''<big>Parte seconda</big>'''''<br />
<br />
===(15) Christus, der uns selig macht (Choral)===<br />
<br />
*'''CPDL #6385:''' [{{SERVER}}/wiki/images/sheet/bwv-jp21.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp21.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp21.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|2|28}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(16a) Da führeten sie Jesum (Evangelista, Pilatus)===<br />
<br />
===(16b) Wäre dieser nicht ein Übeltäter (Chorus)===<br />
<br />
*'''CPDL #6386:''' [{{SERVER}}/wiki/images/sheet/bwv-jp23.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp23.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp23.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|4|56}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(16c) Da sprach Pilatus zu ihnen (Evangelista, Pilatus)===<br />
<br />
===(16d) Wir dürfen niemand töten (Chorus)===<br />
<br />
*'''CPDL #6387:''' [{{SERVER}}/wiki/images/sheet/bwv-jp25.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp25.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp25.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|3|36}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Capella file is [[zipped]].<br />
<br />
===(16e) Auf daß erfüllet würde das Wort (Evangelista, Pilatus, Jesus)===<br />
<br />
===(17) Ach großer König (Choral)===<br />
<br />
*'''CPDL #6388:''' [{{SERVER}}/wiki/images/sheet/bwv-jp27.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp27.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp27.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|1|28}}{{Copy|CPDL}}<br />
:'''Edition notes:'''<br />
<br />
*'''CPDL #3667:''' [http://www.cipoo.net/music_a.html {{net}}]<br />
{{Editor|Marco-cipoo.net|2002-06-11}}{{ScoreInfo|A4|1|27}}{{Copy|Personal}}<br />
:'''Edition notes:'''<br />
<br />
===(18a) Da sprach Pilatus zu ihm (Evangelista, Pilatus, Jesus)===<br />
<br />
===(18b) Nicht diesen, sondern Barrabam (Chorus)===<br />
<br />
*'''CPDL #6389:''' [{{SERVER}}/wiki/images/sheet/bwv-jp29.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-jp29.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-jp29.zip Capella]<br />
{{Editor|Michael Dreschel|2004-01-05}}{{ScoreInfo|A4|1|20}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Choral parts only, Capella file is [[zipped]].<br />
<br />
===(18c) Barrabas aber war ein Mörder (Evangelista)===<br />
<br />
===(19) Betrachte, meine Seel (Arioso)===<br />
<br />
===(20) Erwäge, wie sein blutgefärbeter Rücken (Aria)===<br />
<br />
===(21a) Und die Kriegsknechte flochten eine Krone (Evangelista)===<br />
<br />
===(21b) Sei gegrüßet, lieber Jüdenkönig (Chorus)===<br />
<br />
*'''CPDL #20287:''' [{{filepath:Bach_St_John_34.pdf}} {{pdf}}] [{{filepath:Bach_St_John_34.mid}} {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-03}}{{ScoreInfo|A4|3|67}}{{Copy|CPDL}}<br />
<br />
===(21c) Und gaben ihm Backenstreiche (Evangelista, Pilatus)===<br />
<br />
===(21d) Kreuzige, kreuzige (Chorus)===<br />
<br />
*'''CPDL #20290:''' [{{filepath:Bach_St_John_36.pdf}} {{pdf}}] [{{filepath:Bach_St_John_36.mid}} {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-04}}{{ScoreInfo|A4|6|112}}{{Copy|CPDL}}<br />
:'''Edition notes:'''{{ScoreError}}<br />
<br />
===(21e) Pilatus sprach zu ihnen (Evangelista, Pilatus)===<br />
<br />
===(21f) Wir haben ein Gesetz (Chorus)===<br />
<br />
*'''CPDL #20299:''' [{{filepath:Bach_St_John_38.pdf}} {{pdf}}] [{{filepath:Bach_St_John_38.mid}} {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-06}}{{ScoreInfo|A4|7|96}}{{Copy|CPDL}}<br />
:'''Edition notes:'''{{ScoreError}}<br />
<br />
===(21g) Da Pilatus das Wort hörete (Evangelista, Pilatus, Jesus)===<br />
<br />
===(22) Durch dein Gefängnis, Gottes Sohn (Choral)===<br />
*'''CPDL #20301:''' [http://www.cpdl.org/wiki/images/0/0a/Bach_St_John_40.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/0/03/Bach_St_John_40.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-07}}{{ScoreInfo|A4|1|32}}{{Copy|CPDL}}<br />
<br />
===(23a) Die Jüden aber schrieen und sprachen (Evangelista)===<br />
<br />
===(23b) Lässest du diesen los (Chorus)===<br />
*'''CPDL #20311:''' [http://www.cpdl.org/wiki/images/2/21/Bach_St_John_41-42.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/1/1e/Bach_St_John_41-42.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-09}}{{ScoreInfo|A4|8|118}}{{Copy|CPDL}}<br />
<br />
===(23c) Da Pilatus das Wort hörete (Evangelista, Pilatus)===<br />
<br />
===(23d) Weg, weg mit dem (Chorus)===<br />
*'''CPDL #20319:''' [http://www.cpdl.org/wiki/images/e/ed/Bach_St_John_44.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/3/38/Bach_St_John_44.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-11}}{{ScoreInfo|A4|7|118}}{{Copy|CPDL}}<br />
:'''Edition notes:'''{{ScoreError}}<br />
<br />
===(23e) Spricht Pilatus zu ihnen (Evangelista, Pilatus)===<br />
<br />
===(23f) Wir haben keinen König (Chorus)===<br />
*'''CPDL #20320:''' [http://www.cpdl.org/wiki/images/a/a6/Bach_St_John_46.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/4/49/Bach_St_John_46.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-11}}{{ScoreInfo|A4|1|67}}{{Copy|CPDL}}<br />
<br />
===(23g) Da überantwortete er ihn (Evangelista)===<br />
<br />
<br />
===(24) Eilt, ihr angefocht'nen Seelen (Aria con coro)===<br />
*'''CPDL #20329:''' [http://www.cpdl.org/wiki/images/7/7c/Bach_St_John_48.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/2/22/Bach_St_John_48.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-13}}{{ScoreInfo|A4|10|219}}{{Copy|CPDL}}<br />
<br />
===(25a) Allda kreuzigten sie ihn (Evangelista)===<br />
<br />
===(25b) Schreibe nicht: der Jüden König (Chorus)===<br />
*'''CPDL #20334:''' [http://www.cpdl.org/wiki/images/7/79/Bach_St_John_50.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/6/64/Bach_St_John_50.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-13}}{{ScoreInfo|A4|5|76}}{{Copy|CPDL}}<br />
<br />
===(25c) Pilatus antwortet (Evangelista, Pilatus)===<br />
<br />
===(26) In meines Herzens Grunde (Choral)===<br />
*'''CPDL #20345:''' [http://www.cpdl.org/wiki/images/a/a9/Bach_St_John_52.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/0/0a/Bach_St_John_52.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-15}}{{ScoreInfo|A4|1|30}}{{Copy|CPDL}}<br />
<br />
===(27a) Die Kriegsknechte aber (Evangelista)===<br />
<br />
===(27b) Lasset uns den nicht zerteilen (Chorus)===<br />
*'''CPDL #20344:''' [http://www.cpdl.org/wiki/images/2/2f/Bach_St_John_54.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/4/43/Bach_St_John_54.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-15}}{{ScoreInfo|A4|9|153}}{{Copy|CPDL}}<br />
:'''Edition notes:'''{{ScoreError}}<br />
<br />
===(27c) Auf daß erfüllet würde die Schrift (Evangelista, Jesus)===<br />
<br />
===(28) Er nahm alles wohl in Acht (Choral)===<br />
*'''CPDL #20346:''' [http://www.cpdl.org/wiki/images/e/e9/Bach_St_John_56.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/b/b2/Bach_St_John_56.mid {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-15}}{{ScoreInfo|A4|2|35}}{{Copy|CPDL}}<br />
<br />
===(29) Und von Stund an nahm sie der Jünger (Evangelista, Jesus)===<br />
<br />
===(30) Es ist vollbracht (Aria)===<br />
<br />
===(31) Und neiget das Haupt (Evangelista)===<br />
<br />
===(32) Mein teurer Heiland, laß dich fragen (Aria con coro)===<br />
*'''CPDL #20354:''' [http://www.cpdl.org/wiki/images/c/c4/Bach_St_John_60.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/1/1c/Bach_St_John_60.mid {{mid}}] <br />
{{Editor|Claude Tallet|2009-10-17}}{{ScoreInfo|A4|8|104}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Originally, the choral part is noted C (4/4). All notes have been put a half longer to fit with the 12/8 time signature of the solo and accompaniment part.<br />
<br />
===(33) Und siehe da, der Vorhang im Tempel zerriß (Evangelista)===<br />
<br />
===(34) Mein Herz, indem die ganze Welt (Arioso)===<br />
<br />
===(35) Zerfließe, mein Herze (Aria)===<br />
<br />
===(36) Die Jüden aber, dieweil es der Rüsttag war (Evangelista)===<br />
<br />
===(37) O hilf, Christe, Gottes Sohn (Choral)===<br />
*'''CPDL #20355:''' [http://www.cpdl.org/wiki/images/5/5c/Bach_St_John_65.pdf {{pdf}}] [http://www.cpdl.org/wiki/images/2/22/Bach_St_John_65.mid {{mid}}] <br />
{{Editor|Claude Tallet|2009-10-17}}{{ScoreInfo|A4|2|38}}{{Copy|CPDL}}<br />
<br />
===(38) Darnach bat Pilatum Joseph von Arimathia (Evangelista)===<br />
<br />
===(39) Ruht wohl, ihr heiligen Gebeine (Chorus)===<br />
*'''CPDL #20368:''' [{{filepath:Bach_St_John_67.pdf}} {{pdf}}] [{{filepath:Bach_St_John_67.mid}} {{mid}}]<br />
{{Editor|Claude Tallet|2009-10-19}}{{ScoreInfo|A4|13|204}}{{Copy|CPDL}}<br />
:'''Edition notes:'''{{ScoreError}}<br />
<br />
===(40) Ach Herr, laß dein lieb Engelein (Choral)===<br />
<br />
*'''CPDL #20251:''' [{{filepath:Bach-BWV_245(40)-Ach_Herr_lass.pdf}} {{pdf}}] [{{filepath:Bach-BWV_245(40)-Ach_Herr_lass.mid}} {{mid}}]<br />
{{Editor|Robert Urmann|2009-09-26}}{{ScoreInfo|A4|2|129}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Vocal score incl. figured bass<br />
<br />
==Version II (1725)==<br />
<br />
===1<sup>II</sup> O Mensch, bewein dein Sünde groß (Choral) [BWV&nbsp;244/35]===<br />
<br />
===11 Himmel, reiße, Welt, erbebe (Aria) [BWV&nbsp;245a]===<br />
<br />
===13<sup>II</sup> Zerschmettert mich, ihr Felsen und ihr Hügel (Aria) [BWV&nbsp;245b]===<br />
<br />
===19<sup>II</sup> Ach windet euch nicht so, geplagte Seelen (Aria) [BWV&nbsp;245c]===<br />
<br />
===40<sup>II</sup> Christe, du Lamm Gottes (Choral) [BWV&nbsp;23/4]===<br />
<br />
==General Information==<br />
'''Title:''' Johannes-Passion [St John Passion] BWV&nbsp;245<br><br />
'''Original title:''' Passio secundum Johannem<br><br />
{{Composer|Johann Sebastian Bach}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Oratorios|Passions}} <br><br />
{{Language|German}}<br />
'''Instruments:''' {{OrchAcc}} [Flauto traverso&nbsp;I.II; Oboe&nbsp;I.II, also Oboe&nbsp;d’amore, Oboe da&nbsp;caccia; Violino&nbsp;I.II; Viola d’amore&nbsp;I.II; Viola; Viola da&nbsp;gamba; Liuto (ossia Organo o Cembalo); Continuo]<br />
<br />
'''Published:'''<br />
<br />
'''Description:'''<br />
<br />
'''External websites:'''<br />
*[http://opera.stanford.edu/iu/bachlib/BWV245.HTM Text of Bach’s St. John Passion]<br />
<br />
==Original text and translations==<br />
{|width=100%<br />
|valign=top|<br />
<br />
{{Text|German}}<br />
<poem><br />
1 (1) Herr, unser Herrscher,<br />
dessen Ruhm in allen Landen herrlich ist.<br />
Zeig uns durch deine Passion,<br />
dass du, der wahre Gottessohn,<br />
zu aller Zeit,<br />
auch in der gr&ouml;&szlig;ten Niedrigkeit,<br />
verherrlicht worden bist.<br />
<br />
3 (2b) & 5 (2d) Jesum von Nazareth!<br />
<br />
7 (3) O gro&szlig;e Lieb', o Lieb' ohn' alle Ma&szlig;e,<br />
die dich gebracht auf diese Marterstra&szlig;e,<br />
ich lebte mit der Welt in Lust und Freuden,<br />
und du musst leiden.<br />
<br />
9 (5) Dein Will' gescheh', Herr Gott, zugleich<br />
auf Erden wie im Himmelreich,<br />
gib uns Geduld in Leidenszeit,<br />
Gehorsamkeit in Lieb' und Leid,<br />
wehr' und steu'r allem Fleisch und Blut,<br />
das wider deinen Willen tut.<br />
<br />
15 (11) Wer hat dich so geschlagen,<br />
mein Heil, und dich mit Plagen<br />
so &uuml;bel zugericht'?<br />
Du bist ja nicht ein S&uuml;nder,<br />
wie wir und uns're Kinder,<br />
von Missetaten wei&szlig;t du nicht.<br />
<br />
Ich, ich und meine S&uuml;nden,<br />
die sich wie K&ouml;rnlein finden<br />
des Sandes an dem Meer,<br />
die haben dir erreget<br />
das Elend, das dich schl&auml;get,<br />
und das betr&uuml;bte Marterheer.<br />
<br />
17 (12b) Bist du nicht seiner Jünger einer?<br />
<br />
20 (14) Petrus, der nicht denkt zurück,<br />
seinen Gott verneinet,<br />
der doch auf ein'n ernsten Blick<br />
bitterlichen weinet.<br />
Jesu, blicke mich auch an,<br />
wenn ich nicht will b&uuml;&szlig;en.<br />
Wenn ich B&ouml;ses hab' getan,<br />
r&uuml;hre mein Gewissen.<br />
<br />
21 (15) Christus, der uns selig macht,<br />
kein B&ouml;s' hat begangen,<br />
der ward f&uuml;r uns in der Nacht<br />
als ein Dieb gefangen,<br />
gef&uuml;hrt von gottlose Leut'<br />
und f&auml;lschlich verklaget,<br />
verlacht, verh&ouml;hnt und verspeit,<br />
wie denn die Schrift saget.<br />
<br />
23 (16b) Wäre dieser nicht ein Übeltäter,<br />
wir h&auml;tten dir ihn nicht &uuml;berantwortet.<br />
<br />
25 (16d) Wir dürfen niemand töten.<br />
<br />
27 (17) Ach großer König, groß zu allen Zeiten,<br />
wie kann ich g'nugsam diese Treu ausbreiten?<br />
Kein's Menschen Herze mag indes ausdenken,<br />
was dir zu schenken.<br />
<br />
Ich kann's mit meinen Sinnen nicht erreichen,<br />
womit doch dein Erbarmen zu vergleichen.<br />
Wie kann ich dir denn deine Liebestaten<br />
im Werk erstatten?<br />
<br />
29 (18b) Nicht diesen, sondern Barrabam!<br />
<br />
34 (21b) Sei gegrüßet, lieber Jüdenkönig!<br />
<br />
36 (21d) Kreuzige, kreuzige!<br />
<br />
38 (21f) Wir haben ein Gesetz, <br />
und nach dem Gesetz soll er sterben; <br />
denn er hat sich selbst zu Gottes Sohn gemacht.<br />
<br />
40 (22). Durch dein Gefängnis, Gottes Sohn,<br />
Muß uns die Freiheit kommen;<br />
Dein Kerker ist der Gnadenthron,<br />
Die Freistatt aller Frommen;<br />
Denn gingst du nicht die Knechtschaft ein,<br />
Müßt unsre Knechtschaft ewig sein.<br />
<br />
42 (23b). Lässest du diesen los, so bist du des Kaisers Freund nicht; <br />
denn wer sich zum Könige machet, der ist wider den Kaiser.<br />
<br />
44 (23d). Weg, weg mit dem, kreuzige ihn!<br />
<br />
46 (23f). Wir haben keinen König denn den Kaiser. <br />
<br />
48 (24). Eilt, ihr angefochtnen Seelen,<br />
Geht aus euren Marterhöhlen,<br />
Eilt - Wohin ? - nach Golgatha!<br />
Nehmet an des Glaubens Flügel,<br />
Flieht - Wohin? - zum Kreuzeshügel,<br />
Eure Wohlfahrt blüht allda!<br />
<br />
50 (25b). Schreibe nicht: 'der Jüden König', sondern daß er gesaget habe: 'Ich bin der Jüden König'.<br />
<br />
52 (26) In meines Herzens Grunde<br />
Dein Nam und Kreuz allein<br />
Funkelt all Zeit und Stunde,<br />
Drauf kann ich fröhlich sein.<br />
Erschein mir in dem Bilde<br />
Zu Trost in meiner Not,<br />
Wie du, Herr Christ, so milde<br />
Dich hast geblut' zu Tod!<br />
<br />
54 (27b) Lasset uns den nicht zerteilen, sondern darum losen, wes er sein soll.<br />
<br />
56 (28) Er nam Alles wohl in Acht<br />
In der letzten Stunde,<br />
Seine Mutter noch bedacht,<br />
Setzt ihr ein'n Vormunde.<br />
O Mensch, mache Richtigkeit,<br />
Gott und Menschen liebe,<br />
Stirb darauf ohn alles Leid,<br />
Und dich nicht betrübe!<br />
<br />
60 (32). Mein teurer Heiland, lass dich fragen,<br />
Da du nunmehr ans Kreuz geschlagen<br />
Und selbst gesagt: Es ist vollbracht,<br />
Bin ich vom Sterben frei gemacht?<br />
Kann ich durch deine Pein und Sterben<br />
Das Himmelreich ererben?<br />
Ist aller Welt Erlösung da?<br />
Du kannst vor Schmerzen zwar nichts sagen;<br />
Doch neigest du das Haupt<br />
Und sprichst stillschweigend: ja.<br />
<br />
Jesu, der du warest tot<br />
Lebest nun ohn' Ende,<br />
In der letzten Todesnot<br />
Nirgend mich hinwende.<br />
<br />
Als zu dir, der mich versühnt,<br />
O mein trauter Herre!<br />
Gib mir nur, was du verdient,<br />
Mehr ich nicht begehre !<br />
<br />
65 (37) O hilf, Christe, Gottes Sohn,<br />
Durch dein bitter Leiden,<br />
Dass wir dir stets untertan<br />
All Untugend meiden,<br />
Deinen Tod und sein Ursach<br />
Fruchtbarlich bedenken,<br />
Dafür, wiewohl arm und schwach,<br />
Dir Dankopfer schenken!<br />
<br />
67 (39). Ruht wohl, ihr heiligen Gebeine,<br />
Die ich nun weiter nicht beweine,<br />
Ruht wohl und bringt auch mich zur Ruh!<br />
Das Grab, so euch bestimmet ist<br />
Und ferner keine Not umschließt,<br />
Macht mir den Himmel auf und schließt die Hölle zu.<br />
<br />
68 (40). Ach Herr, lass dein lieb Engelein<br />
Am letzten End die Seele mein<br />
In Abrahams Schoß tragen,<br />
Den Leib in seim Schlafkämmerlein<br />
Gar sanft ohn eigne Qual und Pein<br />
Ruhn bis am jüngsten Tage!<br />
Alsdenn vom Tod erwecke mich,<br />
Dass meine Augen sehen dich<br />
In aller Freud, O Gottes Sohn,<br />
Mein Heiland und Genadenthron!<br />
Herr Jesu Christ, erhöre mich,<br />
Ich will dich preisen ewiglich!<br />
</poem><br />
|valign=top width=33%|<br />
<br />
{{Translation|French}}<br />
<poem><br />
Christ, notre maître, dont la gloire<br />
domine en tous pays !<br />
Montre-nous, par ta Passion,<br />
Que toi, le vrai Fils de Dieu,<br />
Pour tous les temps,<br />
Et jusque dans les plus grandes humiliations<br />
tu seras glorifié.<br />
<br />
Jésus de Nazareth<br />
<br />
O grand amour, ô amour sans aucune mesure<br />
qui t'a mené en cette allée de tourments ! <br />
Je vivais avec le monde dans la joie et les plaisirs, <br />
et il fallait que tu souffrisses ! <br />
<br />
Que ta volonté soit faite, Seigneur Dieu,<br />
Sur la terre comme au ciel<br />
Donne-nous la patience dans les jours de peine, <br />
l'obéissance dans l'amour et la souffrance, <br />
défends-nous et dirige-nous en face de toute chair <br />
et tout sang qui agit contre ta volonté.<br />
<br />
Qui t'a ainsi frappé, <br />
Seigneur,<br />
et ainsi maltraité ?<br />
Tu n'es pas un pauvre pécheur <br />
Comme nous et nos enfants<br />
et tu ne connais rien du péché.<br />
<br />
C'est moi et mes péchés<br />
aussi nombreux que les grains de sable<br />
au bord de la mer<br />
qui ont causé<br />
la misère qui t'abat<br />
et ton affligeant martyre <br />
<br />
N'es-tu pas toi aussi l'un de ses disciples ? <br />
<br />
Pierre, qui ne se souvient plus du passé,<br />
renie son Dieu,<br />
mais sur un regard grave,<br />
il pleure amèrement.<br />
O Jésus, jette aussi un regard sur moi<br />
lorsque je ne ferai pas pénitence ; <br />
lorsque j'aurai fait le mal,<br />
éveille mes remords. <br />
<br />
Le Christ qui nous donne le salut,<br />
n'a rien fait de mal,<br />
pour nous, il fut pris, la nuit,<br />
comme un voleur,<br />
traîné devant des gens sans Dieu <br />
et accusé faussement ! <br />
De lui on a ri, on s'est moqué ; sur lui <br />
on a craché, comme le rapporte l'Écriture.<br />
<br />
Si ce n'était pas un malfaiteur, <br />
nous ne te l'aurions pas livré. <br />
<br />
Nous n'avons le droit de mettre personne à mort. <br />
<br />
Ah, puissant roi, grand à travers tous les temps,<br />
comment puis-je assez faire connaître cette fidélité ? <br />
Nul cœur humain ne peut imaginer t'offrir<br />
une chose digne de toi. <br />
<br />
Je ne puis atteindre avec mes sens <br />
ce qui pourtant serait comparable à ta pitié.<br />
Comment puis-je donc par mes œuvres<br />
te rendre tes bienfaits ? <br />
<br />
Non pas lui, mais Barrabas ! <br />
<br />
Salut, mon cher roi des Juifs !<br />
<br />
Crucifie, crucifie !<br />
<br />
Nous avons une loi, <br />
et, selon notre loi, il doit mourir, <br />
parce qu'il s'est fait Fils de Dieu.<br />
<br />
Par ta captivité, ô Fils de Dieu,<br />
Nous est venue la liberté ;<br />
Ta prison est le trône de la grâce,<br />
L'asile de tous les dévots ;<br />
Car si tu n'étais entré en servitude,<br />
Eternelle eût dû être notre propre servitude.<br />
<br />
Si tu le relâches, tu n'es pas ami de César ; <br />
car quiconque se fait roi est contre César. <br />
<br />
<br />
Assez, assez, crucifie-le !<br />
<br />
Nous n'avons de roi que César. <br />
<br />
Hâtez-vous, âmes assaillies ;<br />
Sortez de l'antre de votre martyre,<br />
Hâtez-vous - où ? - vers le Golgotha !<br />
Prenez les ailes de la Foi,<br />
Volez - où donc ? - vers la Colline de la Croix<br />
C'est là que fleurit votre salut. <br />
<br />
N'écris pas: Roi des Juifs, mais qu'il <br />
a dit: Je suis le roi des Juifs ! <br />
<br />
Au fond de mon cœur,<br />
Ton nom et la croix seuls<br />
Resplendissent en tout temps et à chaque heure, <br />
ce dont je puis me réjouir.<br />
Parais à ma vue,<br />
me consolant dans ma détresse,<br />
O Seigneur Christ, si doux,<br />
tel que jusqu'à la mort tu répandais ton sang. <br />
<br />
Ne la déchirons pas, mais tirons au<br />
sort à qui elle sera. <br />
<br />
Il prit bien soin de tout, <br />
à la dernière heure.<br />
Pensa encore à sa mère, <br />
lui donna un soutien.<br />
O homme, exerce la justice, <br />
l'amour de Dieu et des hommes,<br />
meurs ensuite sans chagrin,<br />
et ne t'afflige point ! <br />
<br />
Mon Sauveur aimé, laisse-toi questionner <br />
maintenant que tu es cloué en croix <br />
et que tu t'es écrié toi-même : <br />
tout est Consommé !<br />
Suis-je libéré de la mort ? <br />
<br />
Puis-je par ton supplice et ta mort <br />
hériter du royaume des cieux ?<br />
Est-ce la rédemption de la terre entière ? <br />
De douleur tu ne peux rien dire,<br />
Mais tu inclines la tête et tu déclares<br />
silencieusement : oui ! <br />
Jésus, toi qui étais mort, <br />
tu vis maintenant éternellement, <br />
Que dans les dernières affres de la <br />
mort,je ne me tourne vers nul autre<br />
que toi, qui m’as racheté, <br />
O mon Seigneur aimé !<br />
Ne me donne que ce que tu as gagné, <br />
Je n'en désire pas plus. <br />
<br />
O fais, Christ, Fils de Dieu,<br />
par ta souffrance amère,<br />
que constamment soumis à toi <br />
nous évitions tout vice ;<br />
Que ta mort et sa cause,<br />
avec fruit nous méditions<br />
et faiblement, <br />
nous t'offrions nos sacrifices. <br />
<br />
Repose en paix, sainte dépouille <br />
Repose en paix et mène-moi aussi vers le repos.<br />
Le tombeau, tel qu'il vous est destiné<br />
et qui en outre n'en enserre aucune <br />
m'ouvre le ciel et ferme les enfers.<br />
<br />
Hélas, Seigneur, laisse tes chers angelots,<br />
tout à la fin porter mon âme <br />
dans le sein d'Abraham ! <br />
Laisse bien doucement reposer, <br />
sans peine ni tourment,<br />
le corps jusqu'au dernier jour.<br />
Alors éveille-moi de la mort, <br />
que mes yeux te contemplent<br />
en toute joie, O fils de Dieu,<br />
mon Sauveur, trône de clémence !<br />
Seigneur Jésus-Christ, écoute-moi, <br />
je veux te louer à jamais ! <br />
</poem><br />
<br />
|valign=top width=33%|<br />
<br />
{{NoTranslation|English}}<br />
<poem><br />
<br />
</poem><br />
<br />
|}<br />
<br />
<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Baroque music]]<br />
[[Category:Lent]]<br />
[[Category:Passions]]</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Johannespassion,_BWV_245_(Johann_Sebastian_Bach)&diff=276031Talk:Johannespassion, BWV 245 (Johann Sebastian Bach)2011-03-06T18:13:19Z<p>Rote: /* Score errors */ new section</p>
<hr />
<div>In 'General information' this is marked 'a cappella'. Bach's St John Passion is, of course, accompanied by full orchestra. It is misleading to describe this work as 'a cappella' just because no orchestral parts are provided in the CPDL contributions.<br />
(The individual files sometimes make it clear that there's a lot more than the chorus parts contributed.)<br />
<br />
(I thought it might be an unaccompanied setting I had not heard of).<br />
<br />
[[User:Marghek|Marghek]] 08:27, 28 September 2009 (UTC)<br />
<br />
:You are absolutely right! To my knowledge it’s CPDL’s policy to give the original voicing and instrumentation—and that’s ''not'' a&nbsp;cappella in this case. Don’t worry—there is no proven unaccompanied setting by JSB himself. I’ll add Bach’s orchestra setup (one should say: ''baroque'' orchestra for it’s not equal to modern ‘full’ orchestras) according to the NBA. By touching this, see another problem stated below. [[User:Robert Urmann|—Robert Urmann]] 00:53, 29 September 2009 (UTC)<br />
<br />
== Numbering: conventional BWV or latest NBA? ==<br />
<br />
How to sort individual movements of ''Johannes-Passion?'' To stay up-to-date I’d suggest NBA numbering (with BWV sub-number parenthesized). As an example, I recently submitted the final chorale ‘Ach Herr, laß dein lieb Engelein’ which would read: 40&nbsp;(68) [NBA#&nbsp;(BWV#)]. I didn’t want to mess up things so I kept existing BWV ordering. An advantage of sorting by NBA# would be to easily include the movements of Bach’s second edition (1725) indicated by supset roman numerals, e.g. 1<sup>II</sup> or 40<sup>II</sup>. [[User:Robert Urmann|—Robert Urmann]] 01:29, 29 September 2009 (UTC)<br />
<br />
== Possible source for translation ==<br />
<br />
Check out http://www.bach-cantatas.com/Texts/BWV245-Eng3.htm and if that translator agrees to your request, you'll have a perfect serviceable translation to place on choralwiki!<br />
<br />
== Score errors ==<br />
<br />
=== (21d) Kreuzige, kreuzige (Chorus) ===<br />
Bar 1, bass voice.<br />
In the edition Bärenreiter Urtext (BA 5037a), the last two notes are equal to the previous note (C), not an octave below.<br />
=== (21f) Wir haben ein Gesetz (Chorus) ===<br />
Bar 7, bass voice: Fourth note should be B(-flat), not C.<br />
<br />
=== (23d) Weg, weg mit dem (Chorus) ===<br />
Bar 22, bass voice: First note should be E-sharp, not E.<br />
<br />
=== (27b) Lasset uns den nicht zerteilen (Chorus) ===<br />
According to the Bärenreiter Urtext edition (BA 5037a), there are many downward interval jumps of a seventh or of an octave at the end of the text ''losen'' (for example: bass d-d (octave) at the end of bar 4, tenor g-a (7th) at the end of bar 5, alto d-e (7th) at the end of bar 6, soprano a-b (7th) at the end of bar 7.)<br />
In the CPDL edition, these have been consistently replaced by a jump of a fifth down.<br />
<br />
=== (39) Ruht wohl, ihr heiligen Gebeine (Chorus) ===<br />
The initial upbeat should not be a separate 1/4 measure.<br />
<br />
Bar 1.<br />
In the bass line of the accompaniment (piano score), the second note should be B-natural, not B-flat.<br />
Similarly, in bar 49.<br />
<br />
Bar 4, 3rd beat.<br />
In the accompaniment, B-flat should be changed to B-natural. Similarly, in bar 52.<br />
(according to the edition Bärenreiter Urtext. BA 5037a)<br />
<br />
Bar 69, bass voice.<br />
The third note should be B-flat, not C.<br />
<br />
Bar 75.<br />
In the bass line of the accompaniment, the third note should be F-sharp, not F<br />
<br />
--[[User:Rote|Rote]] 12:13, 6 March 2011 (CST)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Dixit_Dominus,_HWV_232_(George_Frideric_Handel)&diff=244199Talk:Dixit Dominus, HWV 232 (George Frideric Handel)2010-06-30T21:54:51Z<p>Rote: </p>
<hr />
<div>A comparison was made between this CPDL edition by Philip Legge (great work, Philip, thank you very much) and a commercial vocal score (Carus Verlag CV 55.232/05). The comparison was limited to the choral parts, without considering the lyrics. The following differences were identified (most of them, or even all, may be editorial).<br />
<br />
:My score is based on Chrysander's edition, so I will note where there are discrepancies.<br />
<br />
I have made another comparison with the Bärenreiter Choral Score (BA 4002) --[[User:Rote|Rote]] 21:54, 30 June 2010 (UTC)<br />
<br />
'''1. Dixit Dominus'''<br />
<br />
Bass, bar 21: the first note is D in Legge, B{{flat}} in Carus/Bärenreiter. (Chrysander has B{{flat}}, so I will correct this.)<br />
<br />
Bass, bar 91: the last note is D in Legge/Chrysander/Bärenreiter, A in Carus.<br />
<br />
<br />
'''4. Juravit Dominus'''<br />
<br />
Soprano I, bar 22: the first note is F natural in Legge/Chrysander, A{{flat}} in Carus/Bärenreiter. (Carus seems to be following the Violin 1 part verbatim.)<br />
<br />
Soprano I and Soprano II, bar 45 – 46: ties across barline missing in Legge.<br />
<br />
Tenor, bar 35: the last note is C in Legge, D in Carus/Bärenreiter. (Chrysander definitely has C, but perhaps should have D as in Viola 2 part.)<br />
<br />
<br />
'''5. Tu es sacerdos'''<br />
<br />
Soprano II, bar 22: all notes are one third higher in Legge/Chrysander (starting in A) than in Carus/Bärenreiter (starting in F). (Carus is following the Violin 2 part.)<br />
<br />
<br />
'''6. Dominus a dextris tuis'''<br />
<br />
Tenor, bar 93: the last note is B{{flat}} in Legge, F in Carus/Chrysander/Bärenreiter.<br />
<br />
Tenor, bar 124: the last note is E in Legge/Chrysander, A in Carus/Bärenreiter.<br />
<br />
<br />
'''7. (6.) Judicabit'''<br />
<br />
Soprano I, bar 57 in Legge, 205 in Carus: the second note is C in Legge/Chrysander, B natural in Carus/Bärenreiter.<br />
<br />
Soprano II, bar 31 in Legge, 179 in Carus: the second and the third notes are E and C# in Legge/Chrysander, respectively, while they are C# and B natural in Carus/Bärenreiter.<br />
<br />
Alto, bar 27 in Legge, 175 in Carus: the first two notes are G in Legge/Chrysander, E in Carus/Bärenreiter.<br />
<br />
Tenor, bar 32 in Legge, 180 in Carus: the eighth note is E in Legge, D in Carus/Chrysander/Bärenreiter.<br />
<br />
Tenor, bar 41 in Legge, 189 in Carus: the second note is F in Legge/Chrysander, C in Carus/Bärenreiter.<br />
<br />
Tenor, bar 53 in Legge, 201 in Carus: the last note is F in Legge/Chrysander, A in Carus/Bärenreiter.<br />
<br />
<br />
'''8. (6.) Conquassabit'''<br />
<br />
Soprano I, bar 45 in Legge, 254 in Carus: the last 5 notes are one third higher in Legge (ending in G) than in Carus/Chrysander/Bärenreiter (ending in E).<br />
<br />
Alto, bar 7 – 8 in Legge, 216 – 217 in Carus: the sequence of notes (all crotchets) is F, D, B{{flat}} (bar 7, 216) and again F, D, B{{flat}} (bar 8, 217) in Carus/Bärenreiter, while Legge/Chrysander has all F.<br />
<br />
Alto, bar 32 in Legge, 241 in Carus: the fourth note is F# in Legge/Chrysander, F natural in Carus/Bärenreiter.<br />
<br />
Tenor, bar 9 in Legge, 218 in Carus: the last note is A in Legge/Chrysander, F in Carus/Bärenreiter.<br />
<br />
<br />
'''10. (8.) Gloria Patri'''<br />
<br />
<br />
Soprano I, bar 164: the fourth note is F in Legge, F# in Carus/Bärenreiter.<br />
<br />
Soprano II, bar 31: the tenth note is D in Legge, B{{flat}} in Carus/Bärenreiter.<br />
<br />
:Note: in the following entry, the note mentioned in the remark was a third off the score (as if read in bass-clef instead of treble clef). I have changed it --[[User:Rote|Rote]] 21:54, 30 June 2010 (UTC)<br />
<br />
Soprano II, bar 84: the fifth note is A in Legge, G in Carus/Bärenreiter.<br />
<br />
Alto, bar 26: the last note is A in Legge/Bärenreiter, D in Carus.<br />
<br />
Alto, bar 37: the last six notes are G in Legge/Bärenreiter, B{{flat}} in Carus.<br />
<br />
Alto, bar 84: the last note is E{{flat}} in Legge (as in the viola-2 voice), E natural in Carus/Bärenreiter.<br />
<br />
Alto, bar 109: the first note is B{{flat}} in Legge, A in Carus/Bärenreiter.<br />
<br />
Alto, bar 165: the second note is F in Legge, F# in Carus, F with a small # (apparently to show that it is not originally in the score) in Bärenreiter.<br />
<br />
Tenor, bar 97: the last two notes (E{{flat}}) are crotchets in Legge/Bärenreiter, quavers in Carus. A quarter rest completes the bar in Carus.<br />
<br />
:Note: in the following two entries, the notes mentioned in the remarks were a third off the score (as if read in bass-clef instead of treble clef). I have changed them --[[User:Rote|Rote]] 21:54, 30 June 2010 (UTC)<br />
<br />
Tenor, bar 119: the second note (A, dotted crotchet) in Legge is divided into a crotchet plus a quaver in Carus/Bärenreiter.<br />
<br />
Tenor, bar 127 - 128: the last note of bar 127 and the first note of bar 128 (both D, crotchets) are tied in Carus, while they are not in Legge/Bärenreiter.<br />
<br />
Tenor, bar 135: the last note is B{{flat}} in Legge/Bärenreiter, D in Carus.<br />
<br />
Bass, bar 170: the sixth and the seventh note are C in Legge, D in Carus/Bärenreiter.<br />
<br />
Bass, bar 171: the second and the third note are B{{flat}} in Legge, D in Carus/Bärenreiter. The fifth note is B{{flat}} in Legge, A in Carus/Bärenreiter.<br />
<br />
<br />
:Comparison made by Max a.k.a. --[[User:Choralia|Choralia]] 18:20, 28 November 2009 (UTC)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Weihnachtsoratorium_(Christmas_Oratorio),_BWV_248_(Johann_Sebastian_Bach)&diff=168583Talk:Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)2009-01-08T09:19:56Z<p>Rote: </p>
<hr />
<div>'''Error list'''<br />
<br />
Some of these are variations between different editions. I have consulted the vocal scores Bärenreiter 5014a [BÄR], Carus 31.246/53 [CAR], Peters 38 [PET], and a bass voice of Breitkopf & Härtel [B&H].<br />
== #1. Coro „Jauchzet, frohlocket, auf, preiset die Tage” ==<br />
All voices, starting with tenor, bar 50:<br />
the third beat (the 3/32 note B) has a trill (''tr'').<br />
This holds for all occurrences of this motif.<br />
<br />
== #9. Choral „Ach mein herzliebes Jesulein!” ==<br />
<br />
The penultimate word is ''ver-ges-se'', not ''ver-ges-sen''.<br />
== #17. Choral „Schaut hin! dort liegt im finstern Stall” ==<br />
Bar 4, tenor. Last note is Bb, not A# (typographical error).<br />
<br />
== #23. Choral „Wir singen dir in deinem Heer” ==<br />
Typographical issue in Bars 6-7 (and less importantly in bar 13):<br />
the 9/8 rest is difficult to parse. It would be better to group it as 3/8+6/8 and 6/8+3/8.<br />
== #28. Choral „Dies hat er alles uns getan” ==<br />
This is probably only a typo in the vocal score [BÄR]: Bar 9, bass: The text is "keit Ky-rie-e-" with one syllable<br />
per 1/4. All other editions have "keit Ky-ri-e-".<br />
<br />
== #36. Coro „Fallt mit Danken, fallt mit Loben” ==<br />
<br />
Bar 50, bass. The first two 1/8 notes (F - Eb) should be replaced by a 1/4 note Eb. (The ''tr'' is correct; it remains on the first note.)<br />
<br />
Bar 190, bass. Similarly, the first two 1/8 notes (F - E) should be replaced by a 1/4 note E. (The ''tr'' is correct; it remains on the first note.) All editions I have consulted [BÄR],[CAR],[PET],[B&H] agree on this.<br />
<br />
Bar 145, bass. The 5th 1/16 note should be G# not G. (Remove the natural sign)<br />
<br />
== #42. Choral „Jesus richte mein Beginnen” ==<br />
<br />
Bar 17 (the last bar before the repetition sign) is only played the first time, and not repeated.<br />
<br />
== #43. Coro „Ehre sei dir, Gott, gesungen” ==<br />
<br />
Bar 24, all voices: first note (''Gott'') is 1/8, not 1/4. (All editions I have consulted [BÄR],[CAR],[PET],[B&H] agree on this.)<br />
<br />
Bar 98-99. The bar line between the bars should be shifted 1/4 to the left. (and the apostrophe in ''bereit' '' is missing in the tenor voice.)<br />
<br />
== #45. Coro „Wo ist der neugeborne König der Jüden" ==<br />
<br />
Variations of text. ''Juden'' is the modern form, ''Jüden'' is obsolete (and probably the original version).<br />
[PET] and [B&H] have ''Juden''; [BÄR] and [CAR] have ''Jüden''.<br />
<br />
Bar 2, alto. Gb should be G.<br />
<br />
Bar 9, alto. Gb should be G.<br />
<br />
== #54. Chorus „Herr, wenn die stolzen Feinde schnauben” ==<br />
<br />
Bar 223-224, bass. The last three notes of bar 223 and the first note of bar 224 are<br />
D-C#-B-A. This agrees with [B&H] and [PET]. [CAR] and [BÄR] have a variation in which this passage is a third lower: B-A-G-F#.<br />
<br />
Bar 145, tenor. 2nd not should be C#, not C. (Remove the natural sign.)<br />
<br />
Variations of text. ''Hilfe'' is the modern form of the noun ''help'', ''Hülfe'' is an obsolete form. (... nach deiner Macht und Hilfe/Hülfe sehn.)<br />
[B&H] has ''Hilfe''; [PET], [BÄR] and [CAR] have ''Hülfe''.<br />
<br />
== #64. Choral „Nun seid ihr wohl gerochen” ==<br />
<br />
The first bar is not repeated; the repetition starts with bar 2. (And there is 1/8 upbeat before bar 1.)<br />
<br />
--[[User:Rote|Rote]] 09:19, 8 January 2009 (UTC)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Weihnachtsoratorium_(Christmas_Oratorio),_BWV_248_(Johann_Sebastian_Bach)&diff=168582Talk:Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)2009-01-08T09:18:08Z<p>Rote: </p>
<hr />
<div>'''Error list'''<br />
<br />
Some of these are variations between different editions. I have consulted the vocal scores Bärenreiter 5014a [BÄR], Carus 31.246/53 [CAR], Peters 38 [PET], and a bass voice of Breitkopf & Härtel [B&H].<br />
== #1. Coro „Jauchzet, frohlocket, auf, preiset die Tage” ==<br />
All voices, starting with tenor, bar 50:<br />
the third beat (the 3/32 note B) has a trill (''tr'').<br />
This holds for all occurrences of this motif.<br />
<br />
== #9. Choral „Ach mein herzliebes Jesulein!” ==<br />
<br />
The penultimate word is ''ver-ges-se'', not ''ver-ges-sen''.<br />
== #17. Choral „Schaut hin! dort liegt im finstern Stall” ==<br />
Bar 4, tenor. Last note is Bb, not A# (typographical error).<br />
<br />
== #23. Choral „Wir singen dir in deinem Heer” ==<br />
Typographical issue in Bars 6-7 (and less importantly in bar 13):<br />
the 9/8 rest is difficult to parse. It would be better to group it as 3/8+6/8 and 6/8+3/8.<br />
== #28. Choral „Dies hat er alles uns getan” ==<br />
This is probably only a typo in the vocal score [BÄR]: Bar 9, bass: The text is "keit Ky-rie-e-" with one syllable<br />
per 1/4. All other editions have "keit Ky-ri-e-".<br />
<br />
== #36. Coro „Fallt mit Danken, fallt mit Loben” ==<br />
<br />
Bar 50, bass. The first two 1/8 notes (F - Eb) should be replaced by a 1/4 note Eb. (The ''tr'' is correct; it remains on the first note.)<br />
<br />
Bar 190, bass. Similarly, the first two 1/8 notes (F - E) should be replaced by a 1/4 note E. (The ''tr'' is correct; it remains on the first note.) All editions I have consulted [BÄR],[CAR],[PET],[B&H] agree on this.<br />
<br />
Bar 145, bass. The 5th 1/16 note should be G# not G. (Remove the natural sign)<br />
<br />
== #42. Choral „Jesus richte mein Beginnen” ==<br />
<br />
Bar 17 (the last bar before the repetition sign) is only played the first time, and not repeated.<br />
<br />
== #43. Coro „Ehre sei dir, Gott, gesungen” ==<br />
<br />
Bar 24, all voices: first note (''Gott'') is 1/8, not 1/4. (All editions I have consulted [BÄR],[CAR],[PET],[B&H] agree on this.)<br />
<br />
Bar 98-99. The bar line between the bars should be shifted 1/4 to the left. (and the apostrophe in ''bereit' '' is missing in the tenor voice.)<br />
<br />
== #45. Coro „Wo ist der neugeborne König der Jüden" ==<br />
<br />
Variations of text. ''Juden'' is the modern form, ''Jüden'' is obsolete (and probably the original version).<br />
[PET] and [B&H] have ''Juden''; [BÄR] and [CAR] have ''Jüden''.<br />
<br />
Bar 2, alto. Gb should be G.<br />
<br />
Bar 9, alto. Gb should be G.<br />
<br />
== #54. Chorus „Herr, wenn die stolzen Feinde schnauben” ==<br />
<br />
Bar 223-224, bass. The last three notes of bar 223 and the first note of bar 224 are<br />
D-C#-B-A. This agrees with [B&H] and [PET]. [CAR] and [BÄR] have a variation in which this passage is a third lower: B-A-G-F#.<br />
<br />
Bar 145, tenor. 2nd not should be C#, not C. (Remove the natural sign.)<br />
<br />
Variations of text. ''Hilfe'' is the modern form of the noun ''help'', ''Hülfe'' is an obsolete form. (... nach deiner Macht und Hilfe/Hülfe sehn.)<br />
[B&H] has ''Hilfe''; [PET], [BÄR] and [CAR] have ''Hülfe''.<br />
<br />
== #64. Choral „Nun seid ihr wohl gerochen” ==<br />
<br />
The first bar is not repeated; the repetition starts with bar 2. (And there is 1/8 upbeat before bar 1.)<br />
<br />
--[[User:Rote|Rote]] 01:12, 4 January 2009 (UTC)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Weihnachtsoratorium_(Christmas_Oratorio),_BWV_248_(Johann_Sebastian_Bach)&diff=167252Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)2009-01-04T01:32:14Z<p>Rote: mentioned the major errors or variations mentioned in the discussion page</p>
<hr />
<div>==Music files==<br />
{{Legend}}<br />
<br />
=== Part I. Am 1. Weihnachtstag (''Feria 1 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5514:''' [{{SERVER}}/wiki/images/sheet/bwv-2481.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 14 pages, 780 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1. ''Coro'' „Jauchzet, frohlocket, auf, preiset die Tage” ====<br />
* '''CPDL #5492:''' [{{SERVER}}/wiki/images/sheet/bwv-wo01.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo01.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo01.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 10 pages, 508 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2. ''Evangelista (Tenore)'' „Es begab sich aber zu der Zeit” ====<br />
==== #3. ''Accompagnato (Alto)'' „Nun wird mein liebster Bräutigam” ====<br />
==== #4. ''Aria (Alto)'' „Bereite dich, Zion, mit zärtlichen Trieben” ====<br />
* 3-4. '''CPDL #8327:''' [http://www.evatoller.pp.se/DOCS/pdf/bereitedichzion_pdf.pdf {{pdf}}] [http://www.evatoller.pp.se/ {{mid}}] <br />
{{Editor|Eva Toller|2004-10-24}} '''Score information:''' A4&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Originally recitative and aria for Alto, Oboe d'amore I/II, Violoncello, Fagotto, Continuo, Organo. Arranged by Eva Toller for SSAA.<br />
==== #5. ''Choral'' „Wie soll ich dich empfangen” ====<br />
* '''CPDL #5493:''' [{{SERVER}}/wiki/images/sheet/bwv-wo05.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo05.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo05.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 10 pages, 116 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #6. ''Evangelista (Tenore)'' „Und sie gebar ihren ersten Sohn” ====<br />
==== #7. ''Choral/ Recitativo (Soprano, Basso)'' „Er is auf Erden kommen arm/ Wer will die Liebe recht erhöhn” ====<br />
* '''CPDL #5494:''' [{{SERVER}}/wiki/images/sheet/bwv-wo07.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo07.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo07.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 76 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}} Choral part only.<br />
==== #8. ''Aria (Basso)'' „Großer Herr und starker König” ====<br />
==== #9. ''Choral'' „Ach mein herzliebes Jesulein!” ====<br />
* '''CPDL #5495:''' [{{SERVER}}/wiki/images/sheet/bwv-wo09.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo09.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo09.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 108 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
{{ScoreError|small error in the text. (applies also to the complete choral movements above)}}<br />
<br />
=== Part II. Am 2. Weihnachtstag (''Feria 2 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5515:''' [{{SERVER}}/wiki/images/sheet/bwv-2482.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 12 pages, 904 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (10). ''Sinfonia'' ====<br />
==== #2 (11). ''Evangelista (Tenore)'' „Und es waren Hirten in derselben Gegend” ====<br />
==== #3 (12). ''Choral'' „Brich an, o schönes Morgenlicht” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18291''' [{{SERVER}}/wiki/images/3/3f/Bach-Christmas_Oratorio_No12.pdf {{pdf}}] [{{SERVER}}/wiki/images/9/91/Bach-Christmas_Oratorio_No12.mid {{mid}}] [{{SERVER}}/wiki/images/8/80/Bach-Christmas_Oratorio_No12.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} ''.&nbsp;&nbsp;&nbsp;'''Score information:''' Letter, 2 pages, 33 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5496:''' [{{SERVER}}/wiki/images/sheet/bwv-wo12.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo12.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo12.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' Letter, 1 page, 37 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #5327:''' [{{SERVER}}/wiki/images/sheet/bwv-xo11.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-xo11.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-xo11.mus Finale 2003].<br><br />
:'''Editor:''' [[User:Charbel Kady|Charbel Kady]] ''(added 2003-07-09)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
'''English text only: ''Break forth, O beauteous heavenly light'''''<br />
:: ''See also the [[Christmas Songbook (Various)|Christmas Songbook]]''<br />
* {{NewWork|2008-12-29}} '''CPDL #18430:''' [{{website|mather}}/cd/index.shtml?56.txt {{net}}]<br />
{{Editor|Rod Mather|2008-12-29}}{{Copy|Public Domain}}{{Edition|''Break forth, O beauteous heavenly light''}} <br />
* '''CPDL #7034:''' [http://www.christmas-carol-music.org/Index_of_Titles.html {{pdf}}] [http://www.christmas-carol-music.org/Index_of_Titles.html {{mid}}] .<br><br />
{{Editor|Edward L. Stauff|2004-05-20}} '''Score information:''' Letter, 1 page&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text: ''Break Forth O Beauteous Heavenly Light''<br />
* '''CPDL #6779:''' [{{website|chorusrehearsal}} {{net}}]<br />
{{Editor|John D. Smith|2004-02-25}} '''Score information:''' A4, 2 pages&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Scores listed alphabetically by composer. All scores available in [[CW:DT|Scorch]] format, some are also available as PDF files.<br />
* '''CPDL #526:''' [{{SERVER}}/wiki/images/sheet/bach-001.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bach-001.mid {{mid}}] [{{SERVER}}/wiki/images/source/bach-001.zip Finale 1998].<br><br />
{{Editor|Rafael Ornes|1999-01-15}} '''Score information:''' 40 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text: ''Break Forth O Beauteous Heavenly Light''<br />
<br />
==== #4 (13). ''Evangelista/ Angelus (Tenore, Soprano)'' „Und der Engel sprach zu ihnen/ Fürchtet euch nicht” ====<br />
==== #5 (14). ''Recitativo (Basso)'' „Was Gott dem Abraham verheißen” ====<br />
==== #6 (15). ''Aria (Tenore)'' „Frohe Hirten, eilt, ach eilet” ====<br />
==== #7 (16). ''Evangelista (Tenore)'' „Und das habt zum Zeichen” ====<br />
==== #8 (17). ''Choral'' „Schaut hin! dort liegt im finstern Stall” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18292''' [{{SERVER}}/wiki/images/a/a6/Bach-Christmas_Oratorio_No17.pdf {{pdf}}] [{{SERVER}}/wiki/images/5/55/Bach-Christmas_Oratorio_No17.mid {{mid}}] [{{SERVER}}/wiki/images/9/9b/Bach-Christmas_Oratorio_No17.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 1 page, 25 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5497:''' [{{SERVER}}/wiki/images/sheet/bwv-wo17.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo17.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo17.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 96 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #9 (18). ''Recitativo (Basso)'' „So geht denn hin!” ====<br />
==== #10 (19). ''Aria (Alto)'' „Schlafe, mein Liebster, genieße der Ruh'” ====<br />
==== #11 (20). ''Evangelista (Tenore)'' „Und alsobald war da bei dem Engel” ====<br />
==== #12 (21). ''Chorus'' „Ehre sei Gott in der Höhe” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18293''' [{{SERVER}}/wiki/images/9/9f/Bach-Christmas_Oratorio_No21.pdf {{pdf}}] [{{SERVER}}/wiki/images/a/af/Bach-Christmas_Oratorio_No21.mid {{mid}}] [{{SERVER}}/wiki/images/5/53/Bach-Christmas_Oratorio_No21.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 6 pages, 90 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5498:''' [{{SERVER}}/wiki/images/sheet/bwv-wo21.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo21.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo21.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 7 pages, 576 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #13 (22). ''Recitativo (Basso)'' „So recht, ihr Engel, jauchzt und singet” ====<br />
==== #14 (23). ''Choral'' „Wir singen dir in deinem Heer” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18292''' [{{SERVER}}/wiki/images/d/dd/Bach-Christmas_Oratorio_No23.pdf {{pdf}}] [{{SERVER}}/wiki/images/9/96/Bach-Christmas_Oratorio_No23.mid {{mid}}] [{{SERVER}}/wiki/images/9/96/Bach-Christmas_Oratorio_No23.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 2 pages, 27 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5499:''' [{{SERVER}}/wiki/images/sheet/bwv-wo23.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo23.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo23.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 2 pages, 114 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part III. Am 3. Weihnachtstag (''Feria 3 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5516:''' [{{SERVER}}/wiki/images/sheet/bwv-2483.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 676 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 5 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (24). ''Coro'' „Herrscher des Himmels, erhöre das Lallen” ====<br />
* CPDL #5500:''' [{{SERVER}}/wiki/images/sheet/bwv-wo24.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo24.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo24.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 4 pages, 224 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (25). ''Evangelista (Tenore)'' „Und da die Engel von ihnen gen Himmel fuhren” ====<br />
==== #3 (26). ''Chorus'' „Lasset uns nun gehen gen Bethlehem” ====<br />
* '''CPDL #5501:''' [{{SERVER}}/wiki/images/sheet/bwv-wo26.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo26.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo26.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #4 (27). ''Recitativo (Basso)'' „Er hat sein Volk getröst't” ====<br />
==== #5 (28). ''Choral'' „Dies hat er alles uns getan” ====<br />
* '''CPDL #5502:''' [{{SERVER}}/wiki/images/sheet/bwv-wo28.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo28.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo28.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #6 (29). ''Aria Duetto (Soprano, Basso)'' „Herr, dein Mitleid, dein Erbarmen” ====<br />
==== #7 (30). ''Evangelista (Tenore)'' „Und sie kamen eilend” ====<br />
==== #8 (31). ''Aria (Alto)'' „Schließe, mein Herze, dies selige Wunder” ====<br />
==== #9 (32). ''Recitativo (Alto)'' „Ja, ja! mein Herz soll es bewahren” ====<br />
==== #10 (33). ''Choral'' „Ich will dich mit Fleiß bewahren” ====<br />
* '''CPDL #5503:''' [{{SERVER}}/wiki/images/sheet/bwv-wo33.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo33.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo33.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 104 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #1657:''' [http://christmassongbook.net/s2139b.asp {{net}}] GIF and MIDI files available.<br />
{{Editor|Christopher R. Baker|2000-11-27}} {{Copy|Personal}}<br />
:'''Edition notes:''' German and English text (''All My Heart This Night Rejoices'').<br />
==== #11 (34). ''Evangelista (Tenore)'' „Und die Hirten kehren wieder um” ====<br />
==== #12 (35). ''Choral'' „Seid froh, dieweil” ====<br />
* '''CPDL #5504:''' [{{SERVER}}/wiki/images/sheet/bwv-wo35.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo35.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo35.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== Repeat #1 (24). ''Coro'' „Herrscher des Himmels, erhöre das Lallen” ====<br />
<br />
=== Part IV. Am Neujahrstage (''Festo Circumcisionis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5517:''' [{{SERVER}}/wiki/images/sheet/bwv-2484.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 688 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 2 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (36). ''Coro'' „Fallt mit Danken, fallt mit Loben” ====<br />
* '''CPDL #5505:''' [{{SERVER}}/wiki/images/sheet/bwv-wo36.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo36.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo36.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 9 pages, 564 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
{{ScoreError|errors in the bass voice. (applies also to the complete choral movements above)}}<br />
==== #2 (37). ''Evangelista (Tenore)'' „Und da acht Tage um waren” ====<br />
==== #3 (38). ''Reciativo/ Arioso (Soprano, Basso)'' „Immanuel, o süßes Wort/ Jesu, du mein liebstes Leben” ====<br />
==== #4 (39). ''Aria (Soprano, Echo)'' „Flößt, mein Heiland, flößt dein Namen” ====<br />
==== #5 (40). ''Recitativo/ Arioso (Soprano, Basso) „Wohlan! dein Name soll allein/ Jesu, meine Freud' und Wonne” ====<br />
==== #6 (41). ''Aria (Tenore)'' „Ich will nur dir zu Ehren leben” ====<br />
==== #7 (42). ''Choral'' „Jesus richte mein Beginnen” ====<br />
* '''CPDL #5506:''' [{{SERVER}}/wiki/images/sheet/bwv-wo42.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo42.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo42.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 2 pages, 132 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
<br />
=== Part V. Am Sonntag nach Neujahr (''Dominica post Festum Circumcisionis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5518:''' [{{SERVER}}/wiki/images/sheet/bwv-2485.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 16 pages, 932 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (43). ''Coro'' „Ehre sei dir, Gott, gesungen” ====<br />
* '''CPDL #5507:''' [{{SERVER}}/wiki/images/sheet/bwv-wo43.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo43.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo43.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 596 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (44). ''Evangelista (Tenore)'' „Da Jesus geboren war zu Bethlehem” ====<br />
==== #3 (45). ''Coro/ Recitativo (Alto) '' „Wo ist der neugeborne König der J&uuml;den/ Sucht ihn in meiner Brust” ====<br />
* '''CPDL #5508:''' [{{SERVER}}/wiki/images/sheet/bwv-wo45.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo45.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo45.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 136 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
{{ScoreError|variations of text Juden/Jüden; errors in the alto voice. (applies also to the complete choral movements above)}}<br />
==== #4 (46). ''Choral'' „Dein Glanz all' Finsternis verzehrt” ====<br />
* '''CPDL #5509:''' [{{SERVER}}/wiki/images/sheet/bwv-wo46.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo46.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo46.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #5 (47). ''Aria (Basso)'' „Erleucht' auch meine finstre Sinnen” ====<br />
==== #6 (48). ''Evangelista (Tenore)'' „Da das der König Herodes hörte” ====<br />
==== #7 (49). ''Accompagnato (Alto, Tenore)'' „Warum wollt ihr erschrecken” ====<br />
==== #8 (50). ''Evangelista (Tenore)'' „Und ließ versammeln alle Hohenpriester” ====<br />
==== #9 (51). ''Aria Terzetto (Soprano, Alto, Tenor)'' „Ach! wann wird die Zeit erscheinen?” ====<br />
==== #10 (52). ''Recitativo (alto)'' „Mein Liebster herrschet schon” ====<br />
==== #11 (53). ''Choral'' „Zwar ist solche Herzensstube” ====<br />
* '''CPDL #5510:''' [{{SERVER}}/wiki/images/sheet/bwv-wo53.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo53.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo53.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 96 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part VI. Am Fest der Erscheinung Christi (''Festo Epiphanias'') ===<br />
'''Choral movements (complete)<br />
* '''CPDL #5519:''' [{{SERVER}}/wiki/images/sheet/bwv-2486.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 15 pages, 1032 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 3 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (54). ''Chorus'' „Herr, wenn die stolzen Feinde schnauben” ====<br />
* '''CPDL #5511:''' [{{SERVER}}/wiki/images/sheet/bwv-wo54.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo54.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo54.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 804 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
{{ScoreError|variations in the bass voice; an error in the tenor voice. (applies also to the complete choral movements above)}}<br />
==== #2 (55). ''Evangelista/ Herodes (Tenore, Basso)'' „Da berief Herodes die Weisen heimlich/ Ziehet hin und forschet fleißig” ====<br />
==== #3 (56). ''Accompagnato (Soprano)'' „Du Falscher, suchet nur den Herrn zu fällen” ====<br />
==== #4 (57). ''Aria (Soprano)'' „Nur ein Wink von seinen Händen” ====<br />
==== #5 (58). '' Evangelista (Tenore)'' „Als sie nun den König gehöret hatten” ====<br />
==== #6 (59). ''Choral'' „Ich steh an deiner Krippen hier” ====<br />
* '''CPDL #5512:''' [{{SERVER}}/wiki/images/sheet/bwv-wo59.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo59.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo59.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 112 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #1668:''' [http://christmassongbook.net/s1260d.asp GIF] [http://christmassongbook.net/s1260d.asp {{mid}}] .<br><br />
{{Editor|Christopher R. Baker|2000-11-27}} '''Score information:''' &nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text (''Beside Thy Cradle Here I stand'').<br />
==== #7 (60). ''Evangelista (Tenore)'' „Und Gott befahl ihnen im Traum'” ====<br />
==== #8 (61). ''Accompagnato (Tenore)'' „So geht! Genug, mein Schatz geht nicht von hier” ====<br />
==== #9 (62). ''Aria (Tenore)'' „Nun mögt ihr stolzen Feinde schrecken” ====<br />
==== #10 (63). ''Recitativo à 4 (Soprano, Alto, Tenore, Basso)'' „Was will der Höllen Schrecken nun” ====<br />
==== #11 (64). ''Choral'' „Nun seid ihr wohl gerochen” ====<br />
* '''CPDL #5513:''' [{{SERVER}}/wiki/images/sheet/bwv-wo64.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo64.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo64.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 132 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Choral parts only, source file is zipped.<br />
<br />
==General Information==<br />
'''Title:''' ''Weihnachtsoratorium'' (Christmas Oratorio)<br><br />
{{Composer|Johann Sebastian Bach}}<br />
<br />
{{MultiVoicing|v=4|v_add{{sp}}plus 4 soloists|n=2|1st=SATB|1st_add={{sp}} plus {{cat|Solo Soprano}}, {{cat|Solo Alto}}, {{cat|Solo Tenor}} & {{cat|Solo Bass}} (original);|2nd=SSAA|2nd_add={{sp}}(arrangement)}}<br><br />
'''Genre:''' {{pcat|Sacred| music}}, [[Oratorio]] <br><br />
{{Language|2|German|English}}<br />
'''Instruments:''' {{OrchAcc}}<br><br />
'''Published:''' 1734<br><br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
*[http://www.jsbach.org/jsbach.org Johan Sebastian Bach's Homepage]<br />
<br />
==Original text and translations==<br />
<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Oratorios]]<br />
[[Category:Christmas]]<br />
[[Category:Baroque music]]</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Talk:Weihnachtsoratorium_(Christmas_Oratorio),_BWV_248_(Johann_Sebastian_Bach)&diff=167251Talk:Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)2009-01-04T01:12:46Z<p>Rote: A list of errors or variations between editions that I have observed (mostly while rehearsing the bass voice.)</p>
<hr />
<div>'''Error list'''<br />
<br />
Some of these are variations between different editions. I have consulted Bärenreiter [BÄR], Carus 31.246/53 [CAR], Peters 38 [PET], Breitkopf & Härtel [B&H].<br />
== #1. Coro „Jauchzet, frohlocket, auf, preiset die Tage” ==<br />
All voices, starting with tenor, bar 50:<br />
the third beat (the 3/32 note B) has a trill (''tr'').<br />
This holds for all occurrences of this motif.<br />
<br />
== #9. Choral „Ach mein herzliebes Jesulein!” ==<br />
<br />
The penultimate word is ''ver-ges-se'', not ''ver-ges-sen''.<br />
== #17. Choral „Schaut hin! dort liegt im finstern Stall” ==<br />
Bar 4, tenor. Last note is Bb, not A# (typographical error).<br />
<br />
== #23. Choral „Wir singen dir in deinem Heer” ==<br />
Typographical issue in Bars 6-7 (and less importantly in bar 13):<br />
the 9/8 rest is difficult to parse. It would be better to group it as 3/8+6/8 and 6/8+3/8.<br />
== #36. Coro „Fallt mit Danken, fallt mit Loben” ==<br />
<br />
Bar 50, bass. The first two 1/8 notes (F - Eb) should be replaced by a 1/4 note Eb. (The ''tr'' is correct; it remains on the first note.)<br />
<br />
Bar 190, bass. Similarly, the first two 1/8 notes (F - E) should be replaced by a 1/4 note E. (The ''tr'' is correct; it remains on the first note.) All editions I have consulted [BÄR],[CAR],[PET],[B&H] agree on this.<br />
<br />
Bar 145, bass. The 5th 1/16 note should be G# not G. (Remove the natural sign)<br />
<br />
== #42. Choral „Jesus richte mein Beginnen” ==<br />
<br />
Bar 17 (the last bar before the repetition sign) is only played the first time, and not repeated.<br />
<br />
== #43. Coro „Ehre sei dir, Gott, gesungen” ==<br />
<br />
Bar 24, all voices: first note (''Gott'') is 1/8, not 1/4. (All editions I have consulted [BÄR],[CAR],[PET],[B&H] agree on this.)<br />
<br />
Bar 98-99. The separation between the bars should be shifted 1/4 to the left. (and the apostrophe in ''bereit' '' is missing in the tenor voice.)<br />
<br />
== #45. Coro „Wo ist der neugeborne König der Jüden" ==<br />
<br />
Variations of text. ''Juden'' is the modern form, ''Jüden'' is obsolete (and probably the original version).<br />
[PET] and [B&H] have ''Juden''; [BÄR] and [CAR] have ''Jüden''.<br />
<br />
Bar 3, alto. Gb should be G.<br />
<br />
Bar 9, alto. Gb should be G.<br />
<br />
== #54. Chorus „Herr, wenn die stolzen Feinde schnauben” ==<br />
<br />
Bar 223-224, bass. The last three notes of bar 223 and the first note of bar 224 are<br />
D-C#-B-A. This agrees with [B&H] and [PET]. [CAR] and [BÄR] have a variation in which this passage is a third lower: B-A-G-F#.<br />
<br />
Bar 145, tenor. 2nd not should be C#, not C. (Remove the natural sign.)<br />
<br />
Variations of text. ''Hilfe'' is the modern form of the noun ''help'', ''Hülfe'' is an obsolete form. (... nach deiner Macht und Hilfe/Hülfe sehn.)<br />
[B&H] has ''Hilfe''; [PET], [BÄR] and [CAR] have ''Hülfe''.<br />
<br />
== #64. Choral „Nun seid ihr wohl gerochen” ==<br />
<br />
The first bar is not repeated; the repetition starts with bar 2. (And there is 1/8 upbeat before bar 1.)<br />
<br />
--[[User:Rote|Rote]] 01:12, 4 January 2009 (UTC)</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Weihnachtsoratorium_(Christmas_Oratorio),_BWV_248_(Johann_Sebastian_Bach)&diff=167250Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)2009-01-04T00:31:17Z<p>Rote: corrected title of #43</p>
<hr />
<div>==Music files==<br />
{{Legend}}<br />
<br />
=== Part I. Am 1. Weihnachtstag (''Feria 1 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5514:''' [{{SERVER}}/wiki/images/sheet/bwv-2481.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 14 pages, 780 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1. ''Coro'' „Jauchzet, frohlocket, auf, preiset die Tage” ====<br />
* '''CPDL #5492:''' [{{SERVER}}/wiki/images/sheet/bwv-wo01.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo01.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo01.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 10 pages, 508 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2. ''Evangelista (Tenore)'' „Es begab sich aber zu der Zeit” ====<br />
==== #3. ''Accompagnato (Alto)'' „Nun wird mein liebster Bräutigam” ====<br />
==== #4. ''Aria (Alto)'' „Bereite dich, Zion, mit zärtlichen Trieben” ====<br />
* 3-4. '''CPDL #8327:''' [http://www.evatoller.pp.se/DOCS/pdf/bereitedichzion_pdf.pdf {{pdf}}] [http://www.evatoller.pp.se/ {{mid}}] <br />
{{Editor|Eva Toller|2004-10-24}} '''Score information:''' A4&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Originally recitative and aria for Alto, Oboe d'amore I/II, Violoncello, Fagotto, Continuo, Organo. Arranged by Eva Toller for SSAA.<br />
==== #5. ''Choral'' „Wie soll ich dich empfangen” ====<br />
* '''CPDL #5493:''' [{{SERVER}}/wiki/images/sheet/bwv-wo05.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo05.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo05.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 10 pages, 116 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #6. ''Evangelista (Tenore)'' „Und sie gebar ihren ersten Sohn” ====<br />
==== #7. ''Choral/ Recitativo (Soprano, Basso)'' „Er is auf Erden kommen arm/ Wer will die Liebe recht erhöhn” ====<br />
* '''CPDL #5494:''' [{{SERVER}}/wiki/images/sheet/bwv-wo07.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo07.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo07.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 76 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}} Choral part only.<br />
==== #8. ''Aria (Basso)'' „Großer Herr und starker König” ====<br />
==== #9. ''Choral'' „Ach mein herzliebes Jesulein!” ====<br />
* '''CPDL #5495:''' [{{SERVER}}/wiki/images/sheet/bwv-wo09.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo09.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo09.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 108 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part II. Am 2. Weihnachtstag (''Feria 2 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5515:''' [{{SERVER}}/wiki/images/sheet/bwv-2482.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 12 pages, 904 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (10). ''Sinfonia'' ====<br />
==== #2 (11). ''Evangelista (Tenore)'' „Und es waren Hirten in derselben Gegend” ====<br />
==== #3 (12). ''Choral'' „Brich an, o schönes Morgenlicht” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18291''' [{{SERVER}}/wiki/images/3/3f/Bach-Christmas_Oratorio_No12.pdf {{pdf}}] [{{SERVER}}/wiki/images/9/91/Bach-Christmas_Oratorio_No12.mid {{mid}}] [{{SERVER}}/wiki/images/8/80/Bach-Christmas_Oratorio_No12.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} ''.&nbsp;&nbsp;&nbsp;'''Score information:''' Letter, 2 pages, 33 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5496:''' [{{SERVER}}/wiki/images/sheet/bwv-wo12.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo12.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo12.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' Letter, 1 page, 37 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #5327:''' [{{SERVER}}/wiki/images/sheet/bwv-xo11.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-xo11.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-xo11.mus Finale 2003].<br><br />
:'''Editor:''' [[User:Charbel Kady|Charbel Kady]] ''(added 2003-07-09)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
'''English text only: ''Break forth, O beauteous heavenly light'''''<br />
:: ''See also the [[Christmas Songbook (Various)|Christmas Songbook]]''<br />
* {{NewWork|2008-12-29}} '''CPDL #18430:''' [{{website|mather}}/cd/index.shtml?56.txt {{net}}]<br />
{{Editor|Rod Mather|2008-12-29}}{{Copy|Public Domain}}{{Edition|''Break forth, O beauteous heavenly light''}} <br />
* '''CPDL #7034:''' [http://www.christmas-carol-music.org/Index_of_Titles.html {{pdf}}] [http://www.christmas-carol-music.org/Index_of_Titles.html {{mid}}] .<br><br />
{{Editor|Edward L. Stauff|2004-05-20}} '''Score information:''' Letter, 1 page&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text: ''Break Forth O Beauteous Heavenly Light''<br />
* '''CPDL #6779:''' [{{website|chorusrehearsal}} {{net}}]<br />
{{Editor|John D. Smith|2004-02-25}} '''Score information:''' A4, 2 pages&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Scores listed alphabetically by composer. All scores available in [[CW:DT|Scorch]] format, some are also available as PDF files.<br />
* '''CPDL #526:''' [{{SERVER}}/wiki/images/sheet/bach-001.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bach-001.mid {{mid}}] [{{SERVER}}/wiki/images/source/bach-001.zip Finale 1998].<br><br />
{{Editor|Rafael Ornes|1999-01-15}} '''Score information:''' 40 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text: ''Break Forth O Beauteous Heavenly Light''<br />
<br />
==== #4 (13). ''Evangelista/ Angelus (Tenore, Soprano)'' „Und der Engel sprach zu ihnen/ Fürchtet euch nicht” ====<br />
==== #5 (14). ''Recitativo (Basso)'' „Was Gott dem Abraham verheißen” ====<br />
==== #6 (15). ''Aria (Tenore)'' „Frohe Hirten, eilt, ach eilet” ====<br />
==== #7 (16). ''Evangelista (Tenore)'' „Und das habt zum Zeichen” ====<br />
==== #8 (17). ''Choral'' „Schaut hin! dort liegt im finstern Stall” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18292''' [{{SERVER}}/wiki/images/a/a6/Bach-Christmas_Oratorio_No17.pdf {{pdf}}] [{{SERVER}}/wiki/images/5/55/Bach-Christmas_Oratorio_No17.mid {{mid}}] [{{SERVER}}/wiki/images/9/9b/Bach-Christmas_Oratorio_No17.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 1 page, 25 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5497:''' [{{SERVER}}/wiki/images/sheet/bwv-wo17.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo17.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo17.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 96 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #9 (18). ''Recitativo (Basso)'' „So geht denn hin!” ====<br />
==== #10 (19). ''Aria (Alto)'' „Schlafe, mein Liebster, genieße der Ruh'” ====<br />
==== #11 (20). ''Evangelista (Tenore)'' „Und alsobald war da bei dem Engel” ====<br />
==== #12 (21). ''Chorus'' „Ehre sei Gott in der Höhe” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18293''' [{{SERVER}}/wiki/images/9/9f/Bach-Christmas_Oratorio_No21.pdf {{pdf}}] [{{SERVER}}/wiki/images/a/af/Bach-Christmas_Oratorio_No21.mid {{mid}}] [{{SERVER}}/wiki/images/5/53/Bach-Christmas_Oratorio_No21.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 6 pages, 90 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5498:''' [{{SERVER}}/wiki/images/sheet/bwv-wo21.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo21.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo21.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 7 pages, 576 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #13 (22). ''Recitativo (Basso)'' „So recht, ihr Engel, jauchzt und singet” ====<br />
==== #14 (23). ''Choral'' „Wir singen dir in deinem Heer” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18292''' [{{SERVER}}/wiki/images/d/dd/Bach-Christmas_Oratorio_No23.pdf {{pdf}}] [{{SERVER}}/wiki/images/9/96/Bach-Christmas_Oratorio_No23.mid {{mid}}] [{{SERVER}}/wiki/images/9/96/Bach-Christmas_Oratorio_No23.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 2 pages, 27 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5499:''' [{{SERVER}}/wiki/images/sheet/bwv-wo23.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo23.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo23.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 2 pages, 114 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part III. Am 3. Weihnachtstag (''Feria 3 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5516:''' [{{SERVER}}/wiki/images/sheet/bwv-2483.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 676 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 5 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (24). ''Coro'' „Herrscher des Himmels, erhöre das Lallen” ====<br />
* CPDL #5500:''' [{{SERVER}}/wiki/images/sheet/bwv-wo24.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo24.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo24.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 4 pages, 224 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (25). ''Evangelista (Tenore)'' „Und da die Engel von ihnen gen Himmel fuhren” ====<br />
==== #3 (26). ''Chorus'' „Lasset uns nun gehen gen Bethlehem” ====<br />
* '''CPDL #5501:''' [{{SERVER}}/wiki/images/sheet/bwv-wo26.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo26.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo26.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #4 (27). ''Recitativo (Basso)'' „Er hat sein Volk getröst't” ====<br />
==== #5 (28). ''Choral'' „Dies hat er alles uns getan” ====<br />
* '''CPDL #5502:''' [{{SERVER}}/wiki/images/sheet/bwv-wo28.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo28.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo28.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #6 (29). ''Aria Duetto (Soprano, Basso)'' „Herr, dein Mitleid, dein Erbarmen” ====<br />
==== #7 (30). ''Evangelista (Tenore)'' „Und sie kamen eilend” ====<br />
==== #8 (31). ''Aria (Alto)'' „Schließe, mein Herze, dies selige Wunder” ====<br />
==== #9 (32). ''Recitativo (Alto)'' „Ja, ja! mein Herz soll es bewahren” ====<br />
==== #10 (33). ''Choral'' „Ich will dich mit Fleiß bewahren” ====<br />
* '''CPDL #5503:''' [{{SERVER}}/wiki/images/sheet/bwv-wo33.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo33.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo33.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 104 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #1657:''' [http://christmassongbook.net/s2139b.asp {{net}}] GIF and MIDI files available.<br />
{{Editor|Christopher R. Baker|2000-11-27}} {{Copy|Personal}}<br />
:'''Edition notes:''' German and English text (''All My Heart This Night Rejoices'').<br />
==== #11 (34). ''Evangelista (Tenore)'' „Und die Hirten kehren wieder um” ====<br />
==== #12 (35). ''Choral'' „Seid froh, dieweil” ====<br />
* '''CPDL #5504:''' [{{SERVER}}/wiki/images/sheet/bwv-wo35.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo35.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo35.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== Repeat #1 (24). ''Coro'' „Herrscher des Himmels, erhöre das Lallen” ====<br />
<br />
=== Part IV. Am Neujahrstage (''Festo Circumcisionis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5517:''' [{{SERVER}}/wiki/images/sheet/bwv-2484.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 688 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 2 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (36). ''Coro'' „Fallt mit Danken, fallt mit Loben” ====<br />
* '''CPDL #5505:''' [{{SERVER}}/wiki/images/sheet/bwv-wo36.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo36.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo36.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 9 pages, 564 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (37). ''Evangelista (Tenore)'' „Und da acht Tage um waren” ====<br />
==== #3 (38). ''Reciativo/ Arioso (Soprano, Basso)'' „Immanuel, o süßes Wort/ Jesu, du mein liebstes Leben” ====<br />
==== #4 (39). ''Aria (Soprano, Echo)'' „Flößt, mein Heiland, flößt dein Namen” ====<br />
==== #5 (40). ''Recitativo/ Arioso (Soprano, Basso) „Wohlan! dein Name soll allein/ Jesu, meine Freud' und Wonne” ====<br />
==== #6 (41). ''Aria (Tenore)'' „Ich will nur dir zu Ehren leben” ====<br />
==== #7 (42). ''Choral'' „Jesus richte mein Beginnen” ====<br />
* '''CPDL #5506:''' [{{SERVER}}/wiki/images/sheet/bwv-wo42.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo42.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo42.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 2 pages, 132 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part V. Am Sonntag nach Neujahr (''Dominica post Festum Circumcisionis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5518:''' [{{SERVER}}/wiki/images/sheet/bwv-2485.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 16 pages, 932 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (43). ''Coro'' „Ehre sei dir, Gott, gesungen” ====<br />
* '''CPDL #5507:''' [{{SERVER}}/wiki/images/sheet/bwv-wo43.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo43.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo43.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 596 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (44). ''Evangelista (Tenore)'' „Da Jesus geboren war zu Bethlehem” ====<br />
==== #3 (45). ''Coro/ Recitativo (Alto) '' „Wo ist der neugeborne König der J&uuml;den/ Sucht ihn in meiner Brust” ====<br />
* '''CPDL #5508:''' [{{SERVER}}/wiki/images/sheet/bwv-wo45.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo45.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo45.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 136 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #4 (46). ''Choral'' „Dein Glanz all' Finsternis verzehrt” ====<br />
* '''CPDL #5509:''' [{{SERVER}}/wiki/images/sheet/bwv-wo46.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo46.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo46.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #5 (47). ''Aria (Basso)'' „Erleucht' auch meine finstre Sinnen” ====<br />
==== #6 (48). ''Evangelista (Tenore)'' „Da das der König Herodes hörte” ====<br />
==== #7 (49). ''Accompagnato (Alto, Tenore)'' „Warum wollt ihr erschrecken” ====<br />
==== #8 (50). ''Evangelista (Tenore)'' „Und ließ versammeln alle Hohenpriester” ====<br />
==== #9 (51). ''Aria Terzetto (Soprano, Alto, Tenor)'' „Ach! wann wird die Zeit erscheinen?” ====<br />
==== #10 (52). ''Recitativo (alto)'' „Mein Liebster herrschet schon” ====<br />
==== #11 (53). ''Choral'' „Zwar ist solche Herzensstube” ====<br />
* '''CPDL #5510:''' [{{SERVER}}/wiki/images/sheet/bwv-wo53.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo53.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo53.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 96 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part VI. Am Fest der Erscheinung Christi (''Festo Epiphanias'') ===<br />
'''Choral movements (complete)<br />
* '''CPDL #5519:''' [{{SERVER}}/wiki/images/sheet/bwv-2486.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 15 pages, 1032 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 3 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (54). ''Chorus'' „Herr, wenn die stolzen Feinde schnauben” ====<br />
* '''CPDL #5511:''' [{{SERVER}}/wiki/images/sheet/bwv-wo54.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo54.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo54.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 804 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (55). ''Evangelista/ Herodes (Tenore, Basso)'' „Da berief Herodes die Weisen heimlich/ Ziehet hin und forschet fleißig” ====<br />
==== #3 (56). ''Accompagnato (Soprano)'' „Du Falscher, suchet nur den Herrn zu fällen” ====<br />
==== #4 (57). ''Aria (Soprano)'' „Nur ein Wink von seinen Händen” ====<br />
==== #5 (58). '' Evangelista (Tenore)'' „Als sie nun den König gehöret hatten” ====<br />
==== #6 (59). ''Choral'' „Ich steh an deiner Krippen hier” ====<br />
* '''CPDL #5512:''' [{{SERVER}}/wiki/images/sheet/bwv-wo59.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo59.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo59.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 112 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #1668:''' [http://christmassongbook.net/s1260d.asp GIF] [http://christmassongbook.net/s1260d.asp {{mid}}] .<br><br />
{{Editor|Christopher R. Baker|2000-11-27}} '''Score information:''' &nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text (''Beside Thy Cradle Here I stand'').<br />
==== #7 (60). ''Evangelista (Tenore)'' „Und Gott befahl ihnen im Traum'” ====<br />
==== #8 (61). ''Accompagnato (Tenore)'' „So geht! Genug, mein Schatz geht nicht von hier” ====<br />
==== #9 (62). ''Aria (Tenore)'' „Nun mögt ihr stolzen Feinde schrecken” ====<br />
==== #10 (63). ''Recitativo à 4 (Soprano, Alto, Tenore, Basso)'' „Was will der Höllen Schrecken nun” ====<br />
==== #11 (64). ''Choral'' „Nun seid ihr wohl gerochen” ====<br />
* '''CPDL #5513:''' [{{SERVER}}/wiki/images/sheet/bwv-wo64.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo64.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo64.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 132 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Choral parts only, source file is zipped.<br />
<br />
==General Information==<br />
'''Title:''' ''Weihnachtsoratorium'' (Christmas Oratorio)<br><br />
{{Composer|Johann Sebastian Bach}}<br />
<br />
{{MultiVoicing|v=4|v_add{{sp}}plus 4 soloists|n=2|1st=SATB|1st_add={{sp}} plus {{cat|Solo Soprano}}, {{cat|Solo Alto}}, {{cat|Solo Tenor}} & {{cat|Solo Bass}} (original);|2nd=SSAA|2nd_add={{sp}}(arrangement)}}<br><br />
'''Genre:''' {{pcat|Sacred| music}}, [[Oratorio]] <br><br />
{{Language|2|German|English}}<br />
'''Instruments:''' {{OrchAcc}}<br><br />
'''Published:''' 1734<br><br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
*[http://www.jsbach.org/jsbach.org Johan Sebastian Bach's Homepage]<br />
<br />
==Original text and translations==<br />
<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Oratorios]]<br />
[[Category:Christmas]]<br />
[[Category:Baroque music]]</div>Rotehttps://www.cpdl.org/wiki/index.php?title=Weihnachtsoratorium_(Christmas_Oratorio),_BWV_248_(Johann_Sebastian_Bach)&diff=167243Weihnachtsoratorium (Christmas Oratorio), BWV 248 (Johann Sebastian Bach)2009-01-04T00:00:42Z<p>Rote: spelling correction for epiphanias</p>
<hr />
<div>==Music files==<br />
{{Legend}}<br />
<br />
=== Part I. Am 1. Weihnachtstag (''Feria 1 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5514:''' [{{SERVER}}/wiki/images/sheet/bwv-2481.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 14 pages, 780 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1. ''Coro'' „Jauchzet, frohlocket, auf, preiset die Tage” ====<br />
* '''CPDL #5492:''' [{{SERVER}}/wiki/images/sheet/bwv-wo01.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo01.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo01.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 10 pages, 508 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2. ''Evangelista (Tenore)'' „Es begab sich aber zu der Zeit” ====<br />
==== #3. ''Accompagnato (Alto)'' „Nun wird mein liebster Bräutigam” ====<br />
==== #4. ''Aria (Alto)'' „Bereite dich, Zion, mit zärtlichen Trieben” ====<br />
* 3-4. '''CPDL #8327:''' [http://www.evatoller.pp.se/DOCS/pdf/bereitedichzion_pdf.pdf {{pdf}}] [http://www.evatoller.pp.se/ {{mid}}] <br />
{{Editor|Eva Toller|2004-10-24}} '''Score information:''' A4&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Originally recitative and aria for Alto, Oboe d'amore I/II, Violoncello, Fagotto, Continuo, Organo. Arranged by Eva Toller for SSAA.<br />
==== #5. ''Choral'' „Wie soll ich dich empfangen” ====<br />
* '''CPDL #5493:''' [{{SERVER}}/wiki/images/sheet/bwv-wo05.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo05.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo05.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 10 pages, 116 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #6. ''Evangelista (Tenore)'' „Und sie gebar ihren ersten Sohn” ====<br />
==== #7. ''Choral/ Recitativo (Soprano, Basso)'' „Er is auf Erden kommen arm/ Wer will die Liebe recht erhöhn” ====<br />
* '''CPDL #5494:''' [{{SERVER}}/wiki/images/sheet/bwv-wo07.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo07.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo07.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 76 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}} Choral part only.<br />
==== #8. ''Aria (Basso)'' „Großer Herr und starker König” ====<br />
==== #9. ''Choral'' „Ach mein herzliebes Jesulein!” ====<br />
* '''CPDL #5495:''' [{{SERVER}}/wiki/images/sheet/bwv-wo09.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo09.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo09.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 108 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part II. Am 2. Weihnachtstag (''Feria 2 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5515:''' [{{SERVER}}/wiki/images/sheet/bwv-2482.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 12 pages, 904 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (10). ''Sinfonia'' ====<br />
==== #2 (11). ''Evangelista (Tenore)'' „Und es waren Hirten in derselben Gegend” ====<br />
==== #3 (12). ''Choral'' „Brich an, o schönes Morgenlicht” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18291''' [{{SERVER}}/wiki/images/3/3f/Bach-Christmas_Oratorio_No12.pdf {{pdf}}] [{{SERVER}}/wiki/images/9/91/Bach-Christmas_Oratorio_No12.mid {{mid}}] [{{SERVER}}/wiki/images/8/80/Bach-Christmas_Oratorio_No12.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} ''.&nbsp;&nbsp;&nbsp;'''Score information:''' Letter, 2 pages, 33 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5496:''' [{{SERVER}}/wiki/images/sheet/bwv-wo12.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo12.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo12.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' Letter, 1 page, 37 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #5327:''' [{{SERVER}}/wiki/images/sheet/bwv-xo11.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-xo11.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-xo11.mus Finale 2003].<br><br />
:'''Editor:''' [[User:Charbel Kady|Charbel Kady]] ''(added 2003-07-09)''.&nbsp;&nbsp;&nbsp;'''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
'''English text only: ''Break forth, O beauteous heavenly light'''''<br />
:: ''See also the [[Christmas Songbook (Various)|Christmas Songbook]]''<br />
* {{NewWork|2008-12-29}} '''CPDL #18430:''' [{{website|mather}}/cd/index.shtml?56.txt {{net}}]<br />
{{Editor|Rod Mather|2008-12-29}}{{Copy|Public Domain}}{{Edition|''Break forth, O beauteous heavenly light''}} <br />
* '''CPDL #7034:''' [http://www.christmas-carol-music.org/Index_of_Titles.html {{pdf}}] [http://www.christmas-carol-music.org/Index_of_Titles.html {{mid}}] .<br><br />
{{Editor|Edward L. Stauff|2004-05-20}} '''Score information:''' Letter, 1 page&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text: ''Break Forth O Beauteous Heavenly Light''<br />
* '''CPDL #6779:''' [{{website|chorusrehearsal}} {{net}}]<br />
{{Editor|John D. Smith|2004-02-25}} '''Score information:''' A4, 2 pages&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Scores listed alphabetically by composer. All scores available in [[CW:DT|Scorch]] format, some are also available as PDF files.<br />
* '''CPDL #526:''' [{{SERVER}}/wiki/images/sheet/bach-001.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bach-001.mid {{mid}}] [{{SERVER}}/wiki/images/source/bach-001.zip Finale 1998].<br><br />
{{Editor|Rafael Ornes|1999-01-15}} '''Score information:''' 40 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text: ''Break Forth O Beauteous Heavenly Light''<br />
<br />
==== #4 (13). ''Evangelista/ Angelus (Tenore, Soprano)'' „Und der Engel sprach zu ihnen/ Fürchtet euch nicht” ====<br />
==== #5 (14). ''Recitativo (Basso)'' „Was Gott dem Abraham verheißen” ====<br />
==== #6 (15). ''Aria (Tenore)'' „Frohe Hirten, eilt, ach eilet” ====<br />
==== #7 (16). ''Evangelista (Tenore)'' „Und das habt zum Zeichen” ====<br />
==== #8 (17). ''Choral'' „Schaut hin! dort liegt im finstern Stall” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18292''' [{{SERVER}}/wiki/images/a/a6/Bach-Christmas_Oratorio_No17.pdf {{pdf}}] [{{SERVER}}/wiki/images/5/55/Bach-Christmas_Oratorio_No17.mid {{mid}}] [{{SERVER}}/wiki/images/9/9b/Bach-Christmas_Oratorio_No17.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 1 page, 25 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5497:''' [{{SERVER}}/wiki/images/sheet/bwv-wo17.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo17.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo17.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 96 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #9 (18). ''Recitativo (Basso)'' „So geht denn hin!” ====<br />
==== #10 (19). ''Aria (Alto)'' „Schlafe, mein Liebster, genieße der Ruh'” ====<br />
==== #11 (20). ''Evangelista (Tenore)'' „Und alsobald war da bei dem Engel” ====<br />
==== #12 (21). ''Chorus'' „Ehre sei Gott in der Höhe” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18293''' [{{SERVER}}/wiki/images/9/9f/Bach-Christmas_Oratorio_No21.pdf {{pdf}}] [{{SERVER}}/wiki/images/a/af/Bach-Christmas_Oratorio_No21.mid {{mid}}] [{{SERVER}}/wiki/images/5/53/Bach-Christmas_Oratorio_No21.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 6 pages, 90 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5498:''' [{{SERVER}}/wiki/images/sheet/bwv-wo21.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo21.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo21.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 7 pages, 576 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #13 (22). ''Recitativo (Basso)'' „So recht, ihr Engel, jauchzt und singet” ====<br />
==== #14 (23). ''Choral'' „Wir singen dir in deinem Heer” ====<br />
* {{NewWork|2008-11-13}} '''CPDL #18292''' [{{SERVER}}/wiki/images/d/dd/Bach-Christmas_Oratorio_No23.pdf {{pdf}}] [{{SERVER}}/wiki/images/9/96/Bach-Christmas_Oratorio_No23.mid {{mid}}] [{{SERVER}}/wiki/images/9/96/Bach-Christmas_Oratorio_No23.sib Sibelius 4].<br><br />
{{Editor|John Henry Fowler|2008-11-13}} '''Score information:''' Letter, 2 pages, 27 kbytes&nbsp;&nbsp;&nbsp;{{Copy|CPDL}}<br />
* '''CPDL #5499:''' [{{SERVER}}/wiki/images/sheet/bwv-wo23.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo23.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo23.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 2 pages, 114 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part III. Am 3. Weihnachtstag (''Feria 3 Nativitatis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5516:''' [{{SERVER}}/wiki/images/sheet/bwv-2483.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 676 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 5 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (24). ''Coro'' „Herrscher des Himmels, erhöre das Lallen” ====<br />
* CPDL #5500:''' [{{SERVER}}/wiki/images/sheet/bwv-wo24.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo24.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo24.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 4 pages, 224 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (25). ''Evangelista (Tenore)'' „Und da die Engel von ihnen gen Himmel fuhren” ====<br />
==== #3 (26). ''Chorus'' „Lasset uns nun gehen gen Bethlehem” ====<br />
* '''CPDL #5501:''' [{{SERVER}}/wiki/images/sheet/bwv-wo26.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo26.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo26.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #4 (27). ''Recitativo (Basso)'' „Er hat sein Volk getröst't” ====<br />
==== #5 (28). ''Choral'' „Dies hat er alles uns getan” ====<br />
* '''CPDL #5502:''' [{{SERVER}}/wiki/images/sheet/bwv-wo28.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo28.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo28.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #6 (29). ''Aria Duetto (Soprano, Basso)'' „Herr, dein Mitleid, dein Erbarmen” ====<br />
==== #7 (30). ''Evangelista (Tenore)'' „Und sie kamen eilend” ====<br />
==== #8 (31). ''Aria (Alto)'' „Schließe, mein Herze, dies selige Wunder” ====<br />
==== #9 (32). ''Recitativo (Alto)'' „Ja, ja! mein Herz soll es bewahren” ====<br />
==== #10 (33). ''Choral'' „Ich will dich mit Fleiß bewahren” ====<br />
* '''CPDL #5503:''' [{{SERVER}}/wiki/images/sheet/bwv-wo33.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo33.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo33.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 104 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #1657:''' [http://christmassongbook.net/s2139b.asp {{net}}] GIF and MIDI files available.<br />
{{Editor|Christopher R. Baker|2000-11-27}} {{Copy|Personal}}<br />
:'''Edition notes:''' German and English text (''All My Heart This Night Rejoices'').<br />
==== #11 (34). ''Evangelista (Tenore)'' „Und die Hirten kehren wieder um” ====<br />
==== #12 (35). ''Choral'' „Seid froh, dieweil” ====<br />
* '''CPDL #5504:''' [{{SERVER}}/wiki/images/sheet/bwv-wo35.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo35.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo35.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== Repeat #1 (24). ''Coro'' „Herrscher des Himmels, erhöre das Lallen” ====<br />
<br />
=== Part IV. Am Neujahrstage (''Festo Circumcisionis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5517:''' [{{SERVER}}/wiki/images/sheet/bwv-2484.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 688 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 2 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (36). ''Coro'' „Fallt mit Danken, fallt mit Loben” ====<br />
* '''CPDL #5505:''' [{{SERVER}}/wiki/images/sheet/bwv-wo36.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo36.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo36.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 9 pages, 564 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (37). ''Evangelista (Tenore)'' „Und da acht Tage um waren” ====<br />
==== #3 (38). ''Reciativo/ Arioso (Soprano, Basso)'' „Immanuel, o süßes Wort/ Jesu, du mein liebstes Leben” ====<br />
==== #4 (39). ''Aria (Soprano, Echo)'' „Flößt, mein Heiland, flößt dein Namen” ====<br />
==== #5 (40). ''Recitativo/ Arioso (Soprano, Basso) „Wohlan! dein Name soll allein/ Jesu, meine Freud' und Wonne” ====<br />
==== #6 (41). ''Aria (Tenore)'' „Ich will nur dir zu Ehren leben” ====<br />
==== #7 (42). ''Choral'' „Jesus richte mein Beginnen” ====<br />
* '''CPDL #5506:''' [{{SERVER}}/wiki/images/sheet/bwv-wo42.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo42.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo42.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 2 pages, 132 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part V. Am Sonntag nach Neujahr (''Dominica post Festum Circumcisionis Christi'') ===<br />
'''Choral movements (complete)'''<br />
* '''CPDL #5518:''' [{{SERVER}}/wiki/images/sheet/bwv-2485.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 16 pages, 932 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 4 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (43). ''Coro'' „Jesus richte mein Beginnen” ====<br />
* '''CPDL #5507:''' [{{SERVER}}/wiki/images/sheet/bwv-wo43.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo43.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo43.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 596 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (44). ''Evangelista (Tenore)'' „Da Jesus geboren war zu Bethlehem” ====<br />
==== #3 (45). ''Coro/ Recitativo (Alto) '' „Wo ist der neugeborne König der J&uuml;den/ Sucht ihn in meiner Brust” ====<br />
* '''CPDL #5508:''' [{{SERVER}}/wiki/images/sheet/bwv-wo45.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo45.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo45.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 136 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #4 (46). ''Choral'' „Dein Glanz all' Finsternis verzehrt” ====<br />
* '''CPDL #5509:''' [{{SERVER}}/wiki/images/sheet/bwv-wo46.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo46.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo46.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 128 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #5 (47). ''Aria (Basso)'' „Erleucht' auch meine finstre Sinnen” ====<br />
==== #6 (48). ''Evangelista (Tenore)'' „Da das der König Herodes hörte” ====<br />
==== #7 (49). ''Accompagnato (Alto, Tenore)'' „Warum wollt ihr erschrecken” ====<br />
==== #8 (50). ''Evangelista (Tenore)'' „Und ließ versammeln alle Hohenpriester” ====<br />
==== #9 (51). ''Aria Terzetto (Soprano, Alto, Tenor)'' „Ach! wann wird die Zeit erscheinen?” ====<br />
==== #10 (52). ''Recitativo (alto)'' „Mein Liebster herrschet schon” ====<br />
==== #11 (53). ''Choral'' „Zwar ist solche Herzensstube” ====<br />
* '''CPDL #5510:''' [{{SERVER}}/wiki/images/sheet/bwv-wo53.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo53.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo53.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 96 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
<br />
=== Part VI. Am Fest der Erscheinung Christi (''Festo Epiphanias'') ===<br />
'''Choral movements (complete)<br />
* '''CPDL #5519:''' [{{SERVER}}/wiki/images/sheet/bwv-2486.pdf {{pdf}}] <br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 15 pages, 1032 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' 3 choral movements, choral parts only, midi and source files available with individual movements.<br />
<br />
'''Individual movements'''<br />
==== #1 (54). ''Chorus'' „Herr, wenn die stolzen Feinde schnauben” ====<br />
* '''CPDL #5511:''' [{{SERVER}}/wiki/images/sheet/bwv-wo54.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo54.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo54.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 11 pages, 804 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
==== #2 (55). ''Evangelista/ Herodes (Tenore, Basso)'' „Da berief Herodes die Weisen heimlich/ Ziehet hin und forschet fleißig” ====<br />
==== #3 (56). ''Accompagnato (Soprano)'' „Du Falscher, suchet nur den Herrn zu fällen” ====<br />
==== #4 (57). ''Aria (Soprano)'' „Nur ein Wink von seinen Händen” ====<br />
==== #5 (58). '' Evangelista (Tenore)'' „Als sie nun den König gehöret hatten” ====<br />
==== #6 (59). ''Choral'' „Ich steh an deiner Krippen hier” ====<br />
* '''CPDL #5512:''' [{{SERVER}}/wiki/images/sheet/bwv-wo59.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo59.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo59.zip Capella].<br><br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 1 page, 112 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
* '''CPDL #1668:''' [http://christmassongbook.net/s1260d.asp GIF] [http://christmassongbook.net/s1260d.asp {{mid}}] .<br><br />
{{Editor|Christopher R. Baker|2000-11-27}} '''Score information:''' &nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' English text (''Beside Thy Cradle Here I stand'').<br />
==== #7 (60). ''Evangelista (Tenore)'' „Und Gott befahl ihnen im Traum'” ====<br />
==== #8 (61). ''Accompagnato (Tenore)'' „So geht! Genug, mein Schatz geht nicht von hier” ====<br />
==== #9 (62). ''Aria (Tenore)'' „Nun mögt ihr stolzen Feinde schrecken” ====<br />
==== #10 (63). ''Recitativo à 4 (Soprano, Alto, Tenore, Basso)'' „Was will der Höllen Schrecken nun” ====<br />
==== #11 (64). ''Choral'' „Nun seid ihr wohl gerochen” ====<br />
* '''CPDL #5513:''' [{{SERVER}}/wiki/images/sheet/bwv-wo64.pdf {{pdf}}] [{{SERVER}}/wiki/images/sound/bwv-wo64.mid {{mid}}] [{{SERVER}}/wiki/images/source/bwv-wo64.zip Capella]<br />
{{Editor|Michael Dreschel|2003-08-19}} '''Score information:''' A4, 3 pages, 132 kbytes&nbsp;&nbsp;&nbsp;{{Copy|Personal}}<br />
:'''Edition notes:''' Choral parts only, source file is zipped.<br />
<br />
==General Information==<br />
'''Title:''' ''Weihnachtsoratorium'' (Christmas Oratorio)<br><br />
{{Composer|Johann Sebastian Bach}}<br />
<br />
{{MultiVoicing|v=4|v_add{{sp}}plus 4 soloists|n=2|1st=SATB|1st_add={{sp}} plus {{cat|Solo Soprano}}, {{cat|Solo Alto}}, {{cat|Solo Tenor}} & {{cat|Solo Bass}} (original);|2nd=SSAA|2nd_add={{sp}}(arrangement)}}<br><br />
'''Genre:''' {{pcat|Sacred| music}}, [[Oratorio]] <br><br />
{{Language|2|German|English}}<br />
'''Instruments:''' {{OrchAcc}}<br><br />
'''Published:''' 1734<br><br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
*[http://www.jsbach.org/jsbach.org Johan Sebastian Bach's Homepage]<br />
<br />
==Original text and translations==<br />
<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Oratorios]]<br />
[[Category:Christmas]]<br />
[[Category:Baroque music]]</div>Rote